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Last Call to Win a Solo Exhibition this February. Juror: Harvey Stein
Last Call to Win a Solo Exhibition this February. Juror: Harvey Stein
Victoria Bjorklund
Victoria Bjorklund
Victoria Bjorklund

Victoria Bjorklund

Country: United States

Victoria Bjorklund is a photographic & book artist based in Tacoma, Washington. She finds inspiration within the city and seeks to give a narrative in each thoughtfully captured photograph. Victoria is a graduate of the Fine Art Certificate program in Photography from Maine Media College and a graduate of the EDGE program for visual artists through Artist Trust in Seattle. Victoria accepts commissions and is available for commercial and editorial assignments. She is always looking for interesting visual stories to photograph, and welcomes your inquiries.

Source: www.victoriabjorklund.com

 

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Melvin Sokolsky
United States
1933 | † 2022
Melvin Sokolsky is an American photographer and film director. Born in New York City in 1933, Sokolsky was raised on the Lower East Side. He had no formal training in photography, but started to use his father's box camera at about the age of ten. Always analytical, he started to realize the role that emulsion played as he compared his own photographs with those his father had kept in albums through the years. "I could never make my photographs of Butch the dog look like the pearly finish of my father's prints, and it was then that I realized the importance of the emulsion of the day." Around 1954, Sokolsky met Robert Denning, who at the time worked with photographer Edgar de Evia, at an East Side gym. "I discovered that Edgar was paid $4000 for a Jell-O ad, and the idea of escaping from my tenement dwelling became an incredible dream and inspiration." Whether floating models down the Seine in a bubble, or shrinking his subjects, Alice-like, to miniature heights, Melvin Sokolsky helped to pioneer illusory fashion photography long before the age of digital enhancement took hold. Though he is best known for his editorial fashion photographs for publications such as Harper's Bazaar (for which he produced, in 1963, the Bubble series of photographs depicting fashion models “floating” in giant clear plastic bubbles suspended in midair above the River Seine in Paris), Vogue, and The New York Times, Sokolsky’s work is not limited to that field. Three quarters of his print photography has been for advertising, which does not usually carry a byline. As Sokolsky said in an interview: “I resented the attitude that ‘This is editorial and this is advertising. I always felt, why dilute it? Why not always go for the full shot?” Toward the end of the 1960s, Sokolsky worked as both commercial director and cameraman. He did not, however, abandon the world of print photography; in 1972 he was asked to photograph the entire editorial content of McCall's Magazine, a first for any photographer.Source: Wikipedia Melvin Sokolsky was born and raised in New York City where he started his distinguished career as a stills photographer. At the age of twenty-one he was invited to join the staff of Harper's Bazaar. Within the next few years he worked as a major contributor to four prestigious magazines: Esquire, McCall's, Newsweek, and Show. His photographs of internationally famous personalities have appeared in many of the major museums and magazines worldwide. In 1962, Sokolsky photographed the entire editorial content of McCall's Magazine, a first in its time. He is best known of his infusion of surrealism in his fashion photography, with his iconic series of women encased in plastic bubbles, floating around various cityscapes. In 1964, Sokolsky was invited by the School of Visual Arts in New York to teach a special class at his studio in New York. In 1969, Sokolsky embarked on a new career in television commercials as director/cameraman. Sokolsky has been honored with twenty-five Clio Awards, and is the recipient of every major television commercial award including the coveted "Directors Guild" nomination. Many of Sokolsky's commercials are in the permanent collection of the Museum of Modern Art. In 1972, Sokolsky versed in all phases of special effects and cinematography, presented a computerized zoom lens that he designed to the Academy of Arts and Sciences. The system was subsequently nominated for an Academy Award. 1975, Sokolsky was invited by the Japanese Graphic Society to lecture in Tokyo and Kyoto, and was subsequently named Honorary Professor of Photography. In 1986, the Victoria and Albert Museum installed an exhibition of photographs called Shots of Style, a retrospective of the worlds major fashion photographers. The Victoria & Albert included Sokolsky's photographs in the exhibit, and subsequently placed many of them in their permanent collection. In 1991, the Victoria and Albert Museum mounted a show called Appearances, that is slated to travel around the world. Source: www.sokolsky.com
Anders Petersen
Sweden
1944
Anders Petersen was born 1944 in Stockholm, Sweden. 14 years old his family moved to Karlstad in Värmland, where he met the artists ?Karin Bodland and Lars Sjögren.In 1961 he stayed for some time in Hamburg in order to learn German and trying to write and paint. He didn’t take any pictures. Five years later he met Christer Strömholm and became a student at his School of Photography in Stockholm. Strömholm was not just his teacher but also a close friend. Their friendship influenced him for life. In 1967 he starts photographing a bar called Café Lehmitz in Hamburg, close to Zeughausmarkt. He was photographing there for a period of almost three years and in 1970 he had his first soloexhibition over the bar in Café Lehmitz with 350 photographs nailed to the wall. In 1973 he published his first book ”Gröna Lund”, about people in an amusementpark in Stockholm. In 1974 he graduated from the Swedish Filmschool,Dramatiska Institutet, in Stockholm. In 1978 he published ”Café Lehmitz ” in Germany. In 1984 the first book in a trilogy about locked instituations was published. The three books were about people in a prison, a nursing house, and a mental hospital. After photographing the mental hospital for three years he oriented himself towards a more free approach in a kind of diarylike photography. During 2003 and 2004 Anders Petersen was appointed Professor of Photography in the School of Photography and Film at the University of Göteborg, Sweden. He regularly has workshops and exhibitions throughout Europe, Asia and in the USA. He has received numerous grants and rewards since the seventies. In 2003 Anders Petersen was elected the ”Photographer of the Year” by the International Photofestival in Arles.In 2006 he was shortlisted as one of four for the ”Deutsche Börse Photography Prize”. In 2007 he received the ”Special Prize of the Jury” for his exhibition ”Exaltation of Humanity” by the third International Photofestival in Lianzhou, China. In 2008 he received the ”Dr. Erich Salomon Award” by Deutsche Gesellschaft für Photographie, Germany. ”The Arles Contemporary Book Award for 2009? went to JH Engström and ?Anders Petersen’s collaborative book ”From Back Home” by Max Ström.?The book was nominated to ”The Best Photographic Book in Sweden, ?year 2009? and also Winner of Design Bronze Lion in Cannes. In 2010, he was in the jury for the BMW Prize at Paris Photo. In 2012, nominated to the Swedish Photo Book Prize in Stockholm for ”SOHO”, and PhotoBook of the Year award for "City Diary" Paris Photo and the Aperture Foundation. Anders Petersen has his darkroom in Stockholm, Sweden. Source: www.anderspetersen.se Anders Petersen, one of Sweden’s most influential auteur photographers, sensitively blurs the boundaries between madness and normality in his artwork “Mental Hospital”. Petersen, who won international renown with his Hamburg Café Lehmitz series (1967-1970), spent several years photographing patients at a psychiatric hospital just south of Stockholm. His gaze is one of raw tenderness, conveying naked emotions with insightful poetry. Carried by a deep integrity, he takes the viewer to the limits of normality. "It is the naked encounter, the raw, piercing confrontation with the Other and therefore with myself," Petersen said, describing his intention. "I photograph people with whom I can identify and I feel attracted by people who live outside society. In all my photographs, I try, essentially, to create self-portraits." He is neither sentimental nor sensational. Instead, his images show a great respect for that which is enigmatic in people, for that which is hidden under the surface. Petersen’s works have marked the history of photography. In 2003, he won the award “Photographer of the Year” at the festival "Rencontres de la Photographie" in Arles, and he was honored with the German Photography Society’s Dr.-Erich-Salomon prize in 2008 for his life’s work. Source: Grundemark Nilsson Gallery
Pablo Trilles Farrington
Since I was little I was fascinated by animals, especially wildlife. I loved learning about them, their habits, behaviors, most remarkable characteristics such as size, speed, height, feeding, etc. As I grew up, that passion for wildlife began to fall asleep, giving way to other types of concerns. During my youth, my father gave me his SLR camera with interchangeable objects and taught me the basics of photography. I liked taking photographs of all kinds, from portraits to landscapes. They weren't good pictures, although it amused me. But after a few years, when I lived in my apartment, they broke in and took the photographic equipment. That was the end of my adventure in photography. Many years passed until, on a work trip I had to make to Guatemala, I managed to visit the Mayan ruins of Tikal recommended by my father, which he visited in the past. That trip, in the middle of the jungle and surrounded by wild animals, reawakened in me the passion for wildlife and the adventure of exploring natural places. At the same time, smartphones appeared and with them photography within everyone's reach. So I took pictures again this time with my mobile. The mobile was fitted with mini lenses for macro photography. Then I bought a zoom lens that connected to the mobile via Bluetooth. From there it went to a 70-200 lens connected to the phone, which I took on safari to Kenya and the Corcovado peninsula in Costa Rica. I finally understood that my passion for photography and wildlife justified investing in a mirrorless camera as well as better lenses. Until today I have two cameras and seven lenses that I have been using in my travels through Uganda, UAE, Morocco, Svalbard, etc. Always learning to achieve photographs that transmit and connect with the observer. Although in recent years I have obtained prizes, recognitions and honorable mentions that have sweetened the path, the real prize is the opportunity to live unique experiences and to invest the vital energy in this art called photography.
