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Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Yves Marchand & Romain Meffre
© Jules Hidrot
Yves Marchand & Romain Meffre
Yves Marchand & Romain Meffre

Yves Marchand & Romain Meffre

Country: France

Marchand (b.1981) and Meffre (b.1987) live and work in Paris. Initially pursuing photography individually, they met online in 2002 and started working together with the beginning of their Detroit project in 2005. Steidl published The Ruins of Detroit in 2010. A second printing is planned for later this year.

They are currently completing their Gunkanjima book, also to be published by Steidl, and they continue to work on a project documenting American theaters that have either fallen into decay or been transformed entirely. Their work has been exhibited extensively throughout Europe and has been featured in the New York Times, The Guardian, The British Journal of Photography, TIME Magazine, amongst others.

Source: Edwynn Houk Gallery



About Theaters (2005-Ongoing)
In the early 20th century, following the development of the entertainment industry, hundreds of theaters were built across North America. Major entertainment firms and movie studios commissioned specialized architects to build grandiose and extravagant auditoriums.

From the 60's, TV, multiplexes and urban crisis made them obsolete. During the following decades, these theaters were either modernized, transformed into adult cinemas or they closed, one after the other; many of them were simply demolished.


About Gunkanjima (2008-2012)
In the South China Sea, 15 kilometers off the southwest coast of Nagasaki among the thousands of verdant landmasses that surround Japan, lies a mysterious island. With the geometric silhouette of a dark gray hull, perforated by hundreds of small windows, the island resembles a battleship. As one moves closer, approaching by sea, the figure takes shape again and the ghost ship turns into a block of concrete surrounded by a high wall on which waves crash - the island looks like a Japanese version of Alcatraz. Only 40 years ago, this tiny island was home to one of the most remarkable mining towns in the world and maintained the highest population density in the world.

During the wave of industrialisation in the nineteenth century, a coal seam was discovered on the tiny Hashima island. In 1890 the Mitsubishi Corporation opened a mine on the island. For decades coal production sustained Japan's modernisation and helped establish its position as an industrialised nation and imperial power. Workers settled on the island and the population increased. Mine slag was used to expand the surface of the colony; piling up on itself like an ant hill. The small mining town quickly became an autonomous modern settlement (with apartment buildings, a school, hospital, shrine, retail stores and restaurants) which mimicked the other settlements on the Nippon archipelago. One multi-storied concrete apartment block with its brutal and rational style followed another, until the tiny island became the most densely populated place in the world per square meter with over 5,000 inhabitants in the 1950s.


About The Ruins of Detroit (2005-2010)
At the end of the XIXth Century, mankind was about to fulfill an old dream. The idea of a fast and autonomous means of displacement was slowly becoming a reality for engineers all over the world. Thanks to its ideal location on the Great Lakes Basin, the city of Detroit was about to generate its own industrial revolution. Visionary engineers and entrepreneurs flocked to its borders.

In 1913, up-and-coming car manufacturer Henry Ford perfected the first large-scale assembly line. Within few years, Detroit was about to become the world capital of automobile and the cradle of modern mass-production. For the first time of history, affluence was within the reach of the mass of people. Monumental skyscapers and fancy neighborhoods put the city's wealth on display. Detroit became the dazzling beacon of the American Dream. Thousands of migrants came to find a job. By the 50's, its population rose to almost 2 million people. Detroit became the 4th largest city in the United States.

 

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More Great Photographers To Discover

John Thomson
Scotland
1837 | † 1921
John Thomson, one of the great figures of nineteenth century photography, is known for the unusual and exotic nature of his chosen subject matter. Born in Edinburgh, Scotland in 1837, Thomson took up photography as a profession in his early twenties. For ten years, from 1862, he traveled and explored the Far East, visiting Hong Kong, Singapore, Penang and the Malay Peninsula, Siam, Cambodia, Vietnam, Formosa and especially China. Utilizing a large wooden box-type camera capable of accommodating a glass plate of up to 12 x 16 inches, John Thomson photographed commoners and kings, attempting to capture the individual behind the veneer of social status. His photographic record of the Far East documented a complete panorama of the cultures and people of the Far East at a time when Westerners were a few and curious lot. John Thomson not only created a photographic history, but also wrote numerous articles and books on his travels and views of life in the Far East. There is no doubt that it was Thomson’s sympathetic approach to his subjects, and the dignity with which he embued them, as much as his great technical expertise, which enabled him to produce such an outstanding photographic documentary. It is this marriage between sensitivity, technical expertise and sheer professionalism, not to mention his voluminous literary output and descriptions of the scenes and people, which he photographed, that has earned Thomson the title of the ‘first of the great photo-journalists’. His work, which has only recently gained full recognition, represents one of the great photo-historical records in the history of documentary photography. Source Westwood Gallery
Fausto Podavini
Fausto Podavini was born in Rome, where he still lives and works. His passion for photography began when he was 18, first as assistant and studio photographer, then working on ethnological and social reportage. In 1992, he worked at MIFAV, the photography museum at Tor Vergata University in Rome and then studied at the John Kaverdash photography academy in Milan, taking a master’s degree in reportage. Podavini left studio photography to dedicate himself exclusively to reportage, and is nowadays a freelance photographer, collaborating with a number of NGOs. He has covered issues in Italy, Peru, Kenya, and Ethiopia, where he is currently developing personal photographic projects.Italian social reportage photographer Fausto Podavini is honoured this year as both third place winner in the 2013 Sony World Photography Awards Lifestyle category as well as first prize for the 2013 World Press Photo's 'Daily Life' category. His winning series, follows the relationship of Mirella and Luigi as Mirella cared for for husband at home in Rome. Married for over 40 years, Luigi began experiencing symptoms of Alzheimer's disease. For six years, Mirella tended to her husband's needs due to the progressive degenerative illness. After five years of living with Alzheimers, Luigi no longer recongised his wife; he died in May 2011 with her at his bedside. Podavini's intimate and delicate series follows Mirella for four years. WPO's Kaley Sweeney spoke to the photographer a bit more about his experiences developing the long term project. (Source: World Photography Organisation)
Chris Anthony
Chris Anthony is an artist from Stockholm, Sweden, primarily known for his macabre and Victorian Gothic-inspired photographs. Anthony has also directed commercials for companies such as Deutsche Telekom and music videos for groups such as The Dandy Warhols. Anthony currently specializes in photography. He often uses vintage lenses produced between 1860 and 1910 to help create an "otherworldly atmosphere." He uses 5x7 and 8x10 formats in conjunction with digital scanners in order to manipulate the images in Photoshop. Chris Anthony has won several prestigious awards including: Black Book Raw - 50 Photographers 2008 Go Indie Photo Contest/PDN Stock Photo Guide 2008 - Professional Grand Prize Winner & Category Winner for "I'm the Most Normal Person I Know" The 2007 Grand Prize in the American Photo Images of the Year competition for "Victims and Avengers" First place in the music advertising category in the International Photography Awards 2007's Professional Photographer of the Year Competition. American Photography 23rd Annual 2007, My Chemical Romance "The Black Parade".Source: Wikipedia Chris Anthony's world is wonderful collection of object symbols, set design, and character development. His photographs are an intersection of Renaissance set and costume design, melted with a process that employs both antique photographic equipment and technology through post-production. His work is lush and painterly guided by deep hues of color, muted and apart in time. He creates an image that is akin to filmwork in its narrative, both cinematic and containing all the elements of a story left open-ended. His characters linger in a loosely draped studio space, a century gone by, waiting, wandering, lost in thought, casting challenge to unravel the mystery of the objects that accompany. Chris Anthony’s work has been exhibited in Los Angeles, Stockholm, Brooklyn, Hong Kong, Washington D.C., London, Bath, San Francisco and is included in many private and public collections around the world. Publications that have featured Anthony and his work include the Los Angeles Times, Washington Post, Photo District News, Eyemazing, Art News, American Photo, Blink, Paper, Photo+, GUP, Fraction Magazine, Nylon, Black Book, Juxtapoz, Zoom, Angeleno, Huffington Post, Corriere Della Sera and LA Weekly. Clients include Chiat/Day, Sony Playstation, Sony Music, Universal Music Group, Republic Records, Warner Music, Los Angeles Magazine, Hollywood Records, Reprise, Stuttgart City Ballet, Myspace Records, Dell and USC. Born in Sweden, Anthony currently lives and works in Los Angeles, California.Source: Randall Scott Projects
Martin Munkácsi
Hungary
1896 | † 1963
Martin Munkácsi (born Mermelstein Márton; Kolozsvár, Hungary, May 18, 1896; died July 13, 1963, New York, NY) was a Hungarian photographer who worked in Germany (1928–34) and the United States, where he was based in New York City. Munkácsi was a newspaper writer and photographer in Hungary, specializing in sports. At the time, sports action photography could only be done in bright light outdoors. Munkácsi's innovation was to make sports photographs as meticulously composed action photographs, which required both artistic and technical skill. Munkácsi's legendary big break was to happen upon a fatal brawl, which he photographed. Those photos affected the outcome of the trial of the accused killer, and gave Munkácsi considerable notoriety. That notoriety helped him get a job in Berlin in 1928, for the Berliner Illustrirte Zeitung, where his first published photo was a race car splashing its way through a puddle. He also worked for the fashion magazine Die Dame. More than just sports and fashion, he photographed Berliners, rich and poor, in all their activities. He traveled to Turkey, Sicily, Egypt, London, New York, and famously Liberia, for photo spreads in the Berliner Illustrirte Zeitung. The speed of the modern age and the excitement of new photographic viewpoints enthralled him, especially flying. There are aerial photographs; there are air-to-air photographs of a flying school for women; there are photographs from a Zeppelin, including the ones on his trip to Brazil, where he crosses over a boat whose passengers wave to the airship above. On March 21, 1933, he photographed the fateful Day of Potsdam, when the aged President Paul von Hindenburg handed Germany over to Adolf Hitler. On assignment for the Berliner Illustrirte Zeitung, he photographed Hitler's inner circle, although he was a Jewish foreigner. In 1934, the Nazis nationalized the Berliner Illustrirte Zeitung, fired its Jewish editor-in-chief, Kurt Korff, and replaced its innovative photography with pictures of German troops. Munkácsi left for New York, where he signed on, for a substantial $100,000, with Harper's Bazaar, a top fashion magazine. In a change from usual practice, he often left the studio to shoot outdoors, on the beach, on farms and fields, at an airport. He produced one of the first articles in a popular magazine to be illustrated with nude photographs. His portraits include Katharine Hepburn, Leslie Howard, Jean Harlow, Joan Crawford, Jane Russell, Louis Armstrong, and the definitive dance photograph of Fred Astaire. Munkácsi died in poverty and controversy. Several universities and museums declined to accept his archives, and they were scattered around the world. Berlin's Ullstein Archives and Hamburg's F. C. Gundlach collection are home to two of the largest collections of Munkácsi's work.Source: Wikipedia
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AAP Magazine #56 Shadows
Win a Solo Exhibition in April
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