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Quentin Shih
Quentin Shih

Quentin Shih

Country: China
Birth: 1975

Quentin Shih (a.k.a. Shi Xiaofan), born in Tianjin, China in 1975, lives and works as a camera artist, and filmmaker between New York and Beijing.

A self-taught photographer, he began to shoot photos in college for local underground musicians and artists.

After graduation, he came to Beijing to develop his career as a professional photographer/artist. From 2000 to 2002, he participated in exhibitions in China and America with his fine art photographic works and his works have been collected by American museums, such as the Danforth Museum of Art and the Worcester Art Museum.

During the last few years, he has been producing work for top commercial clients and international publications such as Adidas, Microsoft, Sony, Siemens, Vogue, Harper's Bazaar and Esquire. His advertising campaigns work have won numerous prestigious international advertising and photography awards. In 2007, Quentin was named 'Photographer of the Year' by Esquire Magazine (China). In the following years, he joined lots group exhibitions and solo exhibitions in China, Europe, Southeast Asia and United States. As one of the leading Chinese photographers, Quentin Shih is well recognized for his individual artistic style which utilizes vast sets and dramatic lighting to engage in emotional narratives.

Now, he is returning to his roots in fine art photography and challenging its techniques and concepts into his commercial and fashion photography in order to achieve a unique symbiosis. At the same time, he is also working on his film projects, A Parisian Movie (2011) was his first short movie shot in Paris, France.

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www.quentinshih.com

@quentin_shih

 

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More Great Photographers To Discover