Thomas Barbèy
Switzerland
Thomas Barbey grew up in Geneva, Switzerland, across the street from the “Caran D'ache” factory, the largest manufacturer of art supplies. He started drawing seriously at the age of 13, using black “encre de Chine” and gouaches for color. His influences were Philippe Druillet, Roger Dean and H.R. Giger. After living in Geneva for 17 years and designing posters for musical bands, he decided to move to Italy, where he lived in Milan for 15 years making a living as a successful recording artist, lyricist and fashion photographer. Today, he resides in Las Vegas and travels the world, taking his camera wherever he goes. Thomas has been a photographer for over twenty years now and prefers to use his old Canon AE1s when he shoots in 35mm or his RB67 when he shoots in medium format. More recently, he has been doing Black and White Photomontages for the sole purpose of doing Fine Art, without working for a specific client. He has combined several images taken over a period of twenty years to create surreal situations with the help of the enlarger in a dark room. His work has a specific style and is very characteristic. He only works with Black and White, including Sepia toning at times. Every single one of his images has to pass what he likes to call the “So what?” test. If a combination of two or more negatives put together doesn't touch him or have any particular meaning, he starts over. At times, he tries to combine images and sometimes the results can be disappointing. A giant clock in the middle of the ocean can be an unusual image, but if he looks at it and says to himself, “So what?”, this means it isn't good enough.” If, instead, an ocean liner is going down a “funnel-type” hole and he titles it “Shortcut to China”, it takes on a whole new meaning. The picture takes you into an imaginary world where you can see the captain telling the passengers to fasten their safety belts and get prepared for the descent, and so on. At times Thomas comes up with ideas beforehand, try to materialize them and it works. At other times, it comes as an accident, where the ideas come afterwards, when the image is already finished and the concept has yet to be understood. Thomas claims he is learning constantly through the process of creation. Thomas travels 2-3 times a year to take photographs of different things and places. Sometimes he uses an image several years later, but only when it fits, like the perfect piece in a puzzle, and completes his latest project. Some images are composed of negatives that are separated by a decade in the actual time that he has taken them and only come to life when they found their perfect match. It's the combination of two or more negatives that give birth to a completely unusual vision, but most of all, the title he gives the final image is the glue and the substance of the piece. Source: thomasbarbey.com
Carl De Keyzer
Belgium
1958
Carl De Keyzer (27 December 1958) is a Belgian photographer. Major subjects in his work have included the collapse of Soviet Union and India. He became a full member of Magnum Photos in 1994. De Keyzer has exhibited his work in many European galleries and has received several awards, including the Book Award from Rencontres d'Arles, the W. Eugene Smith Award and the Kodak Award.Source: Wikipedia Carl de Keyzer started his career as a freelance photographer in 1982 while supporting himself as a photography instructor at the Royal Academy of Fine Arts in Ghent, Belgium. At the same time, his interest in the work of other photographers led him to co-found and co-direct the XYZ-Photography Gallery. A Magnum nominee in 1990, he became a full member in 1994. De Keyzer likes to tackle large-scale projects and general themes. A basic premise in much of his work is that, in overpopulated communities everywhere, disaster has already struck and infrastructures are on the verge of collapse. His style is not dependent on isolated images; instead, he prefers an accumulation of images that interact with the text.Source: www.carldekeyzer.com Magnum photographer Carl de Keyzer was born in Kortrijk, Belgium, in 1958. In his early work he focused on social groups outside of the mainstream. The God, Inc. series explores the various sects of Christianity in the United States and the drastically different and often extreme ways in which people communicate with God. Currently de Keyzer is tackling large-scale projects and general themes relating to overpopulated communities, disasters, and infrastructures. He prefers to work with an accumulation of images that interact with text, and in a series of large tableaux he has covered India; the collapse of the Soviet Union; and modern-day power and politics. His photographs have been published in The Guardian, LIFE, El País and Le Monde, and de Keyzer’s works are held in collections including the J. Paul Getty Museum and the Fotomuseum in Belgium. He also is a recipient of the W. Eugene Smith Grant for Humanistic Photography.Source: International Center of Photography Carl De Keyzer tackles large-scale themes through an accumulative, expansive approach. He builds up narratives through collected images, which often interact with text (taken from his travel diaries). In a series of large-format prints, he has covered India, the collapse of the Soviet Union and – more recently – modern-day power and politics in North Korea. His seminal project, God, Inc., captured religious life on the margins of American society. A basic premise in much of his work is that, in overpopulated communities everywhere, disaster has already struck, and infrastructures are on the verge of collapse.Source: Magnum Photos
Harvey Stein
United States
Harvey Stein is a professional photographer, teacher, lecturer, author and curator based in New York City. He currently teaches at the International Center of Photography. Stein is a frequent lecturer on photography both in the United States and abroad. He was the Director of Photography at Umbrella Arts Gallery, located in the East Village of Manhattan from 2009 until 2019 when it lost its lease and closed.. He has also been a member of the faculty of the School of Visual Arts, New School University, Drew University, Rochester Institute of Technology and the University of Bridgeport. A recipient of a Creative Arts Public Service (CAPS) fellowship and numerous artist in residency grants, Stein's eighth and latest book, Mexico Between Life and Death, was published in the fall of 2018 by Kehrer Verlag (Germany). A new book, Then and There: Mardi Gras 1979 will be published by Zatara Press in the Spring of 2020. Other books of Stein's photographs are Parallels: A Look at Twins, E.P. Dutton (1978); Artists Observed, Harry Abrams, Inc. (1986); Coney Island, W.W. Norton, Inc. (1998); Movimento: Glimpses of Italian Street Life, Gangemi Editore, Rome (2006); Coney Island 40 Years, Schiffer Publishing, (2011); Harlem Street Portraits, Schiffer Publishing (2013); and Briefly Seen New York Street Life, Schiffer Publishing (2015). Stein's photographs and portfolios have been published in such periodicals as The New Yorker, Time, Life, Esquire, American Heritage, Smithsonian, The New York Times, Reader's Digest, Glamour, GQ Magazine (Mexico), Forbes, Psychology Today, Playboy, Harpers, Connoisseur, Art News, American Artist, New York, People, Der Spiegel, Die Zeit, The Hopkins Review (cover), Sun Magazine (cover) and all the major photo magazines, including Camera Arts, Black & White Magazine (cover), Shutterbug, Popular Photography, American Photo, Camera, Afterimage, PDN, Zoom, Rangefinder, Photo Metro, fotoMagazine (Germany), photo technique, Zeke and View Camera. Stein's photographs have been widely exhibited in the United States and Europe — 86 one-person and over 165 group shows to date. He has curated 64 exhibits since 2007. His photographs are in more than 57 permanent collections, including the George Eastman Museum, Bibliotheque Nationale, the Art Institute of Chicago, the Museum of Fine Arts, Houston, the Brooklyn Museum of Art, the New Orleans Museum of Art, the International Center of Photography, the Denver Museum of Art, the Carnegie Museum of Art (Pittsburgh), the Portland (Oregon) Museum of Art, the Museum of the City of New York, Museet for Fotokunst (Odense, Denmark), Musee De La Photographie (Charleroi, Belguim), the Portland (Maine) Museum of Art, the American Museum of Natural History, the Santa Barbara Museum of Art, the Addison Gallery of American Art, The New York Historical Society and Museum, The Brooklyn Historical Society, and among others, the corporate collections of Johnson & Johnson, Hewlett Packard, LaSalle Bank (Chicago), Barclay Bank and Credit Suisse. Stein's work is represented by Sous Les Etoiles Gallery, New York City. Statement What do our photos say? That is an important question that we all wrestle with. I have always wanted to do strong and meaningful images. Not all our photos can be that, some are what I call "throwaways", fun and silly and not too serious. But basically I want to say something through my work. I think the best way to do this is through long term projects shot over time that gives us a deeper understanding of the subject. I love single images and they should also be strong, but