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Win a Solo Exhibition this February. Juror: Harvey Stein
Win a Solo Exhibition this February. Juror: Harvey Stein
Maria Kanevskaya
Self-portrait
Maria Kanevskaya
Maria Kanevskaya

Maria Kanevskaya

Country: Russia
Birth: 1987

Maria Kanevskaya was born in March of 1987 in St. Petersburg, Russia. She has a bachelor degree in Hospitality Management from St. Petersburg State University of Economics and Finance. She picked up a camera just a few years ago and never thought she would end up feeling so passionate about photography at the time but a little flame was lit rather quickly, and she all of a sudden was able to materialize instances from daydreams. She moved to San Francisco to follow her heart to create. Maria is influenced by the vision of dreams and everyday life, childhood memories, the interactions with people, the feelings that arise, and the films and works of other artists.She tries to create a different world with photography, a world that doesn’t exist but that some people might want to be a part of.
 

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All About Photo Awards 2026
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More Great Photographers To Discover

Stefano Galli
Italy
1981
Stefano Galli is an Italian photographer born in 1981. After graduating at the University of Turin, with a BA in cinema, he moved to Copenhagen, Denmark, where he worked with director Lars Von Trier. During these years he attended Fatamorgana, The Danish School of Art & Documentary Photography. Fascinated with traveling and the discovery of new environments, Galli is currently working on a new series that belong to a trilogy started with 'Cars' and followed by '80 Skies'. He recently terminated a non-narrative documentary-film, based on the stories of random people met along a journey through the USA. Galli exclusively works on a traditional analog way, both in his motion and still project. Currently based in Los Angeles. About '80 skies'Gazes at the sky. The beauty and power of pure light entering the camera. A project that recalls Claude Monet’s study of the influence of light on objects. Stefano Galli brings his own light studies to the extreme, focusing on the sky and its myriad variations. In “80 SKIES”, the protagonists of Galli’s frames are airplanes or - better said - the small shapes that fly over our heads daily. Because of their height in the sky and the sunlight by which they are surrounded, the shapes Galli captures become something entirely different than just giant devices that move hundreds of human beings. In many cases, the planes are insignificant elements when compared to the magnificence of the heavens. In fact, the eye of the viewer becomes lost in the contemplation of the colors, in the totality of the photographs; looking at these images, the impression of hearing the deafening noise or the usual imagery of the airplane is not perceived. Fascinated by movement and travel, Stefano Galli dedicates this project to the aircraft for the purpose of studying the sky. The result is a creative pictorial but also a tiring study that begins in the early hours of dawn and ends with the fall of the sun. Pushing 35mm negatives to the extreme through a 90mm lens, he lets the film be flooded by the infinite heavenly hue, the changing colors of the horizon sometimes grayish, or yellow and pink, the broad spectrum of colors that characterize the sky. The intensity of the light seems to struggle with the film speed, so the photographs are characterized by a thick grain that gives the picture a three-dimensional effect, as if it had been given a brushstroke.A photographic project that shows the endless variations of the light system in which we live. About 'Cars': Stefano Galli’s work documents his journey of crossing deserts, through forgotten villages, on remote and empty roads. In ‘Cars’ , geography is just as important as photography even if in his shots - distinctive sharp cuts - he leads away from the dusty streets and daily life. Galli conducts the imagination to an elsewhere where lines play with material and shape, where the tail lights and fenders are transformed into surreal and alien beings. Yet ‘Cars’ goes far beyond a mere figurative research, the work is conducted with rigor and awareness, typical of a geographer or an archivist. In fact, Stefano meticulously notates the physical location of the intersection shown in each photograph. Therefore, the project goes beyond the cult of the American car. Through this adventure, Galli tracks and defines - snap after snap - a cognitive path of the new continent. So there is an aspect that links these works to a deep investigation of American society and to aspects of decay and yet, mixed with a splendor that still dazzles. The essence of his idea lies not only in the aesthetics of the work, but also in his decision to show the layers of dust on the cars, the broken headlights and swollen wheels. In this series, a fascination with America remains. A fascination with all its vastness and complexity, which attracts and disturbs at the same time. Discover Stefano Galli's Interview
Alvaro Ybarra Zavala
Alvaro Ybarra Zavala, is based in Spain. He took up a career in photography while at university, aged 19, focussing on issues of social conflict. He has now exclusively joined the Reportage by Getty Images roster, having previously worked with Agence Vu (December 2005 - March 2009), and as a freelance photographer before that. His key bodies of work to date have included conflict coverage in Chechnya, Iraq, Afghanistan, Lebanon, Colombia, Democratic Republic of the Congo, Uganda, Rwanda, Burma/Myanmar, Sudan, Georgia, and the Central African Republic, post-conflict coverage in the Balkans, HIV/AIDS in Southeast Asia (India, Thailand, Cambodia, Burma/Myanmar) and Africa (Malawi, Gambia, Senegal, Kenya), the tsunami in Banda Aceh & Sri Lanka, indigenous peoples in Bolivia, Brazil and Ecuador, presidential elections in Bolivia, Paraguay & Serbia, and cancer in the third world (Bolivia, Brazil, Peru, Uganda, Iraq and Morocco), all of which are topics close to his heart. As well as working on his own personal projects, he has worked on assignment for Time Magazine, Newsweek, the New York Times, the The Times magazine, Le Monde, Liberation, Vanity Fair, XLsemanal & ABC, L'Espresso, Stern, Geo, EPS, EIGHT, etc. Alvaro has published four books to date, with a fifth scheduled for release in 2010, Apocalipsis. He has exhibited his work internationally, including in the UK (The Voices of Darfur at the Royal Albert Hall), in France (Children of Sorrow at the Visa Pour l'Image festival in Perpignan), China, Colombia, at the United Nations in New York and Geneva, and in other cities across the US and Spain.Source: www.alvaroybarra.com
David Seymour (Chim)
United States
1911 | † 1956
David Seymour, also known as Chim, was a Polish-born photographer who is best known for his work as a member of the photographic cooperative Magnum Photos. He was born in 1911 in Warsaw, Poland and spent his early years studying in Germany before moving to France in 1933. Seymour's interest in photography began at a young age, and he quickly became skilled in the art of photography. He began his professional career as a photographer in Paris, working for various newspapers and magazines. In 1936, he joined the photographic cooperative Magnum Photos, which was founded by photographers Robert Capa, Henri Cartier-Bresson, and George Rodger. Chim told me not to follow too closely the advice of Capa, and Capa told me not to take any notice of Henri’s advice. So I was a bit mixed up and went to see George Rodger... and he said, “Don’t listen to any of them, only to me.” -- Marc Riboud, on joining the Magnum photo agency in 1953 As a member of Magnum Photos, David Seymour traveled extensively, capturing powerful images of people and events from around the world. He covered a wide range of subjects, including politics, war, and social issues. He was particularly known for his ability to capture the humanity of his subjects, and his images often conveyed a sense of empathy and compassion. Seymour's work as a war photographer began during World War II, when he covered the Spanish Civil War and the Second World War. He was one of the first photographers to document the horrors of the Holocaust, and his images of concentration camps and Jewish ghettos are among his most powerful and moving works. In 1948, David Seymour traveled to Palestine to cover the Arab-Israeli conflict, and his images of the fighting and the suffering of the Palestinian people helped to raise awareness of the issue around the world. He also covered the Korean War, the Suez Crisis, and the Hungarian Revolution, and his images of these conflicts were widely published in newspapers and magazines. In addition to his work as a war photographer, Seymour also documented social issues and political events. He covered the civil rights movement in the United States, and his images of the struggles of African Americans helped to raise awareness of the issue. He also covered the Cuban Revolution and the rise of Fidel Castro, and his images of the revolution and its aftermath helped to shape the way that the world viewed Cuba and its leader. Seymour's work as a photographer was widely recognized and respected during his lifetime, and he received numerous awards and honors for his contributions to the field of photography. He was a member of the French Legion of Honor, and in 1957 he was awarded the prestigious Robert Capa Gold Medal for his contributions to photojournalism. Despite his success as a photographer, Seymour's life was cut short when he was killed in 1956 while covering the Suez Crisis in Egypt. He was only 45 years old at the time of his death, but his legacy as a photographer lives on through his powerful images and his influence on the field of photojournalism. Today, Seymour's work continues to be widely admired and studied, and his images are considered to be some of the most powerful and important photographs of the 20th century. His work has been featured in numerous exhibitions and publications, and his images continue to inspire and influence photographers around the world. David Seymour Chim was a remarkable photographer who was able to capture the essence of humanity and the complexities of human nature. His photographs are moving and powerful, and his ability to document the world's most significant events and moments in history is a testament to his skill and dedication to his craft. His legacy as a photographer lives on, and his work will continue to be appreciated for generations to come.
Thomas Crauwels
Switzerland
1983
I live at the service of these impetuous guardians of the eternal snows. Watching their light, vibrating to the rhythm of their beauty has become second nature. I like to live these moments of contemplation of panoramas both frozen and changing, which feed me with their greatness. In these moments, I taste peace and melt into the landscape. When the clouds are absent, when my gaze goes on forever and I can let my inspiration flow freely. Without any particular goal. Just to live. To let myself be carried. At other times, I become a truth hunter. I look for the ephemeral moments. The coming storm. The elements colliding. The wind, the air, the rock, creating a chaos that engulfs me in intense and intoxicating sensations. These minutes where I hold my breath so much they are nimbered of a perfection which exceeds me and carries me in a different space. A space that my eye and its accomplice, my camera, know how to capture. Suddenly, everything calms down. Just after the fin of the world, the revelation of another world arrives. Before my amazed gaze, my senses on the alert, the clouds are torn apart like the curtain rises on a new show. The highest summits are adorned with another light, a new contrast. Nature creates before my eyes. Trembling with an inner joy, I try to capture impermanence. It is like a miracle always renewed. Just after the storm, when the first rays of sunlight illuminate the peaks with their royal light. My daily life is punctuated by the study of weather forecasts. Detecting the approach of the forces of nature. A subtle alliance between intuition and the rational study of the elements. I am at one with nature, who is the chief creative artist...and I the humble craftsman. Mixture of experience and naivety, dancing alchemy of summits and elements, fusion between nature and the human being that I am. Who am I in front of all this? A stardust, present, vibrating, panting in the heart of the mystery of life. I aspire to the mastery of the moment which however escapes... In the end, should I really try to control the moment? When I have everything in place with rigor and yet failure looms, I let my heart speak. And then, sometimes, the miracle happens. This miracle that floods me with joy. I am happy to share with you some of the nuggets I brought back from these journeys to the end of my dreams... My quest for an ever-renewed perfection, nature has offered it to me so that I can offer it to you in turn. I hope you will have as much pleasure in dreaming in front of these photos as I had in looking for the perfect moment, the right moment.
Ludovica Limido
Born in 1995 in Varese, Italy, Ludovica Limido is a documentary photographer whose work centers on countercultures and human connection. After graduating from art school, her travels through Australia and Southeast Asia deepened her need for photography. In 2019, Ludovica was awarded a photography scholarship at Milan’s John Kaverdash Academy, which led to new collaborations and recognition. Her projects explore diverse themes, from life in small Italian villages to European body suspension subcultures, folklore, and the experiences of adolescence in provincial settings. Her work delves into the complexities of belonging, identity, and the interplay between individuality and group dynamics. In 2023, she discovered an online community in the world of love dolls, inspiring her project The Doll Next Door, which focuses on the companionship between humans and their synthetic counterparts. Her photography has earned her recognition in several competitions and festivals. In 2024, Ludovica was a finalist at the InCadaqués Photo Festival, the Indian Photo Festival, the ND Awards, the Golden Shot Awards, Les Boutographies, and was shortlisted for the 2024 Un/Fund Artist Grant. In addition, she received honorable mentions at both the Passepartout Photo Prize and the International Photography Awards, and was a finalist at the Gomma Grant Awards. The Doll Next Door: For centuries, humanity has been intrigued by the idea of artificial companionship. Rumors suggest that as far back as the 1600s, sailors carried early versions of sex dolls crafted from cotton and fabric on their long sea voyages. Despite the ambiguity surrounding their origins, the allure of these synthetic companions has persisted through time. In the modern era, the landscape of synthetic relationships has undergone a profound transformation. Since 2018, catalyzed further by the upheavals of the Covid era, the adult doll market has seen rapid growth, fostering a global community of individuals who opt for “synthetic” relationships. Far from fitting the stereotype of isolated introverts, doll owners defy easy categorization. They come from diverse backgrounds, span various age groups, and pursue a range of professions, challenging societal norms with their embrace of unconventional connections. Their homes become gateways to a secret, private world dedicated to their dolls; neat, compact spaces filled with accessories, clothes, jewelry, shoes—everything their dolls might need if only they were alive. Despite the undeniable significance of these relationships, most remain shrouded in secrecy. Fueled by societal stigma and misconceptions, many who are part of this subculture often find themselves hiding it from even their closest friends and family. Through private forums, blogs, and social media, doll enthusiasts build connections, share advice, and celebrate the intricacies of their lives. These online networks serve as lifelines, offering a sense of belonging in a world that often fails to understand their reality. As technology advances, love dolls represent the brink of a new era—the emergence of genuine robot companionship. With each innovation, the line between fantasy and human reality blurs, offering a glimpse into a future where the boundaries of intimacy are redefined. “The Doll Next Door” explores the deep emotional connections formed between individuals and their synthetic counterparts, revealing how companion dolls serve as confidants, companions, and even surrogate family members. Moreover, it delves into the concept of identity for both doll owners and their synthetic companions. Through this project, I aim to highlight the depth within these unconventional relationships and bring to life a contemporary, romantic story that reflects something deeply human: our need for connection, acceptance, and the desire to feel understood.
Debbie Miracolo
United States
1953
Debbie Miracolo is a photo-based artist interested in transition and passage of time. A former graphic designer with a fine art education, she creates inventive images with a sharp attention to detail and composition, often with a generous sprinkling of emotion and whimsy. She attributes her outlook to memories of an introverted childhood infused with make-believe worlds and storybooks. By transforming rather than documenting truth, her interpretations of humanity, nature, and train travel serve as seductive invitations to linger, question, and weave a story of one's own. Growing up as an only child in a home with her European parents and grandmother made her childhood reality different from that of her friends. She was introverted, shy, and intimidated by the world around her, but found that creating art alleviated some of the loneliness she felt and helped her to express her feelings. By the time she finished high school she had become skilled at drawing and painting. At Rochester Institute of Technology she earned a BFA, studying printmaking, photography, and art history, and later moved to New York City to pursue her artistic dreams. There she began a 15-year career as a graphic designer in the busy publishing and advertising industries. With the birth of her two sons and subsequent move to a Victorian house in a suburban New York town, she shifted all of her energy, diving into motherhood, and for several years the creative spirit within her lay patiently dormant. As most artists know however, that spirit never truly leaves, and as her children approached adolescence she could sense it regaining strength. Feeling drawn to photography once again, Debbie made the decision to revisit the medium as an art form. She began taking classes and workshops at the International Center of Photography, gaining mastery of the craft and honing her own personal vision. From there, there was no turning back, and she has been making and focusing on her art ever since. Debbie's work has been published, notably on the cover of Geo Wissen Magazine and most recently, in F-Stop Magazine. Her images have been exhibited in a number of galleries in New York City, Boston, St. Petersburg, Fl. and Middlebury, Vt. as well as online media. About Imagined Moments from the Porch "It was a bewildering, absurd world I found myself in during the first chaotic months of the Covid-19 outbreak. Through incongruous juxtapositions, metaphor and a bit of whimsy, these photo composites of my neighbors portray the surreal, confused and off-kilter feeling I had then, and which still lingers today. With many of us sheltering in place, pedestrian traffic had increased remarkably in my quiet town. People paraded by on the street, some of whom I'd never seen before; young and old, parents with children, and more and more dogs as the weeks went by. I began to photograph what I observed from the steps of my front porch and, over a period of four spring and summer months, the project evolved. The idea to reconstruct the photographs came to me when I needed to switch out a person, and with that one manipulation, it became clear that I would take the series in a more imaginative direction. As the virus numbers increased and the news became more alarming by the day, I digitally rearranged my characters in more unlikely ways. It was as if my wish to change reality and my doubts about what to believe were coming through in my images. Imagined Moments from the Porch is a kind of theatrical narrative made up of fictional scenes I compose to depict my off-beat version of these dark, confusing, and upside-down days." -- Debbie Miracolo
Lilian Caruana
United States
"As an immigrant from Italy growing up in New York, I was drawn to observing people and fascinated by differences in cultural behavior. I saw myself always faced with the dilemma of interpreting and reconciling home country with adopted country norms and behavior. Things that were perfectly normal in one culture could be foreign, even problematic, in the other. I developed “antennas” having to constantly read and interpret cultural cues or nuances in interactions with people. This feeling of being an outsider made me want to know more about people, how they lived, what they believed in. Seeking this, anthropology has been a lifelong study that I explore photographically. Photography has served as a passport that allows me entry to worlds normally closed to me. The central theme of my photography is individuals who are outside the mainstream of the larger society. I have photographed immigrants, punks and skinheads, Austrian farmers in the Italian Alps, inner city youth and gang members. My work explores how individuals who, either by choice or because they are seen as “the other,” live outside the dominant culture. My goal is to explore how individuals shape their identity and give voice to their own existence." REBELS: Punks and Skinheads of New York’s East Village "New York’s East Village has always been a haven for strivers, a home for immigrants, artists, poets and later the place where the punk movement was born. In 1984 I moved there and was fascinated by the young people walking around sporting body metal, torn clothing, tatoos, and chains. I photographed them in the streets, in the abandoned buildings they called home and in the clubs like CBGB where they played their hardcore music. These were young people who were looking for a more authentic way to be and did not see a place for themselves in mainstream society. It was exciting to see, in what appeared to be squalor and dissolution, something being born. With grit and ingenuity they took vacant lots filled with rubble and turned them into urban gardens, abandoned buildings into housing, and anger into art, music and community. Despite the drugs, poverty, and violence that battered the East Village at the time, the creative response was there, raw and beautiful, and that is what interested me."
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All About Photo Awards 2026
Win a Solo Exhibition in February
All About Photo Awards 2026

Latest Interviews

Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry