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Claudio Allia
Claudio Allia
Claudio Allia

Claudio Allia

Country: Italy
Birth: 1962

Claudio Allia (1962), is an Ophthalmologist, jazz and classical music producer, and an amateur awards-winning photographer living in Sicily. Music and photography have always been his main passions that he has cultivated all his life since childhood. Fascinated by fine art and conceptual photography, at early 90's Claudio began to devote himself to the creation of photographic projects and series trying to transfigure and filter most disparate social themes, even the most crude and brutal, through his personal sensitivity and imagination.

Since 2005, started to experiment with new visual and creative approaches into his photographic world, exploring and developing as well his knowledges in the digital editing field and spacing his body of work from fine art to surrealistic or conceptual photo collections/series up to pure social/documentary photography.

Slum Glam series
Despite the harsh living conditions I have recognised the high level of dignity shown by the Mathare residents and my Slum Glam series attempted to depict this. A hand painted, makeshift wooden chair rests in front of a multi coloured shack wall that the women have decorated using brightly coloured designs wearing their best clothes to pose for my camera.

Flower Pots series (Mathare Valley Slum - Nairobi)
"Now we go into the vulnerable realm of an impossible privacy, constantly threatened and modified by all that's happening outside; rooms as decorated trenches of a never-ending battle; 9 square meters where to try a claustrophobic but worthy independence, where to keep dignity at low cost. Now focus in the flowerpots; the picture is a transparent flowerpot allowing you to check every corner of these rooms... look again: the dwellers are the flowers." --Claudio Torres

Remote Control series (Mathare Valley Slum – Nairobi)
For the Remote Control series some of the children of Mathare joined me on a photo shoot, turning up well dressed and carrying a favourite, or only toy. As they walked through the area of corregated dwellings I handed them a remote control i had brought withme in preparation and they instinctively grasped the significance and started pointing it towards areas that they wished to see change to improve their existence.

Website

www.claudioallia.it

 

Inspiring Portfolios

Anna Biret
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Svetlin Yosifov
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Shinji Ichikawa
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More Great Photographers To Discover

Seydou Keïta
Seydou Keïta
Mali
1921 | † 2001
The great African portraitist Seydou Keïta lived in Bamako, Mali from 1921 to 2001. A self-taught photographer, he opened a studio in 1948 and specialized in portraiture. Seydou Keïta soon photographed all of Bamako and his portraits gained a reputation for excellence throughout West Africa. His numerous clients were drawn by the quality of his photos and his great sense of aesthetics. Many were young men, dressed in European style clothing. Some customers brought in items they wanted to be photographed with but Keïta also had a choice of European clothing and accessories - watches, pens, radios, scooter, etc. - which he put at their disposal in his studio. The women came in flowing robes often covering their legs and their throats, only beginning to wear Western outfits in the late 60s. Seydou Keïta worked primarily with daylight and for economic reasons took only a single shot for each picture. Seydou Keïta was discovered in the West in the 1990s. His first solo exhibition took place in 1994 in Paris at the Fondation Cartier. This was followed by many others in various museums, galleries and foundations worldwide. He is now universally recognized as the father of African photography and considered one of the greatest photographers of the 20th century. "It’s easy to take a photo, but what really made a difference was that I always knew how to find the right position, and I never was wrong. Their head slightly turned, a serious face, the position of the hands... I was capable of making someone look really good. The "photos were always very good. That’s why I always say that it’s a real art." Seydou Keïta, Bamako, 1995/1996 © André Magnin From en.wikipedia.orgSeydou Keïta was born in 1921 in Bamako, although the exact date is unknown. He was the oldest in a family of five children. His father Bâ Tièkòró and his uncle Tièmòkò were furniture makers. Keïta developed an interest in photography when his uncle gave him a Kodak Brownie with a film with eight shots in 1935, after returning from a trip to Senegal. In the beginning Keïta worked as both a carpenter and photographer, taking first portraits of his family and friends, later of people in the neighborhood. He learned photography and how to develop from Pierre Garnier, a French photographic supply store owner, and from Mountaga Traoré, his mentor. In 1948 he set up his first studio in the family house in Bamako-Koura behind the main prison.From www.gallery51.comConsidered to be one the important precursors of African photography, Seydou Keïta was born in Bamako (Mali) in 1920. Like many of his contemporaries, nothing particularly predestined him to become a photographer. His uncles bring back a camera from a trip to Senegal, and the young Seydou is fascinated. He starts photographing his relatives and discovers a deep passion for this art. Although he makes furniture for a living, he spends much time with Pierre Garnier who has his own studio. There, Seydou Keïta learns the secrets of the trade and soon realises that there was an enormous demand for individual pictures. This drives him to open his own studio in 1948. Up until then, whites had had a lot of trouble convincing local population to have their pictures taken, because they were so afraid to lose their identity. With Keïta it's different: he is one of them and permits them to choose their own picture that will be left for the close family. From then on, we see the opposite effect: people queue up to have their pictures taken. This is to become the great specialty of the malinese artist. Slowly he develops his own style, in which one finds accents of Mountaga Kouyaté's work, an intellectual that fought a bitter personal battle for the independence of Soedan. To look their best, that is the sole desire of people in front of Keïta's lens. Keïta even gives them costumes, accessories and furniture to further enhance their appearance.Men, women and children, all look perfectly elegant. If we look beyond the aesthetics of the black-and-white pictures, Seydou shows us a portrait of Malinese society in full transition. Finally Seydou is to become the country's official photographer, and will stop working in 1977. Nevertheless, it will be many years before his work is noted at the famous "Festival of African Photography". Source: www.seydoukeitaphotographer.com
Elise Boularan
Elise Boularan
France
1984
Elise Boularan grew up in the South of France and has a Master's degree in Creation and Artistic Research from the University of Toulouse. She also studied photography at the Toulouse School of Photography. After finishing her academic research and studies, she moved to Paris. She currently lives between Paris and Toulouse, pursuing a career as a photographic artist.She develops a photographic work turned to the story, realizing images loaded with ellipses and silences. This work does not shy away from the world, but intends to build an interpretation, where something deaf, undefinable is very present. Her preoccupations concern the human reality of our time, trying to reveal what can be secret at the individual's.She has been published extensively and has exhibited in Europe and the USA, notably in Madrid, Denmark, and New York, as well as the French Institute of Ukraine, The Museum of New Art (Mona) and The Russell Industrial Center (Mona Detroit) in Detroit; the Instituto Cultural de México, San Antonio, Texas Hill Country, Usa. Her work is in several private collections.Elise Boularan works also for international & national press and collaborates with musicians and other artists, making the universe of songs match perfectly with her poetical vision.All about photo: When did you realize you wanted to be a photographer?I had already done specialized studies in photography, but I remember I really got caught by the photographer' syndrome when I was in Belgium.Do you spend a lot of time editing your images? For what purpose?After the shooting. there is a lot of work. I don't retouch a lot my images or give this impression... But I spend a great deal of time to select and to see which images work together. It's a difficult and very interesting work.The compliment that touched you most?Indeed, there is a compliment which particularly touched me some years ago in Paris. A compliment coming from one of my references photograph, a famous photographer who has a remarkable work. When we met us, she wanted to discover my work and it was unexpected for me to have compliments on my work from her. And the next day, she phoned me to thank me, because my work had motivated her to boost in her creations again. Is there another job you could have done?No, I don't think so. But it's a good question because we should make no mistake about it, the artistic crafts aren't easy so we can have this kind of questions. But my answer is no.
Chris Moret
Chris Moret
Netherlands
"I'm a Rotterdam based amateur-photographer. However, saying photography is 'just a hobby' would be a big understatement. Taking pictures is a thing I have to do. There is that ever present need to freeze the remarkable, beautiful, or odd moments that cross my everyday path. I got a degree in photography in 1992, but never turned that into a professional career. Once a frustration that made me drift away from photography for 16 years. However later on it became a solid foundation of valuable knowledge to help me pursuing the images I want to make. I made several travels to India and Morocco, visited a lot of European cities but as time goes by I find myself discovering pictures more and more closer to home. And that is the beauty of photography; you don't have to travel to the end of the world to find a compelling picture. It can be right there in your street, in your living room or backyard. You only have look and then raise that camera to your eye and click. " -- Chris Moret
Flor Garduño
Flor Garduño
Mexico
1957
Flor Garduño was born in Mexico and studied visual arts at the Academy of San Carlos (UNAM), where she focused on the search for the structural aspects of form and space. She became especially interested in the work of Kati Horna, a Hungarian photographer whose communicative dimension of her photographs had a great impact on the development of Garduño's aesthetic. She gave up her studies to work as a darkroom assistant for Manuel Álvarez Bravo, one of Mexico's most prestigious photographers, with whom she strengthened her photographic skills. Since then, Garduño has received numerable prizes, and her work has been exposed and published around the world. Garduño's photos depict the landscapes of Central and South America -- and the people whose ancestors were indigenous to the region. Her photos depict subjects that could have existed in a time long before the present moment, and through photographing them, brings the Indian land of America to the present moment. She addresses time -- past, present, and future -- simultaneously through her photographs. Through her photos we witness the slow procession from life to death, interrupted by comic accidents, childish play, liturgical ceremonies, and erotic repose. Though many themes traverse Garduño's body of work, all ultimately reach the point of incense where, uncertainly, nature, and art blend so that mankind may have a margin of whimsy, freedom, or significance on the face of the gods.Source: Peter Fetterman Gallery Flor Garduño (Born Mexico City, Mexico, 1957) studied at the Escuela Nacional de Artes Plásticas in Mexico City.  In 1979 she became an assistant to Manuel Alvarez Bravo. Between 1981 and 1982 she traveled with a team of photographers organized by Mariana Yampolsky. The team photographed rural villages throughout Mexico for reading primers published by the Secretariat of Education for Indigenous Communities.  This experience as well as her association with Kati Horn influenced Garduño's photographs, which are usually of country locales and towns depicted in strange and mysterious ways typical of Surrealism in Mexican photography.  Garduño had her first one-person exhibition in 1982 at the Galeria Jose Clemente Orozco in Mexico City.  In 1985, a compendium of six years of her work was published entitled "Magia del Juego Eterno" and in 1987 another book entitled "Bestiarium" was published.  In 1986 she participated in the first photographic exhibition of the Salón de la Plástica Mexicana and in the inauguration of the Kahlo-Coronel Gallery in Mexico City. In 1986 and 1988 she was included in several traveling exhibitions "Reserved for Export" and "Realidades Mágicas" that were seen in the United States and Europe.  1996 Image and Memory, Latin american Photography, 1880-1992  Itinerary: El Museo del Barrio, New York.  Art Gallery of the University of Scranton, PA.  Lowe Art Museum, Florida.  Museo de Arte de Ponce, Puerto Rico.  Crocker Art Museum, CA.  Meadows Museum, Tx.  Akron Art Museum, OH. Her one-person shows were in Paris in 1986, the Museum Volkenkunde de Rotterdam in 1989, the Field Museum of Chicago in 1990 and Montreal in 1991.  Since 1989 she has dedicated herself to photographing the images that appear in her one-person exhibition and monograph, "Witnesses of Time".  The exhibition started at the Americas Society in 1993 and will be traveling across the country to the Museum of Photographic Arts in California as well as various other venues.  Her work is in the collections of the Museum of Modern Art, New York; Bibliotheque Nationale, Paris; and Centro Cultural de Arte Contemporáneo, Mexico.Source: Throckmorton Fine Art Galleries in the USA:   Peter Fetterman Gallery   Throckmorton Fine Art   Fahey/Klein Gallery   Holden Luntz Gallery   Etherton Gallery   Andrew Smith Gallery
Nick Turpin
Nick Turpin
United Kingdom
1969