I think more meaning comes from in depth studies of a subject, not one or a few photos of the subject. And I always want my images to be a reflection of how I think, behave, believe in. Remember: portraiture becomes self portraiture. As a writer usually reveals herself through her work, so does any artist, and as photographers, we are artists. I wish to convey a sense of life glimpsed, a sense of contingency and ephemerality. In experiencing these glimpses of life, I hope in turn to become more aware and knowing of my own life. I believe photographs speak to us; they are reminders of the past. To look at a family album is to recall a vanished memory or to see old friends materialize before our eyes. In making photographs, the photographer is simultaneously a witness to the moment and a recorder of its demise; this is the camera's power. Photography's magic is its ability to touch, inspire, and to connect to each viewer according to that person's unique sensibility and history. Exclusive Interview with Harvey Stein
Jeff Brouws
United States
1955
Jeff Brouws, born in San Francisco in 1955, is a self-taught artist. Pursuing photography since age 13, where he roamed the railroad and industrial corridors of the South Bay Peninsula, Brouws has compiled a visual survey of America's evolving rural, urban and suburban cultural landscapes. Using single photographs as subtle narratives and compiling typologies to index the nation's character, he revels in the "readymades" found in many of these environments. Influenced by the New Topographic Movement, the artist books of Ed Ruscha (to whom Brouws paid homage with his Twentysix Abandoned Gasoline Stations project in 1992) as well as the writings of cultural geographers like J.B. Jackson, Dolores Hayden, John Stilgoe, Mike Davis and Leo Marx, Brouws has combined anthropological inquiry with a somber aesthetic vision mining the overlooked, the obsolete, and the mundane. Initially engaged with what Walker Evans termed the "historical contemporary" along America's secondary highways beginning in the late 1980s, over the following twenty years Brouws has extended this inquiry into the everyday places occupied by most Americans – the franchised landscapes of strip malls, homogenized housing tracts and fast food chains. Since moving to the Northeast in the late 1990s, Brouws has also investigated inner city areas, abandoned manufacturing sites, and other commercial ruins found in Buffalo, Detroit, Cleveland and Youngstown. His photographs of these discarded spaces—the byproducts of de-industrialization, white flight, disinvestment, and failed urban policy—suggest an underlying disparity throughout a country that purports economic equality and social justice for all. Alongside his photographic practice, for the past thirty years Brouws has researched and written about the historic and aesthetic development of railroad photography in America, authoring and editing numerous books on the subject including The Call of Trains: Railroad Photographs by Jim Shaughnessy, A Passion for Trains: The Railroad Photography of Richard Steinheimer, and his most recent publication (edited with Wendy Burton) Some Vernacular Railroad Photographs. In 2013 Brouws (along with co-editors Wendy Burton and Hermann Zschiegner and authors Phil Taylor and Mark Rawlinson) published Various Small Books: Referencing the Various Small Books by Ed Ruscha (MIT Press). This was a multi-year, collaborative project involving ninety artists from around the world. Honoring Ruscha’s seminal books from the 1960s and 70s like Twentysix Gasoline Stations, VSB went on to become the defacto catalog for the Ed Ruscha: Books & Co exhibition staged at the Gagosian Gallery, New York and the Museum Brandhorst in Munich. Brouws’s photography is represented by The Robert Mann Gallery, The Robert Koch Gallery, The Robert Klein Gallery, and The Craig Krull Gallery. His work is in numerous private and public collections including the Whitney Museum of American Art, Princeton University Art Museum and San Francisco Museum of Modern Art.
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All About Photo Awards 2026
Win a Solo Exhibition in February
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Latest Interviews

Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
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Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
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Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
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Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry