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Win a Solo Exhibition in July 2026 + An Exclusive Interview!
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Vassi Koutsaftis
Vassi Koutsaftis
Vassi Koutsaftis

Vassi Koutsaftis

Country: Greece
Birth: 1952

Vassi Koutsaftis has explored the globe for over 30 years, specializing in travel photography – of the extreme kind, especially in the mountainous regions of Himalayan, the Karakoram, Hindu Kush and other very remote areas of Asia. Born in 1952 in Athens, Greece and crossed the world’s oceans working on cruise ships and freighters. That was just the beginning for he continued to examine our planet traveling to remote areas on his own, then from the air, when he went on to study aeronautics and became a pilot in the U.S. He leads treks and exploratory tours in Afghanistan, Mongolia, Tibet, Nepal, Pakistan, Iran, Bhutan, Burma, Turkey and India, and he contributes essential research to unusual and remote itineraries for Geographic Expeditions one of the best and most respected expedition companies in the US. Vassi’s photographs have been published in a number of magazines including Geo (European edition), Photografos, USA Today, Asia Week, National Geographic Traveler, and Marin Magazine. He serves as Conde Nast’s Tibet expert and is well known for his compelling images of the Dalai Lama. His photographic and travel expertise has been instrumental in scouting for films including productions by CBS, PDI and Dreamworks and a number of independent filmmakers. Vassi’s work is included in the collections of U.C. Berkeley’s Blum Center, Steve Wynn Casinos, Stanford University’s Center for Buddhist Studies. Vassi has exhibited his work widely in a number of galleries in the United States and Overseas including The Hellenic American Union in Athens, Greece and enjoys giving presentations of his photographs while sharing stories of extensive travels around the world.

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More Great Photographers To Discover

Sebastian Piatek
Sebastian Piatek
Germany
1982
Sebastian Piatek was born in Poland and spent most of his life in Germany. He began exploring photography many years ago, when the first mobile phones with cameras became available. Back then, he mostly photographed family and friends. Over time, as he started to travel - especially to India - his interest deepened, and his style began to evolve. India became an incredible source of inspiration for Sebastian. In the beginning, he was drawn to capturing the chaos, colors, craziness - trying to fit as many people and as much life as possible into a single frame. But with time, and through recent travels beyond India, he started to change his perspective. A recent trip to Ethiopia had a profound impact on him and shifted his perspective very much. The few places he visited there deeply influenced how he wants to approach his work in the future, in a more simplistic way. He knows he will return to Ethiopia, and he is eager to explore other parts of Africa as well - to capture its beauty in a much more minimal and also cleaner way. Awarded Photographer of the Week - Week 13, 2026
Liam Man
Liam Man
United Kingdom
Liam Man is a Sony Imaging Ambassador and master of aerial light-painting, based in the United Kingdom. By illuminating landscapes at night, he transforms the darkness into his canvas, upon which he uncovers hidden textures and contours that would be invisible during the day. Each photograph is meticulously crafted into a surreal impression of the Earth, while remaining firmly grounded in reality. A keen explorer and environmentalist. Liam’s recent work combines artistry with advocacy and offers a vision of the world that highlights its fragile beauty while inviting viewers to consider their relationship with the environment. His images are a call to action, leaving an enduring impact on all who encounter it. Statement: By showcasing places in a new light, I hope to shift people’s perspectives. To see incredible destinations as more than just backgrounds for social media. My creative process is deeply intentional, involving days immersed in remote environments observing how light interacts with the terrain. Only when I truly understand my subject do I begin to "paint" the scene with aerial lighting rigs. A process of discovery, I love finding unusual shapes in the shadows.
Toby Old
Toby Old
United States
1945
Toby Old was born in Stillwater, Minnesota in 1945. He started out majoring in biology at Hamline University, then moved on to the University of Minnesota where he trained to be a dentist. At the height of the Vietnam War he was drafted into the Army Dental Core. While serving in North Carolina, he began to explore art history and photography. After a 1976 summer workshop at Apieron Photographic Workshops in Millerton, New York, Old moved to New York City. He began working on his first extended series of the disco scene in 1976-1981. For this body of work, Standard Deviation, he was awarded a grant from the New York State Council of the Arts. In 1981 he received an NEA Survey Grant to document lower Manhattan below Chambers Street, and has continued photographing this section of the city since, includes an extended series on the boxing world. In the late 1980s he moved to upstate New York, where he began to document local events including county fairs and Civil War reenactments. He also began photographing national events such as the Kentucky Derby, Frontier Days, Mardi Gras, and spring break. Toby Old’s book, Times Squared, was offered through the 2005 Subscription Program and is still available for purchase in the Light Work Shop. Old participated in Light Work’s Artist-in-Residence Program in 1980. Toby Old captures animation in his photography, depicting both realistic and exciting observations of human life. Drawing on the inspiration of photographers of the 1960s, he has traveled the country photographing in many different environments, including street performances, beaches, fairs, fashion shows, nightclubs, boxing events, parks, and Fourth of July celebrations. His images capture extraordinary moments in human action and social and cultural experiences as they unfold. His photographs are not the kind to be taken in quickly, but images to be examined and scrutinized for details. According to Ted Hartwell, curator of photography at the Minneapolis Institute of Arts, “Old’s work has always been characterized by a solid technical mastery of the medium-format camera as the tool for his wonderfully zany, insightful, and intelligent observations of the American scene.”Source: Light Work
Robert Virga
Robert Virga
United States
Robert Virga is a photographer residing in the New York City metropolitan area. Though largely self-taught, he has taken Master Classes with Mary Ellen Mark and Bruce Davidson. Working with film and the traditional darkroom, his street photography portrays a social landscape of extremes, capturing reality at its most expressive. Richly emotional, lyrical and untainted by interference or staged detail. A tableau of relationships, the human condition, life and death. Reminding us of how large a fraction of what we see won't exist in its present form only a moment from now. A humanist portrayal...candid and without comment or sentimentality, un-selfconscious in its theatricality and self-presentation. Displaying ourselves with grace and self-confidence, a sense of timelessness...and a little humor. In solitude and freed from any mystery. Social documentary and romanticism combined in the same instant. Our lives, in a matter of seconds, are caught in the act... where the obvious and mundane transition into something more provocative. His work has been featured in both solo and group exhibitions in the United States, Italy and Spain. In addition, he has been published and reviewed in, among others, Black and White Magazine, Photography Gala Awards, FotoNostrum Gallery, Urban Photo Awards, and winner of the 14th Pollux Street Photography Award.
Lewis Hine
Lewis Hine
United States
1874 | † 1940
Lewis Hine was an American sociologist and photographer known for using his camera as a tool for social reform. His photographs were instrumental in changing child labor laws in the United States. There were two things I wanted to do. I wanted to show the things that had to be corrected. I wanted to show the things that had to be appreciated. -- Lewis Hine Lewis Hine was born on September 26, 1874, in Oshkosh, Wisconsin. After his father was killed in an accident, Hine began working and saving for college. He attended the University of Chicago, Columbia University, and New York University to study sociology. He became a teacher at the Ethical Culture School in New York City, where he encouraged his students to embrace photography as an instructional tool. Hine took his sociology pupils to New York Harbor's Ellis Island, where he photographed the thousands of immigrants that landed each day. Between 1904 and 1909, he shot over 200 plates (photographs) and realized that documentary photography could be used to effect social change and reform. Hine joined the Russell Sage Foundation's staff photographer in 1907, photographing life in the steel-making regions and inhabitants of Pittsburgh, Pennsylvania, for the landmark sociological study The Pittsburgh Survey. The next year, he left his teaching post to work as a photographer for the National Child Labor Committee (NCLC). Lewis Hine recorded child labor during the next decade, with a concentration on the use of child labor in the Carolina Piedmont, to aid the NCLC's lobbying attempts to abolish the practice. In 1913, he chronicled juvenile laborers among cotton mill workers with a series of composite pictures by Francis Galton. Charlie Foster has a steady job in the Merrimack Mills. Huntsville, Alabama.© Lewis Hine / Library of Congress Prints and Photographs Division Washington, D.C. Lewis Hine's work for the NCLC was frequently hazardous. Factory police and foremen routinely threatened him with violence or even death as a photographer. The immorality of child labor was intended to be hidden from the public at the time. Photography was not only forbidden, but it also posed a significant danger to the enterprise. Hine was compelled to disguise himself in order to gain access to the mills, mines, and factories. He worked as a fire inspector, postcard vendor, bible salesman, and even an industrial photographer documenting manufacturing technology. During and after World War I, he shot relief efforts for the American Red Cross in Europe. Hine created a series of work portraits in the 1920s and early 1930s that stressed the human contribution to modern industry. Lewis Hine was commissioned to photograph the Empire State Building's construction in 1930. He photographed the workers in perilous positions as they secured the structure's steel framework, taking many of the same hazards as the employees. He was hoisted out in a specially built basket 1,000 feet above Fifth Avenue to get the best views. He recalls hanging above the city at times, with nothing below but "a sheer drop of nearly a quarter-mile." Cherryville Mfg. Co., Cherryville, N.C. One of the smallest boys. Doffer. 1908© Lewis Hine / Library of Congress Prints and Photographs Division Washington, D.C. During the Great Depression, Hine worked for the Red Cross, photographing drought relief in the American South, and for the Tennessee Valley Authority (TVA), documenting life in the mountains of eastern Tennessee. He was also the chief photographer for the Works Progress Administration's National Research Project, which investigated changes in the industry and their impact on employment. Hine was also on the faculty of the Ethical Culture Fieldston School. Lewis Hine was chosen as the photographer for the Works Projects Administration's National Research Project in 1936, but his work there was never completed. His final years were filled with professional struggles caused by the loss of government and corporate patronage. Hine hoped to participate in the Farm Security Administration photography project, but despite numerous letters to Roy Stryker, Stryker always declined. Hine lost his house and applied for welfare because few people were interested in his work, past or present. After an operation, he died on November 3, 1940, at Dobbs Ferry Hospital in Dobbs Ferry, New York. He was 66 years old at the time. Group of workers, including boys and girls, standing outdoors© Lewis Hine / Library of Congress Prints and Photographs Division Washington, D.C. Hine's photographs aided the NCLC's campaign to end child labor, and the Children's Bureau was established in 1912. The Fair Labor Standards Act of 1938 eventually put an end to child labor in the United States. Corydon Hine, Hine's son, donated his father's prints and negatives to the Photo League, which was disbanded in 1951. The Museum of Modern Art declined to accept his photographs, but the George Eastman House did. Wendy Lamb Books published Elizabeth Winthrop Alsop's historical fiction middle-grade novel Counting on Grace in 2006. The final chapters focus on Grace, a 12-year-old girl, and her life-changing encounter with Lewis Hine during his 1910 visit to a Vermont cotton mill known to employ a large number of child laborers. The iconic photograph of Grace's real-life counterpart, Addie Card (1897-1993), taken during Hine's undercover visit to the Pownal Cotton Mill, graces the cover. In 2016, TIME Magazine published colorized versions of several of Hine's photographs of child labor in the US. In the early days of my child labor activities I was an investigator with a camera attachment... but the emphasis became reversed until the camera stole the whole show. -- Lewis Hine Lewis Hine was trained to be an educator in Chicago and New York. A project photographing on Ellis Island with students from the Ethical Culture School in New York galvanized his recognition of the value of documentary photography in education. Soon after, he became a sociological photographer, establishing a studio in upstate New York in 1912. For nearly ten years Hine was the photographer for the National Child Labor Committee, contributing to exhibitions and the organization's publication, The Survey. Declaring that he "wanted to show things that had to be corrected," he was one of the earliest photographers to use the photograph as a documentary tool. Around 1920, however, Hine changed his studio publicity from "Social Photography by Lewis W. Hine" to "Lewis Wickes Hine, Interpretive Photography," to emphasize a more artistic approach to his imagemaking. Having joined the American Red Cross briefly in 1918, he continued to freelance for them through the 1930s. In 1936 Hine was appointed head photographer for the National Research Project of the Works Projects Administration, but his work for them was never completed. His last years were marked by professional struggles due to diminishing government and corporate patronage, and he died in 1940 at age sixty-six.Source: The J. Paul Getty Museum Born in Oshkosh, Wisconsin, Lewis W. Hine studied sociology before moving to New York in 1901 to work at the Ethical Culture School, where he took up photography to enhance his teaching practices. By 1904 he had begun a series of photographs documenting the arrival of immigrants at Ellis Island; this project, along with his pictures of harsh labor conditions published in the Pittsburgh Survey, brought his work to the attention of the National Child Labor Committee. He served as its official photographer from 1911 to 1916, and later traveled with the Red Cross to Europe, where he documented the effects of World War I in France and the Balkans for Red Cross Magazine. After returning to the United States in 1922, he accepted commercial assignments, produced another series on Ellis Island immigrants, and photographed the construction of the Empire State Building. Several of these construction pictures were published in Men at Work (1932), a book celebrating the individual worker's interaction with machines in the modern world. Despite the success of this book, Hine's financial situation became desperate and his photography was virtually forgotten. Berenice Abbott and Elizabeth McCausland learned of his work through the New York City Photo League and mounted a traveling retrospective exhibition of his work to revive interest in it in 1939. Lewis Hine is best known for the documentary images of child labor practices that he produced under the aegis of the National Child Labor Committee from 1911 to 1916. These photographs not only have been credited as important in the passing of child labor laws, but also have been praised for their sympathetic depiction of individuals in abject working conditions. Hine labeled his pictures "photo-interpretations," emphasizing his subjective involvement with his subjects; this approach became the model for many later documentary photographers, such as Sid Grossman and Ben Shahn.Source: International Center of Photography
Jodi Champagne
Jodi Champagne
United States
Born in Phoenix Arizona, Jodi Champagne had a passion for drawing from a very young age. While other children drew flowers and smiley faces Jodi´s artistic interest was more in the eyes and character of a person. At the age of 15 Jodi became a mother, so her creative ventures were put on hold while she raised her family and devoted herself to the corporate world of engineering. As her family grew older she found herself becoming the designated photographer and videographer of all their family vacations and outings. One day she realized that she had replaced her pencil and paper with a Canon DSLR camera.Jodi began working as a portrait, wedding, family and sports photographer and quickly discovered her true passion in documentary and street photography. Telling a story, bringing awareness and making a difference with her work is what she strives for. She has traveled to the corners of Myanmar to the corners of downtown Los Angeles to capture humanity with compassion and heart.Jodi´s award winning work has been featured in group exhibitions in the U.S., Europe and Latin America. Her photographs have been widely published in books, magazines, and used for editorial and commercial work. Along with a myriad of other honors, Jodi’s work has recently been shown in Sports Illustrated, Corbis Images, Getty Images and is available with National Geographic Creative. Jodi lives and works in Palmdale, California. Interview by Tera Bella Media TBMPN: What best describes your particular style of photography? JC: I have sampled various genres of photography, but ultimately my style and passion is documentary work. I incorporate that style in my imagery when I do street or travel work. I am primarily a “candid” photographer. TBMPN: What equipment do you regularly use? JC: When I shoot documentary or the streets I use a Canon 50D for reach and a 5D Mk3 for close ups. I use various lenses, but for my main “go to” lenses I use a 24-70mm 2.8L and a 70-200mm 2.8L. TBMPN: Who or what do you consider your major influences? JC: I am an “emotional” photographer, and my goal is to evoke emotion in an image or a series of images. With that said, my major influences have been James Nachtwey and Dorothea Lange. Just one of James Nachtwey’s images is so passionately powerful and exudes more than words can. Dorothea Lange is yet another strong influence, as she took her street photography of the depression and poverty and made it her passion to create a difference. TBMPN: Why did you choose photography as your method of expression? JC: From a very young age I painted and drew. I did not like to limit myself and found that my camera gave me a larger canvas. It’s not easy to capture the decisive moment, but with my camera I can show the world what I see. TBMPN: What do you wish to accomplish with your photography? JC: Whether it is in my street, travel or documentary photography I wish to make a difference. I would like to show others certain issues of which they may be