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Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Danièle Michel
Danièle Michel
Danièle Michel

Danièle Michel

Country: France/Scotland
Birth: 1979

I am French-Scottish born in 1979 in Annemasse,France,a small town between Geneva and Chamonix .For as long as I remember I always had a camera around to document my life.

I am passionate about family photography, the mundane and the little things.My photography is emotive, mostly in natural light. I love portraiture and currently I am working on analog double exposure.
 

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More Great Photographers To Discover

Alexandro Pelaez
Venezuela
1977
Alexandro Pelaez is a Caracas-born analogue photographer based in London with a BA in Communication (Advertising) at Jacksonville University in Florida and was headhunted as an art director in the advertising agency BVK Meka in Miami. Having moved to London in 2001, where he completed his second BA (Hons) in Graphic at Central Saint Martins, University of the Arts London, Alexandro has worked over the years on various photography projects with different clients in the UK, Latvia, Germany, Italy, France, Vietnam, Hong Kong, Shanghai and USA. In 2014 Alexandro received the Highly Commended Award by the London Photographic Association for his "HEROES & VILLAINS". In 2017 Alexandro was the finalist with the "Londoners" series at the ACCI "Art of Living" Photography Competition in California, and won two Honourable Mentions by International Photographer of the Year for both categories of Fine Art: Conceptual and People: Portrait; and by Density Neutral Photography Awards for the category Fine Art: Conceptual. Recently, Alexandro received three Honourable Mention Awards by the IPA International Photography Awards in New York (2019) with the OneShot Street Photography competition New York (single image) Category: Specials; also received the Finalist Award by the Fine Art Photography Awards (2019) Category: Cityscape (series). Alexandro received the 2nd place award by the IPA International Photography Award 2019 in New York in the category of: Analogue/ Film, Other. Artist Statement "When I am shooting in double exposure with my 35mm film camera, in my way and style, I am trying to capture the true essence of a city or an area. What I want to convey is my perspective of “what you see is what you get" by capturing those unique moments when I catch an image. The double exposure allows me to capture all that but can take my images to a different level where I can be more creative by holding double layered scenarios that will give the viewer a magical, almost surreal perspective and sense of unnatural futurism." Alexandro Pelaez and the Magical in the Realism
Amira Al-Sharif
Amira Al-Sharif is an award-winning Paris-based Yemeni photographer and artist with two decades of visual storytelling experience. Over the years, she has received numerous awards and fellowships, including from the World Press Photo Foundation, the Magnum Foundation, the Prince Claus Fund, the Arab Fund for Arts and Culture, the Samir Kassir Foundation, Women Photograph, and Free Press Unlimited’s “Most Resilient Journalist Award.” Her work has been published by National Geographic, the Washington Post, the Guardian, the Los Angeles Review of Books, the New York Times, ARTE TV, TV5 Monde, NPR, ICORN, UNICEF, UNHCR, among other outlets and organizations, and she penned a chapter for the best-selling anthology Our Women On the Ground: Essays by Arab Women Reporting from the Arab World (2019). She has also participated in scores of photography exhibitions and festivals in Europe, the MENA region, and across the world, from India to South Korea, and Cambodia to the United States.In 2010, she studied photojournalism and documentary photography at the International Center of Photography in New York, and later returned to her home city of Sana’a, Yemen, to teach visual storytelling to hundreds of aspiring photographers. Since fleeing Yemen in 2018, due to the wartime constraints on her work and life, Amira has completed a two-year-long artist residency at Cité Internationale des Arts and is currently pursuing a Master of Fine Art at the Beaux-Arts de Paris. With her five-year French Talent Passport for artistic and cultural professionals, she has also launched a Paris-based company for her art practice. Artist Statement People often comment that they do not see war in my beautiful pictures of Yemen, where the world’s worst humanitarian crisis continues to cast a tremendous, even inescapable shadow across the landscape. But, since the war began nearly eight years ago, the vast majority of the scenes that I have captured in my beloved motherland have put my life at risk. Even if the outcome looks beautiful — schoolchildren or fishermen smiling in the north, newlyweds or goatherders smiling in the south, women young and old with fighting spirits from north to south — destruction, destitution, and danger often lurk just beyond the frame. War makes my beautiful pictures war pictures. There are an untold number of bloody scenes from Yemen that only exist in my mind. Mental images that I cannot publish in a newspaper or hang on a gallery wall. They are the scenes that I did not want to photograph, to