Ed Kashi

If Cartier-Bresson's decisive moment reflects a situation perfectly in tune with the photographer's intuition, flawlessly combining the elements of composition and timing, then Ed Kashi's abandoned moment is the result of an imprecise instant of surrender.

This collection of photographs, made over a 40-year period, reveals imprecise glimpses of transitory events filled with frenetic energy – the chaos of everyday life. Embodying photography's intrinsic power, they preserve moments that can never occur again in exactly the same time and space. When geometry, mood, and possibility unite to unintentionally create something new, the magical and fictional qualities of still photography capture the unplanned essence of existence.

In contrast to my journalistic approach of deep personal connection and keen observation, this work is about capturing the untamed energy of a moment with abandon.

Ed Kashi is an award-winning photojournalist, filmmaker and educator dedicated to documenting the social and political issues that define our times. A sensitive eye and an intimate relationship to his subjects are signatures of his work. As a member of the prestigious photo agency VII, Kashi has been recognized for his complex imagery and its compelling rendering of the human condition.

For his contribution to the JGS series 'Witness', Kashi has delivered a powerful and deeply moving view into his world and career. "As a photojournalist who travels extensively around the world, home for me has always been a shifting term, with shifting people and shifting objects vying for my attention. Upon meeting Julie Winokur in 1992, that dynamic was forever altered. When we married in 1994, a pattern of recording journals addressed to Julie was already firmly established. In keeping with the changing times, what began as paper journals was replaced with daily emails by 2000. Encompassing nearly 20 years, this book is a selection of these journal entries from various locations around the world written for my wife. (...) The very act of creating this book touches upon my desire to reach out to others and to report on issues throughout the world. I am constantly looking for ways to expand the conversation of my work and the medium of photojournalism; to ultimately broaden the ways in which we tell stories and share our personal feelings. In a sense, this book is a different way to look at the world using both internal and external impressions, words and images. The depth of my feelings, touched so deeply and so often by the realities I witness, are the testimony I want this collection to reveal." - Ed Kashi.

Curse of the BlackGold: 50 Years of Oil in the Niger Delta takes a graphic look at the profound cost of oil exploitation in West Africa. Featuring images by world-renowned photojournalist Ed Kashi and text by prominent Nigerian journalists, human rights activists, and University of California at Berkeley professor Michael Watts, this book traces the 50-year history of Nigeria’s oil interests and the resulting environmental degradation and community conflicts that have plagued the region.

Now one of the major suppliers of U.S. oil, Nigeria is the sixth largest producer of oil in the world. Set against a backdrop of what has been called the scramble for African oil, Curse of the Black Gold is the first book to document the consequences of a half-century of oil exploration and production in one of the world’s foremost centers of biodiversity. This book exposes the reality of oil’s impact and the absence of sustainable development in its wake, providing a compelling pictorial history of one of the world’s great deltaic areas. Accompanied by powerful writing by some of the most prominent public intellectuals and critics in contemporary Nigeria, Kashi’s photographs capture local leaders, armed militants, oil workers, and nameless villagers, all of whose fates are inextricably linked. His exclusive coverage bears witness to the ongoing struggles of local communities, illustrating the paradox of poverty in the midst of plenty.

The publication of Curse of the Black Gold occurs at a moment of worldwide concern over dependency on petroleum, dubbed by New York Times journalist Thomas Friedman as “the resource curse.” Much has been written about the drama of the search for oil—Daniel Yergin’s The Prize and Ryszard Kapuscinski’s Shah of Shahs are two of the most widely lauded—but there has been no serious examination of the relations between oil, environment, and community in a particular oil-producing region. Curse of the Black Gold is a landmark work of historic significance.