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Claudio Allia
Claudio Allia
Claudio Allia

Claudio Allia

Country: Italy
Birth: 1962

Claudio Allia (1962), is an Ophthalmologist, jazz and classical music producer, and an amateur awards-winning photographer living in Sicily. Music and photography have always been his main passions that he has cultivated all his life since childhood. Fascinated by fine art and conceptual photography, at early 90's Claudio began to devote himself to the creation of photographic projects and series trying to transfigure and filter most disparate social themes, even the most crude and brutal, through his personal sensitivity and imagination.

Since 2005, started to experiment with new visual and creative approaches into his photographic world, exploring and developing as well his knowledges in the digital editing field and spacing his body of work from fine art to surrealistic or conceptual photo collections/series up to pure social/documentary photography.

Slum Glam series
Despite the harsh living conditions I have recognised the high level of dignity shown by the Mathare residents and my Slum Glam series attempted to depict this. A hand painted, makeshift wooden chair rests in front of a multi coloured shack wall that the women have decorated using brightly coloured designs wearing their best clothes to pose for my camera.

Flower Pots series (Mathare Valley Slum - Nairobi)
"Now we go into the vulnerable realm of an impossible privacy, constantly threatened and modified by all that's happening outside; rooms as decorated trenches of a never-ending battle; 9 square meters where to try a claustrophobic but worthy independence, where to keep dignity at low cost. Now focus in the flowerpots; the picture is a transparent flowerpot allowing you to check every corner of these rooms... look again: the dwellers are the flowers." --Claudio Torres

Remote Control series (Mathare Valley Slum – Nairobi)
For the Remote Control series some of the children of Mathare joined me on a photo shoot, turning up well dressed and carrying a favourite, or only toy. As they walked through the area of corregated dwellings I handed them a remote control i had brought withme in preparation and they instinctively grasped the significance and started pointing it towards areas that they wished to see change to improve their existence.
 

