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Vassi Koutsaftis
Vassi Koutsaftis
Vassi Koutsaftis

Vassi Koutsaftis

Country: Greece
Birth: 1952

Vassi Koutsaftis has explored the globe for over 30 years, specializing in travel photography – of the extreme kind, especially in the mountainous regions of Himalayan, the Karakoram, Hindu Kush and other very remote areas of Asia. Born in 1952 in Athens, Greece and crossed the world’s oceans working on cruise ships and freighters. That was just the beginning for he continued to examine our planet traveling to remote areas on his own, then from the air, when he went on to study aeronautics and became a pilot in the U.S. He leads treks and exploratory tours in Afghanistan, Mongolia, Tibet, Nepal, Pakistan, Iran, Bhutan, Burma, Turkey and India, and he contributes essential research to unusual and remote itineraries for Geographic Expeditions one of the best and most respected expedition companies in the US. Vassi’s photographs have been published in a number of magazines including Geo (European edition), Photografos, USA Today, Asia Week, National Geographic Traveler, and Marin Magazine. He serves as Conde Nast’s Tibet expert and is well known for his compelling images of the Dalai Lama. His photographic and travel expertise has been instrumental in scouting for films including productions by CBS, PDI and Dreamworks and a number of independent filmmakers. Vassi’s work is included in the collections of U.C. Berkeley’s Blum Center, Steve Wynn Casinos, Stanford University’s Center for Buddhist Studies. Vassi has exhibited his work widely in a number of galleries in the United States and Overseas including The Hellenic American Union in Athens, Greece and enjoys giving presentations of his photographs while sharing stories of extensive travels around the world.
 

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More Great Photographers To Discover

Lee Jeffries
United Kingdom
Lee Jeffries lives in Manchester in the United Kingdom. Close to the professional football circle, this artist starts to photograph sporting events. A chance meeting with a young homeless girl in the streets of London changes his artistic approach forever. Lee Jeffries recalls that, initially, he had stolen a photo from this young homeless girl huddled in a sleeping bag. The photographer knew that the young girl had noticed him but his first reaction was to leave. He says that something made him stay and go and discuss with the homeless girl. His perception about the homeless completely changes. They become the subject of his art. The models in his photographs are homeless people that he has met in Europe and in the United States: «Situations arose, and I made an effort to learn to get to know each of the subjects before asking their permission to do their portrait.» From then onwards, his photographs portray his convictions and his compassion to the world. "If you will forgive my indulgence, This work is most definitely NOT photojournalism. Nor is it intended as portraiture. It's religious or spiritual iconography. It's powerful stuff. Jeffries gave these people something more than personal dignity. He gave them a light in their eyes that depicts transcendence, a glimmer of light at the gates of Eden, so to speak. The clarity in their eyes is awesome to behold, as if God is somewhere in there. He has made these people into more than poor old broken homeless people lazily waiting for a handout from some urbane and thoughtful corporate agent. He infused them with light, not darkness. Even the blind guy has light pouring from his sightless eyes. I think Jeffries intended his art to honor these people, not pity them. He honors those people by giving their likenesses a greater meaning. He gives them a religious spiritual significance. He imbues them with the iconic soul of humanity. I think that's what he was trying to do, at least to some degree thereof." Source: www.yellowkorner.com Lee Jeffries leads a double life – as a full-time accountant near Manchester, and in his free time as an impassioned photographer of the homeless all over the world. A self-taught photographer who started out taking pictures of stock in a bike shop, his epiphany came in April 2008 when, on the eve of running the London Marathon, he snatched a long-lens image of a homeless girl huddling in a doorway, and felt compelled to apologize to her when she called him out for it. Their resulting conversation changed not only his approach to photography; it changed his life. Since that day Lee has been on a mission to raise awareness of – and funds for – the homeless. His work features street people from the UK, Europe and the US whom he gets to know by living rough with them, the relationship between them enabling him to capture a searing intimacy and authenticity in his portraits. He has published two critically acclaimed fund-raising books, Lost Angels and Homeless, worked with the Salvation Army on a major campaign, and donated the half-dozen cameras he's won in prestigious imaging competitions to charity. He estimates he's given thousands of pounds of his own money to help those he photographs. All this, and he's still 'an amateur'. Source: Nikon In-Frame Read our Exclusive Interview with Lee Jeffries
Nanna Heitmann
Germany/ Russia
Nanna Heitmann is a German/ Russian documentary photographer, based between Russia and Germany. Her work has been published by TIME Magazine, M Le Magazine du Monde, De Volkskrant, Stern Magazine and she has worked on assignments for outlets including The New York Times, TIME Magazine, The Washington Post and Stern Magazine. She has received awards that include the Leica Oscar Barnack Newcomer Award, the Ian Parry Award of Achievement. Nanna Heitmann joined Magnum as a nominee in 2019. Hiding from Baba Yaga "Vasilisa was running faster than she had ever run before. Soon she could hear the witch, Baba Yaga's mortar bumping on the ground behind her. Desperately, she remembered the thin black cat's words and threw the towel behind her on the ground. The towel grew bigger and bigger, and wetter and wetter, and soon a deep, broad river stood between the little girl and Baba Yaga. Vasilisa threw the comb behind her, and the comb grew bigger and bigger, and its teeth sprouted up into a thick forest, so thick that not even Baba Yaga could force her way through. And Baba Yaga the witch, the bony-legged one, gnashing her teeth and screaming with rage and disappointment, finally turned round and drove away back to her little hut on hen's legs." From time immemorial people have sought protection and freedom on the banks of the Yenisei and the adjacent wild taiga. For a long time, the banks of the Yenisei have been pervaded by nomadic peoples. The Russians, coming from the west, chased by the greed for valuable fur, did not reach the river until 1607. Criminals, escaped serfs, apostates or simply adventurers, joined together in wild rider associations and expanded ever deeper into the vast wild Taiga. The life of the settlers in Siberia was free and self-determined for the time. Old believers settled on lonely banks of the Yenisei to escape the persecution of the Tsar and later the Soviets. With Stalin the Yenisei became a place of exile and forced labor. The Soviets not only chained the native peoples, but also the Yenisei. With two giant dams they created lakes of almost 400km length. Villages sank in the water, the climate changed. A dense fog swept over the river. The USSR is history. Today, most people are drawn to big cities like Moscow or St Petersburg. Therefore the Yenisei turns more and more into a space for dreamers and loners to escape the worldly world. Not far from the banks of the Yenisei lives Yuri, who has built a small hut on a landfill. Here he can find food for his 15 former street dogs, here he lives freely. Nothing keeps him in the city, where thick coal dust covers the white snow in winter. "All my friends are in the cemetery. Drugs or alcohol." Following the stream of the Yenisei north one encounters Valentin. An self claimed anarch ecologist - a former officer, traumatized by war missions. Today he lives on his small property in the forest. Even at minus 50 degrees, he sleeps outside by the fire. From endless wars he has enough. "All the people of this world, live together in peace and protect your forests." Only to those who threaten the Siberian forests he declares war. "We have a wonderful forest. How many tress grow here. But we need more forests to breathe. Humanity destroyed our forests. These must be revived immediately. " Not far from the source of the Yenisei, Vaselisa lives in the village of Old Believers. Her parents are both deaf and the only heathens in a village that lives strictly to century-old rituals. She doesn't like the children in her village. Her only friend lives in the village of Sissim. While summer holidays the Yenisei and a walk separates them from each other. Encountering all this different people, there is a bond which connects them with each other. The seek of freedom, protection, imprisonment and isolation. The Yenisei and its woods become a metaphor of a dreamscape: Loneliness, unfulfilled dreams, death, abandoned hopes shape people as much as the vast nature, which at the same time gives so much freedom and places of retreat.
Richard Dweck
United States
Photography has been Richard Dweck's vehicle for expressing what he sees and feels when he moves through the world. He has been through some extraordinarily difficult experiences in life but has been able to use them to see and feel the world more acutely. For him there is no greater pleasure than having someone who is looking at his photograph understand the feelings that he felt when he took that photograph. He also enjoys hearing them express very different feelings and show him things in his own photographs that he might never have seen or felt. The Old City of Jerusalem Last year, for the first time, I photographed at the Western Wall and other sites in the Old City of Jerusalem. The impetus for my travel to this area to photograph was the interplay between my Arabian and Jewish roots combined with my own deep self-reflection following a tragic family loss. When I found that so many people were dressed in black and white it only seemed natural that my photographs should be B&W as well. I shot my pictures from the same level as my subjects (or even from below when that was possible) giving me the sense that I could look into them more deeply and imagine their thoughts. The Gaze shows both the deep reflection of the elder along with the reverence of the child. The child's focus and that of my camera are on the elder. The backdrop is the historic 2000+-year old wall. My landscape and architectural photographs tend to the more abstract, while my portraits are more representational. Nonetheless, geometry and textures still play a big part in portraits. The main focus for me is the emotions that I can capture that can resonate deeply within me and very hopefully with the viewers of my work. I definitely look forward to returning for another emotional and introspective journey there one day.
Valerio Nicolosi
Valerio Nicolosi, filmmaker and photojournalist based and born in Rome in 1984, has always had a passion for photography and video. In 2008 he graduated with highest honours from the 'Experimental Television Center' in Rome. He is always looking for the "human factor" on his photos. He made few reportages from the Syrian-Lebanon border about the crises of refugees and the humanitarian corridors. He made Italian and european network and investigative journalism programs for which he has made many reportages on the issue of immigrants and in particular in the "Jungle of Calais". He also covered the terrorist attacks both in Paris and Brussels. During the months of October and November 2016 he followed the US elections making a series of reportages together with the journalist Giovanna Pancheri, broadcast by SkyTg24. Most of the reportages were about human condition on suburbs of America. Making the documentary "Death Before Lampedusa" for the German national TV, ARD, he followed the operation "Mare Nostrum" on board the Italian military vessels deployed in the recovery of boats coming from Africa. He has made numerous music videos with Italian and Palestinian singer/songwriters and has published three books of short stories and photography, "Bar(n)Out", "Be Filmmaker in Gaza" "(R)Esistenze". He spent more than 20 days on board the "Proactiva Open Arms" boat, a Spanish NGO whose main mission is to rescue refugees from the sea that arrive in Europe fleeing wars, persecution or poverty. On that 3 weeks they rescued 86 refugees. He is just come back from the Gaza Strip where he taught filmmaking and did some reportages about fishermen and daily life. He also works as an occasional lecturer with the 'Audio-visual Journalism Tribune' at La Sapienza University and the Palestinian Al-Aqsa and Deir El-Balah, both located in the Gaza Strip. He collaboreted with the international press agency Reuters and currently he collaborates with Associated Press. Discover Valerio Nicolosi's Interview
Josephine Sacabo
United States
1944
Artist Statement: "I believe in Art as a means of transcendence and connection. My images are simply what I’ve made from what I have been given. I hope they have done justice to their sources and that they will, for a moment, ‘stay the shadows of contentment too short lived.’” Sacabo divides her time between New Orleans and Mexico. Both places inform her work, resulting in imagery that is as dreamlike, surreal, and romantic as the places that she calls home. Born in Laredo, Texas, in 1944, she was educated at Bard College in New York. Prior to coming to New Orleans, Sacabo lived and worked extensively in France and England. Her earlier work was in the photo-journalistic tradition and influenced by Robert Frank, Josef Koudelka, and Henri Cartier-Bresson. She now works in a very subjective, introspective style, using poetry as the genesis for her work. Her many portfolios are visual manifestations of the written word, and she lists poets as her most important influences, including Rilke, Baudelaire, Pedro Salinas, Vincente Huiobro, and Juan Rulfo, Mallarmé, and Sor Juana Ines de la Cruz. Her images transfer the viewer into a world of constructed beauty. During her 36 year career her work has been featured in over 40 gallery and museum exhibitions in the U.S., Europe and Mexico. She has been the recipient of multiple awards and is included in the permanent collections of the George Eastman House, the International Center of Photography, the Metropolitan Museum of Art and la Bibliothèque Nationale, Paris, France. Source: josephinesacabo.com
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Call for Entries
AAP Magazine #15 Streets
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