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Cristina Coral
Cristina Coral
Cristina Coral

Cristina Coral

Country: Italy

She lives and works in Italy. She has lived her childhood in an artistic environment. Her approach to photography and its development was almost entirely self - taught. After graduation and several work experience, she has chosen the camera as the main artistic expression. Photographing has become an imperative language.

Her works were exhibited at Galleria Carla Sozzani in Milan, at E contemporary Space in Triest, at Leica Gallery in Milan, at Somerset House London for the 2016 Sony WPA exhibition, at Base Milan for the Photovogue Festival 2016, Complesso museale Santa Maria della Scala in Siena.

One of her artwork is part of the permanent collection of the MACS Museum of contemporary Art of Sicily.

Amongst her recognitions are: two gold medals ,Honorable mentions at Px3 Paris, Honorable Mentions at IPA. Commended Photographer in the Enhanced category of the Open Competition at the 2016 Sony World Photography Awards. Honorary Mention at Life Framer Photography Prize Edition III " An instant " theme series Award. Winner of The Uncanny Contest by Gregory Crewdson and Vogue Italia.

Her works have been published and featured on several magazine as Vogue.it, Lens Culture, Trendland, Art Sheep, Musée Magazine Issue 16, Huffington Post de, l'oeil, Fondazione Pitti discovery, Grey, Rai news, Metal, Einaudi, Iris Artist Platform, Plastik, Elle decor, GUP and many other.

Website

www.cristinacoral.it

 

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More Great Photographers To Discover

Maxime Du Camp
Maxime Du Camp
France
1822 | † 1894
Maxime Du Camp was born on February 8, 1822, in Paris, France, into a prosperous family. His father, a successful surgeon, ensured that young Maxime received a thorough education, which was typical for children of the bourgeoisie. Du Camp's early years were marked by a strong inclination towards literature and the arts. He studied at the Collège Bourbon (now Lycée Condorcet), where he developed a keen interest in literature, history, and languages. His education extended beyond formal schooling; he was an avid reader, absorbing a wide array of subjects that later influenced his literary and journalistic career. In the early 1840s, Maxime Du Camp embarked on extensive travels that profoundly shaped his worldview and literary work. His first significant journey was to the Near East in 1844, where he visited Greece, Turkey, and Egypt. Traveling with a sense of adventure and a desire to document the cultures and landscapes he encountered, Du Camp honed his skills in photography, an emerging technology at the time, and became one of its early pioneers as a documentary tool. This journey had a substantial influence on Du Camp. The cultures, histories, and landscapes of the Near East provided rich material for his later writings. He published his travel experiences in "Souvenirs et paysages d'Orient" (1848), which combined vivid descriptions with keen observations of the places he visited. This work marked the beginning of his career as a travel writer and established his reputation in literary circles. One of the most significant relationships in Du Camp's life was his friendship with the famous French novelist Gustave Flaubert. The two met in 1843 and quickly formed a strong bond based on their mutual interests in literature and travel. In 1849, they embarked on a journey to the Middle East, which took them to Egypt, Palestine, Syria, and Turkey. This expedition was particularly important for Du Camp as it allowed him to combine his passion for travel with his budding interest in photography. During this trip, Du Camp took numerous photographs of ancient monuments, landscapes, and people. These images were later published in "Egypte, Nubie, Palestine and Syrie" (1852), one of the earliest photographic travel books. The collaboration with Flaubert during this journey also had a lasting impact on both men's work. Du Camp's photographs provided valuable visual documentation for Flaubert's future literary works, while Flaubert's meticulous approach to writing influenced Du Camp's style. Du Camp's literary career was diverse, encompassing travel writing, novels, poetry, and journalism. His early works, such as "Souvenirs et paysages d'Orient" and "Egypte, Nubie, Palestine et Syrie," were primarily travelogues that showcased his ability to capture the essence of distant lands through both words and images. In the 1850s, Du Camp turned his attention to fiction. His first novel, "Mémoires d'un suicidé" (1853), was a reflection on the social and moral issues of his time. Although not as commercially successful as his travel writings, this novel demonstrated his versatility as a writer and his willingness to explore different genres. Du Camp also made significant contributions to poetry. He published several collections, including "Les Chants modernes" (1855) and "Convictions" (1858), which were characterized by their reflection on contemporary society and politics. His poetic style was influenced by the Romantic movement, but he also incorporated elements of realism, a reflection of his broader literary interests. In addition to his literary pursuits, Du Camp was an active journalist. He contributed to various newspapers and magazines, including "La Revue des Deux Mondes" and "Le Constitutionnel." His journalistic work covered a wide range of topics, from politics to culture, showcasing his ability to engage with contemporary issues. Du Camp was also known for his critiques of French society, often addressing the tensions and contradictions of his time. Maxime Du Camp was not only a man of letters but also an engaged citizen. He was a staunch supporter of the Second French Empire under Napoleon III and was involved in the political discourse of his time. In 1851, he joined the ranks of the Saint-Simonians, a socialist group that advocated for social reform and the improvement of the working class's conditions. His political views were reflected in his writings, where he often addressed social justice and the need for societal progress. Du Camp's political engagement extended to his role as an editor. In 1862, he co-founded the influential literary magazine "Revue des Deux Mondes" with Charles Buloz. This publication became a significant platform for intellectual and literary debate in France, featuring contributions from leading writers and thinkers of the time. Despite his busy career, Du Camp continued to travel extensively throughout his life. His later travels took him to North Africa and Europe, where he continued to document his experiences through writing and photography. His later works, such as "Le Nil: Égypte et Nubie" (1877), reflected his ongoing fascination with the places he visited and his desire to share these experiences with a wider audience. Maxime Du Camp's contributions to literature, photography, and journalism have left a lasting legacy. His pioneering use of photography in travel writing helped establish the medium as a legitimate form of documentation and artistic expression. His travel books remain valuable records of the places and cultures he encountered, providing insights into the 19th-century world. Du Camp's literary works, though not as widely known today as those of his contemporaries like Flaubert, offer a rich exploration of the social and political issues of his time. His ability to blend personal reflection with broader societal commentary makes his writings relevant to contemporary readers. As a journalist, Du Camp's contributions to French intellectual life were significant. His engagement with political and cultural debates helped shape public discourse in 19th-century France. The "Revue des Deux Mondes," under his editorial guidance, became a cornerstone of French literary and cultural life. Maxime Du Camp passed away on February 8, 1894, on his 72nd birthday, leaving behind a diverse body of work that continues to be appreciated for its depth and breadth. His life was marked by a relentless curiosity and a desire to explore and understand the world, qualities reflected in his writings and photographs. Du Camp's legacy is that of a true Renaissance man, whose contributions spanned multiple fields and left an indelible mark on the cultural landscape of his time.
Kirill Akishkin
Kirill Akishkin
Russia
1985
I came to photography from film directing. In 2013, I graduated from a prestigious film school in Moscow and continued to master visual arts independently. While shooting various commercial works and honing my technique, like any artist, I wanted to go beyond the ordinary. Over the years of work, inspired by directors such as Wong Kar-Wai and David Lynch, I developed my own unique style. Now you can see my works in various publications worldwide. I enjoy sharing my feelings through visual creations because it’s an expression that everyone can interpret in their own unique way. For different viewers, a photograph can be both a question and an answer at the same time. This is its uniqueness, its power, which is why I love it. Awarded Photographer of the Week - Week 10
Bruce Morton
Bruce Morton
United States
1949
"My first photography class was in the fall of 1969 at Southern Illinois University. After graduating I moved to Arizona and received a MFA in photography from Arizona State University. I was invited to be a visiting artist in Great Britain then I returned to Arizona for the next thirty years. I became involved in the desert landscaping business and built my adobe home. In 2007 I retired and returned to my childhood home in Illinois for the purpose of documenting the region that I so desperately wanted to leave when I was young. I have never used photography to make a living. Then and now I only wish to share what I experience visually so viewers may find similar experiences within themselves." About Prairie Man/Prairie Woman "These portraits exemplify the people of this rural region in Illinois that became known as Forgottonia. I look at them as historical documents with hopes that future generations will see them and reflect and learn what life was like during this time." -- Bruce Morton
Marcel Giró
Marcel Giró
Spain
1913 | † 2011
Marcel Giró was born in Badalona (Spain) in 1913. Since his youth he was fond of mountain trekking and photography. At the beginning of the Spanish Civil War he enlisted as a volunteer on the Republican side. In 1937, disappointed by the constant fighting between the different factions fighting against Franco, he decided to exile. He walked through the Pyrenees to France where he spent nearly two years doing all kinds of jobs. Finally in 1940 he was able to travel to Colombia with two Catalan companions, where they set up a small textile business. He married Palmira Puig, and they moved to Brazil, where they settled. In Brazil Giró resumed his hobby and ended devoted to professional photography. In 1953 he opened his own studio in Sao Paulo, Estúdio Giró. Marcel Giró became one of the leading photographers of the country, an active member of what became known as Escola Paulista. This movement, pioneer of modernist photography in Brazil was born around Foto Cine Club Bandeirante, in the 50s and 60s, with photographers like José Yalenti, Thomaz Farkas, Gertrudes Altschul, Eduardo Salvatore, Chico Albuquerque, Geraldo de Barros, Rubens Teixeira Scavone, Ademar Manarini, German Lorca and Gaspar Gasparian among others. He exhibited his works all over Brazil and around the world. His works are today in collections like the MASP (Sao Paulo Museum of Modern Art), Itaú Cultural (Itaú Bank), the Metropolitan Museum and the MoMA, in New York, among others. Giró was also one of the pioneers of advertising photography in Brazil. In his studio worked young assistants that later become world-renowned as great photographers like Marcio Scavone and JR Duran. After the death of his wife in 1978, he left professional photography and artistic photography. He sold the studio and returned to Catalonia. During the 80's and 90's, he began to paint with a very close criteria to his Photography works of the 50s. He died in Mirasol (Barcelona) in 2011, at age 98. For exhibitions and sales in Europe contact Toni Ricart Giró: toniricart@marcelgiro.com For exhibitions and sales in rest of the world Isabel Amado: isabel@isabelamado.com.br
Cristina de Middel
Cristina de Middel
Spain
1975
Cristina de Middel (born 1975) is a Spanish documentary photographer and artist living and working in Uruapan, Mexico. De Middel self-published The Afronauts in 2012, a photobook about the short-lived Zambian space program in Southern Africa. The book quickly sold out and the work was met with critical acclaim. She was nominated for the 2013 Deutsche Börse Photography Prize for The Afronauts. In 2013, de Middel received the Infinity Award from the International Center of Photography. In 2017 she became a nominee member of Magnum Photos and in 2019 an associate member. Source: Wikipedia Cristina de Middel investigates photography’s ambiguous relationship to truth. Blending documentary and conceptual photographic practices, she plays with reconstructions and archetypes in order to build a more layered understanding of the subjects she approaches. Working from the premise that mass media is reducing our real understanding of the world we live in, De Middel responds to an urgency to re-imagine tired aesthetic tropes and insert opinion in place of facts. Her impulse for an unconventional angle developed after a 10-year career as a photojournalist when De Middel stepped outside of straight documentary and produced the acclaimed series The Afronauts (2012). It explored the history of a failed space program in Zambia in the 1960s through staged reenactments of obscure narratives, challenging the traditional depiction of the African continent. De Middel’s ongoing project Gentleman’s Club (which began in Rio de Janeiro in 2015 and has now expanded to every continent around the globe bar Australasia) focuses on prostitution’s less documented side: the male clients. Her intimate portraits of these men subvert the paradigms of the status quo to provide new sources of insight and understanding. As well as her acclaimed personal projects, De Middel has worked on commission for clients including The Nobel Peace Foundation, Christian Dior, Vanity Fair USA, Vogue USA and FC Barcelona. De Middel was born in Spain and is based between Mexico and Brazil. She became a Magnum nominee in 2017.Source: Magnum Photos
Umberto Verdoliva
Umberto Verdoliva
Italy
1961
I was born in 1961 in Castellammare di Stabia near to Naples. I live in Treviso (Italy). I immediately loved street photography, this awareness over time has pushed me to investigate my "daily" in depth, constantly seeking poetry and beauty in the humanity around me. From 2010 to 2017, I was a member of the international collective "ViVo" and in 2013 I founded "SPONTANEA" an Italian collective dedicated to street photography dissolved in 2019 I like to convey my passion by curating workshops, exhibitions, portfolio readings, presentations, writing articles and insights on photography. Many of my photos and photographic projects have been published in the main Italian and international photography magazines.
Joel-Peter Witkin
Joel-Peter Witkin
United States
1939
Joel-Peter Witkin (born September 13, 1939, in Brooklyn, New York City) is an American photographer who lives in Albuquerque, New Mexico. His work often deals with such themes as death, corpses (and sometimes dismembered portions thereof), and various outsiders such as dwarves, transsexuals, hermaphrodites, and physically deformed people. Witkin's complex tableaux often recall religious episodes or classical paintings. Witkin was born to a Jewish father and Roman Catholic mother. His twin brother, Jerome Witkin, and son Kersen Witkin, are also painters. Witkin's parents divorced when he was young because they were unable to overcome their religious differences. He attended grammar school at Saint Cecelia's in Brooklyn and went on to Grover Cleveland High School. Between 1961 and 1964 he was a war photographer documenting the Vietnam war. Going freelance in 1967, he became the official photographer for City Walls Inc. He attended Cooper Union in New York where he studied sculpture, attaining a Bachelor of Arts degree in 1974. After Columbia University granted him a scholarship, he ended his studies at the University of New Mexico in Albuquerque, where he became Master of Fine Arts.Source: Wikipedia Finding beauty within the grotesque, Witkin’s work extends beyond post-mortem photography with his staged set-ups of corpses and dismembered parts. Witkin’s fascination with death was triggered by a life-altering episode at a very early age; he witnessed an automobile accident in front of his house in which a young girl was decapitated. Witkin has also pursued his interest in the human condition, drawing attention to “the other,” photographing marginalized groups of people. Those often cast aside by society—hermaphrodites, dwarfs, amputees, androgynes— inspire his work as he confronts the viewers’ sense of normalcy. His interest in spirituality, in particular the teachings of Christianity, has played into his work, as do frequent references to classical paintings. Works by Picasso, Balthus, Goya, Velásquez, and Miro reappear in his dramatic, staged scenes, as well as the work of E.J. Bellocq, who photographed a series on prostitutes of the red light district in New Orleans in the early twentieth century. Witkin’s work has been exhibited internationally at the Museum of Modern Art in New York, the Fraenkel Gallery in San Francisco, Galerie Baudoin Lebon in Paris, and the Bibliothèque Nationale de France in Paris, among many others. Witkin is represented by Catherine Edelman Gallery and currently resides in Albuquerque, New Mexico.Source: International Center of Photography
TJ Vissing
TJ Vissing
United States
1962
TJ Vissing is a commercial and travel photographer with over 30 years of professional experience. He values the contemplative time spent behind the camera while traveling and is rarely without a window seat on airplanes, observing the landscape below with his camera and telephoto lens at hand. Photography serves as a form of time travel in his practice, slowing the pace of movement and allowing for careful observation. Through this process, he is able to engage more deeply with the places he visits, transforming moments of transit into opportunities for sustained perception. AAP Magazine: AAP Magazine 53 Travels
Matteo Bastianelli
Matteo Bastianelli
Italy
1985
Matteo Bastianelli (b. 1985) is a documentary photographer and filmmaker based in the Metropolitan City of Rome, Italy. He is a National Geographic Magazine contributor and a member of Italy's National Order of Journalists. Above all he works on personal projects and commissions related to social, environmental and human rights issues with a keen interest in the themes of memory, identity, inclusion and sustainability. His photographic and film projects have been regularly published and commissioned by Al Jazeera, CNN, Internazionale, The New York Times, National Geographic, Newsweek, The Guardian, Voice of America, Washington Post, among others. Since 2016 he has also been working on commission for NGOs such as Amnesty International, AVSI, Doctors Without Borders/MSF, Human Rights Watch and International Committee of the Red Cross. His projects have been widely shown in group and solo exhibitions and screenings around the world. A selection of Bastianelli’s accolades includes National Geographic Society’s Covid-19 Emergency Fund for Journalists, Emerging Talent Award at Reportage by Getty Images, AP32- American Photography Awards, PDN’s Photo Annual, Canon Young Photographers’ Award, Italian Doc Screenings Development Award for best documentary film and "Vittorio de Seta" prize for the director of the best documentary film at BIF&ST. He spent almost five years working in the former Yugoslavia, where he produced his early series. In 2012 was released his first monograph and documentary film, "The Bosnian Identity". In 2013 he started working on "Souls of Syrians", an ongoing project which stems from the concern to document the personal story of a Syrian youth who fled his country in search of salvation in Europe. In 2018 Bastianelli documented the world’s worst humanitarian disaster caused by the ongoing civil war in Yemen, focusing his attention on the resilience of civilians trapped in a life of violence and disease. His documentary film "Yemen Unveiled" was screened during the 2019 Human Rights Film Festival in Berlin, Germany and has been included in the Official Selection of the Health for All Film Festival 2020, organized by the World Health Organization in Geneva. In recent years, he has been continuing his research work on personal and small stories that, by synecdoche, represent a mosaic of contemporary history: from immigration to climate change, from social inclusion to the metamorphosis of the contemporary landscape. Movies:The Bosnian IdentityMal di Mare
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Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
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