We have selected the best of photographer monographs, biographies and artist series. Select a letter to discover our A to Z glossary of must-read monographs and art books:
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1124In this new edition of London, including previously unpublished photographs and visual references, Sergio Larrain presents a powerful portrait of a city on the brink of a new era.
In the winter of 1958, Sergio Larrain traveled to London. He spent just a few months there, photographing subjects that interested him and embracing the shadows of the city. In the cold and damp, his images captured a tangible darkness in which he could 'materialize that world of phantoms.' A few years later, he joined Magnum Photos and set off around the world, before retiring to the Chilean countryside and leaving photography behind.
The book also features a text by the late Chilean writer Roberto Bolaño - written in 1999 specifically to accompany these images - as well as a new essay by Agnès Sire, artistic director of Fondation Henri Cartier-Bresson, detailing Larrain's stay in London.
416The legendary photojournalist's early '80s New York photographs, published alongside his autobiographical musings in an elegant clothbound edition
From 1979 to 1986, the city of New York functioned as a kind of refuge for photographer Frank Horvat (born 1928). Born in present-day Croatia, for years Horvat lived and worked rather nomadically, traveling extensively through Asia and Europe on photojournalist excursions with a brief stopover in Paris where he shot fashion photography for Jardins de Mode and Elle. Eventually he found himself in New York; during this period, he allowed himself to surrender to the daily hustle and bustle of the city streets. In between commissions, Horvat created a prolific series of photography and writing that was not intended for public consumption, instead functioning as a reflection upon his own craft as well as the significance of photography itself.
Frank Horvat: Side Walk publishes many of these photographs for the first time alongside the photographer's writing. The elegant presentation of this clothbound volume is representative of the great pride that Horvat took in the creation of his personal projects as well as his professional pursuits: the photojournalist's texts are published on thin Munken offset paper and his photographs are printed on deep matte photo paper. This publication is both a compelling depiction of a beloved city and a portrait of the sensitive man behind the camera.
32Toward the end of her life, Dorothea Lange reflected, "All photographs-not only those that are so-called 'documentary'... can be fortified by words." Though Lange's career is widely heralded, this connection between words and pictures has received scant attention. A committed social observer, Lange paid sharp attention to the human condition, conveying stories of everyday life through her photographs and the voices they drew in. Published in conjunction with the first major MoMA exhibition of Lange's in 50 years, Dorothea Lange: Words & Pictures brings fresh attention to iconic works from the collection together with lesser-known photographs-from early street photography to projects on the criminal justice system. The work's complex relationships to words show Lange's interest in art's power to deliver public awareness and to connect to intimate narratives in the world.
606Mária Švarbová offers a breath of fresh air in the photography world. She has a distinctive style that departs from traditional portraiture and focuses on experimentation with space, color, and atmosphere, which places itself neither in the past nor in the future. FUTURO RETRO is a transcendental and timeless series of images from the artist which evokes a traditional setting with sci-fi elements and follows from the immense success of her first photography book, Swimming Pool. Mária has a wonderfully individual style which moves away from the conventional. The socialist era and its architecture, public spaces and colour are hugely inspirational and this has been admired across the world in solo exhibitions and press on a global scale.
264Late in 2016, British photographer Chris Killip's (born 1946) son discovered a box of contact sheets of the photos his father had made at the Station, an anarcho-punk music venue in Gateshead, Northern England, open from 1981 to 1985. These images of raw youth caught in the heat of celebration had lain dormant for 30 years; they now return to life in this book.
The Station was not merely a music and rehearsal space, but a crucible for the self-expression of the subcultures and punk politics of the time. As Killip recollects: "When I first went to the Station in April 1985, I was amazed by the energy and feel of the place. It was totally different, run for and by the people who went there ... nobody ever asked me where I was from or even who I was. A 39-year-old with cropped white hair, always wearing a suit, with pockets stitched inside the jacket to hold my slides."
770The World According to Roger Ballen, coauthored with Colin Rhodes, looks at Ballen's career in the wider cultural context beyond photography, including his connections with and interest in art brut. It features photographs selected from across Ballen's career, along with installations created exclusively for an exhibition at the Halle Saint Pierre, Paris, and examples of objects and works from Ballen's own collection of art brut.
Organized thematically, with texts by Colin Rhodes and an introduction and interview with Ballen by Martine Lusardy, the director of the Halle Saint Pierre, The World According to Roger Ballen is both a catalog of the first major exhibition of Ballen's work in France, and an exploration of Ballen's place within and connections to the wider context of modern and contemporary art.
Norm Diamond photographed the last months of a dilapidated, yet beautiful old gym in Dallas, Texas. These stark images could have come from another era. They evoke themes of memory and loss. No modern gym looks like this. The owner, Doug Eidd, a grizzled 87-year-old, opened the gym in 1962. He could have emerged from a time capsule as well. His members did not care that the gym was run down or that Doug smoked cigars most of the day. They respected his expertise and loved the casual atmosphere he created. Although Doug was still fit, he did not resemble the muscle-bound figure of his youth. He knew that time would one day engulf him and the gym. This came to pass in the spring of 2018 when he was forced to close the gym on short notice. Diamond stayed to photograph the removal of the equipment as Doug’s Gym drifted into memory.
252This is Cape Town–based photographer Pieter Hugo’s (born 1976) homage to Mexico, in portraits, landscapes and still-life vignettes with bright shades of pink, blue and green.
917First major retrospective on photographer Stephan Vanfleteren
Includes previously unpublished work with expansive personal reflections and stories from three decades of encounters and photography
Stephan Vanfleteren (1969) is best known for his probing black and white portraits, but in recent decades he has also produced a wide range of documentary, artistic and personal work. From street photography in global cities like New York to the genocide in Rwanda, from building fronts and shop windows to the mystical landscapes of the Atlantic Wall, from still lifes to penetrating portraits.
To mark Vanfleteren's 50th birthday, he is celebrating with a major retrospective which will occupy the entire Antwerp Museum of Photography (FOMU, 25 October 2019 - 1 March 2020) and with this publication Present, in which he looks back over his fascinating career. "I was there, I was present", says the photographer, who always feels himself to be both accomplice and witness.
For Present, Vanfleteren has taken a generous selection of more than 400 photos from his ample archive, some of which have become iconic images while others have never been published before. In extensive texts, he reflects on how his own work and photography as a genre have evolved over the past decades and links these developments with a number of major social changes.
This superbly illustrated book is an impressive overview of Vanfleteren's work and offers a comprehensive picture of him as a photographer, as an artist and, above all, as a human being living life with empathy, wonder and curiosity.
911By integrating contemporary photography with historical periods and settings around the world, Fran Forman creates a world of illusion. Upon closer inspection, elements of her work that appear ordinary suggest an underlying tension and an aura of mystery. A collection of more than 100 of Forman's photo-paintings, The Rest Between Two Notes: Selected Works explores life's liminal and in-between moments - coming and leaving; innocence and confidence; shadow and light; night and day; absence and connection; loss and longing; not quite the past and not yet the future. Portals, both real and metaphorical, frequent her layered, complex, and often dark, dreamlike images.
Publisher : Damiani/International Center of Photography
2020 | 292 pages
221Weegee wandered the streets of 1940s New York at night looking for lovers, corpses and criminals to shoot for tabloid readers who "had to have their daily blood bath and sex potion to go with their breakfast" (as Weegee put it with characteristic flair). His images crackle with visual puns, blinding flashes and complex compositions; they display the bawdy sensationalism of the tabloids they were shot for and the stylishness of the film noir cinema that took inspiration from them.
With Naked City, his first publication, Weegee gave his images the photobook treatment. Weegee's eye for surprising juxtapositions and the minutiae of city life is in full force in the images chosen and their inventive, playful sequencing, all narrated in the photographer's own distinctive voice. Naked City is Weegee at his wisecracking best, and it is here republished in a beautifully printed new edition. Including texts by New York Magazine City Editor Christopher Bonanos and International Center of Photography Weegee specialist Christopher George, Naked City refreshes a photo classic.
149In 1920s and '30s Britain, Cecil Beaton used his camera and his larger-than-life personality to mingle with that flamboyant and rebellious group of artists, writers, socialites and partygoers who became known as the "Bright Young Things."" Famously fictionalized by the likes of Evelyn Waugh (in Vile Bodies), Anthony Powell and Henry Green, these men and women cut a dramatic swathe through the epoch and embodied its roaring spirit.
931This black & white photography book is dedicated to the only Cuban capital, Havana. The photos have been taken since 1996. "Habana Song" is a melancholic and twilight sonata that can be tasted while listening to Carlos Puebla's "Hasta Siempre" and the music by Compay Segundo or Rubén Gonzàles. We then realize that a haunting melody is playing in Havana today that accompanies our steps and haunts our personal stories; photos in n.b.
In Lost Venice photographer Sarah Hadley presents an alluring and haunting portrayal of this majestic city as distilled through her personal lens of loss and nostalgia. By contemplating the temporal beauty of Venice, Hadley examines our own impermanence and the uncertain future of this unique city.
946In a very short space of time, Geert Broertjes lost the most important women in his life. His aunt, grandmother and mother passed away. He shared his grief with his girlfriend, who became a recurring theme in this series. But even this relationship ended, a couple of months after his mother passed. Broertjes photographed the process instinctively. It was only afterwards that he noticed the coherence of his work. It became a poetic story about love, loss and grief. The beautiful photographs, all shot analogue in raw black and white, reveal the dark feelings he experienced during this intense period in his life.
496Includes previously unseen images from Anton Corbijn's photographic oeuvre Luxuriously bound with silk screen and foil blocking Accompanies an exhibition in Knokke-Heist, from 4 April 2020 to 5 July 2020 In MOOD/MODE, leading international photographer and filmmaker Anton Corbijn presents images from his extensive body of work in which he explores the crossover between photography and the world of fashion - in the broadest sense of the word. Corbijn's portraits of figures such as Alexander McQueen, Tom Waits and Naomi Campbell have now achieved iconic status. As visual director behind Depeche Mode and through his decades-long collaboration with U2 and others, he has made his mark on the way we look at an important aspect of contemporary culture. With MOOD/MODE, Anton Corbijn shows that fashion is everywhere. The book contains some 100 photographs, many of them published for the first time, and its world première will be in Knokke-Heist, running from 4 April to 5 July 2020. Anton Corbijn, born in 1955 in Strijen (NL), lives and works in The Hague (NL). Corbijn was born in the Netherlands, but lived and worked in London for 30 years. He is best known for his black and white photographs of actors, musicians and artists, though he cannot be seen as a celebrity photographer - rather as someone who captures personalities that intrigue him. Some of his photographs have become iconic images of modern pop culture. Besides his photographic oeuvre, Corbijn has designed stages, directed music videos and directed feature films. In 2007 he made his film debut with Control, about the life of Joy Division singer Ian Curtis. In 2014 his film A Most Wanted Man was released and in 2015 his new film Life - about the friendship between actor James Dean and photographer Dennis Stock - had its premiere. The artist has had major solo exhibitions at institutions such as the Bucerius Kunst Forum in Hamburg, Fotografiska in Stockholm, FOMU in Antwerp, Gemeentemuseum in The Hague, S.M.A.K. in Ghent, Kestner Gesellschaft in Hannover, Groninger Museum in Groningen, Münchner Stadtmuseum in Munich, Museum Morsbroich in Leverkusen, Museum Moderne Kunst in Dresden, Foam in Amsterdam, Museum Bochum, Stedelijk Museum in Amsterdam, Palazzo Fortuny in Venice, Galleria d'Arte Moderna in Bologna, Castello di Rivoli in Turin, Moscow Museum of Modern Art, amongst many others.
965Photographer and life-long Tottenham Hotspur fan, Martin Andersen has turned his camera on his fellow fans to create 'Can't Smile Without You', an intimate and often visceral collection of photographs taken at home, away, and across Europe from 2013 until 2017 with the last game played at the White Hart Lane stadium. Selected and edited from over one hundred different games, Andersen presents an authentic and unflinching documentation of the fans and their resultant relationships and community. His imagery depicts the drama, tensions, and raw emotions involved in such unwavering support of a football team that infiltrates every part of life.
Capturing a rapidly changing culture and a unique moment in Tottenham Hotspur's history following the demolition of the 118 year-old stadium at White Hart Lane at the end of the 2016/17 season, the monochrome images in 'Can't Smile Without You' also have a timeless quality that transcends the recent era they were taken in. These could be images of any diehard football fans and of the associated rituals, pre and post match, that are an integral part of being one.
In addition to the 119 photographs that were edited and graded by acclaimed photographer Kim Thue, 'Can't Smile Without You' features texts by lifelong Tottenham fans Joe Kerr, a writer and bus driver at Tottenham Garage, and Felix Petty, Editor at i-D Magazine.
1005 "I encountered the land of the Bigouden only a few days after meeting my partner, Catherine.
I was in my twenties, we had just decided to spend our life together and I had already had to go to Malaysia for several months. To seal our very young relationship, she decided to submit me to the "bigouden test", an initiation ceremony of a few days, at her grandparents' in Kérity.
From the first moment, I was literally bewitched. The smile of her grandmother welcoming us on the sidewalk, the blinding white light on the front of the house, the tray of steamed langoustines on the living room table ... then the strolls on the shore, the silhouette of the lighthouse, the stories of sailors lost at sea
Everything, my retina printed everything.
Twenty years later, here we are again at Kérity. With our two daughters.
After more than a decade of life in Paris, we are yearning for profound changes. We have considered everything: Rio de Janeiro, San Francisco, Montreal.
Finally, it was at Cap Caval, the southern tip of Finistère, that we decided to settle.
In Kerity, in the house of Catherine's grandparents.
Quickly, this small familiar territory provoked the long-awaited Copernican revolution. The end of Parisian commissions has enabled me to practice a more personal photography and our new environment becomes my main source of inspiration. It's about trying to express the emotions I can feel living here on the edge of the world.
I grope around, experiment with several photographic forms to escape the worn-out iconography of the seashores, boats and fishing nets. Luckily, I'm too sick at sea to photograph on board! So I stay at the quay and push the door of the hangars: auctions, shipyards, marine forges, canneries, coolers ... I discover the "On land " sector fed by the successive tides of trawlers, trolling boats and netters. Community. Manual work. Painfulness. The economic and social architecture of the territory.
And there are young people . Those who have not left "the country" but cling to it, viscerally. They intrigue me, I photograph them: the young self-employed fisherman, queen of the embroiderers, miller, fish-scaler, surfer ... why do they stay when the majority leave? They guide me on new paths and help me complete my "Bigoudene" mind map.
That's how The Black Months was born, a fictional photographic story, an intimate representation of the territory in which my "bigoudène" and I had decided to live."
128Follow Peter Lindbergh across four decades of pioneering fashion photography. Through countless collaborations with the most venerated names in fashion, the German photographer created new narratives with his humanist approach, which resulted in iconic shots at once introspective and appealing. This book features more than 300 images, many previously unpublished, as well as an updated introduction in which Lindbergh establishes his sentiment on "so-called fashion photography".
153Venezia, Roma, Napoli, Firenze. This is Italy as we've never seen it before. By the sea and on the streets, from Torino to Montepulciano, discover an intimate portrait of the Italy that Mario Testino knows and loves. Gathering personal, previously unpublished photographs, this is an ode to Italy's people, art, food, and fashion. Also available in an Art Edition limited to 100 copies, each with a signed print by Mario Testino
In 79 AD, the city of Pompeii in the south of Italy was destroyed, buried beneath volcanic ash when Mount Vesuvius erupted. At the time of its destruction, the population of Pompeii was estimated at 11,000 people. After the eruption, the city was lost for about 1,500 years until its rediscovery in the late 16th century. The objects that lay beneath the city had been preserved for centuries due to the lack of air and moisture. During the excavation, plaster was used to fill the voids in the compacted layers of ash that once held human bodies, enabling archaeologists to see the exact position a person was in at the moment of death. The original casts are kept in an archive within the Pompeii site and because of their sacredness and fragility, it is prohibited to move them to other locations. Second generation copies of the casts have since been made, and are loaned out to museums for exhibitions, both locally and internationally, but no individuals are allowed to borrow them. With the support of the Ambassador of Japan in Rome, the authority of Pompeii graciously made an exception, and granted permission for Kenro Izu to remove a selection of the copied casts in order to create photographic compositions at the Pompeii sites. In addition, the Pompeii authority has permitted Izu to photograph the original human casts in the archive building as 'portraits' of the people of ancient Pompeii. For the work of Requiem, Kenro Izu created an imaginary scene of sometime after 'the day', when lives were extinguished by the eruption of Mount Vesuvius, but among the scattered dead, plants have started to grow once again. This huge volcanic eruption, almost two millennia ago, is as if a nuclear explosion were to happen today. This thought makes one fearful of such a possibility taking place, anytime now, to us. Requiem is limited to 500 numbered copies, each including a 5x7 inch original print that has been signed by the artist.
In Let the Sun Beheaded Be, Gregory Halpern focuses on the Caribbean archipelago of Guadeloupe, an overseas region of France with a complicated and violent colonial past. The work resonates with Halpern's characteristic attention to the ways the details of a landscape and the people who inhabit it often reveal the undercurrents of local histories and experiences. Let the Sun Beheaded Be offers a visually striking depiction of place-as it has been worked on by the forces of nature, people, and events-as well as a thoughtful engagement with the complexities of photographing in foreign lands as an interloper. A text by curator and editor Clément Chéroux grapples with Guadeloupe's colonial past in relation to the French Revolution, Surrealism, and the Martinican poet Aimé Césaire, whose writing inspired the title of the book and much of the imagery itself. A conversation between Halpern and photographer and critic Stanley Wolukau-Wanambwa delves into Halpern's process, personal history, and the politics of representation.
Let the Sun Beheaded Be was produced as part of Immersion, a program of the Fondation d'entreprise Hermès, in partnership with the San Francisco Museum of Modern Art and the Fondation Henri Cartier-Bresson.
Copublished by Aperture and Fondation d'entreprise Hermès
Ernst Haas's color works reveal the photographer's remarkable genius and remind us on every page why we love New York. When Haas moved from Vienna to New York City in 1951, he left behind a war-torn continent and a career producing black-and-white images. For Haas, the new medium of color photography was the only way to capture a city pulsing with energy and humanity. These images demonstrate Haas's tremendous virtuosity and confidence with Kodachrome film and the technical challenges of color printing. Unparalleled in their depth and richness of color, brimming with lyricism and dramatic tension, these images reveal a photographer at the height of his career.
In 1916, Inez Milholland Boissevain (1886-1916) embarked on a grueling campaign across the Western United States on behalf of the National Woman's Party appealing for women's suffrage ahead of the 1916 presidential election. Standing Together, by fine artist Jeanine Michna-Bales (born 1971), retraces Milholland's journey. The 30-year-old suffragist delivered some 50 speeches to standing-room-only crowds in eight states in 21 days: Wyoming, Idaho, Oregon, Washington, Montana, Utah, Nevada and California.
It's been a strange year, let's stay in touch! screams Erik Kessels and Thomas Sauvin's book-slash-art project, Talk Soon (Atelier Editions), the free associative, photographic dialogue between the two artists, translated into a tearaway postcard flip book.
If you know Donna, she lives her art. She is angry. She is empathic. She is loving. She is committed. This book, Holy, is an encapsulation of her anger; a compendium of her empathy; a 176-page vessel of her love; a lifetime of her commitment.
A photographic journey into another scale, when travel in the real world was limited. John Håkansson has depicted tree stumps from a low perspective and shown them having grown into mountains.
Since the start of the Covid-19 Pandemic, Dougie Wallace has been out photographing on the streets of London, capturing the changing moods of the city and its population.
Steve Gross & Susan Daley have been photographing these buildings for many years on our travels in examination of the changing American landscape and to document for their aesthetic & cultural value
As one of the key figures of contemporary photography in Turkey and known for his projects in different concepts on Istanbul, Timurtaş Onan offers us a retrospective selection of his works between 2000-2020 in his new book 'Istanbul: A City of Strange and Curious Moments'
To watch, to see everything, to watch the world staying at its center. To be like God. [...] But this center has no place in a traditional geography: it is the endless, wild, mysterious Big Data electronic prairies. And this is an opportunity for everyone, through the medium of screens: getting to violate (and of letting the others violate) the intimate vestibule of space and time, with a look.
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