remember more than I already do. For me, just like my sister Hayat, who is also a photographer, flashing back to the stories and scenes that epitomize how ugly the war has been to us, and how much it has scattered us in all directions, is like free-falling into the darkness. We want to be in the light, to move on with our ambitions and dreams. That is why the word “move” has been dominant in my thoughts and speech over the last couple of years. In spite of the challenging conditions and hardships, we need to keep moving. We need to let go of that which imprisons our souls in all of the unfortunate things that have happened and are still happening to us. Sadly, we cannot stop this war. I often ask myself if people who live in peaceful countries and regions could better identify with the beautiful pictures — seeing themselves in us, their lives in ours — rather than the bloody ones that commonly inundate the international media, from Syria at present to Vietnam in the past. As a photographer with over sixteen years of experience on the ground in Yemen, I have come to the realization that the logic of “blood is to war as beauty is to peace” is flawed, incomplete. And the reason my work tends to focus on the beauty of my suffering country is simple, relatable: like people everywhere, regardless of their context of war or peace, Yemenis appreciate love and life. We, too, wish to live our loves and our lives before that unavoidable moment called “death.” -- Amira Al-Sharif About A Love Song to Socotra Island Documentary photography series (2014) Socotra is an isolated Yemeni island, and UNESCO World Heritage site, that lies between the Indian Ocean and the Arabian Sea. Described as “one of the most distinctive places on Earth,” or the “jewel of Arabia,” this special, almost secret, place is where I made A Love Song to Socotra Island, my first long-term documentary photography series. One Socotran woman in particular, Saadiya, lit up my imagination, and so for months at a time, I shadowed her days, just like the birds of the island. When I met Aunt Saadiya, as I affectionately call her, the mother of seven was locked in a near decade-long struggle against local tribesmen who were after her inherited plot of land, which sustains and shelters her family and dozens of animals. “I have a fighting spirit,” she told me one day. “Whatever happens, I am not leaving my land. I fear nobody.” From mountaintop to seaside, I documented Aunt Saadiya’s radiant life force, relatively free from the everyday constraints and fears of the conflict-ravaged mainland. After we rose with the sun, she greeted the birds and the trees, tended to her goat herd, taught her children to swim, and defended her family’s right to survive. In our last months together, a local court declared her “the rightful owner of the land.”
Hoang Long Ly
Vietnam
1965
Ly Hoang Long was born in 1965 in Dalat, a city located on the high plateaus of central Vietnam. Since childhood, the photographer has been fascinated by colours and images and began his professional career as a graphic designer. He discovered photography in 1993 through a friend, bought his first analogue reflex and two years later, made a dark room in his apartment. One thing led to another and he definitely abandoned design in order to devote his time to his images. With over twenty years experience to his name and 310 international prizes, including that of best travel photographer in 2014 (TFOTY). Several of his pictures also won awards in the same year at the CBRE Urban Photographer of the Year and from National Geographic. Mud wrestling Mud wrestling with a ball was a traditional game organized every four year in Van village, Bac Ninh province, the north of Vietnam. Like basket ball, but instead of the baskets hanging up, here there were two holes (like a goal) and the playing ground was filled up with wet mud, there were 16 players divided into two teams, they competed vigorously to score by putting the heavy wooden ball in their competitors's hole. The audiences supported all the teams, they were screamming and laughing because the game looked so amusing; it was not easy at all to seized a ball, keep it in arms and run on the slippery surface and cross a barrier of competitors. After three day-competing, the both teams would gather in the courtyard of the temple to worship their ancestors, the game completely ended in peace and happiness.
Lewis Carroll
United Kingdom
1832 | † 1898
Charles Lutwidge Dodgson (27 January 1832 - 14 January 1898), better known by his pen name Lewis Carroll, was an English writer of world-famous children's fiction, notably Alice's Adventures in Wonderland and its sequel Through the Looking-Glass. He was noted for his facility at word play, logic and fantasy. The poems Jabberwocky and The Hunting of the Snark are classified in the genre of literary nonsense. He was also a mathematician, photographer and Anglican deacon. Carroll came from a family of high church Anglicans, and developed a long relationship with Christ Church, Oxford, where he lived for most of his life as a scholar and teacher. Alice Liddell, daughter of the Dean of Christ Church, Henry Liddell, is widely identified as the original for Alice in Wonderland, though Carroll always denied this. Photography (1856–1880) In 1856, Dodgson