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Norm Diamond
Norm and Doug
Norm Diamond
Norm Diamond

Norm Diamond

Country: United States
Birth: 1948

Norm Diamond spent thirty years as an interventional radiologist in Dallas, Texas. Treating severely ill and injured patients on a daily basis had a profound effect on him, which he came to fully understand when he retired and began his second career as a fine art photographer. Mentored by Cig Harvey since 2013, he began making work focused on themes of memory, loss, and isolation. In his first major project, What Is Left Behind - Stories from Estate Sales, he visited several hundred estate sales searching for and photographing objects left by one generation for the next. Daylight Books published this work as a monograph in 2017.

In his next series, Doug's Gym, he chronicled the last six months of a dilapidated, yet beautiful old gym in downtown Dallas. It was owned by 87-year-old Doug Eidd, who had run the gym since 1962. Both he and the gym came from a bygone era never to be seen again. Kehrer Verlag published Doug's Gym in 2020.

Diamond has now returned to an old project, Dark Planet. It reflects his worldview drawn from his experiences as a physician, his family background, and current events. The images reflect the same themes he has photographed for his two previous projects, but they are not tethered to specific locations or settings.

Diamond was named a finalist in the Photolucida Critical Mass competitions of 2015, 2016, 2018, 2019, and 2020. The Afterimage Gallery in Dallas and the Cumberland Gallery in Nashville have hosted solo shows of his work. His prints are in the hands of private collectors and have also been shown in multiple galleries and museums including Ogden Museum of Southern Art, Griffin Museum of Photography, Masur Museum of Art, Houston Center for Photography, Center for Fine Art Photography, and Center for Photographic Art.

Doug's Gym: The Last of Its Kind By Norm Diamond
Doug's Gym: The Last of Its Kind
Norm Diamond What Is Left Behind: Stories From Estate Sales
 

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More Great Photographers To Discover

