I was born in 1969 in Tarsus/Turkey. I graduated from Çukurova University, Department of Mathematics. In 1995, I started working as a Research Assistant at Marmara University. After 25 years, I resigned and moved to England. I am currently working as a Senior Researcher at the Oxford Center of Technology and Development.
In photography, I try to produce Documentary Photography, which I think is in the middle of life. Recently, I produced projects named "Obscure", "Kakava - Behind the Scene" and "I Can't Breathe". As of October 2020, my book titled "Unsuzler", which includes street portraits I produced in the previous years has been published.
I am currently a member of RPS (Royal Photographic Society), OPS (Oxford Photographic Society) and IFSAK.
In May 2020, in Minneapolis, the brutal murder of George Floyd by the police was recorded by people before and after the murder, and since similar problems were experienced in almost every country in the world, especially in the USA, after being recorded on social media. Despite the pandemic and quarantine measures, people went out to the streets and protested and somehow asked for an account. In general, it is possible to say that the main reasons for all civil movements are based on social justice, human rights demands, anti-racism, freedom, equality, welfare and similar reasons. The demonstrations that started as the protest of Floyd's murder and spread all over the world have evolved into a struggle of honour, global public solidarity against despotic rulers.
Similar protests recently in Turkey, Bolivia, Chile, Colombia, France, Hong Kong, India, Iran, Iraq, Lebanon, Malaysia, Pakistan and possible to see that take place in many countries. Beginning with the destruction of the statues of colonists in continental Europe, especially in England; Afterwards, effective anti-colonial protests took place in the organization of the BLM (Black Lives Matter) movement. Throwing the statue of the slave-dealer Edward Colston into the river in Bristol, the removal of Robert Milligan's statues by the Municipality in London, and especially Cecil Rhodes, the founder of the Rhodes Foundation, which has significant funds at the University of Oxford, but was the leading actor in the enslavement of Africa. The removal of his statue by Oriel College can be seen as a relatively important achievement. This book consists of the protests that took place in Oxford and London in August and are a tribute to the people who lost their lives against racism, injustice and discrimination around the world. Hope to meet you in peaceful days.
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems.
Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action.
In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age.
In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
French photographer Manuel Besse is known for his compelling black-and-white imagery, which blends portraiture, documentary, and poetic narrative into a singular visual voice. With a career spanning several decades and continents—from the gold mines of Serra Pelada to the Arctic Circle—his work reflects a deep commitment to authenticity, human connection, and the preservation of cultural and natural landscapes.
His series Macadam, winner of AAP Magazine #41 B&W, offers a contemplative look at fleeting urban encounters, rendered in his signature monochrome style.
We asked him a few questions about his life and work.
UK-born photographer Matthew Portch brings a quietly cinematic eye to the overlooked landscapes of suburban and rural America. Now based in Arizona, his photographic journey reflects a long-standing fascination with the cultural imprint of mid-century America—filtered through a distinctly outsider’s perspective.
His series Lost America, selected for the September 2024 Solo Exhibition, captures an eerie stillness in the built environments of the American West, where nostalgia, silence, and isolation converge.
Chris Yan is a Beijing-based photographer and Creative Director whose work focuses on street and documentary photography. His series Beijing Story, which earned him a solo exhibition in October 2024, offers a nuanced look at daily life in the city. In this interview, he discusses his photographic approach, creative influences, and the ideas behind the project.
California-based photographer Meg McKenzie Ryan has followed an unconventional and deeply personal path into the world of photography. From chance beginnings in Hong Kong to a life shaped by travel, education, and immersion in vastly different cultures, her work reflects a deep curiosity about the world—and the people who inhabit it. Her solo project, The Lives of Others, awarded the March 2024 Solo Exhibition, is rooted in a documentary approach that feels both intimate and unflinching.