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Chad Ress
United States
1972
Chad Ress, born (1972) in Louisville, Kentucky lives in Ojai, California His work has been recognized in Photo District News; American Photography; Communication Arts; ; The One Show; D&AD Awards; The Forward Thinking Museum; and the PH Museum. Recent clients include Harper's Magazine, The New York Times, Toyota, Liberty Mutual, Pirelli, and MIT Technology Review. Ress first became interested in photography under the influence of the extensive archive of FSA photographs in Louisville's Speed Museum. His project America Recovered - A Survey of the ARRA looks to reconsider that legacy in the context of the recent economic collapse and subsequent stimulus legislation. It was accepted at Center - Photo Santa Fe; awarded distinction by The Forward Thinking Museum; and published in Time Magazine's Lightbox, The Wall Street Journal and Harper's Magazine. Ress recently completed a fellowship with the Center for Social Cohesion and Arizona State University and in conjunction with the New America Foundation. The resulting archive of images documents where Americans go to find a sense of community and connection to place. A series on the California aqueduct was recently published in UCLA's BOOM Magazine and included in "After the Aqueduct," an exhibition at Los Angeles Contemporary Exhibitions, Los Angeles, CA. America Recovered was featured at the 2015 Reyner Banham Symposium with a theme "The Aesthetics of Citizenship" at The University of Buffalo, Buffalo, NY. In 2020, America Recovered was published by Actar, with a foreward by Bonie Honig and essays by Miriam Paeslack and Jordan H. Carver. He currently lives in Ojai, California, with his partner and son. America Recovered In late 2009, in response to the financial crash of 2008, the Obama Administration passed the American Recovery and Reinvestment Act of 2009. The Administration advocated for an unprecedented level of transparency in the disbursement of stimulus spending and established Recovery.gov as a resource by which the public might track expenditures, which totaled over $800 billion. I used the text publicized on Recovery.gov, and related government websites, as a guide to photograph ARRA projects. The language accompanying the images has been transcribed verbatim from the original sources. The conceptual framework of this project is to reveal the point where abstract political processes manifest themselves in the physical world, thus providing an alternate means of experiencing the contemporary American landscape. The projects range in scale from fully realized housing projects to concrete drainage basins that could easily be overlooked. The projects are located in almost every community in the country, from remote and rural stretches of the American West to dense urban centers. The appropriated text, descriptions of the projects taken from various government databases, serve as very simple identifiers and are often written in dry bureaucratic prose. On the other hand, the images themselves contextualize the spending projects within the physical details of a specific place and moment.
Judi Iranyi
Hungary/United States
1943
Judi Iranyi was born in Hungary (1943). After World War II, she and her family lived in a displaced persons camp in Germany for a few years before emigrating to Venezuela, where she lived until she finished high school. She has also lived in Trinidad, Barbados, Germany, and Okinawa before moving to San Francisco in 1971. Ms. Iranyi became interested in photography in the sixties. She earned a BA degree in Art/Photography from San Francisco State University. Later she received an MA degree in Visual Design from U.C. Berkeley; completed a master!s level museum studies program at John F. Kennedy University; and an MSW Degree in Social Work at San Francisco State University. Ms. Iranyi has worked as a freelance photographer taking environmental portraits. She was also a staff photographer at the Judah L. Magnes Museum in Berkeley and worked at the San Francisco Fine Arts Museums. She also worked as a California Licensed Clinical Social Worker until her retirement. After retirement, Ms Iranyi dedicated her time to photography. Her work includes portraits, travel photography, documentary, and street photography. Recently she has shifted her emphasis to botanicals and still life photography. Three of her life passions are traveling, literature, and photography, which have broadened her view of the world. Flowers for Klara On the 40th anniversary of my mother’s death, I decided to create a series of floral bouquets to honor her memory. She had a difficult life, living during WWII, living in displaced peoples’ camps and two emigrations one to Venezuela and then to Germany where she died in her mid fifties after a long illness. Exclusive Interview with Judi Iranyi and Remembering Michael
František Drtikol
Czech Republic
1883 | † 1961
František Drtikol was a Czech photographer of international renown. He is especially known for his characteristically epic photographs, often nudes and portraits. In 1901, aged 18 and after an apprenticeship, Drtikol enrolled in the Teaching and Research Institute of Photography in Munich, a city that was a major center of Symbolism and Art Nouveau and which was influential on his career. From 1907 to 1910 he had his own studio, and until 1935 he operated an important portrait photo studio in Prague on the fourth floor of one of Prague's remarkable buildings, a Baroque corner house at 9 Vodičkova, now demolished. He was a contributor to the illustrated weekly Pestrý Týden. Jaroslav Rössler, an important avant-garde photographer, was one of his pupils. Drtikol made many portraits of very important people and nudes which show development from pictorialism and symbolism to modern composite pictures of the nude body with geometric decorations and thrown shadows, where it is possible to find a number of parallels with the avant-garde works of the period. These are reminiscent of Cubism, and at the same time his nudes suggest the kind of movement that was characteristic of the futurism aesthetic. He began using paper cut-outs in a period he called "photopurism". These photographs resembled silhouettes of the human form. Later he gave up photography and concentrated on painting. After the studio was sold Drtikol focused mainly on painting, Buddhist religious and philosophical systems. In the final stage of his photographic work Drtikol created compositions of little carved figures, with elongated shapes, symbolically expressing various themes from Buddhism. In the 1920s and 1930s, he received significant awards at international photo salons. Drtikol has published Le nus de Drtikol (1929) and Žena ve světle (Woman in the Light)Source: Wikipedia Frantisek Drtikol was a founder of Czech modernist photography and a seminal figure in Czech photography before the Second World War. Now recognized as a modern master, Drtikol produced a monumental body of work--from early Pictorialist and Art Nouveau portraits and landscapes to the influential nude studies of the 20s and 30s--that has permanently established his place in the history of photography. The son of a grocer in the Central Bohemian town of Príbram, Drtikol showed early promise in drawing and painting. Desiring to see his son enter a more practical profession, Drtikol's father arranged for an apprenticeship with a local photographer, Antonín Mattas. During the next three years, Drtikol learned the basics of copying, retouching, toning, and other photographic tasks, but could devote little time to his own photography. In 1901, at the age of 18, Drtikol completed his apprenticeship and left home to attend the Teaching and Research Institute of Photography in Munich. The two-year course of study at the Institute set the course for Drtikol's entire career as an artist. Fin-de-siècle Munich was a thriving German art capital and one of the major European centers of Symbolism and Art Nouveau. Aspects of both movements preoccupied Drtikol throughout his life. In 1907, after several years of travel and work for other photographers, Drtikol returned to Príbram to open his own photographic studio, which he moved to Prague in 1910. In those years, while making his living from custom portrait photography in the Art Nouveau style, he experimented with oil and gum printing and other Pictorialist techniques, producing lyrical landscapes and some of the earliest fine-art nudes produced in Bohemia. Eventually, the nude would become Drtikol's primary mode of photographic expression. In the 1920s he developed the unique style for which he is best known, using Cubist and Art Deco sculptural motifs, elements of Expressionist dance, and ingenious geometric patterns of shadow and light to create dynamic nudes in which the body, no longer serving an illustrative or metaphorical purpose, became a purely aesthetic and erotic motif. In 1935, Drtikol abandoned photography and devoted himself to painting and to the theosophical, Buddhist, and other philosophical studies that had informed much of his art.Source: The National Gallery of Art
Stefano De Luigi
I was born in Koln and spent all my life so far, between Rome, Milan and Paris. Even if we are living in a time where is not really trendy, I feel myself deeply Europeen. I choose photography to became my language, because I felt it is universal, the only filter you have to use is your own mind-eyes. Below the essential of my biography I am a photographer since 1989. I attended 2 years of courses at ISF (Instituto Superiore di Fotografia) in Rome between 1987/89 and moved, for the first time, to Paris from 1989 to 1996, working, among others for the Louvre Museum. Back and forth from France to Italy In 2000 I received the Honorable Mention of Leica Oskar Barnack Award. That same year I started the project Pornoland, a photographic journey on pornographic movie sets around the world. In 2004 Pornoland became a book enclosing 16 pages of text by English writer Martin Amis. Pornoland has been published by : Thames & Hudson, Knessebeck, La Martinière and Contrasto. This work has been exhibited at REA gallery (Paris 2004), Santa Cecilia gallery (Rome 2005), Lanificio (Naples 2006), Festival Transphotographiques (Lille 2007), New York Photo Festival (NY 2011). Personal exhibitions in these years, among others, include WHO Headquarter (Geneva 2010), VII Gallery (New York 2010), 10b Gallery (Rome 2010), Museum of Modern Art (Rovereto 2011), Photofestival (Athens 2011/15), Fondazione Stelline (Milan, 2013) FotoIstanbul (2015) , Candiani Cultural Center ( Venice 2017) Plenum Gallery ( Catania 2018) Museum of Palazzo Ducale ( Genes 2019) Image Gibellina 2021, Photolux (Lucca 2022) Planches Contact (Deauville 2022). From 2003 to 2010, I worked on Blindness-, my main work, which lasted 8 years. A photographic project on the life condition of blind and low vision people, around the world. Blindness received the patronage of Vision 2020- World Health Organisation and won the W.E. Smith Fellowship Grant in 2007. In 2006 I embarked on the project Cinema Mundi, a World Cinema exploration of the alternative cinematographic scene external to the Hollywood dream factory including China, Russia, Iran, Argentina, Nigeria, South Korea and India. Cinema Mundi has been also transformed into a 7 minutes short movie screened at Locarno International Film Festival on August 4th, 2007. I have been awarded in the World Press Photo contest four times in different categories (1998-2007-2010-2011). In 2009 the Moving Walls of Open Society Foundation exhibited my work in Washington and New York. In 2010 I was the recipient of the Days Japan International Photojournalism Award and the