Liu Zheng
China
1969
Liu Zheng was born in 1969 in the Hebei Province, China. His signature graytone photographs have for years starkly framed, in political and provocative situations, his human subjects. When he works in colour, the tones are awash in sepia or a doctored saturation that comments on the nostalgic nature of his topics – his Peking Opera series in particular reflects this. Liu's background is not rooted in arts . After majoring in optical engineering at the Beijing Institute of Technology, he joined a local paper as a photojournalist, where he covered the coal mining industry. This laid the foundation for his interest in the lives of the countrymen that toil endlessly; one of his first series as an artistic practitioner explored the lives of ethnic minorities and our perception of them. He continues to eke out of the histories and stories of his subjects and topics in photography, and has published several volumes of his series. Liu Zheng's work has been exhibited in solo shows including Dream Shock, Three Shadows Photography Art Center, Beijing, China (2013); Dream Shock, Zen Foto Gallery, Tokyo, Japan (2009); Liu Zheng: The Chinese, Williams College Museum of Art, Williamstown, MA (2008); Liu Zheng: Survians, SOHO New Town, Beijing, China (2005); Liu Zheng: The Chinese, Yossi Milo Gallery, New York, NY (2005); Liu Zheng, Rencontres Internationales de la Photographie, Arles, France (2003); The Chinese, Central Academy of Fine Arts Museum, Beijing, China (2001); and Three Realms and The Chinese, Taipei Photo Gallery, Taipei, Taiwan (1998). His works have also featured in group shows including the Minsheng Art Museum in Shanghai, China; Smart Museum of Art in Chicago, IL; The J. Paul Getty Museum, Los Angeles, LA; San Francisco Museum of Modern Art, San Francisco, CA; Mori Art Museum, Tokyo, Japan; Asia Society and Museum, New York, NY; the Victoria and Albert Museum, London, England; and Chambers Fine Art, Beijing, China. He has also participated in the 50th Biennale di Venezia in Venice, Italy and the International Center of Photography Triennale, New York. His work is in the collections of the Guy and Miriam Ullens Foundation, Geneva, Switzerland; the Metropolitan Museum of Art, New York, NY; Uli Sigg Collection, Mauensee, Switzerland; and the Museum of Contemporary Art, Los Angeles, CA. He currently lives and works in Beijing, China.
Patrick Wack
France
1979
Patrick Wack was born in Cannes in 1979 and grew up in the Paris suburbs. A former top sportsman, he has a degree in foreign languages and a diploma from the Ecole Supérieure de Commerce de Paris. His studies took him to the United States, Sweden and Germany. A self-taught photographer, he left Berlin in 2006 for China with the ambition of documenting its emergence, and the hope of living a life off the beaten track. He was based in Shanghai for eleven years as a freelance photographer alternating between commissions for the international press and institutional clients. He also worked on long-term documentary projects on themes important to the understanding of our times. These include urban change and forced modernisation in China, the Tibetan question, inter-ethnic tensions in the Balkans and the 'pioneering front' of the New Silk Road in its aesthetic, social and political dimensions. After eleven years in China, he now divides his time between Europe, China and Russia. His reports have been published in Time magazine, The Sunday Times, Géo, The British Journal of Photography and Courrier International, among others. He is one of the co-founders of the photographic cooperative Inland. DUST Dust, a monographic book by photographer Patrick Wack on the Uyghur communities. The monograph DUST gathers four years of work by French photographer Patrick Wack shot in the areas of Central Asia known as East Turkistan or Xinjiang Uyghur Autonomous Region under the current Chinese administration. In recent years, the region has been at the centre of an international outcry following the mass-incarceration of its Uyghur population and other Muslim minorities. This body of work captures a visual narrative of the region and is a testimony to its abrupt descent into an Orwellian dystopia. In 2016 and 2017, Wack spent more than two months in Xinjiang photographing Out West, his first long-term project about the region. He decided to return in 2018, upon reading reports of the mass arbitrary detention system being set up there. In 2019, he travelled to Xinjiang on two separate occasions for another project, The Night Is Thick. This second reportage aimed at documenting life under acute repression among the Uyghur minority alongside the disturbing simultaneous increase of Han-Chinese tourism in the region. These images have been widely published and exhibited over the past four years, illustrating the situation in the region, and have received numerous accolades. Recent events in Xinjiang are now considered some of the most severe crimes against humanity currently unfolding in the world and this project is possibly the most complete photographic documentation of the region in recent years. Find out more about DUST
Félix Bonfils
France
1831 | † 1885
Félix Adrien Bonfils was a French photographer and writer who was active in the Middle East. He was one of the first commercial photographers to produce images of the Middle East on a large scale and amongst the first to employ a new method of colour photography, developed in 1880. He was born in Saint-Hippolyte-du-Fort and died in Alès. Félix worked as a bookbinder. In 1860, he joined General d'Hautpoul's expedition to the Levant, organized by France following the massacre of Christians in the civil conflict between Christians and Druze in Mount Lebanon and Damascus. On his return to France, it is thought that Félix was taught the heliogravure printing process by Abel Niépce de Saint-Victor and opened a printing office in Alès in 1864. Soon after returning from Lebanon, he became a photographer. In 1857, he married Marie-Lydie Cabanis. When his son, Adrien, fell ill, Félix remembered the green hills around Beirut and sent him there to recover, being accompanied by Félix's wife. The family moved to Beirut in 1867 where they opened a photographic studio called "Maison Bonfils". Source: Wikipedia Félix Bonfils and his wife Lydie (1837-1918) came from Saint Hippolyte du Fort in the Gard. As a binder, then a printer, and finally a photographer trained by Niépce de Saint Victor, Félix Bonfils stayed in Lebanon in 1860 during France’s military expedition. He soon decided to transfer his activity there, and so Bonfils’s photographic studio was founded in Beirut in 1867. Bonfils was not a pioneer photography, yet he was the first Frenchman to open a studio in Beirut. His wife, soon assisted by their son Adrien (1861-1929), produced portraits and genre scenes as they travelled throughout Lebanon, Palestine, Egypt, Turkey and Greece before bringing back their shots. The Bonfils studio was above all renowned for its landscapes, sites and views of architecture made first of all for artists, wealthy travellers, art historians and archaeologists, then for an increasing number of tourists. Bonfils immediately became extremely active: at the beginning of the 1870s his catalogue included some fifteen thousand shots, five hundred and ninety-one negatives from Egypt, Palestine, Syria and Greece, and nine thousand stereoscopic views. In 1876, Constantinople was added. A new catalogue resuming these images was published in 1876. These shots were sold one by one on demand, but also brought together in albums. In 1872, Bonfils started out by presenting Architecture antique. Egypte. Grèce. Asie Mineure. Album de photographies published by Ducher in Paris and including fifty albumen originals tipped onto cards with printed captions. For the Paris World Fair in 1878, he produced a series of five volumes entitled: Souvenirs d’Orient : album pittoresque des sites, villes et ruines les plus remarquables… published by their author in Alès in 1877-1878 and covering the Orient from Egypt and Nubia (volumes I and II) to Athens and Constantinople (volume V). Each album included around forty original, tipped-in photographs, as well as an “historical, archaeological and descriptive notice opposite each plate”. These collections were thus offered to the buyers in a finished form, a little like the engraved keepsakes from the 1830s. They won a medal at the World Fair and the department of Stamps at the then Bibliothèque Impériale acquired the entire collection. At this time, the firm, which was now divided between Alès and Beirut, was renamed Bonfils et Cie. This enterprise had a commercial rationale: it was important for it to offer as broad an offer as possible covering all the countries of the Middle East, with all the sites, monuments and landscapes sought-out by its clientele. For this reason, Félix Bonfils was soon unable to do everything on his own. Apart from his wife and son, he took on the help of assistants who have mostly remained anonymous, as well as local photographers also from the Gard, such as Tancrède Dumas (1830-1905) and Jean-Baptiste Charlier (1822-1907) who sold on their shots to him. In 1875 Félix Bonfils felt the need to distribute his prints from Europe, even if he also had a network of foreign correspondents as can be seen in their often bilingual captions. He left his wife and son to manage the Beirut studio and moved back to Alès in the Gard to organize mail ordering of all the images they produced on the banks of the Mediterranean. After his death in 1885, the firm which had opened up several subsidies around the Middle East, was run by his wife and son, until 1895 when the latter turned towards the hotel business. It was only at the death of Lydie Bonfils in 1918 that Abraham Guiragossian, who had been an associate since 1909, brought up the business, which finally closed in 1938. The entire catalogue of works provided by the Bonfils company is as large as it is interesting, especially because these images marry a documentary concern with an aesthetic approach to composition and framing. The large number of photographers explains the obvious fluctuations of quality. The great demand, trade requirements, and the interest of the clientele in the obviously picturesque explains why a part of the production can be judged to be rather mediocre, unjustly obscuring pieces of great quality. This huge production spread out over more than half a century explains why Bonfils’s photographs are today heavily present in French public collections (the BnF, Médiathèque de l’Architecture et du Patrimoine, Musée Niépce…).Source: Bibliothèque Nationale de France
Trevor Cole
Eddy Verloes
Belgium
1959
As a visual storyteller, he creates a poetic and mysterious world in his mainly black and white photos that sometimes balance between realism and surrealism. He is always focused on the decisive moment and shoots with his soul, not with his camera. Some of his (street) photos are also spiced with a touch of humor and it's difficult to put him in a box. Eddy Verloes studied literature, philosophy and arts at the University of Louvain (Belgium) and the Albert-Ludwigs-Universität Freiburg i.B. (Germany), is a lecturer at the Royal Military Academy and General Manager of Verloes Languages & Training. As a photographer, he studied at CVO Louvain (Belgium). Between 2015 and 2021 he has published 4 photo books ("No time to Verloes", "Cuba libre", "Zeezuchten" and "Losing Our Minds/Buiten zinnen") and has exhibited in several galleries in the USA, the United Kingdom, France, Austria, Greece, Italy, Spain, Germany, The Netherlands and Belgium. He has been selected several times for national and international competitions (LensCulture, CEWE Photo Challenge, Fotonale Brugge). In 2020 he has already received more than 30 awards/ prizes including the jury prize of the 11th Photography Contest in France (Toulouse), he was the Belgian Winner of the EISA Maestro Photo Contest 2020, finalist at the PassePartout Photography Prize (Italy), Vienna International Photo Awards 2020, New York Center for Photographic Art, selected for PhotoPlace Gallery (Vermont), winner at the Open Call 2020 ("Fine Art") Lucie Foundation Los Angeles, Winner at the Antwerp International Photography Festival, selected as one of the 25 Winners at the All-About-Photo Contest B&W, selected as one of the best contemporary photographers worldwide by the American site All-About-Photo, accepted into A Smith Gallery's "light" exhibition (Texas), selected for the Atlanta Photography Group in the Tula Art Center, Winner at the 3. Fotowettbewerb des Museums Synagoge Gröbzig (Germany), Winner of the Life Framer Photo Contest 2020 ("Civilization") and selected for the Life Framer Collection, selected at the Duncan Miller Gallery (California), Travel Photographer of the Year 2020 (People of the World).
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Castro Frank is a Los Angeles based visual artist who has translated his personal experiences of growing up in the San Fernando Valley into a signature journalistic and candid approach to photography.
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I first discovered Lenka Klicperová's work through the submission of her project 'Lost War' for the November 2021 Solo Exhibition. I chose this project for its strength not only because of its poignant subject but also for its humanist approach. I must admit that I was even more impressed when I discovered that it was a women behind these powerful front line images. Her courage and dedication in covering difficult conflicts around the world is staggering. We asked her a few questions about her life and work.
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Call for Entries
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