Christer Strömholm
Christer Strömholm
Sweden
1918 | † 2002
Christer Strömholm is recognized as one of the major figures of 20th-century European photography. Strömholm captured his surroundings in black-and-white images that display his integrity, understated humor, and a highly personal aesthetic. With an unmistakable sensitivity to human suffering, based on his personal experience, he took photography in a new direction. Sean O’Hagan, writing in The Guardian, has described him ''as the father of Swedish photography both for his abiding influence and for his role as a teacher.'' Born in Stockholm, Strömholm discovered photography via graphic art in the late 1940s. During the 1950s and 60s he lived much of the time in Paris, where he developed his particular style of street photography. It was here that he produced his most famous work, Les amies de Place Blanche, a tribute to a group of young transsexuals with whom he became friends and whose lives he shared over many months. They were very much outsiders, struggling to survive with their main source of income being from prostitution. In these legendary photographs, shot at night in available light, Strömholm merged street photography and portraiture, depicting them as the close friends they were, in intimate and honest portraits far from the spectacular or speculative. Les amies de Place Blanche raises profound issues about sexuality and gender; and, in Strömholm’s own words, ''it is about obtaining the freedom to choose one’s own life and identity.'' Strömholm also went on numerous photographic expeditions to places around the globe in the early 1960s, including Spain, Japan, India, and the USA. Early in his career, he began teaching in Stockholm, eventually setting up the legendary Fotoskolan, from which some 1,200 students graduated between 1962 and 1974. Strömholm’s work has inspired many generations of photographers, though he did not become known to the broader public until 1986, with a major exhibition at Moderna Museet in Stockholm. Stömholm died in 2002. Article Christer Strömholm
Janette Beckman
Janette Beckman
United Kingdom
1959
Janette Beckman is a British documentary photographer who currently lives in New York City. Beckman describes herself as a documentary photographer. While she produces a lot of work on location (such as the cover of The Police album Zenyatta Mondatta, taken in the middle of a forest in the Netherlands), she is also a studio portrait photographer. Her work has appeared on records for major labels, and in magazines including Esquire, Rolling Stone, Glamour, Italian Vogue, The Times, Newsweek, Jalouse, Mojo and others. Beckman was at King Alfred School, in Golders Green in north London, from 1953 to 1967. She spent a year at Saint Martin's School of Art, and then three years at London College of Communication studying photography. After initially working for Sounds magazine with Vivien Goldman – her first shoot was with Siouxsie and the Banshees – she had a job shooting for music magazines such as Melody Maker and The Face, with a studio and darkroom in central London. Her primary focus was the UK's burgeoning punk subculture. Beckman moved permanently to New York City in 1982 and continued her career, shooting for her UK clients as well as new ones in the U.S. After moving to New York, Beckman presented her portfolio to American record companies looking for work shooting album covers, but the gritty feel of her work did not fit the "airbrushed" aesthetic preferred at the time. She was passed on to smaller rap and hip-hop labels, where she photographed acts such as Salt-N-Pepa, LL Cool J, Public Enemy, and the Beastie Boys in their early days. In a 2015 interview with American Photo magazine, she recalled "It is amazing, 30 years later, people going 'oh you photographed legends.' I guess I did, but they weren’t legends when I was taking pictures of them".Source: Wikipedia As a child growing up in London in the 1960s, Janette Beckman visited the National Portrait Gallery. Entranced by the portraits of people from distant times and places, she instinctively knew that’s what she wanted to do. “I was always fascinated by people,” she remembers. “I’d see them at the bus stop on the way to school but I was too shy to talk to anybody, so I’d stare at them. My mother would say, ‘Don’t stare,’ but I couldn’t help myself.” Drawn to the irrepressible expression of style, character, and personality, Beckman forged ahead with her dream of becoming an artist. In the early 1970s, she enrolled at Central St. Martins to study art while living in a semi-squat in Streatham, South London, with her classmates. “We lived on four floors, shared a bathroom, and there was no heat — but my rent was only £5 a week,” she recalls. Beckman’s foray into photography happened by sheer serendipity. “We would sit around drawing each other endlessly,” she says. “My dear friend Eddie was a fantastic artist; he could draw as well as David Hockney. I would look at his work, then mine, and realize I was never going to be that good. When the end of the school year came, I had to decide what I was going to do, and I thought, I’ll try photography.” After enrolling in photography school, where she was just one of three women in the class, Janette Beckman quickly realized she didn’t want to learn by instruction — she wanted to do it herself. Determined to chart her own path, Beckman gave herself portrait assignments, and only went into class to learn the things she needed to know, like how to make prints. “I was in my really rebellious stage,” says Beckman, who followed this guiding light throughout her career. Her love for subversives, innovators, and activists is collected in the new book, Rebels: From Punk to Dior, which brings together four decades of photographs celebrating artists, musicians, and movements on the fringe that have redefined mainstream culture and society. Beckman’s photographs have played a seminal role in these seismic shifts — one so undeniable that institutions are finally taking note. In a truly full-circle moment, earlier this year, the National Portrait Gallery acquired four Beckman prints of British musicians including the Specials and Laurel Aitken as part of “Inspiring People,” a major curatorial redevelopment project to represent cultural and gender diversity across both sitter and artists.Source: Blind Magazine
Tabitha Bernard
Tabitha Bernard
United States
