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Yves Marchand & Romain Meffre
© Jules Hidrot
Yves Marchand & Romain Meffre
Yves Marchand & Romain Meffre

Yves Marchand & Romain Meffre

Country: France

Marchand (b.1981) and Meffre (b.1987) live and work in Paris. Initially pursuing photography individually, they met online in 2002 and started working together with the beginning of their Detroit project in 2005. Steidl published The Ruins of Detroit in 2010. A second printing is planned for later this year.

They are currently completing their Gunkanjima book, also to be published by Steidl, and they continue to work on a project documenting American theaters that have either fallen into decay or been transformed entirely. Their work has been exhibited extensively throughout Europe and has been featured in the New York Times, The Guardian, The British Journal of Photography, TIME Magazine, amongst others.

Source: Edwynn Houk Gallery



About Theaters (2005-Ongoing)
In the early 20th century, following the development of the entertainment industry, hundreds of theaters were built across North America. Major entertainment firms and movie studios commissioned specialized architects to build grandiose and extravagant auditoriums.

From the 60's, TV, multiplexes and urban crisis made them obsolete. During the following decades, these theaters were either modernized, transformed into adult cinemas or they closed, one after the other; many of them were simply demolished.


About Gunkanjima (2008-2012)
In the South China Sea, 15 kilometers off the southwest coast of Nagasaki among the thousands of verdant landmasses that surround Japan, lies a mysterious island. With the geometric silhouette of a dark gray hull, perforated by hundreds of small windows, the island resembles a battleship. As one moves closer, approaching by sea, the figure takes shape again and the ghost ship turns into a block of concrete surrounded by a high wall on which waves crash - the island looks like a Japanese version of Alcatraz. Only 40 years ago, this tiny island was home to one of the most remarkable mining towns in the world and maintained the highest population density in the world.

During the wave of industrialisation in the nineteenth century, a coal seam was discovered on the tiny Hashima island. In 1890 the Mitsubishi Corporation opened a mine on the island. For decades coal production sustained Japan's modernisation and helped establish its position as an industrialised nation and imperial power. Workers settled on the island and the population increased. Mine slag was used to expand the surface of the colony; piling up on itself like an ant hill. The small mining town quickly became an autonomous modern settlement (with apartment buildings, a school, hospital, shrine, retail stores and restaurants) which mimicked the other settlements on the Nippon archipelago. One multi-storied concrete apartment block with its brutal and rational style followed another, until the tiny island became the most densely populated place in the world per square meter with over 5,000 inhabitants in the 1950s.


About The Ruins of Detroit (2005-2010)
At the end of the XIXth Century, mankind was about to fulfill an old dream. The idea of a fast and autonomous means of displacement was slowly becoming a reality for engineers all over the world. Thanks to its ideal location on the Great Lakes Basin, the city of Detroit was about to generate its own industrial revolution. Visionary engineers and entrepreneurs flocked to its borders.

In 1913, up-and-coming car manufacturer Henry Ford perfected the first large-scale assembly line. Within few years, Detroit was about to become the world capital of automobile and the cradle of modern mass-production. For the first time of history, affluence was within the reach of the mass of people. Monumental skyscapers and fancy neighborhoods put the city's wealth on display. Detroit became the dazzling beacon of the American Dream. Thousands of migrants came to find a job. By the 50's, its population rose to almost 2 million people. Detroit became the 4th largest city in the United States.

 

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Eva Chupikova
Czech Republic
Eva is a freelance illustrator and photographer based in Czechia. She was born and grew up in the mountainous region in Northern Slovakia and after earning her degree in philosophy, she went on to establish a career as a freelance graphic designer and illustrator specializing in children´s literature. Eva has been intimately connected with photography since 2016. Her body of work falls under the genre of fine art portrait and minimalist landscape photography. A minimalist approach, the absence of colors, the emphasis on space and texture connected with a sometimes near blank canvas provide Eva the necessary means to visually express herself creatively. “As a photographer, I seek beauty in basic geometric lines and shapes, which are bound in harmony with the elusive variability and diversity of natural, organic forms. Photography, for me, is a means of capturing a distilled version of reality. It serves as a tool to seek out and unveil purified connections, free from the noise of superficial information and stimuli that inundate our senses and experiences. Through the lens, I strive to isolate and reveal the essential elements that might otherwise go unnoticed in the chaos of everyday life. Each image crafted is a deliberate act of reducing distractions, allowing viewers to immerse themselves in the simplicity and harmony of the moment.“ Eva´s conceptual portrait/self-portrait photography is closely intertwined with her profession as an illustrator. Through the use of techniques such as line work, drawing or collage, she is able to infuse her portraits with surreal and symbolic elements, blurring the lines between reality and imaginary. The main theme of Eva´s portrait photography is a figure or face reduced in expression, and it serves as an initial frame, against which a fleeting moment of consciousness takes place in hints. As a photographer, Eva finds herself drawn to creating series rather than single images. A series provides her with the opportunity to develop her concepts and articulate her aesthetic visions across a sequence of complementary images. By developing a series, Eva weaves together a visual theme that transcends the limitations of a single photograph, allowing to express her photographic intention in a more nuanced way. Eva has received numerous international awards and her work has been featured in various magazines. In 2022, Eva was awarded the grand prize – the ´Grand Prix Gold Star Award´ – for the series ´Leaving´ in the prestigious international ND Photography Awards for which Eva received the title ND Discovery of the Year 2022.
Patrick Morarescu
Statement "Due to the natural dynamic and complexity of the individual, I have always been drawn to portraiture. I photograph persons to whom I feel an initial attraction and try to reflect this force in images. A power that you cannot describe in words or in rational concepts but it captures the attention and creates a strong curiosity, a sort of addiction not only to body shapes, eyes, skin tonalities, but to what is behind: the thoughts and the mental state of that persons. And I feel a sort of instinct of possession, a desire to materialize the moment that this person is living. The human presence, with it’s emotionality, is some times too strong; it is almost insulting, shouting to get all the attention: Like a red dot in the green, like a flash in the darkness. To balance that force I need the background, the space that as a negative form defines the contour of the figure. Through that supplementary space I create a whole story. The key of my research lies in the dialogue between the person and its background; sometimes I think I am not portraying a person with a background, but the background with a person; sometimes it is the opposite. The background speaks about fear, happiness, peace, desperation; it speaks about the circumstances through an atmosphere. There is one basic element that is crucial to bring all the elements together: The light. Like a thread that creates structure and consistence in a tissue; the magical substance of photography. It is a physical condition that contains many extraordinary qualities. The photography is a chemical reaction in which the light is transcripted in a plain surface, creating a code that by the eyes suggest reality; but photography is not reality itself but an abstraction of it. And this is the point that fascinates me; the possibility of recreating the reality through the chemical process." -- Patrick Morarescu
Jacques Lowe
United States
1930 | † 2001
Jacques Lowe (born Jascha Lülsdorf) was a photographer and publisher best known for his role as U.S. President John F. Kennedy's official photographer during his election campaign and presidency. Lowe was born in Cologne, Germany, on Jan. 24, 1930. He came to New York in 1949 and became an assistant to the photographer Arnold Newman in 1951. Lowe began working as Kennedy's campaign photographer in 1958, and documented the Kennedy administration after his election until 1962. Lowe died at his home in Manhattan on May 12, 2001. Months after his death, approximately 40,000 of Lowe's negatives were destroyed in the September 11 attacks on the World Trade Center.Source: Wikipedia Jacques Lowe is an internationally renowned photographer and photo journalist who is best known for his portraiture of the leading personalities of our time, nationally and internationally, in politics, business, and the entertainment world. In 1951, Mr. Lowe was a prize winner in Life magazine's contest for young photographers, after which Roy Stryker, the grand old man of photography, gave him an eight week assignment in Europe. Starting in 1953 as a contributor to Jubilee magazine he won numerous awards for his photo journalistic work among gypsies and other minorities. He went on to contribute to such magazines as Time, Life, Look, The Saturday Evening Post, Ladie's Home Journal, Paris Match, Epoca, Stern, and many others, and he was a staff photographer at Collier's Magazine at the time that journal folded. In 1956, through his work, he befriended Robert F. Kennedy who had been appointed majority counsel to the McClellan Committee. In 1958 Ambassador Joseph P. Kennedy, who admired his work, asked him to photograph his "other son, Jack." That assignment led to his becoming the Official Campaign Photographer of John F. Kennedy's quest for the presidency and, when elected, the personal photographer of President Kennedy. Although offered the White House Photographer's job Lowe declined, but the president asked him to "stick around and record my administration. Don't worry, I'll make it worth your while." His work for the campaign, the Kennedy White House, and the Kennedy family has resulted in six books, numerous exhibitions from the USA to Moscow, several prime time television shows, and some 150 major magazine pieces and covers. Reviewers have credited Lowe's "natural, warm, and intimate images of the president and his family and the workings of the presidency with keeping alive the Kennedy flame for generations yet to come." Following his work at the Kennedy White House Lowe returned to his studio in New York where he renewed his magazine, advertising and corporate photography work. His clients ranged from AT&T to Hertz Cars, from DuPont to United Airlines He won numerous gold and silver art director's awards for his commercial work. Lowe was a 26 year old freelance journalist in 1956 when he was assigned by three magazines within the same week to photograph Chief Counsel Robert Kennedy. They became friends and Lowe soon was invited to spend weekends at Kennedy's Hickory Hill home in Virginia. Joseph Kennedy, Sr. was impressed with Lowe's photographs and requested he photograph his other son 'John'. Although the initial meeting between Lowe and Senator Jack Kennedy was not an auspicious start, the relationship soon changed course due to Lowe's honorable approach to his photographs and he was provided unprecedented access to one of the most iconic leaders of the 20th century, as well as members of his family. These legendary images share an intimate view of John F. Kennedy as he was on the intense campaign trail, important moments during the early years of his term as President and family moments with his wife Jackie and his children. The archive comprises over 40,000 images.Source: Westwood Gallery What do you do when, as a photographer, you are told your image archive is so precious that it's uninsurable? The answer for Jacques Lowe, whose images helped create the legend of John F Kennedy, was to store them in JP Morgan's seemingly impregnable vault in Tower 5 of New York's World Trade Center. But then 9/11 came, and his life's work went with it. After the terror attack, Jacques Lowe's daughter, Thomasina, campaigned to try and retrieve her father's archive from the twin tower's rubble before they were razed. Amazingly, the safe in which they were stored was found intact, but the contents – over 40,000 negatives – were reduced to ash. All was not completely lost though, as 1,500 of Lowe's contact sheets were located elsewhere in New York. From these, selected images were painstakingly restored for an exhibition at the Newseum in Washington DC. A collection of prints from the original negatives were also made by the photographer himself, prior to his death four months before 9/11. An exhibition at Proud Chelsea in London is now showcasing these rarities.Source: The Guardian
Anuar Patjane
Mexico
1981
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Stephanus Meyer
Zambia/United Kingdom
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Richard Learoyd
United Kingdom
1966
Richard Learoyd was born in the small mill town of Nelson, Lancashire, England in 1966. At the age of 15, his mother insisted he take a pinhole photography workshop, which he attributes as the start of his interest in photography. In 1990 he graduated from the Glasgow School of Art with a degree in Fine Art Photography. While there he studied with American photographer Thomas Joshua Cooper. In 1991 Learoyd was awarded an artist-in-residence at the Scottish Ballet. Learoyd taught photography at Bournemouth and Poole College from 1994 until 1999. In 2000, he moved to London where he worked as a commercial photographer. Source: Wikipedia Richard Learoyd’s color images are made with one of the most antiquarian of photographic processes: the camera obscura. Literally translated from Latin as “dark room,” Learoyd has created a room-sized camera in which the photographic paper is exposed. The subject—often a person, sometimes a still life—is in the adjacent room, separated by a lens. Light falling on the subject is directly focused onto the photographic paper without an interposing film negative. The result is an entirely grainless image. The overall sense of these larger-than-life images redefines the photographic illusion. Learoyd’s subjects, composed simply and directly, are described with the thinnest plane of focus, re-creating and exaggerating the way that the human eye perceives, and not without a small acknowledgement to Dutch Master painting. Learoyd’s black-and-white gelatin silver contact prints are made using the negative/positive process invented roughly 170 years ago by Englishman W. H. Fox Talbot. Working with a large and portable camera obscura of his own construction, Learoyd has journeyed outside of his London studio, into the art-historically rich English countryside, along the California coast, and throughout Eastern Europe, producing images that have long been latent in his imagination. The negatives are up to 80 inches wide, resulting in the largest gelatin-silver contact prints ever made. In 2015, Aperture released Richard Learoyd: Day for Night, a comprehensive book of color portraits and studio work, and concurrently, the Victoria & Albert Museum in London mounted a his first solo museum exhibition, Dark Mirror. In 2016, the J. Paul Getty Museum opened a solo exhibition of his large-scale portrait and still-life photographs, which then traveled to the Nelson-Atkins Museum of Art. In 2019, a survey exhibition will open at Fundación MAPFRE in Spain. Learoyd’s work is included in the collections of The Getty, Tate, Victoria & Albert Museum, Centre Pompidou, The Metropolitan Museum of Art, San Francisco Museum of Modern Art, Nelson-Atkins Museum, National Gallery of Canada, and Yale University Art Gallery, among others. Source: Fraenkel Gallery
Jean-Marie Périer
Jean-Marie Périer (born in Neuilly in 1940) is a French photographer and film director. He began his career as Daniel Filipacchi’s assistant in 1956. Soon he was working for Jazz magazine, Paris-Match and Tele7Jours. He was drafted to serve in Algeria where he worked in the French Army’s Photographic Department. From 1962 to 1974 he was the official photographer of ‘Les Copains’, the world leading magazine in music. Jean-Marie Périer’s fame goes back to his iconic photographs of The Beatles, Rolling Stones, Bob Dylan, James Brown, to name but a few; images that indelibly captured the Pop and Rock scenes of the Sixties. In 1990, Jean-Marie returned home to Paris having spent ten years in LA and NY directing commercials for such prominent clients as Coca-Cola, Canada Dry, Ford and Nestlé. It was photography that he wished to return; to once again feel the freedom and creativity he experienced during those Rock n’ Roll years. ELLE magazine gave him carte blanche to produce a series of images, entitled “The World of Fashion Designers” that presented the glamour and elegance of the fashion industry and its icons. The most famous fashion designers posed for him: Saint-Laurent, Armani, Tom Ford, Christian Lacroix, Gaultier, Alaïa… At the same time he directed several series of documentaries for television; in 2008 he directed 50 short films with Jacques Dutronc for the French channel Paris Premiere and another series of 50 short films about the sixties for France 5 . His first major exhibition took place at the Paris Hotel de Ville in 2002. Since then, he has had numerous solo exhibitions worldwide and his works have been acquired by significant public and private collections.Source: Fahey/Klein Gallery
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