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Nicolas Tikhomiroff
Nicolas Tikhomiroff

Nicolas Tikhomiroff

Country: France
Birth: 1927 | Death: 2016

Nicolas Tikhomiroff (March 22, 1927 – April 17, 2016) was a French photographer, of Russian origin. He started working for Magnum Photos in 1959. Tikhomiroff was born in Paris to Russian parents. He received his education at a boarding school away from home with children of a similar background. He was trilingual with Russian as his primary language with French, and English as a secondary language. When he reached the age of seventeen, just following the Liberation of Paris, he joined the French army. After finishing his duties he found a job working for a fashion photographer processing prints.

In 1956, Tikhomiroff was inspired by French journalist Michel Chevalier and struck out on his own as a freelance photographer. For the next few years, he spent his time traveling with Chevalier to the Middle East, Africa, among other places. In 1959 Tikhomiroff joined Magnum. Most of his work was on wars such as in Cambodia, Laos, and Vietnam.

Famous for his work on World Cinema, he also had a large portfolio of war photography. He was married to Shirley Lou Ritchie, by whom he had a daughter, Tamara Joan Tikhomiroff. He retired in 1987 and lived in Provence, France.

Source: Wikipedia


Nicolas Tikhomiroff was born in Paris to Russian ‘émigrés’ parents. He spent his school years in a special boarding school for children of a similar background: those with Russian as a first language, followed by French. He joined the army at the age of 17 following the Liberation of Paris, then spent several months in Germany, followed by three years in Indochina.

After finishing his military service, Tikhomiroff found work in the darkroom of a fashion photographer. Using a Rolleiflex, he began to take photographs for many magazines, including Marie France. In 1956, a decisive encounter with French journalist Michel Chevalier led him to accompany Chevalier as a freelance photographer. This relationship resulted in long trips to the Soviet Union, Africa, and the Middle East.

Tikhomiroff joined Magnum in 1959 and completed numerous photo stories on subjects such as the Algerian War, Vietnam, Cambodia, and Laos. He also contributed to an important Magnum project on World Cinema, meeting Orson Welles, Fellini, Visconti, and many others. He developed a close friendship with Welles while photographing the filming of The Trial and Falstaff.

Nicolas Tikhomiroff also undertook advertising and fashion assignments. Although he was never a full member of Magnum Photos, his earlier work is still distributed by the agency. Tikhomiroff retired from professional activities in 1987. He lived in Provence in the south of France, where he spent much of his time working on personal projects and essays.

Source: Magnum Photos


Magnum member Bruno Barbey says of Nicolas: “As well as a very important portraitist of the celebrities of the 60s (Brigitte Bardot, Jeanne Moreau or Edith Piaf, to name a few), Nicolas was also a concerned photographer, covering USSR in 1957 or De Gaulle’s historic visit to Algeria in 1960."

“In a certain way, Nicolas epitomized Magnum’s long-standing tradition, producing both a significant personal work on film set photography and covering world news for the agency. To me, his name will always be linked to his iconic photographs of Orson Wells, notably in Spain on the set of Chimes at Midnight.”

Source: British Journal of Photography


 

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Abelardo Morell
Abelardo (Abe) Morell (born 1948 in Havana, Cuba) is a Boston-based photographer. Morell and his family fled Cuba in 1962, moving to New York City. Morell earned a Bachelor of Arts from Bowdoin College in 1977, and a Master of Fine Arts from Yale University School of Art in 1981. He received an honorary Doctor of Fine Arts degree from Bowdoin in 1997. Morell is well known in the photographic community for creating camera obscura images in various places around the world and photographing these. Morell was awarded the Cintas Foundation fellowship in 1992 and the John Simon Guggenheim Memorial Foundation Fellowship in 1993. Morell is currently a professor of photography at the Massachusetts College of Art. He is represented by Bonni Benrubi Gallery, NYC. A documentary on elements of Morell's life and work, Shadow of the House, was released in 2007. Source: Wikipedia He has received a num­ber of awards and grants, which include a Cin­tas grant in 1992 a Guggen­heim fel­low­ship in 1994 a Rap­pa­port Prize in 2006 and an Alturas Foun­da­tion grant in 2009 to pho­to­graph the land­scape of West Texas. He was the recip­i­ent of the International Center of Photography 2011 Infin­ity award in Art. His work has been col­lected and shown in many gal­leries, insti­tu­tions and muse­ums, includ­ing the Museum of Modern Art, the Whitney Museum of American Art, the Metropolitan Museum of Art in New York, the Art Institute of Chicago, the San Francisco Museum of Modern Art, the Hous­ton Museum of Art, the Boston Museum of Fine Arts, the Victoria and Albert Museum and over sev­enty other muse­ums in the United States and abroad. A ret­ro­spec­tive of his work orga­nized jointly by the Art Insti­tute of Chicago, The J. Paul Getty Museum and the High Museum in Atlanta will be on view start­ing in the sum­mer of 2013. His pub­li­ca­tions include a pho­to­graphic illus­tra­tion of Alice’s Adven­tures in Won­der­land (1998) by Dut­ton Children’s Books, A Cam­era in a Room (1995) by Smith­son­ian Press, A Book of Books (2002) and Cam­era Obscura (2004) by Bulfinch Press and Abelardo Morell (2005), pub­lished by Phaidon Press. Recent pub­li­ca­tions include a lim­ited edi­tion book by the Museum of Mod­ern Art in New York of his Cliché Verre images with a text by Oliver Sacks. He lives with his wife, Lisa McE­laney, a film­maker, and his chil­dren Brady and Laura in Brook­line, Massachusetts. Film­maker Allie Humenuk has made a film enti­tled Shadow of the House, an in-depth doc­u­men­tary about Morell’s work and expe­ri­ence as an artist. Source: www.abelardomorell.net
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