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Tabitha Barnard was born in Freedom, New Hampshire in 1994. She is a photographer who grew up in rural Maine with three sisters. Growing up in a very Christian female-dominated family has had a huge influence on her work. Barnard works primarily in digital color photography exploring themes of femininity and religion. She received her Bachelor of Fine Art from Maine College of Art in the Spring of 2016 and a Masters of Fine Art from Massachusetts College of Art in the Spring of 2021. She has worked in both commercial studio settings, as a shooting assistant, and as the media technician for the photo department at the Maine College of Art. She currently works in Portland Maine, teaching at the Maine College of Art.
Jason McGroarty
Jason McGroarty
Ireland
1992
Jason McGroarty is a multi-award winning, self-taught photographic artist who is best known for his conceptual work exploring the relationship between man and nature. The characters of which are depicted in almost tarot-card-like mystical figures. Also known for his minimalist approach to photography, McGroarty creates his masterpieces with only entry-level equipment, often building his own lighting, studio’s and props from unwanted materials. This motto has secured sponsors with international top dogs such as Nikon in their Learn & Explore project promoting the quality of work that can be achieved with a masterful understanding of light & composition. Jason McGroarty won third place at All About Photo Awards 2018 for his work Totem Raccoon. About Totem Raccoon "Through Totem I wanted to capture the heart-stopping moment when the wild breaches the barriers of the city and reminds us that the line between humans and wildlife is not as clear-cut as we would like to believe in, and that in the animal kingdom, the only thing we can count on is unpredictability, that the unexpected should be expected." -- Jason McGroarty
Piotr Skubisz
Piotr Skubisz
Poland
1978
Piotr Skubisz is an independent photographer with a keen interest in portrait photography, the human body, and the exploration of self-awareness and self-discovery. He studied at The Film School in Łódź and Polish Studies at the University of Warsaw, where he developed a strong interest in cultural anthropology, which influences his approach to capturing the human experience. For him, photography is an ongoing journey of experiencing and discovering, blending aesthetics with reflection. Recognized for his work, he has been awarded a Gold and Bronze medal at the PX3 2024 competition and received an official selection in the IPA. Piotr collaborates with individuals to create authentic, expressive portraits and fine art photography. His work often explores the nuances of human emotion and cultural identity, striving to capture the unique essence of each subject. Currently based in Warsaw, Piotr enjoys traveling and is always eager to explore new horizons. Commissions are available, including travel assignments. Statement "Photography, for me, is an ongoing journey of experiencing and discovering. My work explores the intricate layers of identity, self-discovery, and cultural identity through the intimate lens of portrait and body photography. Each image aims to blend aesthetics with introspection, inviting viewers to reflect on the diverse narratives that shape our world. Photography is an essential path for me in discovering and understanding otherness, which also redefines myself. I am always on a journey, even when I am in the same place. From my earliest years, I have been fascinated by otherness in its broadest sense. This fascination, born in the gray reality of communist Poland, led me to immerse myself in books about people from other cultures, from distant lands, seeking to understand different cultures, places, and people. Later, I became absorbed in science fiction literature, which offered another way of looking at the reality surrounding me, from different points of view. For example, Ursula K. Le Guin's "The Left Hand of Darkness," in which there is a species similar to humans known to us from Earth, but with the difference that the organism assumed a given gender only for the duration of the mating season. This described condition showed how many things, views, our perception of reality, cultural conditioning, often unconsciously determine our perception of other people, the world, what is considered obvious and absolute. And ourselves as well. Just as much of our perception of the external world is conditioned by our own body - the left side, the right side. Better vs. worse. The human being and the body in and through which we communicate and perceive the world - these are the topics that are a constant mystery to me, the main theme of my photography. Which, in turn, is a medium of contact with this mystery, a constant discovery of the Other, the Unknown. Through my lens, I strive to celebrate the beauty of diversity and the universal quest for understanding and connection." Recent Awards and Honors: 2024 PX3 (The Prix de la Photographie, Paris): Gold and Bronze Medal (Portrait) | 2024 IPA (The International Photography Awards): Official Selection (Fine Art-Portrait, People-Lifestyle, People-Traditions/Culture) | 2024 Brodziak Academy: TOP10 Masters of Creation | 2024 ReFocus The World Photo Annual Awards: Silver (Fine Art), Bronze (People), Bronze (Portrait), Honorable Mention (People) 4x Nominee (Fine Art, People, 2x Portrait) | 2024 Life Framer: Black & White Editors’ Pick | 2024 TIFA, Tokyo International Foto Awards: Bronze Winner People-Portrait, Honorable Mention 4x (2x Fine Art-Portrait, 2x People-Portrait) | 2024 Monochrome Awards: 3rd Place Portrait, Honorable Mention (1x Portrait, 1x Fine Art) | 2025 LensCulture New Visions 2025, Humanity: Editors' Pick. Awarded Photographer of the Week - Week 08
Marco Garabello
Marco Garabello
Italy
No, I haven't been a photographer for all of my life. When I was younger, I worked as a journalist and TV anchorman, then, for another ten years, I worked as a manager for several companies, both Italian and foreign. Then the "fil rouge" of photography, that crossed my whole life, had the upper hand and became a full-time job, that I could enrich with all my previous experiences. More than six hundreds awards in International Photo Contests (among which 120 gold medals), earned during the last years in more than fourty countries, show my passion for all kind of photography, from color to monochrome, from portrait to nature, from photojournalism to "creative" photography, from panoramic pictures to travel photography (another passion, strictly linked to photography, that brought me in 63 countries). ...many photographers are specialized in Nature or in Portrait or in Architecture... I cannot! I do not know if this is a limit. Sure it is neither self-conceit nor indifference, but I am really fond of any kind of photography and I like very much to experiment.
Frank Baudino
Frank Baudino
United States
1947
