Photography Art Books

32Toward the end of her life, Dorothea Lange reflected, "All photographs-not only those that are so-called 'documentary'... can be fortified by words." Though Lange's career is widely heralded, this connection between words and pictures has received scant attention. A committed social observer, Lange paid sharp attention to the human condition, conveying stories of everyday life through her photographs and the voices they drew in. Published in conjunction with the first major MoMA exhibition of Lange's in 50 years, Dorothea Lange: Words & Pictures brings fresh attention to iconic works from the collection together with lesser-known photographs-from early street photography to projects on the criminal justice system. The work's complex relationships to words show Lange's interest in art's power to deliver public awareness and to connect to intimate narratives in the world.

606Mária Švarbová offers a breath of fresh air in the photography world. She has a distinctive style that departs from traditional portraiture and focuses on experimentation with space, color, and atmosphere, which places itself neither in the past nor in the future. FUTURO RETRO is a transcendental and timeless series of images from the artist which evokes a traditional setting with sci-fi elements and follows from the immense success of her first photography book, Swimming Pool. Mária has a wonderfully individual style which moves away from the conventional. The socialist era and its architecture, public spaces and colour are hugely inspirational and this has been admired across the world in solo exhibitions and press on a global scale.

264Late in 2016, British photographer Chris Killip's (born 1946) son discovered a box of contact sheets of the photos his father had made at the Station, an anarcho-punk music venue in Gateshead, Northern England, open from 1981 to 1985. These images of raw youth caught in the heat of celebration had lain dormant for 30 years; they now return to life in this book.
The Station was not merely a music and rehearsal space, but a crucible for the self-expression of the subcultures and punk politics of the time. As Killip recollects: "When I first went to the Station in April 1985, I was amazed by the energy and feel of the place. It was totally different, run for and by the people who went there ... nobody ever asked me where I was from or even who I was. A 39-year-old with cropped white hair, always wearing a suit, with pockets stitched inside the jacket to hold my slides."

770The World According to Roger Ballen, coauthored with Colin Rhodes, looks at Ballen's career in the wider cultural context beyond photography, including his connections with and interest in art brut. It features photographs selected from across Ballen's career, along with installations created exclusively for an exhibition at the Halle Saint Pierre, Paris, and examples of objects and works from Ballen's own collection of art brut.
Organized thematically, with texts by Colin Rhodes and an introduction and interview with Ballen by Martine Lusardy, the director of the Halle Saint Pierre, The World According to Roger Ballen is both a catalog of the first major exhibition of Ballen's work in France, and an exploration of Ballen's place within and connections to the wider context of modern and contemporary art.

Norm Diamond photographed the last months of a dilapidated, yet beautiful old gym in Dallas, Texas. These stark images could have come from another era. They evoke themes of memory and loss. No modern gym looks like this. The owner, Doug Eidd, a grizzled 87-year-old, opened the gym in 1962. He could have emerged from a time capsule as well. His members did not care that the gym was run down or that Doug smoked cigars most of the day. They respected his expertise and loved the casual atmosphere he created. Although Doug was still fit, he did not resemble the muscle-bound figure of his youth. He knew that time would one day engulf him and the gym. This came to pass in the spring of 2018 when he was forced to close the gym on short notice. Diamond stayed to photograph the removal of the equipment as Doug’s Gym drifted into memory.

252This is Cape Town–based photographer Pieter Hugo’s (born 1976) homage to Mexico, in portraits, landscapes and still-life vignettes with bright shades of pink, blue and green.

917First major retrospective on photographer Stephan Vanfleteren Includes previously unpublished work with expansive personal reflections and stories from three decades of encounters and photography Stephan Vanfleteren (1969) is best known for his probing black and white portraits, but in recent decades he has also produced a wide range of documentary, artistic and personal work. From street photography in global cities like New York to the genocide in Rwanda, from building fronts and shop windows to the mystical landscapes of the Atlantic Wall, from still lifes to penetrating portraits. To mark Vanfleteren's 50th birthday, he is celebrating with a major retrospective which will occupy the entire Antwerp Museum of Photography (FOMU, 25 October 2019 - 1 March 2020) and with this publication Present, in which he looks back over his fascinating career. "I was there, I was present", says the photographer, who always feels himself to be both accomplice and witness. For Present, Vanfleteren has taken a generous selection of more than 400 photos from his ample archive, some of which have become iconic images while others have never been published before. In extensive texts, he reflects on how his own work and photography as a genre have evolved over the past decades and links these developments with a number of major social changes. This superbly illustrated book is an impressive overview of Vanfleteren's work and offers a comprehensive picture of him as a photographer, as an artist and, above all, as a human being living life with empathy, wonder and curiosity.

911By integrating contemporary photography with historical periods and settings around the world, Fran Forman creates a world of illusion. Upon closer inspection, elements of her work that appear ordinary suggest an underlying tension and an aura of mystery. A collection of more than 100 of Forman's photo-paintings, The Rest Between Two Notes: Selected Works explores life's liminal and in-between moments - coming and leaving; innocence and confidence; shadow and light; night and day; absence and connection; loss and longing; not quite the past and not yet the future. Portals, both real and metaphorical, frequent her layered, complex, and often dark, dreamlike images.

221Weegee wandered the streets of 1940s New York at night looking for lovers, corpses and criminals to shoot for tabloid readers who "had to have their daily blood bath and sex potion to go with their breakfast" (as Weegee put it with characteristic flair). His images crackle with visual puns, blinding flashes and complex compositions; they display the bawdy sensationalism of the tabloids they were shot for and the stylishness of the film noir cinema that took inspiration from them.
With Naked City, his first publication, Weegee gave his images the photobook treatment. Weegee's eye for surprising juxtapositions and the minutiae of city life is in full force in the images chosen and their inventive, playful sequencing, all narrated in the photographer's own distinctive voice. Naked City is Weegee at his wisecracking best, and it is here republished in a beautifully printed new edition. Including texts by New York Magazine City Editor Christopher Bonanos and International Center of Photography Weegee specialist Christopher George, Naked City refreshes a photo classic.

149In 1920s and '30s Britain, Cecil Beaton used his camera and his larger-than-life personality to mingle with that flamboyant and rebellious group of artists, writers, socialites and partygoers who became known as the "Bright Young Things."" Famously fictionalized by the likes of Evelyn Waugh (in Vile Bodies), Anthony Powell and Henry Green, these men and women cut a dramatic swathe through the epoch and embodied its roaring spirit.

931This black & white photography book is dedicated to the only Cuban capital, Havana. The photos have been taken since 1996. "Habana Song" is a melancholic and twilight sonata that can be tasted while listening to Carlos Puebla's "Hasta Siempre" and the music by Compay Segundo or Rubén Gonzàles. We then realize that a haunting melody is playing in Havana today that accompanies our steps and haunts our personal stories; photos in n.b.

In Lost Venice photographer Sarah Hadley presents an alluring and haunting portrayal of this majestic city as distilled through her personal lens of loss and nostalgia. By contemplating the temporal beauty of Venice, Hadley examines our own impermanence and the uncertain future of this unique city.

946In a very short space of time, Geert Broertjes lost the most important women in his life. His aunt, grandmother and mother passed away. He shared his grief with his girlfriend, who became a recurring theme in this series. But even this relationship ended, a couple of months after his mother passed. Broertjes photographed the process instinctively. It was only afterwards that he noticed the coherence of his work. It became a poetic story about love, loss and grief. The beautiful photographs, all shot analogue in raw black and white, reveal the dark feelings he experienced during this intense period in his life.

496Includes previously unseen images from Anton Corbijn's photographic oeuvre Luxuriously bound with silk screen and foil blocking Accompanies an exhibition in Knokke-Heist, from 4 April 2020 to 5 July 2020 In MOOD/MODE, leading international photographer and filmmaker Anton Corbijn presents images from his extensive body of work in which he explores the crossover between photography and the world of fashion - in the broadest sense of the word. Corbijn's portraits of figures such as Alexander McQueen, Tom Waits and Naomi Campbell have now achieved iconic status. As visual director behind Depeche Mode and through his decades-long collaboration with U2 and others, he has made his mark on the way we look at an important aspect of contemporary culture. With MOOD/MODE, Anton Corbijn shows that fashion is everywhere. The book contains some 100 photographs, many of them published for the first time, and its world première will be in Knokke-Heist, running from 4 April to 5 July 2020. Anton Corbijn, born in 1955 in Strijen (NL), lives and works in The Hague (NL). Corbijn was born in the Netherlands, but lived and worked in London for 30 years. He is best known for his black and white photographs of actors, musicians and artists, though he cannot be seen as a celebrity photographer - rather as someone who captures personalities that intrigue him. Some of his photographs have become iconic images of modern pop culture. Besides his photographic oeuvre, Corbijn has designed stages, directed music videos and directed feature films. In 2007 he made his film debut with Control, about the life of Joy Division singer Ian Curtis. In 2014 his film A Most Wanted Man was released and in 2015 his new film Life - about the friendship between actor James Dean and photographer Dennis Stock - had its premiere. The artist has had major solo exhibitions at institutions such as the Bucerius Kunst Forum in Hamburg, Fotografiska in Stockholm, FOMU in Antwerp, Gemeentemuseum in The Hague, S.M.A.K. in Ghent, Kestner Gesellschaft in Hannover, Groninger Museum in Groningen, Münchner Stadtmuseum in Munich, Museum Morsbroich in Leverkusen, Museum Moderne Kunst in Dresden, Foam in Amsterdam, Museum Bochum, Stedelijk Museum in Amsterdam, Palazzo Fortuny in Venice, Galleria d'Arte Moderna in Bologna, Castello di Rivoli in Turin, Moscow Museum of Modern Art, amongst many others.

965Photographer and life-long Tottenham Hotspur fan, Martin Andersen has turned his camera on his fellow fans to create 'Can't Smile Without You', an intimate and often visceral collection of photographs taken at home, away, and across Europe from 2013 until 2017 with the last game played at the White Hart Lane stadium. Selected and edited from over one hundred different games, Andersen presents an authentic and unflinching documentation of the fans and their resultant relationships and community. His imagery depicts the drama, tensions, and raw emotions involved in such unwavering support of a football team that infiltrates every part of life.
Capturing a rapidly changing culture and a unique moment in Tottenham Hotspur's history following the demolition of the 118 year-old stadium at White Hart Lane at the end of the 2016/17 season, the monochrome images in 'Can't Smile Without You' also have a timeless quality that transcends the recent era they were taken in. These could be images of any diehard football fans and of the associated rituals, pre and post match, that are an integral part of being one.
In addition to the 119 photographs that were edited and graded by acclaimed photographer Kim Thue, 'Can't Smile Without You' features texts by lifelong Tottenham fans Joe Kerr, a writer and bus driver at Tottenham Garage, and Felix Petty, Editor at i-D Magazine.

778Dubbed a "poet of the ordinary" by the Los Angeles Times, photographer Keith Carter came of age during the turbulent '60s and '70s, developing a singular, haunting style that captures both the grit and the glory of the human spirit. Showcasing a broad array of his work-which has been shown in more than one hundred solo exhibitions in thirteen countries-Keith Carter: Fifty Years spans delicate, century-old processes as well as digital-age techniques to yield an enduring vision of the world around us.

The interlaced images in Keith Carter: Fifty Years feature contrasts of natural light and darkness as we explore the mythos of time and terrain, the familiar and the magical, and the varied creatures that inhabit our earth. The human form-depleted or energized, solitary or with a beloved partner-becomes a meditation on aging and loss, which have affected Carter profoundly in recent years. Yet these losses have spurred in him a sense of discovery, not despair. Rather than arranging the works chronologically, Carter chose to group them into correlations, echoing the kaleidoscopic effect of memory. The result is mesmerizing; each artifact draws us into an experience of intensity and wonder, enduring long after the page is turned.

81In Animals, we discover a different side to the famed photographer who skillfully explores animals’ complex relationship with humans and the environment.

Tenderness abounds, particularly in scenes of unkempt street dogs sleeping contentedly next to a human. But there’s also a kind of essential solitude, with animals belonging to no one and simply wandering through life with only their survival instincts to guide them. We witness camels caught in the crossfire during the first Gulf War; a shepherd from Northern Pakistan tenderly feeding his goats; Beverly Hills designer dogs; race horses on a Hong Kong rooftop; elephants in Thailand, and more images selected by McCurry from his vast archives.

Through McCurry's lens, we discover an appreciation for each creature’s beauty and silent dignity. This kaleidoscopic collection is at once a beautiful travelogue and a touching tribute to the creatures who share our planet.Also available in two signed and limited Art Editions, each with a signed print.

117A new collection of images by celebrated photographer Nick Brandt, whose epic, disturbingly beautiful panoramas address the escalating destruction of the natural world at the hands of man. Moving into color photography for the first time, this monograph of new work from photographer Nick Brandt is both a technical tour de force of contemporary image making and an ambitiously scaled project that uses constructed sets of a scale typically seen in major film productions. Each image is a combination of two photographs taken weeks apart, almost all from the exact same camera position. The starting point of each composition is always the animal photographed in its native savannah landscape. Brandt then designs and builds sets in the precise location of the original photograph depicting the human developments, such as gas stations, highway and bridge construction sites, and bus stations, that are invading the East African landscape. A second sequence is then photographed with the completed set, populated by a large cast of people drawn from local communities and beyond. The final images are powerful composites of the two source photographs, which presents the wild animals and the people as equal victims of the environmental-both now aliens in their once-natural, once-native habitat. Including an introductory essay by Nick Brandt and a descriptive behind-the- scenes section, this new book is a must-have publication for all fans of Brandt's work.

60415 x 21 cm - Softcover
58 black & white pictures of Japan.
20 Euros

Ai Weiwei: Beijing Photographs 1993-2003 is an autobiography in pictures. Ai Weiwei is China's most celebrated contemporary artist, and its most outspoken domestic critic. In April 2011, when Ai disappeared into police custody for three months, he quickly became the art world's most famous missing person. Since then, Ai Weiwei's critiques of China's repressive regime have ranged from playful photographs of his raised middle finger in front of Tiananmen Square to searing memorials to the more than 5,000 schoolchildren who died in shoddy government construction in the 2008 Sichuan earthquake. Against a backdrop of strict censorship, Ai has become a hero on social media to millions of Chinese citizens.
This book, prohibited from publication in China, offers an intimate look at Ai Weiwei's world in the years after his return from New York and preceding his imprisonment and global superstardom. The photographs capture Ai's emergence as the uniquely provocative artist that he is today. There is no more revealing portrait of Ai Weiwei's life in China than this.
The book contains more than 600 carefully sequenced images culled from an archive of more than 40,000 photographs taken by Ai: a narrative arc carefully shaped by an artist keenly aware of photography's ability to tell stories. It includes a shattering series of photographs taken between 1993 and 1996 devoted to the final illness and death of Ai's father Ai Qing. The book is a sequel to Ai Weiwei: New York 1983-1993, a privately published book that collected photographs taken by Ai during his years on the New York art scene.