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Win a Solo Exhibition this February. Juror: Harvey Stein
Win a Solo Exhibition this February. Juror: Harvey Stein
Victoria Bjorklund
Victoria Bjorklund
Victoria Bjorklund

Victoria Bjorklund

Country: United States

Victoria Bjorklund is a photographic & book artist based in Tacoma, Washington. She finds inspiration within the city and seeks to give a narrative in each thoughtfully captured photograph. Victoria is a graduate of the Fine Art Certificate program in Photography from Maine Media College and a graduate of the EDGE program for visual artists through Artist Trust in Seattle. Victoria accepts commissions and is available for commercial and editorial assignments. She is always looking for interesting visual stories to photograph, and welcomes your inquiries.

Source: www.victoriabjorklund.com

 

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Joshua Lutz
United States
1975
Joshua Lutz is an American artist working with large-format photography and with video. Lutz was given his first solo exhibition at Gitterman Gallery during the summer of 2004. In 2008 Lutz's first book, Meadowlands, was published with powerHouse Books. In essayist Robert Sullivan's introduction to the book he describes the Meadowlands as “… that giant swath of swamp and space that separates New Jersey from New York City, or, put another way, from New York City and the rest of the United States of America.” The New Yorker wrote "Joshua Lutz takes the New Topographics of Adams, Shore, and Sternfeld into its current era of urban sprawl.” In the fall of 2008 Lutz had a solo exhibition for the Meadowlands series at ClampArt Gallery in New York City. 2013 saw the release of Hesitating Beauty. A series of photographs revealing a different side of Lutz's photography, it tells the story of his mother. Mind the Gap (2018) is "an exploration through photographs and text of how our society and the things we experience affect our mental health".Source: Wikipedia Joshua Lutz‘s large-format photographs of urban sprawl and suburban portraiture capture intimate details of places and their inhabitants in a soft, moody palette. The subtle tension in Lutz’s photographs between natural and man-made structures expands upon themes of Stephen Shore and the New Topographics. From an image of an airplane take-off framed by trees and a cell phone tower in his Meadowlands series to rows of wind turbines amid factories on a grassy plain in his new Am Dam series, Lutz’s photographs offer new views of the post-suburban landscape, capturing on film the spirit of simultaneous progress and decay. Meadowlands, Lutz’s debut monograph, was published by powerHouse Books in 2008, and has received considerable acclaim including being named Village Voice “Best in Show,” and Photo District News and American Photo‘s “Best Photography Books of 2008.” The recipient of the Tierney Fellowship, Best Editorial awards from Photo District News and Communication Arts, Lutz was also named one of Photo District News‘ top 30 emerging photographers. His work has been featured in The New Yorker, Harper’s, The New York Magazine, Newsweek, ArtNews, and Time. Lutz received his B.F.A. from Bard College in 1997, and his M.F.A. from Bard College at the International Center of Photography in 2005. He is currently on the faculty at the International Center of Photography in New York.Source: Robert Koch Gallery
Chen Jiagang
China
1962
Born in 1962 in Chong Qing, Chen Jiagang began his career as a celebrated architect and real estate developer before making the transition to photography. In 1999, he was named one of twelve "Outstanding Young Architects" by the United Nations. Jiagang is the founder of the Sichuan Upriver Museum, the first private museum in China and the author of Third Front (Timezone 8 Limited, 2007). He currently lives and works in Beijing.Source: Edwynn Houk Gallery Although originally trained as an architect (and awarded by the UN the accolade of being one of the 12 ‘outstanding young architects' in China), Chen Jiagang has been a practicing photographer for over 12 years, and has exhibited widely since 1999. He has twice been awarded the Excellent Works Award at the annual China Photographic Arts Exhibitions. Chen photographs often feature obsolete and useless factories, hidden away in his country's hinterlands. Among these monumental, abandoned ruins, these industrial leftovers, he places ghostly human figures, reminding us of the workers who lost their jobs and were sent back home to start again. He documents the effects on society of China's extraordinary development drive in these large, sumptuous compositions.Source: Waterhouse & Dodd 1980-1984 studied in Architecture Department of Chongqing Architecture College from 1980 to 1984. 1984-1992 worked in Southwest Architecture Design Institute as a National Certified Architect, and had been awarded grand architecture prizes in various types for many times. 1992 founded the Company of Chengdu Haosi Property Development. 1996 the Company of Sichuan Gangjia Architecture Design. 1997 founded Sichuan Upriver Stock Co., Ltd. 1997 founded Upriver Art Gallery, the first private Art Gallery in China. 1998 founded Chengdu Upriver Guildhall and Kunming Upriver Guildhall. 1999 elected as one of the twelve "Outstanding Young Architect" of China by UN. 2001 Bigining to be an artist from then on. 2002 The excellent works prize of the 20th China Photographic Exhibition. 2003 The excellent works prize of the 21th China Photographic Exhibition. Personal Exhibitions 2012 Diseased City, Paris-Beijing Photo Gallery, Paris, France Chen Jiagang photography, Galerie Forsblom, Helsinki, Finland
Nicolas Dhervillers
Nicolas Dhervillers is a French artist who works in the field of photography. After multimedia and photography studies, he made a name for himself after an historic commission from the Centre Pompidou in Metz. Inspired by cinematic, theatrical and pictorial writing, Nicolas Dhervillers's approach decompartmentalizes the photographic medium.He works with French Galleries, collaborates with Art Centers and International Museums. He was invited to show his work in many countries like Switzerland, Germany, Korea, China, Netherlands, Usa and to Paris Photo for the past 5 years.In 2014 and 2015 he will have a solo exhibition at the Helmond Gemeente Museum (NL) then he will be in Australia for an International Festival and in Belgium for the "triennale de Photographie et d’architecture".All about Nicolas Dhervillers:AAP: Where did you study photography?I studied cinema first, then theater, and then I came to Paris to make a master in Photography and mixed media. I studied with Mr Jean Claude Moineau, my "chief" in terms of theory.AAP:Do you have a mentor or role model?No, but Jeff Wall influence me off course. AAP: How long have you been a photographer?10 years, but not a Photographer, maybe an artist is more correct, in a way.AAP: What or who inspires you?History of art in generalAAP: How could you describe your style?It is a mix between the painting spirit (about the white page), the cinematographic light and the pose of theater.AAP: What are your projects?Retrospective exhibition in Netherlands.
Serena Dzenis
Australia
1984
Serena Dzenis is a lens-based artist from Australia who resides in Iceland. She uses her work to tell stories about science, conservation, environmental issues and the future of mankind. Serena’s photographs depart from the traditional, with a focus on capturing the otherworldliness that is sometimes associated with nature and human constructions on our own planet. The emphasis of her art is on storytelling within the landscape – connecting with the land and exploring the outcomes of human desires while immersing oneself in the rhythms and dangers associated with the living presence of this world. 2021 ± II: Utopia Broadcasting Do you think that the first space colony created by mankind will happen during your lifetime? Technology has advanced so quickly over the past few years. In the overall scheme of things, we’re just a flash in the pan and yet we’ve done so much to change our planet. Humankind is leaving a profound legacy on Earth, exploiting its resources to turn it into the sanctuary that we want it to be or perhaps farewelling a paradise that we’ve already lost. ‘2021 ± II: Utopia Broadcasting’ encapsulates everything about human construction, sheer curiosity, consumerism, as well as the wonders and dangers associated with science. The overall aim of this project is to utilise existing structures within the Icelandic landscape to transport the viewer’s imagination to another world that exists outside of time. In doing so, the hope is to invoke conversation around themes of futurism and dreams for a better life amidst the darker side of human ideals.
Eddy Verloes
Belgium
1959
Eddy Verloes, a Belgian photographer, has won numerous awards for his literary symbolic photography. He skillfully weaves visual narratives that blend realism and surrealism, capturing the essence of interiors, landscapes, and urban life. Verloes’ spontaneous approach allows him to seize fleeting moments of everyday life, infusing his work with a sense of wonder and mystery. His fascination with literature and philosophy drives him to explore the profound and the poetic, leaving viewers with a profound sense of awe and contemplation. He shoots with his soul, not with the camera. Eddy Verloes is Master of Linguistics and Literary Studies (magna cum laude) at the University of Louvain, Belgium. Studies in photography at the Louvain CVO, Belgium. 2015-2024: exhibitions in different galleries or special locations (solo or with other photographers, painters, poets, sculptors, musicians, composers, video artists, mixed media artists) in the USA, United Kingdom, Canada, United Arab Emirates, Brasil, Mexico, Russia, Germany, Greece, Crete, Malta, Hungary, Spain, Italy, Serbia, Austria, France, The Netherlands and Belgium. Photo books No time to Verloes (2015), Cuba libre (2016), Zeezuchten/Seasighs (2020), Buiten zinnen/Losing Our MInds (2021), Aardelingen/Earthlings (2022). Most important awards in 2020-2024 Selected as one of the best contemporary photographers worldwide by the American site All-About-Photo | Winner Life Framer Photo Contest 2020 (Theme: "Civilization") judged by Tate Modern's Curator of Intern. Art & Photography Emma Lewis | Travel Photographer of the Year 2020 (cat. People of the world) | Winner Pangea Prize Siena Creative Photo Awards 2021 (cat. Open Theme) | Winner Malta International Photo Travel Award 2020/2021 | 2nd Place MonoVisions Awards 2021 (Photojournalism), London (UK) | Finalist FOCUS Photo L.A. 2021, Los Angeles (USA) | Winner Siena International Photography Awards 2021 (Fascinating faces and characters) with my "Remarkable Artwork" | Winner 16th Annual Black & White Spider Awards 2021, Beverly Hills (California) | Winner of the Union of Lights 2021 World Photography Contest ("Street & Lifestyle") | 3rd Place Winner (Photojournalism) Monochrome Photography Awards 2021, London (UK) | Winner 17th Pollux Awards 2021 (Open Theme - series), Barcelona (Spain) | Winner of The Chelsea International Photography Competition 2021/2022, New York (USA), Exhibition @ Agora Gallery, NY, 2023, Jan 4-17 | Winner Fine Art Photography Awards 2021/2022 (Photojournalism), 8th edition, London (UK) | Gold Winner Muse Photography Award 2022 (Fine Art Photography - People) with my series 'Losing Our Minds', NY, (USA) | Gold Winner London Photography Awards 2022 (Black & White Photography - Religious) with my series 'Losing Our Minds', London (UK) | Gold Winner London Photography Awards 2022 (People Photography - Religious) with my series 'Losing Our Minds', London (UK) | Bronze Medal Paris International Street Photo Awards 2021- Category Black & White | Winner of the Intern. Black & White Photography Awards 2022 with my series 'Losing Our Minds', also awarded with a 'Special Mention' (Paris) | Overall Contest Winner @ the reFocus 'One Shot Contest' Awards 2022, honoring the most extraordinary photographers of our time | Photographer of the Year Winner (Amateur) with an 'Outstanding Achievement' @ the 17th B&W Spider Awards 2022, Beverly Hills (USA) | Silver Winner in Portfolio/Fine Art @ Budapest International Foto Awards 2022 with my series 'Losing Our Minds' | Silver Winner NY Photography Awards 2022 - Editorial Photography/Religious with my series 'Losing Our Minds' | Silver Winner NY Photography Awards 2022 - People Photography/Religious with my series 'Losing Our Minds' | Inductee to the Influx Gallery's Hall of Fame (London) - Merit of Excellence - 2023, January | Finalist Life Framer Humans of the World Competition (USA) - 2023, January | Winner of the 1st Salamander International Art Prize + exhibition @ Monteoliveto Gallery Paris (France) - 2023, February 23-28 | Gold Winner Muse Photography Award 2023 (People Photography - Couple) with my series 'Get connected', NY, (USA) | Silver Winner in Portraiture/Culture @ PX3 Prix de la Photographie Paris 2023 with my series 'Losing Our Minds' | Winner 1st Budapest Intern. Art Show artBIAS 2023, organized by Teravarna Art Gallery Los Angeles (USA) and Golden Duck Gallery Budapest | Grand Prize Winner of the Great Photo Awards 2023/ Black & White World Photo Competition, Athens (Greece) with 'Losing Our Minds' | Finalist Travel Photographer of the Year 2023 | Selected for the Xposure International Photography Festival @ Expo Center Sharjah, United Arab Emirates, 2024, Feb. 28 - March 5 | Platium, Gold & Silver Winner @ 2024 MUSE Photography Awards, New York | Bronze Winner in Architecture @ PX3 Prix de la Photographie Paris 2024 with my series 'The coal mine' | Finalist Travel Photographer of the Year 2024 | Winner of the 1ste edition of The B&W FotoNostrum Choice Awards Barcelona (Spain) + exhibition @ FotoNostrum Gallery Feb. 2025 | Winner and 'Discovery of the Year' + 'People's Vote Award' @ 2024 World Photo Annual Refocus Award (Cat. Film/Analog) | Grand Winner Paris International Street Photo Awards 2024 (Cat. Elder People Street) with my series ‘Cuba libre' Awarded Photographer of the Week - Week 52
Bruce Barnbaum
United States
1943
Bruce Barnbaum, of Granite Falls, WA, entered photography as a hobbyist in the 1960s, and after four decades, it is still his hobby. It has also been his life's work for the past 30 years. Bruce's educational background includes Bachelor's and Master's degrees in mathematics from UCLA. After working for several years as a mathematical analyst and computer programmer for missile guidance systems, he abruptly left the field and turned to photography. Bruce has authored several books, some of which have become classics. The Art of Photography was first published in 1994 and remained in print until 2007. Bruce has been self-publishing the book ever since, but with limited distribution. Bruce is a frequent contributor to several photography magazines. His series The Master Printing Class is featured in each issue of Photo Techniques, and his articles are published regularly in LensWork. Through his workshops, articles, lectures, books, and innovative photography, Bruce has become a well-known and highly respected photographer, educator, and pioneer. Bruce is recognized as one of the finest darkroom printers on this planet, both for his exceptional black-and-white work, as well as for his color imagery. He understands light to an extent rarely found, and combines this understanding with a mastery of composition, applying his knowledge to an extraordinarily wide range of subject matter. His work is represented by more than ten galleries throughout the United States and Canada, and is in the collections of museums and private collectors worldwide.Source: O’Reilly Bruce has been an active environmental advocate for more than three decades, both independently and through organizations such as the Sierra Club (where he served on the Board of Directors of the Angeles Chapter from 1976-80, and the California Regional Conservation Committee), Audubon, the Stillaguamish Citizens’ Alliance (which he co-founded in 1991) now renamed the Mountain Loop Conservancy, 1000 Friends of Washington, and the North Cascades Conservation Council (where he has served on the Board of Directors since 1994). As a photographer he has seen the changes in our land and our landscape—almost all of them for the worse—that have taken place in the 35 years he has actively been photographing our planet. He points out that we all live on this one magical globe called “Earth,” and unless we love it, revere it, and protect it, we’ll all perish with it. Currently, we are exploiting planet earth at an unprecedented rate, saddling ourselves with many self-inflicted problems: human overpopulation, global warming, an increasing ozone hole, deforestation, overfishing of the oceans, overuse of fresh water resources, pollution of the air, land, and waters (lakes, rivers, and oceans), and many others too numerous to detail. But humanity is doing little to correct any one of these problems. We have enough knowledge to recognize the steps that should be taken to turn from our destructive ways to more intelligent, productive, and sustainable means, but we may not have the wisdom or political will to implement that knowledge.Source: Fahey/Klein Gallery
William Eggleston
United States
1939
William Eggleston was born in Memphis, Tennessee and raised in Sumner, Mississippi. His father was an engineer and his mother was the daughter of a prominent local judge. As a boy, Eggleston was introverted; he enjoyed playing the piano, drawing, and working with electronics. From an early age, he was also drawn to visual media, and reportedly enjoyed buying postcards and cutting out pictures from magazines. At the age of 15, Eggleston was sent to the Webb School, a boarding establishment. Eggleston later recalled few fond memories of the school, telling a reporter, "It had a kind of Spartan routine to 'build character'. I never knew what that was supposed to mean. It was so callous and dumb. It was the kind of place where it was considered effeminate to like music and painting." Eggleston was unusual among his peers in eschewing the traditional Southern male pursuits of hunting and sports, in favor of artistic pursuits and observation of the world. Nevertheless, Eggleston noted that he never felt like an outsider. "I never had the feeling that I didn't fit in," he told a reporter, "But probably I didn't." Eggleston attended Vanderbilt University for a year, Delta State College for a semester, and the University of Mississippi for about five years, but did not complete any degree. Nonetheless, his interest in photography took root when a friend at Vanderbilt gave Eggleston a Leica camera. He was introduced to abstract expressionism at Ole Miss by visiting painter Tom Young. Eggleston's early photographic efforts were inspired by the work of Swiss-born photographer Robert Frank, and by French photographer Henri Cartier-Bresson's book, The Decisive Moment. Eggleston later recalled that the book was "the first serious book I found, from many awful books...I didn't understand it a bit, and then it sank in, and I realized, my God, this is a great one." First photographing in black-and-white, Eggleston began experimenting with color in 1965 and 1966 after being introduced to the medium by William Christenberry. Color transparency film became his dominant medium in the later 1960s. Eggleston's development as a photographer seems to have taken place in relative isolation from other artists. In an interview, John Szarkowski describes his first encounter with the young Eggleston in 1969 as being "absolutely out of the blue". After reviewing Eggleston's work (which he recalled as a suitcase full of "drugstore" color prints) Szarkowski prevailed upon the Photography Committee of MoMA to buy one of Eggleston's photographs. In 1970, Eggleston's friend William Christenberry introduced him to Walter Hopps, director of Washington, D.C.'s Corcoran Gallery. Hopps later reported being "stunned" by Eggleston's work: "I had never seen anything like it." Eggleston taught at Harvard in 1973 and 1974, and it was during these years that he discovered dye-transfer printing; he was examining the price list of a photographic lab in Chicago when he read about the process. As Eggleston later recalled: "It advertised 'from the cheapest to the ultimate print.' The ultimate print was a dye-transfer. I went straight up there to look and everything I saw was commercial work like pictures of cigarette packs or perfume bottles but the colour saturation and the quality of the ink was overwhelming. I couldn't wait to see what a plain Eggleston picture would look like with the same process. Every photograph I subsequently printed with the process seemed fantastic and each one seemed better than the previous one." The dye-transfer process resulted in some of Eggleston's most striking and famous work, such as his 1973 photograph entitled The Red Ceiling, of which Eggleston said, "The Red Ceiling is so powerful, that in fact I've never seen it reproduced on the page to my satisfaction. When you look at the dye it is like red blood that's wet on the wall.... A little red is usually enough, but to work with an entire red surface was a challenge." At Harvard, Eggleston prepared his first portfolio, entitled 14 Pictures (1974). Eggleston's work was exhibited at MoMA in 1976. Although this was over three decades after MoMa had mounted a solo exhibition of color photographs by Eliot Porter, and a decade after MoMA had exhibited color photographs by Ernst Haas, the tale that the Eggleston exhibition was MoMA's first exhibition of color photography is frequently repeated, and the 1976 show is regarded as a watershed moment in the history of photography, by marking "the acceptance of colour photography by the highest validating institution" (in the words of Mark Holborn). Around the time of his 1976 MoMA exhibition, Eggleston was introduced to Viva, the Andy Warhol "superstar", with whom he began a long relationship. During this period Eggleston became familiar with Andy Warhol's circle, a connection that may have helped foster Eggleston's idea of the "democratic camera", Mark Holborn suggests. Also in the 1970s Eggleston experimented with video, producing several hours of roughly edited footage Eggleston calls Stranded in Canton. Writer Richard Woodward, who has viewed the footage, likens it to a "demented home movie", mixing tender shots of his children at home with shots of drunken parties, public urination and a man biting off a chicken's head before a cheering crowd in New Orleans. Woodward suggests that the film is reflective of Eggleston's "fearless naturalism—a belief that by looking patiently at what others ignore or look away from, interesting things can be seen." Eggleston's published books and portfolios include Los Alamos (completed in 1974, but published much later), William Eggleston's Guide (the catalog of the 1976 MoMa exhibit), the massive Election Eve (1977; a portfolio of photographs taken around Plains, Georgia, the rural seat of Jimmy Carter before the 1976 presidential election), The Morals of Vision (1978), Flowers (1978), Wedgwood Blue (1979), Seven (1979), Troubled Waters (1980), The Louisiana Project (1980), William Eggleston's Graceland (1984; a series of commissioned photographs of Elvis Presley's Graceland, depicting the singer's home as an airless, windowless tomb in custom-made bad taste), The Democratic Forest (1989), Faulkner's Mississippi (1990), and Ancient and Modern(1992). Some of his early series have not been shown until the late 2000s. The Nightclub Portraits (1973), a series of large black-and-white portraits in bars and clubs around Memphis was, for the most part, not shown until 2005. Lost and Found, part of Eggleston's Los Alamos series, is a body of photographs that have remained unseen for decades because until 2008 no one knew that they belonged to Walter Hopps; the works from this series chronicle road trips the artist took with Hopps, leaving from Memphis and traveling as far as the West Coast. Eggleston's Election Eve photographs were not editioned until 2011. Eggleston also worked with filmmakers, photographing the set of John Huston's film Annie (1982) and documenting the making of David Byrne's film True Stories (1986). In 2017 an album of Eggleston's music was released, Musik. It comprises 13 "experimental electronic soundscapes", "often dramatic improvisations on compositions by Bach (his hero) and Haendel as well as his singular takes on a Gilbert and Sullivan tune and the jazz standard On the Street Where You Live." Musik was made entirely on a 1980s Korg synthesiser, and recorded to floppy disks. The 2017 compilation Musik was produced by Tom Lunt, and released on Secretly Canadian. In 2018, Áine O'Dwyer performed the music on a pipe organ at the Big Ears music festival in Knoxville. Source: Wikipedia William Eggleston assumes a neutral gaze and creates his art from commonplace subjects: a farmer's muddy Ford truck, a red ceiling in a friend's house, the contents of his own refrigerator. In his work, Eggleston photographs "democratically"--literally photographing the world around him. His large-format prints monumentalize everyday subjects, everything is equally important; every detail deserves attention. A native Southerner raised on a cotton plantation in the Mississippi Delta, Eggleston has created a singular portrait of his native South since the late 1960s. After discovering photography in the early 1960s, he abandoned a traditional education and instead learned from photographically illustrated books by Walker Evans, Henri Cartier-Bresson, and Robert Frank. Although he began his career making black-and-white images, he soon abandoned them to experiment with color technology to record experiences in more sensual and accurate terms at a time when color photography was largely confined to commercial advertising. In 1976 with the support of John Szarkowski, the influential photography historian, critic, and curator, Eggleston mounted "Color Photographs" a now famous exhibition of his work at the Museum of Modern Art, New York. William Eggleston's Guide , in which Szarkowski called Eggleston's photographs "perfect," accompanied this groundbreaking one-person show that established his reputation as a pioneer of color photography. His subjects were mundane, everyday, often trivial, so that the real subject was seen to be color itself. These images helped establish Eggleston as one of the first non-commercial photographers working in color and inspired a new generation of photographers, as well as filmmakers. Eggleston has published his work extensively. He continues to live and work in Memphis, and travels considerably for photographic projects. Source: The Getty Museum
Thomas Barbèy
Switzerland
Thomas Barbey grew up in Geneva, Switzerland, across the street from the “Caran D'ache” factory, the largest manufacturer of art supplies. He started drawing seriously at the age of 13, using black “encre de Chine” and gouaches for color. His influences were Philippe Druillet, Roger Dean and H.R. Giger. After living in Geneva for 17 years and designing posters for musical bands, he decided to move to Italy, where he lived in Milan for 15 years making a living as a successful recording artist, lyricist and fashion photographer. Today, he resides in Las Vegas and travels the world, taking his camera wherever he goes. Thomas has been a photographer for over twenty years now and prefers to use his old Canon AE1s when he shoots in 35mm or his RB67 when he shoots in medium format. More recently, he has been doing Black and White Photomontages for the sole purpose of doing Fine Art, without working for a specific client. He has combined several images taken over a period of twenty years to create surreal situations with the help of the enlarger in a dark room. His work has a specific style and is very characteristic. He only works with Black and White, including Sepia toning at times. Every single one of his images has to pass what he likes to call the “So what?” test. If a combination of two or more negatives put together doesn't touch him or have any particular meaning, he starts over. At times, he tries to combine images and sometimes the results can be disappointing. A giant clock in the middle of the ocean can be an unusual image, but if he looks at it and says to himself, “So what?”, this means it isn't good enough.” If, instead, an ocean liner is going down a “funnel-type” hole and he titles it “Shortcut to China”, it takes on a whole new meaning. The picture takes you into an imaginary world where you can see the captain telling the passengers to fasten their safety belts and get prepared for the descent, and so on. At times Thomas comes up with ideas beforehand, try to materialize them and it works. At other times, it comes as an accident, where the ideas come afterwards, when the image is already finished and the concept has yet to be understood. Thomas claims he is learning constantly through the process of creation. Thomas travels 2-3 times a year to take photographs of different things and places. Sometimes he uses an image several years later, but only when it fits, like the perfect piece in a puzzle, and completes his latest project. Some images are composed of negatives that are separated by a decade in the actual time that he has taken them and only come to life when they found their perfect match. It's the combination of two or more negatives that give birth to a completely unusual vision, but most of all, the title he gives the final image is the glue and the substance of the piece. Source: thomasbarbey.com
Luigi Avantaggiato
Born in Zurich in 1984, Luigi Avantaggiato is a Rome based freelance photographer specialized in documentary, editorial, and cross-media project. He started working as a documentary photographer after his doctoral studies in Visual Studies, which helped him to develop a profound interest in global social and environmental issues. Because of his work he has visited several countries in the world in state of emergency: Lebanon, Iraq, Colombia, Greece, Kosovo. His images have been published in several newspapers and magazines, such as Il Corriere della Sera, D di Repubblica, Panorama, VICE, Lensculture and others. His works took part in several international exhibitions, such as Photomed Festival (Sanary-sur-Mer, 2017), FotoGrafia – International Festival of Photography of Rome XI ed. (Rome, 2012), Fotografia Europea (Reggio Emilia, 2014), Juraplaz (Bienne, 2014) Biblioteca Medicea Laurenziana (Firenze, 2015) and others. He teaches at Sapienza – University of Rome and in several private academies. He is author of book essays and papers about photography, cinema and visual arts.About Dove tramonta l’Occidente (Where the West Sets) In the past few years, international governments, institutions, and media have used the expression “refugee crisis” to describe rising numbers of undocumented individuals and families fleeing to Europe from countries such as Syria, Afghanistan, and Iraq, where they face harsh challenges, including war, poverty, persecution, and human rights violations. Hoping to start a new life in Europe and looking for a new identity, thousands of refugees have braved the Mediterranean Sea on board of inflatable boats and makeshift vessels, driven by an idea of Europe as the land where their dreams will be realized. Some of these people decide to cross the sea illegally only to become refugees and to enjoy the benefits of this status. Where the West Sets is a documentary project that attempts to chronicle this crisis as it plays out on the northern Aegean Islands and in mainland Greece – the same territories where Western Culture and its system of values were born. The aesthetics of my work lies on an approach that had me go to those places not as a reporter looking for facts but as a documentarist trying to verify facts. The series of photographs reflects the consequences that the refugee crisis is having on the cradle of civilization, whereas the traditional value of respecting other human beings is meeting feelings of hostility, fear, and xenophobia among the Greeks. In the same country that gave birth to philosophy, science and anthropology, people are living among refugees in an uncertain and disordered way, holding tightly to their self- referential and contradictory values, belonging to a Europe that is now diminished but that is frantically trying to redefine its own identity.
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Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
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Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
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All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry