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Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Teri Havens
Teri Havens
Teri Havens

Teri Havens

Country: United States

Originally from Lubbock, Texas, Teri has been photographing fragments of American culture as a way of connecting with the world around her for the past twenty-five years. After studying photojournalism at the University of Texas and serving as an intern at the Magnum photo agency in New York, Teri developed her printmaking skills in darkrooms improvised in kitchens and motel rooms across the country.

In 2012, after years of being primarily a “daylight” photographer, Teri started experimenting with night photography. Using moonlight or available streetlight she began a series of social landscapes that reveal a lonely, yet enduring portrait of a nearly forgotten America.

Teri currently lives in rural Colorado with her husband Mike. When not lost in the backcountry, or in her darkroom producing palladium prints, she can be found in her beloved ’88 Ford Van on the track of the perfect roadside bar. Her work has been exhibited internationally, and published in The Huffington Post, The London Sunday Times, The Sun Magazine, Photo District News and on the NPR website. Teri is immensely grateful for the funding she has received through the Puffin Foundation and Dave Bown Projects.
 

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More Great Photographers To Discover

Eddy Verloes
Belgium
1959
Eddy Verloes, a Belgian photographer, has won numerous awards for his literary symbolic photography. He skillfully weaves visual narratives that blend realism and surrealism, capturing the essence of interiors, landscapes, and urban life. Verloes’ spontaneous approach allows him to seize fleeting moments of everyday life, infusing his work with a sense of wonder and mystery. His fascination with literature and philosophy drives him to explore the profound and the poetic, leaving viewers with a profound sense of awe and contemplation. He shoots with his soul, not with the camera. Eddy Verloes is Master of Linguistics and Literary Studies (magna cum laude) at the University of Louvain, Belgium. Studies in photography at the Louvain CVO, Belgium. 2015-2024: exhibitions in different galleries or special locations (solo or with other photographers, painters, poets, sculptors, musicians, composers, video artists, mixed media artists) in the USA, United Kingdom, Canada, United Arab Emirates, Brasil, Mexico, Russia, Germany, Greece, Crete, Malta, Hungary, Spain, Italy, Serbia, Austria, France, The Netherlands and Belgium. Photo books No time to Verloes (2015), Cuba libre (2016), Zeezuchten/Seasighs (2020), Buiten zinnen/Losing Our MInds (2021), Aardelingen/Earthlings (2022). Most important awards in 2020-2024 Selected as one of the best contemporary photographers worldwide by the American site All-About-Photo | Winner Life Framer Photo Contest 2020 (Theme: "Civilization") judged by Tate Modern's Curator of Intern. Art & Photography Emma Lewis | Travel Photographer of the Year 2020 (cat. People of the world) | Winner Pangea Prize Siena Creative Photo Awards 2021 (cat. Open Theme) | Winner Malta International Photo Travel Award 2020/2021 | 2nd Place MonoVisions Awards 2021 (Photojournalism), London (UK) | Finalist FOCUS Photo L.A. 2021, Los Angeles (USA) | Winner Siena International Photography Awards 2021 (Fascinating faces and characters) with my "Remarkable Artwork" | Winner 16th Annual Black & White Spider Awards 2021, Beverly Hills (California) | Winner of the Union of Lights 2021 World Photography Contest ("Street & Lifestyle") | 3rd Place Winner (Photojournalism) Monochrome Photography Awards 2021, London (UK) | Winner 17th Pollux Awards 2021 (Open Theme - series), Barcelona (Spain) | Winner of The Chelsea International Photography Competition 2021/2022, New York (USA), Exhibition @ Agora Gallery, NY, 2023, Jan 4-17 | Winner Fine Art Photography Awards 2021/2022 (Photojournalism), 8th edition, London (UK) | Gold Winner Muse Photography Award 2022 (Fine Art Photography - People) with my series 'Losing Our Minds', NY, (USA) | Gold Winner London Photography Awards 2022 (Black & White Photography - Religious) with my series 'Losing Our Minds', London (UK) | Gold Winner London Photography Awards 2022 (People Photography - Religious) with my series 'Losing Our Minds', London (UK) | Bronze Medal Paris International Street Photo Awards 2021- Category Black & White | Winner of the Intern. Black & White Photography Awards 2022 with my series 'Losing Our Minds', also awarded with a 'Special Mention' (Paris) | Overall Contest Winner @ the reFocus 'One Shot Contest' Awards 2022, honoring the most extraordinary photographers of our time | Photographer of the Year Winner (Amateur) with an 'Outstanding Achievement' @ the 17th B&W Spider Awards 2022, Beverly Hills (USA) | Silver Winner in Portfolio/Fine Art @ Budapest International Foto Awards 2022 with my series 'Losing Our Minds' | Silver Winner NY Photography Awards 2022 - Editorial Photography/Religious with my series 'Losing Our Minds' | Silver Winner NY Photography Awards 2022 - People Photography/Religious with my series 'Losing Our Minds' | Inductee to the Influx Gallery's Hall of Fame (London) - Merit of Excellence - 2023, January | Finalist Life Framer Humans of the World Competition (USA) - 2023, January | Winner of the 1st Salamander International Art Prize + exhibition @ Monteoliveto Gallery Paris (France) - 2023, February 23-28 | Gold Winner Muse Photography Award 2023 (People Photography - Couple) with my series 'Get connected', NY, (USA) | Silver Winner in Portraiture/Culture @ PX3 Prix de la Photographie Paris 2023 with my series 'Losing Our Minds' | Winner 1st Budapest Intern. Art Show artBIAS 2023, organized by Teravarna Art Gallery Los Angeles (USA) and Golden Duck Gallery Budapest | Grand Prize Winner of the Great Photo Awards 2023/ Black & White World Photo Competition, Athens (Greece) with 'Losing Our Minds' | Finalist Travel Photographer of the Year 2023 | Selected for the Xposure International Photography Festival @ Expo Center Sharjah, United Arab Emirates, 2024, Feb. 28 - March 5 | Platium, Gold & Silver Winner @ 2024 MUSE Photography Awards, New York | Bronze Winner in Architecture @ PX3 Prix de la Photographie Paris 2024 with my series 'The coal mine' | Finalist Travel Photographer of the Year 2024 | Winner of the 1ste edition of The B&W FotoNostrum Choice Awards Barcelona (Spain) + exhibition @ FotoNostrum Gallery Feb. 2025 | Winner and 'Discovery of the Year' + 'People's Vote Award' @ 2024 World Photo Annual Refocus Award (Cat. Film/Analog) | Grand Winner Paris International Street Photo Awards 2024 (Cat. Elder People Street) with my series ‘Cuba libre' Awarded Photographer of the Week - Week 52
Henry Peach Robinson
United Kingdom
1830 | † 1901
Henry Peach Robinson was an English pictorialist photographer best known for his pioneering combination printing - joining multiple negatives or prints to form a single image; an early example of photomontage. He joined vigorously in contemporary debates in the photographic press and associations about the legitimacy of 'art photography' and in particular the combining of separate images into one. Robinson was the oldest of four children of John Robinson, a Ludlow schoolmaster, and his wife Eliza. He was educated at Horatio Russell's academy in Ludlow until he was thirteen, when he took a year's drawing tuition with Richard Penwarne before being apprenticed to a Ludlow bookseller and printer, Richard Jones. While continuing to study art, his initial career was in bookselling, in 1850 working for the Bromsgrove bookseller Benjamin Maund, then in 1851 for the London-based Whittaker & Co. In 1852 he exhibited an oil painting, On the Teme Near Ludlow, at the Royal Academy. That same year Robinson began taking photographs, and five years later, following a meeting with the photographer Hugh Welch Diamond, decided to devote himself to that medium, in 1855 opening a studio in Leamington Spa, selling portraits. In 1856, with Rejlander, he was a founding member of the Birmingham Photographic Society. In 1859 he married Selina Grieves, daughter of a Ludlow chemist, John Edward Grieves. His son, Ralph Winwood Robinson, was also a photographer. In 1864, at the age of 34, Robinson was forced to give up his studio due to ill-health from exposure to toxic photographic chemicals. Gernsheim (1962) has shown that thereafter he preferred the easier 'scissors and paste-pot' method of making his combination prints, rather than the more exacting darkroom method employed by Rejlander. Relocating to London, Robinson kept up his involvement with the theoretical side of photography, writing the influential essay Pictorial Effect in Photography (1869), Being Hints on Composition and Chiaroscuro for Photographers, published in 1868. Around this time his health had improved sufficiently to open a new studio in Tunbridge Wells with Nelson King Cherrill, and in 1870 he became vice-president of the Royal Photographic Society. He advocated strongly for photography to be regarded as an art form. The partnership with Cherrill dissolved in 1875, Robinson continuing the business until his retirement in 1888. His son, Ralph Winwood Robinson, took over the studio business. Following internal disputes within the Photographic Society, he resigned in 1891 to become one of the early members of the rival Linked Ring society, in which he was active until 1897, when he was also elected an honorary member of the Royal Photographic Society. Robinson was an early supporter of the Photographic Convention of the United Kingdom and took part in this institution's long running debates about photography as an art form. He was invited to serve as the President of the PCUK in 1891 but, as he described later, "I felt compelled to decline, knowing that I could not carry out the duties as they should be carried out, having a defect of voice which would not allow me to read my own address." He was subsequently persuaded to serve as President in 1896, when his presidential speeches were read out by a colleague. He died aged 70 and was buried in Tunbridge Wells in early 1901. Henry Peach Robinson was one of the most prominent art photographers of his day. His third and the most famous composite picture, Fading Away (1858) was both popular and fashionably morbid. He was a follower of the pre-Raphaelites and was influenced by the aesthetic views of John Ruskin. In his Pre-Raphaelite phase he attempted to realize moments of timeless significance in a "mediaeval" setting, anticipating the work of Julia Margaret Cameron, Burne-Jones and the Symbolists. According to his letters, he was influenced by the paintings of J.M.W. Turner. He defended composite photography, asserting that the creation of combination photographs were as demanding of the photographer as paintings were of the artist. Robinson compared the making of Fading Away with Zeuxis' legendary combining of the best features of five young ladies from Crotona to produce his picture of Helena.Source: Wikipedia To produce Fading Away, this intimate narrative of family tragedy, Robinson seamlessly combined five separate negatives. The scene centers on a bedridden young woman dying of tuberculosis—or possibly of a broken heart, as suggested by the Shakespearean title of a preliminary study, She Never Told Her Love. The picture was notorious both for the “artificiality” of its technique and for its subject matter, which was considered too morbid and painfully intimate to be represented photographically. Robinson’s seamless blending of reality and artifice did, however, appeal to Prince Albert, the husband of Queen Victoria, who purchased a print of Fading Away and issued a standing order for every major composite photograph Robinson would make.Source: Metropolitan Museum of Art
Franco Fontana
Italy
1933 | † 2023
Franco Fontana is an Italian photographer, born in Modena, Italy. He is best known for his abstract colour landscapes. He started taking photographs in the 1950s when he was working as a decorator in a furniture showroom. In 1961 he joined a local amateur club in Modena. The experience would be a turning point in his career, and Fontana went on to have his first solo exhibition in 1965 at the Società Fotografica Subalpina, Turin and at the Galleria della Sala di Cultura in Modena in 1968. Since then he has participated in more than 400 group and solo exhibitions. Fontana has photographed for advertising campaigns for brands such as Fiat, Volkswagen, Ferrovie dello Stato Italiane, Snam, Sony, Volvo, Versace, Canon, Kodak, Robe di Kappa, Swissair, and has been a magazine photographer for publications including Time Magazine, Life, Vogue (USA and France), Venerdì di Repubblica, Panorama, and with the Frankfurter Allgemeine Zeitung and the New York Times. Fontana's first book, Skyline, was published in 1978 in France by Contrejour and in Italy by Punto e Virgola with a text by Helmut Gernsheim. Fontana is the art director of the Toscana Fotofestival. He has received numerous awards, such as the 1989 Tokyo Photographer Society of Japan - The 150 Years of Photography - Photographer Award. Fontana is especially interested in the interplay of colours. His early innovations in colour photography in the 1960s were stylistically disruptive. According to art critic Giuliana Scimé, Fontana "destroyed all the structures, practices, and technical choices within the Italian tradition." Fontana uses 35mm cameras, and as noted by Iwan Zahar, deploys distant viewpoints with telephoto lenses to flatten contours in a landscape of crops and fields into bands of intense, saturated colour. This is an effect that Franco Lefèvre has described as dialectical landscapism. Of his use of colour in his 2019 retrospective exhibition Sintesi ('Synthesis') at Fondazione Modena Arti Visive, curator Diana Baldon has observed “His bold geometric compositions are characterised by shimmering colours, level perspectives and a geometric-formalist and minimal language...By adopting this approach during the 1960s, Fontana injected a new vitality into the field of creative colour photography for then multicolour was not in fashion in art photography...The way Fontana shoots, dematerialises the objects photographed, which loose three-dimensionality and realism to become part of an abstract drawing”. Aside from the rural landscape Fontana has applied his graphic sensibility to other subjects: city architecture, portraiture, fashion, still-life and the nude. Fontana's photographs have also been used as album cover art for records produced by the ECM Records jazz label.Source: Wikipedia Fontana's style was shaped in the late 1960s under the influence of Abstract Expressionism and Minimalism. In that his teachers were his older contemporaries, Mark Rothko, Barnett Newman and Ed Reinhardt. Fontana's work with its focus on form and color was quite different from the classical black-and-white art photography that was predominant at that time. His work is in more than 50 museums in the world, including Tokyo Metropolitan Museum of Photography, George Eastman House International Museum of Photography and Film (Rochester), Ludwig Museum (Cologne), San Francisco Museum of Modern Art, the Museum of Fine Arts (Boston), Museum of Modern Art (Paris), The Pushkin Museum of Fine Arts (Moscow), National Gallery of Victoria (Melbourne), Victoria and Albert Museum (London), Galleria d’Arte Moderna - Torino, Museum of Fine Arts, Houston-Texas - USA, Deutch Bank, Banca Unicredit, Italia, UBS Unione Banche Svizzere, Museo Nacional de Bellas Artes- Buenos Aires, Muscadelle Museum of Art - Williamsburg, USA, Mus e WWestlicht, Vienna, IVAM, Museo Internazionale d’Arte Moderna, Valencia, Mus e de l’Elys e, Losanna, Maxxi, Roma, Macro, Roma.Source: francofontanaphotographer.com
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AAP Magazine #56 Shadows
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