unaware. I wish to reveal cultures they might not have a chance to see and the hardship of others of which they may not be aware. TBMPN: What are your current projects? JC: I am currently working on the completion of my “Life Lines” and “Obsessions” series. I do have other projects such as “Waiting on a Friend” and “Silent Cries” which I feel I will always continue to work on as society changes. I also just published my first documentary book, “Courage Under Wraps”, which has taken two years to complete. It’s a photographic documentary of a young boy named Nicholas Zahorcak who has a rare, genetic disorder called Recessive Dystrophic Epidermolysis Bullosa. TBMPN: What are your plans for future projects? JC: I will continue to work with the Epidermolysis Bullosa organizations on some future work in order to raise awareness. Though “Courage Under Wraps” is my first published documentary, it is not my last.In the works is an amazing project called “Diminishing Generations.” This is a documentary of our Veterans of WWII, Korea and Vietnam. It’s a powerful, emotional and very personal experience, as you will hear stories that have never been told. I will also be collaborating with Jim Dailey of Digital Delta Design to help put the book into reality and to give a real voice to the subjects. The book(s) will be published early 2015. I’m also working with an amazing composer, Marco De Bonis, from Italy. We are collaborating on a few projects together. With his music you can feel the emotions which will enhance my work.
Melvin Pirard
Melvin Pirard
Belgium
1992
My name is Melvin Pirard, I am 27 years old and I come from Belgium. I practice the photo seriously for a little less than three years. I have a degree in Agronomy and it is therefore as a passionate self-taught that I learned the picture. It was my mother who made me liked the photo, she always had a camera on holiday. I stung her the camera from time to time and I liked immerse myself in my imagination and try to represent at best what I saw with my child's eyes. I had the chance to travel a lot and so a little over two years ago I wanted to be more serious about photography when I was going through in Africa. I already had in mind to become a professional photographer. Now I'm doing it, I start as a professional photographer right now. And winning this 2nd prize is very important for me, it encourages me and pushes me to go further.
Jaime Nisenbaum
Jaime Nisenbaum
United States
1959
I am an experimental photographer based in Berkeley, California. The camera has been a faithful companion throughout my life; however, over the past 20 years, my photography slowly began shifting from documenting life to being a more intentional form of self-expression. The wide expanses of the California coast, its rugged terrain, wide vistas, and thunderous waves were my first entry point into that process. Concurrently, I was discovering and getting inspired by Edward Weston, Ansel Adams, Minor White, Ann Brigman, and several other pioneers whose work celebrated and exalted the natural environment. The quiet and intimate botanical images by Imogen Cunningham, the simplicity of Harry Callaham's nature shots, along with the moody atmosphere of the early 20th-century Pictorialists like Edward Steichen, Alfred Stieglitz, and Gertrude Kasebier, have also found their way into how I think and imagine photography. The textural and sculptural properties of natural elements are a main source and inspiration for my photography. I like to think of my images as inhabiting a world between the representational and the abstract, revealing the hidden beauty and simplicity of natural forms while evoking a sense of reverence and wonderment. My photographs have won awards through the Marin County Society of Artists (CA) and Louisville Art Association National Photography Show (CO), and have been exhibited at the A.Smith Gallery (TX), Arts Square Gallery (NY), Black Box Gallery (OR), d’Art Center in Norfolk (VA), Praxis Gallery (MN), Si Gallery in Austin (TX).
Matej Michalik
Matej Michalik
Slovakia
1981
"My name is Matej Michalik. I was born in 1981 and live in Bratislava, Slovakia. I came in contact with photography in 2010. Apparently, I belong to the new wave of photographers who didn’t go through the analogue era and developing films in darkrooms but ended up in times of digital cameras instead. I am convinced that no matter how expensive your photography gear is, having a good imagination is essencial. From the beginning, my intuition was leading me towards black and white photos. I began observing the work of several fine art photographers whose work I enormously appreciate. I started communicating with them, sharing pieces of advice and experience. That‘s how it all started." -- Matej Michalik
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Exclusive Interview with Susan Anthony
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Publication
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
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Exclusive Interview with Henk Kosche
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German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
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