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Miguel Rio Branco
Miguel Rio Branco

Miguel Rio Branco

Country: Brazil
Birth: 1946

Miguel Rio Branco (born 11 December 1946) is a Brazilian photographer, painter, and filmmaker (director and cinematographer). His work has focused on Brazil and included photojournalism, and social and political criticism. Rio Branco is an Associate Member of Magnum Photos. His photographs are included in the collections of the Museum of Modern Art and Metropolitan Museum of Art in New York.

Rio Branco was born in Las Palmas, Gran Canaria, in the Canary Islands. His parents were diplomats and he spent his childhood in Portugal, Switzerland, Brazil and the United States. In 1976 he moved to New York City, where he earned a BA, and took a one-month vocational course at the New York Institute of Photography. In 1978, he moved to Rio de Janeiro and studied at the Industrial Design College.

He has been an Associate Member of Magnum Photos since 1980. He lives and works in Rio de Janeiro.

Rio Branco's Silent Book (1997) is included in Parr and Badger's The Photobook: A History, Volume II.

Source: Wikipedia


Miguel Rio Branco (born in Las Palmas in 1946) is a Brazilian artist (photographer, painter, filmmaker and creator of multimedia installations) living and working in Rio de Janeiro. In 1966 he studied at the New York Institute of Photography and in 1968 he left to study at the School of Industrial Design in Rio de Janeiro. Between 1970 and 1972, he worked in New York as a director and cinematographer, and in the following years directed several experimental feature and short films. At the same time, he began exhibiting his photographs in 1972.

From 1980 he became a correspondent for Magnum Photos and his photographic work was published in numerous magazines (Aperture, Stern, Photo Magazine). Considering the book as an essential medium of expression, he conceived many books including Sudor Dulce Amargo (Fondo de Cultura Económica, Mexico City, 1985), Natka (Fundação Cultural de Curitib, 1996), Silent Book (Cosac & Naify, 1997), Miguel Rio Branco (Aperture, 1998) and Maldicidade (Taschen, 2019).

His work has been the subject of numerous solo exhibitions, including Beauty, the Beast at the Art Institute of Boston in 2003; Plaisir de la douleur at the Maison Européenne de la Photographie in Paris in 2005; Solo at Kulturhuset Stockholm in 2011; Miguel Rio Branco: Nada Levarei quando morrer at the Museu de Arte de São Paulo in 2017 and Miguel Rio Branco at the Moreira Salles Institute in São Paulo in 2020.

His works can be found in many European and American public and private collections, including: Museu de Arte Moderna do Rio de Janeiro; Museu de Arte de São Paulo; Centre Georges Pompidou, Paris; San Francisco Museum of Modern Art; Stedelijk Museum, Amsterdam; Museum of Photographic Arts, San Diego; MoMA, New York.

Source: LE BAL


 

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More Great Photographers To Discover

Oliver Stegmann
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I was born in 1970 in Basel, Switzerland. Since my late teen years, photography has become a key medium for me to express myself. Professionally, however, I took a different path, studying economics and now working in a management position. I'm married and a father of two lovely daughters. On many trips to different continents, I have continuously worked on improving my skills as a photographer and on developing my own visual language. I participated in various workshops of well-known photographers such as Mary Ellen Mark, Anders Petersen or Ernesto Bazan. Until 2007 I photographed exclusively with black-and-white film and made all prints in my own darkroom. In 2005, I started scanning the negatives, editing them in Photoshop and creating fine art prints. Two years later, I started to use also digital cameras. My long-term project on circuses behind the scenes is planned to be published as a photo book in 2021. My other on-going personal project is to document the childhood years of my children. Statement I love music, but I have never played an instrument. So the camera has become the "instrument" for my creative work: I compose images instead of songs. I prefer black and white photography because leaving out the colors, the way we usually see the world, directs the viewer's eye to the essence of the image. I have always had a passion for observing people. Their emotions, facial expressions, interactions, activities and personal moments inspire me. Photographing people is a way to communicate with them, to capture perhaps just a fraction of their lives. A powerful photograph becomes a true gift of the moment when it manages to capture some sort of mystery or magic. My photos are meant to transport the viewer into a world less known to them, perhaps reminding them of experiences long past or leading them mentally into a possible future. With my photos I do not want to tell everything, but deliberately suggest unanswerable behind what is shown.
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As an active lecturer on photographic art, Burtynsky's speaking engagements have been held at the National Gallery of Canada, Ottawa; the Library of Congress in Washington, D.C.; George Eastman House in Rochester, NY; The Canadian Center for Architecture in Montreal; the Art Gallery of Ontario, the TED conference; and Idea City and Ryerson University in Toronto. His images appear in numerous periodicals each year including Canadian Art, Art in America, The Smithsonian Magazine, Harper's Magazine, Flash Art, Blind Spot, Art Forum, Saturday Night, National Geographic and the New York Times. Burtynsky's distinctions include the TED Prize, the Governor General's Awards in Visual and Media Arts, The Outreach award at the Rencontres d'Arles, the Roloff Beny Book award, and the Rogers Best Canadian Film Award. He sits on the board of directors for CONTACT: Toronto's International Photography Festival, and The Ryerson Image Centre. 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