James Tye

Country: United Kingdom
Birth: 1971

Having been a keen snapper from an early age, James has had the good fortune to work for clients in the UK and abroad, shooting magazine articles, travel guides and corporate work. Recent assignments have taken him to Asia and the US from where these submissions were shot. This career has provided him with an opportunity to indulge his creative passion, explore the world and amass a large collection of fridge magnets.

Statement

A camera is a great ice-breaker. It gives me an opportunity to approach and interact with people of other cultures and languages with whom I would otherwise merely observe from a distance. I�m keen to involve the subject in the process, creating a more intimate dynamic and making it a happy encounter for all. The images I�ve chosen to share are observations and chance encounters over several years, across four continents, often whilst riding a rental scooter at dawn and dusk.

Website

jamestye.com

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Reisinger Zsuzsanna

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Reisinger Zsuzsanna is a young Hungarian self-taught photographer who lives in Budapest. Artist Statement:"What drives me in my photographic work as in life, is the transience, the fragility of life itself. I try to capture this in images, frozen moments in time, taken now or in the past, but all becoming history at the very moment of capture. This vision, or rather this feeling, I try to convey to the viewer mainly through my portraits of women, of femininity. As is often the case, images can transfer my feelings and sensations better than words can. As very aptly said by Lao Tzu: The Tao that can be told... is not the real Tao... Photography, and especially portraiture, is my kind of time travel,I enjoy immensely. During thinking of a concept, making all the arrangements and taking the actual pictures, time stands still... Later on all these pictures are history, of course. My work mainly is about these forgotten times and moments..."

Jack Delano

United States
1914 | † 1997

Jack Delano (August 1, 1914 � August 12, 1997) was an American photographer for the Farm Security Administration (FSA) and a composer noted for his use of Puerto Rican folk material. Delano was born as Jacob Ovcharov in Voroshilovka village, Podolie Governorate, near Vinnytsia, Russian Empire and moved, with his parents and younger brother, to the United States in 1923. The family arrived at New York on July 5, 1923 on the boat SS Homeric. Between 1924 and 1932 he studied graphic arts/photography and music (viola and composition) at the Settlement Music School and solfeggio with a professor from the Curtis Institute in Philadelphia, Pennsylvania. After being awarded an art scholarship for his talents, he attended the Pennsylvania Academy of the Fine Arts (PAFA) where, from 1928 until 1932, he studied illustration and continued his musical training. While there, Delano was awarded the Cresson Traveling Scholarship, on which he chose to travel to Europe, where he bought a camera that got him interested in photography. After graduating from the PAFA, Delano proposed a photographic project to the Federal Art Project: a study of mining conditions in the Schuylkill County, Pennsylvania anthracite coal area. Delano sent sample pictures to Roy Stryker and applied for a job at the Farm Security Administration Photography program FSA. Through the help of Edwin Rosskam and Marion Post Wolcott, Stryker offered Delano a job at $2,300/year. As a condition of the job, Delano had to have his own car and driver's license, both of which he acquired before moving to Washington, D.C. Before working at the FSA, Delano had done his own processing and developing but did neither at the FSA. Other photographers working for the FSA include Walker Evans, Dorothea Lange, and Gordon Parks. In 1943 FSA was eliminated as "budget waste" and subsumed into the Office of War Information (OWI). He travelled to Puerto Rico in 1941 as a part of the FSA project. This trip had such a profound influence on him that he settled there permanently in 1946. Between 1943 and 1946 he served in the U.S. Army Air Forces. With his wife Irene (a second cousin to fellow photographer Ben Shahn) he worked in the Community Division of the Department of Public Education producing films, for many of which Delano composed the score. Delano also directed Los Peloteros, a Puerto Rican film about poor rural kids and their love for baseball. The film remains a classic in Puerto Rican cinema. Jack Delano's musical compositions included works of every type: orchestral (many composed for the Puerto Rico Symphony Orchestra), ballets (composed for Ballet Infantil de Gilda Navarra and Ballets de San Juan), chamber, choral (including P�talo de rosa, a commission for Coro de Ni�os de San Juan) and solo vocal. His vocal music often showcases Puerto Rican poetry, especially the words of friend and collaborator Tom�s Blanco. Blanco, D�lano and his wife Irene collaborated on children's books. The most prominent of these remains a classic in Puerto Rican literature: The Child's Gift: A Twelfth Night Tale by Tom�s Blanco, with illustrations by Irene Delano and incidental music (written on the margins) by Jack Delano. His score for the film "Desde las nubes" demonstrates an early use of electronic techniques. Most of his works composed after he moved to Puerto Rico are notable for using folk material in a classical form.Source: Wikipedia

Esmeralda Ruiz

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Chuck Kimmerle

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Despite knowing little about photography at the time, I knew I was destined to make my living as a photographer when I received my first camera, a Canon Canonet QL17 GIII, as a high school graduation present. The entire process mesmerized me. I was hooked. However, a prior enlistment in the U.S. Army Infantry, which began shortly afterwards, put that dream on the back burner for a few years.Following my discharge, I enrolled in the Photographic Engineering Technology program at St. Cloud State University, thinking it a solid career backup plan should my dream of being a photographer be unrealized. The technically-focused program provided me with a solid background in photographic science, chemistry, processes and sensitometry.While at the university, I began working at the school paper, which was followed by a photojournalism position at the St. Cloud Times and, subsequently, jobs at newspapers in Pennsylvania and finally North Dakota, where I was part of a four-person staff named as finalists for the 1998 Pulitzer Prize for Spot News Photography. In 2000, I left the erratic schedule of photojournalism to the more predictable hours as the staff photographer at the University of North Dakota, where I remained for the next 10 years.In 2010 I followed my wife, a New York City native, to her new job in the least populated state in the U.S., Wyoming, where I now work as an educational and commercial freelance photographer.Throughout the years working as a photographer for others, I spent a great deal of my free time doing personal work for myself. These images, which were infinitely more important to me that the work images, were primarily landscapes. However, I have never considered myself a nature photographer. Instead, I tend to gravitate towards those areas which are influenced by both man and nature.Despite having embraced the digital medium, I consider myself a landscape photographer in the traditional sense of the word. My style is straightforward and formal, with a deep depth-of-field and an unabashed honesty to the subject matter, and is in direct contrast to the contemporary trend of highly conceptualized pictorials. Who says newer is always better?In the past few years I've had the honor to study with such esteemed photographers as Alan Ross, George DeWolfe, Jean Meile, Jay Dusard, Jack Dykinga and Bruce Barnbaum. Source: chuckkimmerle.com

Yelena Zhavoronkova

United States
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Yelena Zhavoronkova is a California based Fine Art Photographer and Graphic Designer. She received a Master's degree in Industrial Design from the Saint Petersburg Art and Industry Academy, USSR, and has worked as a graphic designer for over three decades. Over the past decade, Yelena has been intensively studying and working in photography, which helps her to express her artistic vision. Yelena's projects are simultaneously very personal and universal in nature, speaking to the viewers on an intimate level that is familiar to all. Since 2010 her projects were exhibited in de Young Museum of Arts in San Francisco, San Francisco City Hall, Corden|Potts Gallery of San Francisco, Blue Sky Gallery of Portland, Anzenberger Gallery in Vienna, Museum Belvédère, Heerenveen, The Netherlands, and many other galleries around the United States and in Europe. Her works were published in the online edition of The New Yorker magazine, featured in Shutterbug magazine and Transformation literary journal, among others. As a part of the Indie Photobook Library Collection Yelena's "Memories in Red" book is included in the Beinecke Rare Book & Manuscript Library at Yale University. Yelena's Archival Digital, Silver Gelatin and Platinum/Palladium prints are the part of many private collections and institutions in USA and in Europe. Currently she represented by the Anzenberger Gallery in Vienna, Austria and Corden|Potts Gallery, San Francisco, CA.

Eduardo Soler

United States

Eduardo started his career working for renown photographers in Los Angeles and San Francisco. Later he worked full time as a staff photographer for The Sharper Image catalog company in San Francisco. His most recent clients include Bayer HealthCare, Novartis, Intuit, Boehringer Ingelheim, among others. He's also an award-winning street photographer. Eduardo lives in Oakland, California with his wife Judit, and two fun cats, Sprinkler and Tiger.

Brett Weston

United States
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Brett Weston (originally Theodore Brett Weston; December 16, 1911, Los Angeles�January 22, 1993, Hawaii) was an American photographer. Van Deren Coke described Brett Weston as the "child genius of American photography." He was the second of the four sons of photographer Edward Weston and Flora Chandler. Weston began taking photographs in 1925, while living in Mexico with Tina Modotti and his father. He began showing his photographs with Edward Weston in 1927, was featured at the international exhibition at Film und Foto in Germany at age 17, and mounted his first one-man museum retrospective at age 21 at the De Young Museum in San Francisco in January, 1932. Weston's earliest images from the 1920s reflect his intuitive sophisticated sense of abstraction. He often flattened the plane, engaging in layered space, an artistic style more commonly seen among the Abstract Expressionists and more modern painters like David Hockney than other photographers. He began photographing the dunes at Oceano, California, in the early 1930s. This was a favorite location of his father Edward and a location that they later shared Brett's with wife Dody Weston Thompson. Brett preferred the high gloss papers and ensuing sharp clarity of the gelatin silver photographic materials of the f64 Group rather than the platinum matte photographic papers common in the 1920s and encouraged Edward Weston to explore the new silver papers in his own work. Brett Weston was credited by photography historian Beaumont Newhall as the first photographer to make negative space the subject of a photograph. Donald Ross, a photographer close to both Westons, said that Brett never came after anyone. He was a true photographic equal and colleague to his father and "one should not be considered without the other." "Brett and I are always seeing the same kinds of things to do - we have the same kind of vision. Brett didn't like this; naturally enough, he felt that even when he had done the thing first, the public would not know and he would be blamed for imitating me." Edward Weston - Daybooks - May 24, 1930. Brett Weston used to refer to Edward Weston lovingly as "my biggest fan" and there was no rivalry between the two photographic giants. Brett and his wife Dody loyally set aside their own photography to help Edward after he was unable to print his own images due to Parkinson's disease, which claimed Edward's life in 1958. Brett Weston married and divorced four times. He had one daughter, Erica Weston. Brett Weston lived part time on the Big Island of Hawaii and in Carmel, California for the final 14 years of his life. He maintained a home in Waikoloa that was built by his brother Neil Weston, and later moved to Hawaii Paradise Park. He died in Kona Hospital on January 22, 1993 after suffering a massive stroke. Works by Brett Weston are included in collections of the Colorado Springs Fine Arts Center, the Honolulu Museum of Art, the Los Angeles County Museum of Art, the Museum of Contemporary Art, Los Angeles, the Oklahoma City Museum of Art and the San Francisco Museum of Modern Art. In November of 1996, Oklahoma City collector Christian Keesee acquired from the Brett Weston Estate the most complete body of Weston�s work. Source: Wikipedia

Thomas Wilder

United States
1996

Through his practice in digital photography and site specific installation, Thomas asks questions of perception, meaning-making, attention, the photographic image, and the particularity of space. Influenced most strongly by conceptual artists of the 70s and 80s, Thomas looks to make work that accompanies a broader philosophical conversation. Thomas recently graduated with a BA in Studio Art from Wheaton College, IL; he is now pursuing an MFA in photography at Rhode Island School of Design in Providence, RI.

Alesya Osadchaya

Russia Federation
1990

Alesya Osadchaya was born in October of 1990 in Moscow, Russia. She studied veterinary medicine at the Moscow Veterinary Academy. Currently, he also works as a teacher in the field of veterinary entrepreneurship. The fascination with photography came from childhood. Dad taught her to handle the camera, later she got carried away with photography seriously and began to earn money by taking pictures - portrait and reportage. After graduation, the institute began to travel and take pictures of more scenery and travel reports. Travel and photography are closely related. Alesya rarely uses the services of travel agencies and travels alone. Always takes a camera with her. Through photographs, she shows the fragility of man compared to the forces of nature. Statement: No wonder they say that the most cool photos are obtained at a time when the elements are raging. Nature opens on the new side. In bad weather, few people can force themselves to leave the warm bed and go to meet the unknown. At this time, and people who are on the street once pretend to wear "masks". They are busy with more important things - how not to get wet, do not mess up your hair, save your property, and even the safety of your life, after all. But these are not all. However strange it may sound, I am inspired by the vagaries of nature: storms, hurricanes, tornadoes, storms. As a child, I reviewed a bunch of BBC films (and not only) about similar natural phenomena. Probably, therefore, at such moments in the head immediately the plots for photographs are born - a good look. But even in the quietest weather one can find "moments of strength". With my capture I want to show the greatness of nature, its beauty, strength and scale in comparison with fragility and human life.

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