took up the new art form of photography under the influence first of his uncle Skeffington Lutwidge, and later of his Oxford friend Reginald Southey. He soon excelled at the art and became a well-known gentleman-photographer, and he seems even to have toyed with the idea of making a living out of it in his very early years. A study by Roger Taylor and Edward Wakeling exhaustively lists every surviving print, and Taylor calculates that just over half of his surviving work depicts young girls, though about 60% of his original photographic portfolio is now missing. Dodgson also made many studies of men, women, boys, and landscapes; his subjects also include skeletons, dolls, dogs, statues, paintings, and trees. His pictures of children were taken with a parent in attendance and many of the pictures were taken in the Liddell garden because natural sunlight was required for good exposures. He also found photography to be a useful entrée into higher social circles. During the most productive part of his career, he made portraits of notable sitters such as John Everett Millais, Ellen Terry, Dante Gabriel Rossetti, Julia Margaret Cameron, Michael Faraday, Lord Salisbury, and Alfred Tennyson. By the time that Dodgson abruptly ceased photography (1880, over 24 years), he had established his own studio on the roof of Tom Quad, created around 3,000 images, and was an amateur master of the medium, though fewer than 1,000 images have survived time and deliberate destruction. He stopped taking photographs because keeping his studio working was too time-consuming. He used the wet collodion process; commercial photographers who started using the dry-plate process in the 1870s took pictures more quickly.[62] Popular taste changed with the advent of Modernism, affecting the types of photographs that he produced. He died of pneumonia following influenza on 14 January 1898 at his sisters' home, "The Chestnuts", in Guildford. He was two weeks away from turning 66 years old. His funeral was held at the nearby St Mary's Church. He is buried in Guildford at the Mount Cemetery.Source: Wikipedia
Fritz Liedtke
United States
Fritz began photographing as a teen, carrying his Kodak 110 Instamatic around on a US tour with his father at age 14, in their little blue Datsun B210. Twenty-five years later, he continues to explore the world, camera in hand. In the intervening years, Fritz acquired a BFA in Photography; won numerous awards and grants for his work; enjoyed artist residencies in various places; had photographs published, collected, and shown in galleries and museums; wrote articles and essays for various publications; lectured and taught workshops on photography and the artistic life; and balanced both commercial and fine art practices. He also loves to travel. He is constantly looking for new ways to approach the world through art. Portland, Oregon is his home, along with his wife and daughter and their bright orange house.About Astra Velum: April, a freckled woman in this series, told me a story from her childhood: One day after playing outside, her grandmother asked her to go wash up. She went to the bathroom and did so, but grandma wasn’t satisfied. “Your face isn’t clean! Go scrub it some more!” The young girl was distraught, for all that was left on her skin were her freckles, and no amount of scrubbing would make them go away. In a world that flaunts flawlessness as the ideal, can we find real beauty in the blemishes? More than once, while photographing for this series, women thanked me for making something beautiful out of what they often viewed as an imperfection. At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars. This series is hand-printed by the artist as a limited edition set of photogravures.
Constantine Manos
United States
1934 | † 2025
Constantine "Costa" Manos (born 1934 in South Carolina) is a Greek-American photographer known for his images of Boston and Greece. His work has been published in Esquire, Life, and Look. He is a member of Magnum Photos. Manos first began taking photographs while in high school when he joined his school's camera club. Within a few years, he was working professionally as a photographer. At 19, Manos was hired as the official photographer for the Boston Symphony Orchestra at Tanglewood. His photographs of the orchestra culminated in 1961 with his first published work, Portrait of a Symphony. Manos graduated from the University of South Carolina in 1955, majoring in English Literature. He served in the military and then moved to New York City, working for various magazines. From 1961-64, Manos lived in Greece, photographing people and landscapes. This work resulted in A Greek Portfolio, published in 1972, which won awards at Arles and the Leipzig book fair. In 1963, Manos joined Magnum Photos and became a full member in 1965. After his time in Greece, Manos lived in Boston. In 1974, he was hired by the city to create the photographs for the Where's Boston? exhibition, a large production in honor of Boston's 200th anniversary. The photos from that exhibit were published in the book Bostonians: Photographs from Where's Boston? Manos also worked on projects for Time-Life Books. In 1995, American Color was published, containing Manos' recent photographs of American people. A Greek Portfolio was reissued in 1999, followed by a major exhibition of his work at the Benaki Museum of Athens. In 2003, Manos was awarded the Leica Medal of Excellence for his American Color photographs.Source: Wikipedia Constantine Manos was born in Columbia, South Carolina, U.S.A., of Greek immigrant parents. His photographic career began in the school camera club at the age of thirteen, and within several years he was a working professional. He graduated from the University of South Carolina with a B.A. in English Literature. At the age of nineteen he was hired as the official photographer of the Boston Symphony Orchestra at its summer festival at Tanglewood. Upon completion of his military service, he moved to New York, where he worked for Esquire, Life, and Look. His book, Portrait of a Symphony, a documentary of the Boston Symphony Orchestra, was published in 1961. From 1961 to 1963 he lived in Greece, where he made the photographs for his book A Greek Portfolio, first published in 1972. The book won awards at Arles and at the Leipzig Book Fair, and exhibitions of the work took place at the Bibliothèque Nationale de France in Paris and the Art Institute of Chicago. In 1963 Manos joined Magnum Photos. Returning from Greece, Manos settled in Boston and completed many assignments for Time-Life books, including their book on Athens. In 1974 he was the chief photographer for Where’s Boston?, a multimedia production that documented the city and provided the photographs for his book Bostonians. Manos’s photographs are in the permanent collections of the Museum of Modern Art, New York; the Museum of Fine Arts, Boston; the Art Institute of Chicago; the Bibliothèque Nationale de France, Paris; George Eastman House, Rochester, NY; the Museum of Fine Arts, Houston; and the Benaki Museum, Athens. In 2003 Manos was awarded the Leica Medal of Excellence for his pictures from American Color. Work from Manos’s ongoing work in color first appeared in his book American Color, published in 1995. The work continued in American Color 2, published in 2010. A new edition of A Greek Portfolio was published in 1999, accompanied by an exhibition at the Benaki Museum in Athens. In 2013 an exhibition commemorating the 50th anniversary of the making of the photographs for the book, including eighty unpublished pictures, was held at the Benaki.Source: constantinemanos.com As of 2014, he is currently working on a major retrospective book and exhibition that will include unpublished photographs dating from the start of his career.
Damian Lemański
Damian Lemański aka Damian Wolf Wagabunda Polish freelance photojournalist documenting the life around him. He is mainly interested in people and their place in today's world - especially those left aside, on the margins of society. In 2008 he graduated from the European Academy of Photography in Warsaw - Dr Izabela Jaroszewska's school. He took part in workshops led by Kadir van Lohuizen, Pep Bonet, Tanya Habjouga, Espen Rasmussen, Stefano De Luigi, Tomasz Tomaszewski, Michael Ackerman, Lorenzo Castore. Vagabond and dreamer. At the turn of 2011 and 2012 he wandered for 181 days through South America. From this solitary expedition he edited the film 181. And in 2015 he set off on his bike from Korsze in Masuria (Poland) to Africa, to reach Dakar in Senegal after 171 days. During this expedition, together with the foundation Hear Africa, he raised money for the education of a deaf girl, Makane Dieng. From this expedition, Damian created the film Restaurant, which premiered in February 2018. In early 2019, he flew to the Greek island of Lesbos, where Europe's largest refugee camp is located, because he wanted to get to know the people that so many are afraid of without knowing them at all. For a few weeks, walking between tents in the so-called jungle next to the Moria camp (which he was not allowed into) and in other places on the island, he met hundreds of people who willingly invited him to join them around the campfire for warm tea or a meal in the tent that is currently their home, shared bread they had just baked in an oven dug into the ground, and shared heartbreaking stories. He met people who live in inhumane conditions and try to maintain their dignity, people who, having little, get offended if you don't eat enough, when they offer what they have. He also met there a wonderful Greek couple, Katerina and Nikos, who 6 days a week host the residents of the Moria and Kara Tepe camps for dinner in their restaurant and take the meals to the place. They are assisted by many volunteers, including from Poland. In October 2019, he visited Senegal again - this time to document the work of the Polish Medical Mission. At that time, he met Huleje (Little Princess) and her parents. Since 2017, every now and then he visits Lunik IX, a Roma settlement in Kosice, Slovakia, where he left his heart among the children living there. On a daily basis, he tries to love.
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AAP Magazine #56 Shadows
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Latest Interviews

Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Exclusive Interview with Anastasia Samoylova
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Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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