Nick Turpin is a British street photographer and advertising and design photographer. He is based in London and near Lyon, France. He studied an art and design foundation course at the University of Gloucestershire, specializing in photography; then a BA in photography, film and video at the University of Westminster. Whilst at university he showed his second-year photojournalism stories to the picture editor at The Independent and in 1990, aged 20, quit his course to be a press photographer for the newspaper. He left The Independent in 1997 for a career in advertising and design photography that would finance his street photography (for example he photographed the cover of Bridget Jones's Diary (1995) by Helen Fielding). Turpin established the first international collective of street photographers, In-Public, in 2000 with the intention of bringing together like-minded photographers to hold exhibitions, produce books, and conduct workshops. Colin Westerbeck, writing in Time in 2011, said Turpin was "notable for having been instrumental in a collaborative documentary project", namely In-Public. He left the collective in 2018. His work has been published in his own book, On The Night Bus (2016), and in various survey publications, as well as being included in a number of group exhibitions. He publishes through Nick Turpin Publishing, makes short films, and gives workshops on street photography.Source: Wikipedia Artist Statement "There is something about the making of photographs in public places that resonates with me more than any other kind of photography. I think it simply suits my personality. It’s nice, when taking pictures in the street, not to have to participate in any way in the stream of life passing you by. It makes me feel special to be there but not to be chatting, not to be shopping or not even to be heading for somewhere else. I feel like I am invisible to the passing crowds. This in turn leads to a loss of my sense of self, which is the finest feeling of all. Having worked for several years both in newspapers and advertising, I am fascinated by the things that I ‘choose’ to photograph when I leave the house with my camera but without a ‘story’ or ‘brief’ to fulfill. These ‘choices’ are revealing,in some way, of who I am. I go to the busiest, public places to discover something very personal and private. It is an inescapable truth that the resulting photographs are as much about my inner state as they are about the external world they were made in. They are all self-portraits. It is important to me that my personal pictures don’t have to ‘do’ anything. They don’t have to sell in a gallery or sit well beside the ads in a magazine. I don’t have to make pictures that are easily categorised. They are not reportage, there is no subject, they are not art, there is no great technical craft or aesthetic beauty. They are just pictures about life. For these reasons, Picture Editors, Art Directors and Curators don’t know what to do with them, where to put them. I like that." -- Nick TurpinSource: In-Public
Bill Brandt
Bill Brandt
Germany/United Kingdom
1904 | † 1983
Bill Brandt  was a British photographer and photojournalist. Born in Germany, Brandt moved to England, where he became known for his images of British society for such magazines as Lilliput and Picture Post; later he made distorted nudes, portraits of famous artists and landscapes. He is widely considered to be one of the most important British photographers of the 20th century. Photographers should follow their own judgment, and not the fads and dictates of others. Photography is still a very new medium and everything is allowed and everything should be tried and dared... Photography has no rules. It is not a sport. It is the result which counts, no matter how it was achieved. -- Bill Brandt Born in Hamburg, Germany, son of a British father and German mother, Brandt grew up during World War I, during which his father, who had lived in Germany since the age of five, was interned for six months by the Germans as a British citizen. Brandt later disowned his German heritage and would claim he was born in South London. Shortly after the war, he contracted tuberculosis and spent much of his youth in a sanatorium in Davos, Switzerland. He traveled to Vienna to undertake a course of treatment for tuberculosis by psychoanalysis. He was, in any case, pronounced cured and was taken under the wing of socialite Eugenie Schwarzwald. When Ezra Pound visited the Schwarzwald residence, Brandt made his portrait. In appreciation, Pound allegedly offered Brandt an introduction to Man Ray, in whose Paris studio Brandt would assist in 1930. In 1933 Brandt moved to London and began documenting all levels of British society. This kind of documentary was uncommon at that time. Brandt published two books showcasing this work, The English at Home (1936) and A Night in London (1938). He was a regular contributor to magazines such as Lilliput, Picture Post and Harper's Bazaar. He documented the Underground bomb shelters of London during The Blitz in 1940, commissioned by the Ministry of Information. During World War II, Brandt focused every kind of subject - as can be seen in his Camera in London (1948) but excelled in portraiture and landscape. To mark the arrival of peace in 1945 he began a celebrated series of nudes. His major books from the post-war period are Literary Britain (1951), and Perspective of Nudes (1961), followed by a compilation of the best of all areas of his work, Shadow of Light (1966). Brandt became Britain's most influential and internationally admired photographer of the 20th century. Many of his works have important social commentary but also poetic resonance. His landscapes and nudes are dynamic, intense and powerful, often using wide-angle lenses and distortion. Brandt died in London in 1983.Source: Wikipedia See the subject first. Do not try to force it to be a picture of this, that or the other thing. Stand apart from it. Then something will happen. -- Bill Brandt Bill Brandt was one of the acknowledged masters of 20th-century photography. Taken as a whole, his work constitutes one of the most varied and vivid social documents of Great Britain. Brandt was largely self-taught in photography and worked as a student-assistant to Man-Ray in Paris from 1929 to 1930. This exposure would determine the surrealist undercurrent and tension of many of Brandt’s images. Brandt’s work was shown in numerous exhibitions throughout Europe and the US during his career, including two one-person exhibitions at the Museum of Modern Art in 1948 and 1969. There are over a dozen published books of his work from the 1930s through the 1980s. Brandt’s work was extensively collected by the Victoria and Albert Museum, London; the Bibliothèque Nationale de France, Paris and the Museum of Modern Art, New York.Source: The Halsted Gallery
Victor Wong
Victor Wong
Hong Kong SAR China
1960
I was born in Hong Kong in 1960. I obtained my medical degree in Hong Kong Medical College. I am now a practising ENT surgeon. I started my interest in photography since 2016. Rooting from some photo interest groups while I gradually found my special attentions in the stories of the nature and human cultures. I focused at one genre each time so that I could refine my techniques and my creative visions more specifically. My aim is to produce a self-satisfying portfolio at different timelines. These include insect photography, minimalistic winter landscapes, human culture in India and recently night sky landscapes. By diversifying my photo interest, I believe I can get the fun in photography and life can be more colourful and challenging with my camera.
Ellen von Unwerth
Ellen von Unwerth
Germany
1954
Ellen von Unwerth is a photographer and director, specializing in erotic femininity. She worked as a fashion model for ten years herself before moving behind the camera, and now makes fashion, editorial, and advertising photographs. Ellen von Unwerth found fame when she first photographed Claudia Schiffer. Her work has been published in top magazines like Vogue, Vanity Fair, Interview, The Face, Arena, Twill, L'Uomo Vogue and I-D, and she has published several books of photography. She won first prize at the International Festival of Fashion Photography in 1991. Von Unwerth did promotional photography for Duran Duran from 1994–1997 and did some photography for their 1990 album Liberty and 1997 album Medazzaland. Her work has been seen on other album covers, such as Bananarama's Pop Life (1991), Cathy Dennis' Am I the Kinda Girl? (1996), Janet Jackson's The Velvet Rope (1997), British R&B group All Saints' Saints & Sinners (2000), singer-songwriter Dido's Life for Rent (2003), Britney Spears' comeback album Blackout (2007), Christina Aguilera's 2006 album Back To Basics and her 2008 greatest hits album Keeps Gettin' Better: A Decade of Hits and R&B singer Rihanna's Rated R and Talk That Talk. Von Unwerth has also directed short films for fashion designers, and music videos for several pop musicians. She has directed many commercials and web films for top brands like Revlon, Clinique, Equinox and others, many featuring celebrities.
Prescott Lassman
Prescott Lassman
United States
1963
"I am an attorney by day and amateur photographer in my free time. Based in Washington, D.C., I focus mainly on black-and-white photography — somewhere between street and documentary with a strong dose of minimalism for good measure. I have a background in philosophy and try to incorporate it into my photography. One of my favorite philosophers, the psychoanalyst Carl Jung, has influenced me deeply. In fact, I view my photography as a Jungian exercise in synchronicity. Using an intuitive approach, I search for images that resonate, for moments of synchronicity in everyday life. Because this approach relies on unconscious triggers, my photographs are often richly symbolic, though their meaning is not immediately clear (at least not to me). For me, this is the essence of photography: capturing an image that resonates and then, over the course of months or years, figuring out why." Statement Domesticated Animals is a multi-year project that explores the domestication that lies at the heart of domestic life. It started with a question that simply would not go away: "How did I become such a domesticated beast?" And then the natural follow up: "Is the domesticated life worth it?" These photographs are my attempt to answer these questions and make sense of my predicament — everyone’s predicament — by providing an unpolished glimpse of the myths we accept, the masks we are taught to wear, the roles we are forced to play, the needs and desires we sublimate (and sometimes don’t), and the tremendous pressures we face to conform in order to sustain our comfortable, domestic lives. AAP Competitions: AAP Magazine 23 Women AAP Magazine 25 B&W AAP Magazine 31 Portrait AAP Magazine 36 Street AAP Magazine 37 Travels All About Photo Awards 2024 AAP Magazine 40 Portrait AAP Magazine 45 Travels AAP Magazine 49 B&W AAP Magazine 53 Travels
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Latest Interviews

Exclusive Interview with Jan Janssen
Interview
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
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Exclusive Interview with Henk Kosche
Interview
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
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Exclusive Interview with Anastasia Samoylova
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Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
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Exclusive Interview with Marijn Fidder
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Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Exclusive Interview with Josh S. Rose
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Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Interview with Maureen Ruddy Burkhart
Interview
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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Exclusive Interview with Peter Ydeen
Interview
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
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Exclusive Interview with Julie Wang
Interview
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
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Exclusive Interview with Ghawam Kouchaki
Interview
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
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