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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Kathleen Meier
Kathleen Meier
Kathleen Meier

Kathleen Meier

Country: France
Birth: 1992

Kathleen Meier is a french photographer based in Nancy.

She is graduated to the artistic school Ecoles de Condé with a special mention from the jury for her work on the narrative potential in fine art photography.

Her photographs are psychological. Through her subjects she reaches our mental activity, brings out our feelings, forces us to face our fears and desires. She appeals our imagination so that everyone have a full part to play in her work.

In 2015, she releases her first book Hostilités sourdes at APR2 Publishing.

Huis Clos
The series Huis clos confronts us to a suggestive confinement. What happens to us when we are faced with a desperate situation? What do we feel when we have no longer a connection with the outside world? The disorientation and the contact loss with the outside put us into a physical and mental isolation and can lead us in a conscious or subconscious way to modify, perhaps to alter, our relationship with the external reality. This maze slowly conducts us into a mental illness.
 

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More Great Photographers To Discover

Tamara Dean
Australia
1976
Tamara Dean (b. 1976, Sydney, Australia) is a photographic artist whose works explore the informal rites of passage and rituals of young people within the natural world.Her solo shows include Ritualism, Divine Rites, This too Shall Pass and Only Human.Dean has received numerous awards including a $10,000 High Commendation prize in the 2013 Moran Contemporary Photographic Award, the 2011 Olive Cotton Award and 2009 Sydney Life: Art & About.Dean’s works have been widely exhibited both nationally and internationally. Her works have featured in ‘Dangerous Beauty’ curated by Stephan Stoyanov, Bulgaria 2013, the 2013 Aspettando FotoLeggendo festival in Rome, Fotofever Brussels Art Fair, 2012 and Pingyao Photography Festival, China, 2012 as well as at leading Australian galleries including Inheritance 2009 and Hijacked 2 – New Australian & German Photography 2010, both at the Australian Centre for Photography; Sydney Now – New Australian Photojournalism, Museum of Sydney 2007; Terra Australis Incognita at Monash Gallery of Art.Dean has been awarded artist residencies with ArtOmi, New York (2013), and previously Taronga Zoo, Montsalvat and repeatedly in the remote gold-mining town of Hill End, NSW.For a decade Dean was a member of Oculi photographic collective.Dean’s work is held in a number of public and private collections including Artbank, Sydney; The Francis J. Greenburger Collection, New York; the Mordant Family Collection, Australia; and is represented by Olsen Irwin Gallery Sydney and James Makin Gallery Melbourne.Source: www.tamaradean.com
Irving Penn
United States
1917 | † 2009
Irving Penn was born on June 16, 1917 in Plainfield, New Jersey, to Harry Penn and Sonia Greenberg. In 1922, Irving Penn's younger brother, Arthur Penn, was born, who would go on to become a film director and producer. Irving Penn attended the Philadelphia Museum School of Industrial Art (now the University of the Arts) from 1934 to 1938, where he studied drawing, painting, graphics, and industrial arts under Alexey Brodovitch. While still a student, Penn worked under Brodovitch at Harper's Bazaar, where several of Penn's drawings were published. Irving Penn worked for two years as a freelance designer and making his first amateur photographs before taking Brodovitch's position as the art director at Saks Fifth Avenue in 1940. Penn remained at Saks Fifth Avenue for a year before leaving to spend a year painting and taking photographs in Mexico and across the US. When Irving Penn returned to New York, Alexander Liberman offered him a position as an associate in the Vogue magazine Art Department, where Penn worked on layout before Liberman asked him to try his hand at photography for the magazine. Irving Penn photographed his first cover for Vogue magazine in 1943 and continued to work at the magazine throughout his career, shooting covers, portraits, still lifes, fashion, and photographic essays. In the 1950s, Penn founded his own studio in New York and began making advertising photographs. Over the years, Penn's list of clients grew to include General Foods, De Beers, Issey Miyake, and Clinique. Irving Penn met fashion model Lisa Fonssagrives at a photo shoot in 1947. In 1950, the two married at Chelsea Register Office, and two years later Lisa gave birth to their son, Tom Penn, who would go on to become a metal designer. Lisa Fonssagrives died in 1992. Irving Penn died aged 92 on October 7, 2009 at his home in Manhattan. Source: Wikipedia
Patricia McElroy
United States
Patricia McElroy was born in Philadelphia and raised in Ireland, a duality that continues to shape both her life and work. After graduating from the National College of Art & Design in Dublin, she returned to the U.S., where she and her husband built a successful design business. While her career has moved fluidly between art, design, and entrepreneurship, photography has remained her most personal and enduring form of expression—a way to explore themes of memory, place, identity, and belonging. Between Then & Now Six years ago, McElroy’s 94-year-old mother came from Ireland for what was meant to be a short visit. Her deteriorating eyesight and dementia made it clear she could no longer live on her own and a new chapter quietly began for them both. At first, McElroy picked up her camera as a way to hold onto the mother she knew, but what started as a gesture of preservation soon became something more—a quiet reflection on how memory drifts, resurfaces, and reshapes itself over time. In many ways, her mother exists in both places even now—her memories drifting between both lands, echoing the family’s own migration story. McElroy realized that migration doesn’t just alter geography—it reshapes how we remember and where we feel we belong. Distance doesn’t erase the past, but reframes it, softening some details and sharpening others. This led McElroy to examine her own immigrant experience, using her mother’s life and their shared generational story as a lens to explore the complexities of memory, migration, cultural identity, family, and home. In doing so, she recognized that her past and present photographic work had long been rooted in these themes. Her growing archive—both personal and inherited—became part of the exploration, revealing a continuity in her artistic voice that had always been quietly present. For McElroy, immigration has never been a single moment, but a rhythm—an ongoing dance between two places, two cultures, and two selves. Her family has long carried two homes in their hearts, navigating the layered contradictions of belonging. Ireland is where their roots run deep, where legacy is woven into the land; America is where reinvention lives, where possibility expands. Over time, the boundary between the two became less defined—not a point of conflict, but a quiet acceptance of a life shaped by both. McElroy captures the fragile space where cultural and emotional threads bind past to present. Her images speak to love, loss, resilience, and the ways migration and remembrance shape who we are and where we feel we belong. In telling her own family’s story, she’s also telling a more universal story—of beauty found, and life lived fully in the journey Between Then & Now.
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