Getty Grant for Editorial Photography, Syngenta Prize 2015, CNC grant for the documentary"Mare Amarum" 2019, Planches Contacts grant 2021 and I was the recipient of Strategie Fotografia grant from the Italian Ministry of Culture in 2022. I published 6 books Pornoland (Contrasto 2004), Blanco, (Trolley book 2010) iDyssey, (Edition Bessard 2017) Babel with Michela Battaglia (Postcart 2018) Pornoland Redux (Self-published 2021) Il Bel Paese (L'Artiere 2023). T.I.A Africa is a continent. But Africa is also a well-defined place in my mind. Africa is unique. Every time I have had the opportunity of going there I have come face to face with incredible tragedies but also with the unwavering hope of its people. Ever since my first journey to South Africa in 1989, where I saw Walter Sisulu walk free in Soweto after years of imprisonment, I continue to be both deeply moved and deeply shocked by all the stories I have witnessed and heard. Every time I step onto African soil I know I will experience something deep, something that inevitably leads to a search for the meaning of life, something that, for me at least, surfaces from deep within when I am in Africa. The questions raised call for humbleness, since often they are without answers. We know that the truth often lies in the middle folds of things. This project aims to raise questions and provoke thoughts which could, perhaps, lead to some answers and which in turn could correspond to some truths. I have tried to conceive this project as a poem. Or perhaps it would better be described as a ballad. The ballad with verses which challenge and play with each other. In the space between two facing photographs there is a story. One of the thousand stories I witnessed in Africa, one of the thousand questions I asked myself, one of the thousand experiences I was fortunate to live. The photographs represent the two extremes of the story that links them: the beginning and the end. I couldn't find a better form of expressive language to convey how Africa is an all-encompassing experience for any human being wishing to embrace it to its full. A painful yet joyful ballad of my personal and ongoing relationship with this continent. This is why I have called it "This is Africa". I should probably have called it "This is my vision of Africa" but it didn't sound the same. By no means does this mean it is the only view of Africa. I know it may seem inadequate and subjective. But so is everything in life, I guess. So, This is Africa. Blanco How does the look of a blind person look like? Can the blind show joy, happiness, disappoint, pain, suffering, pity, regret, with the only use of their eyes? The absence of sight can mean also the absence of complicity behind the camera's lens? We always use the term blind to characterize a person, such as blond, fat, poor, rich. And maybe, in some way, it is the truth. It doesn't matter if it happens in Africa, Asia, or the old Europe. The fact is, they cannot see the light, the colors, the daily scenes, how awful or gorgeous they can be. The blind are a contrast. It is easier to ignore them, their handicap is hidden, but they do have it. It's not necessary to turn the face to something or someone else, they won't see it. They seem 'normal', but they're not. They have their own world, the same and another than ours, made of different feelings, different images, different colors. And dark.
Tomáš Neuwirth
Czech Republic
1972
Tomáš Neuwirth was born in Czech Republic in 1972. He is a freelance photographer specializing in drone photography. A major milestone in his life was the year 1995, when he began to devote himself to paragliding. As a pilot, he was fascinated by taking pictures of the bird's eye, then still on the 35mm film camera. The following year, he moved to the USA. His stay here after three and half years ended the paragliding incident and with serious injuries of the spine he returned to the Czech Republic. He then spent eight months in a sanatorium, learned not only to walk again, but also met his future wife Gabriela. Capturing of aerial footage continued to attract him. And with the advent of unmanned systems, new possibilities were opened. His first drone he folded in 2011, it was a kit. However, the desired shots were made by commercially produced drones in the following years. Today, Tomáš is involved in drone and classical photography professionally. By selecting extraordinary places and post-production processing, he is trying to shift drone photography to the next level. From capturing landscapes to a Fine Art expression. He received many awards from international competitions. In 2019 he succeeded to win with in the prestigious contest MIFA - Moscow International Fotography Awards (Nature Photographer of the Year). In the same year, The Independent Photographer Magazine included his image among the TOP 10 Most incredible landscapes from across the planet. And ranked him in the selection Talents of the Year 2018/2019. He was also nominated for a Personality of Czech Photography. Statement I generally regard art as a form of self-expression. An opportunity to share own opinion, own perception of the world, with others. Photography has become my means of expression. Its strength is in capturing a given moment - a unique, unrepeatable moment. Everything is different in a second. I focus mainly on drone photography which, by its very nature, is predestined for landscape, long-distance views, great depth of field etc. From the perspective of the photographer, there are fewer possibilities for artistic expression. Therefore it depends very much on the choice of location and how to capture it. I, therefore, try to find unusual locations - often places that do not seem that interesting on the first impression. However, a bird's eye view gives them a whole new dimension.
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