Frank Baudino is a self-trained photographer who works almost exclusively in black and white. His interest in photography began at the age of 8 when he started working in the "wet" darkroom under the supervision of his father. His early cameras included the standard "Brownie" and a battered Speed-Graphic 4x5. HIs previous work concentrated on landscapes and social commentary ("street") photography. Some of the latter was obtained during medical service overseas. Currently he mainly does portraiture, the nude, and (most recently) photogravures. Statement: "I hope to make images that bring joy to viewers by expressing the beauty of humankind in light and shadow."
Leo Touchet
Leo Touchet
United States
1939
Leo Touchet is an American photographer, Born in Abbeville, Louisiana, in 1939. Throughout his 50-plus year career, photographer Leo Touchet’s work has captured the essence of people and cultures all across the world. In July 1965, inspired by the work of Henri Cartier-Bresson on view at MoMA, Touchet purchased a Leica M2 and began photographing the streets of New York. Soon after, his work drew the eye of a Life Magazine photo editor. That chance encounter led him on assignment for UNICEF to war-torn Vietnam, the first stop on a career that led Touchet through fifty countries across the world. Touchet’s fascination with photography began after pouring through photos an uncle had taken while deployed during World War II. In college, Touchet studied architecture where he was introduced to the principles of composition, form, light, and perspective. This architectural training deeply informed his later photographic work. Upon meeting Henri Cartier-Bresson in 1972, the man whose work inspired Touchet’s career suggested he return home and photograph the people and culture. Touchet took the advice and turned his lens upon his birth state of Louisiana, a sample of which was beautifully collected in the monograph Rejoice When You Die - The New Orleans Jazz Funerals. In total, six monographs of Touchet’s work have been published. Additionally, his work has been featured in numerous publications including Time, Life, National Geographic, and New York Times. Numerous museums and private collections hold Touchet’s work, including the New Orleans Museum of Art, the Museum of Fine Arts Houston, Bibliothèque Nationale de France, the Everson Museum of Art, Hofstra University Museum, the Sir Elton John Photography Collection, Chase Manhattan Collection, and the United States National Park Service. Touchet’s work has been exhibited internationally numerous times notably including solo exhibitions at the Acadiana Center for the Arts, Bibliothèque Nationale de France, the Miami Art Center and the Mint Museum.Source: Jackson Fine Art Artist Statement "My earliest memory of photography was at the age of six in my hometown of Abbeville, Louisiana when an uncle returned from World War II with boxes of photographs he had taken, and I have since wanted to travel. While in high school, I was selected to be the high school photographer. My equipment then was an old 4x5 Crown Graphic Camera with screw in flash bulbs. After high school and a stint in the Army, I enrolled in Architecture school at the University of Southwest Louisiana (now the University of Louisiana Lafayette). There I was introduced to composition, form, light and perspective. My photography has since used all of these elements. Most of my photos are full-frame images, cropped in the camera. I later worked in Cleveland and New York as a draftsman and later as an industrial designer. Eventually I became bored with working in an office on a drawing board. In July 1965, on a visit to the Museum of Modern Art (MOMA), I was captivated by the photos of Henri Cartier-Bresson. The next day, I bought a used Leica M2 camera and began photographing on the streets of New York. The photography archives at MOMA were open to the public and most of my photography education resulted from my many hours studying photos of Cartier-Bresson, Paul Strand, Eugene Smith, Edward Steichen, Gordon Parks and many other photographers in the collection. Later that year, I bought a ticket to Vietnam to become a photographer." -- Leo TouchetSource: leotouchet.com
Gerda Taro
Gerda Taro
Germany
1910 | † 1937
Gerda Taro, a pioneering figure in the world of photojournalism, illuminated the harrowing realities of conflict through her lens. Born Gerta Pohorylle on August 1, 1910, in Stuttgart, Germany, she would later adopt the pseudonym "Gerda Taro" as she ventured into the tumultuous landscape of war-torn Europe during the 1930s. Taro's journey into photography began as she fled Nazi persecution, seeking refuge in Paris. It was there that she crossed paths with fellow photographer Robert Capa, sparking a creative and romantic partnership that would shape both their lives and redefine the boundaries of photojournalism. Together, Taro and Capa embarked on a mission to document the Spanish Civil War, a conflict that would serve as a crucible for their artistic and ideological convictions. Working under the banner of "Robert Capa and Gerda Taro," they captured the raw intensity of battle, immortalizing the struggles of Republican forces against the backdrop of Franco's fascist regime. Despite the dangers inherent in their profession, Taro fearlessly ventured into the heart of the conflict, often disregarding personal safety in pursuit of the perfect shot. Her images exuded a sense of urgency and immediacy, offering a stark reminder of the human cost of war and the resilience of the human spirit in the face of adversity. Tragically, Taro's life was cut short at the tender age of 26 when she was struck by a tank during the Battle of Brunete in July 1937. Her untimely death sent shockwaves through the world of photojournalism, serving as a sobering reminder of the risks faced by those who bear witness to history's most tumultuous moments. Though her life was brief, Gerda Taro's impact on the world of photography endures as a testament to her courage, compassion, and unwavering commitment to truth-telling. Her images continue to serve as a powerful reminder of the human toll of conflict, inspiring future generations of photographers to wield their cameras as instruments of social change and justice. As we reflect on the legacy of Gerda Taro, we are reminded of the profound significance of bearing witness to history's darkest chapters and the enduring power of images to shape our understanding of the world and ignite the flames of empathy, compassion, and solidarity across borders and generations.
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Exclusive Interview with Carolyn Moore
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
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Interview with Maureen Ruddy Burkhart
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