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Gianluca Mortarotti
Gianluca Mortarotti
Gianluca Mortarotti

Gianluca Mortarotti

Country: Italy
Birth: 1990

My name is Gianluca Mortarotti, and I'm a self-taught photographer from Rome currently based in London, UK. My passion for photography started at a young age, thanks in part to my father's work as a wedding photographer. However, it wasn't until after my studies that I decided to take photography more seriously.

I'm fascinated by the energy of cities and the candid moments that tell a story and I've always been drawn to the contrasts of urban life and the connections between people that can seem strange and unusual. Through my work, I try to explore these themes with a fresh and unexpected approach, creating a consistent and attractive aesthetic that is both narrative and metaphorical in its meaning. I believe that the world around us is full of hidden beauty that often goes unnoticed, and I like to create tension in my images by juxtaposing contrasting elements and highlighting the unusual connections between them, aiming to create a sense of intrigue and encourage the viewer to look closer and engage with the image on a deeper level. For me, photography is not just about documenting reality but using it as a means of expression to shed light on life beyond mere appearances.

Statement:
More than a camera, I have a tool for storytelling. My goal is to use photography as a means to reveal the unseen and to present a fresh, intriguing, and personal view of the world.

Winner AAP Magazine #30 Shadows

Websites

www.inframeswetrust.com

@inframeswetrust

 

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More Great Photographers To Discover

Mo Verlaan
Mo Verlaan
Netherlands
1963
"After graduating from the Rietvelt Art Academy in Amsterdam, I started out in experimental theatre, creating sets on location as well as performing. In 1993, I founded De Drie Gezusters with my sisters catering to (inter)national film crews on location from a converted truck. Eight years ago, my love for photography made me enter the Photo Academy. The book and series titled Resonance was part of my graduation in 2016. In these photographs my fascination with light and luminance finds its expression. The Memory of Time is a study about the plasticity of time and light, to see time and light as something elastic. For me there is a strong correlation between the impermanence of light and the fluidity of time." "In The Memory of Time I explore abstract spaces. What interests me most, are architectural structures where light can fleet in and out, creating a new space. To me light is both a tangible and evanescent medium, if not a language. By fading, molding and carving the light in my photographs, I transform reality and move into an imaginative and intuitive realm. The process involves composing layered images that nearly look like drawings, scraping off the innate realism that is part of photography, thus creating a more sensorial and subliminal world." Winner Single Image 9th Julia Margaret Cameron Award 2016, Category Architecture. Works from the series Resonance received several Honorable Mentions: Tokyo International Foto Awards 2016 (2x), The Monochrome Awards 2016 (4x), The Monovision Photography Awards 2017 (6x), IPA 2017 (2x), IPA 2018 One Shot Harmony (1x). The series Resonance was exhibited at The Indian Photography Festival 2016. The book Resonance was exhibited at: Scan Photobooks (Spain), The Griffin Museum (USA), RPSP (UK), Tripp Gallery (UK), Unveil'd (UK). Publication in the NEW2017, 100 Best Emerging Dutch Photographers of the year 2017.
Kimiko Yoshida
Kimiko Yoshida
Japan
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Kimiko Yoshida is a Japanese visual artist who was born in 1963 and lives in Europe since 1995. Subtle, fictional, paradoxical, Kimiko Yoshida’s Bachelor Brides form an ensemble of quasi-monochromatic self-portraits, fragments of an intimate web, elaborating on a singular story: the feminine condition in Japan. Her images are large format, luminous squares, underlining her fantasy-bio epic. While still very young, Kimiko Yoshida was struck by the story of her own mother, who met her husband for the first time on her wedding day. Kimiko Yoshida’s own story is compelling. Born in Japan, she left to France in 1995, where she adopted a new language, a new way to live, to create. She studied photography at the Ecole Nationale at Arles, later she went to Le Fresnoy Studio at Tourcoing, France. Kimiko Yoshida has been concentrating on this series of intangible self-portraits which can be read as a quest for the hybridization of cultures, for the transformation of the being, and perhaps even as a deletion of identities. The metamorphosis of her own identity into a multiplicity of identifications expresses the fading of uniqueness, the "deconstruction" of the self. Source: Gallery 51 Kimiko Yoshida was born in Tokyo, Japan in 1963. Feeling oppressed as a woman, she left Japan in 1995 and moved to France to pursue her artistic ambitions. She studied at the École Nationale Supérieure de la Photographie in Arles and the Studio National des Arts Contemporains in "Le Fresnoy". Since gaining her artistic freedom, Yoshida has been working prolifically. Her work revolves around feminine identity and the transformative power of art. In her most recent project, Painting. Self-Portrait she wears elaborate costumes and paints her skin in a monochrome color that matches the background. The monochromatic elements accentuate the fashion of Yoshida’s costumes. For the artist, the costume is "the field of diversion, detournement, and deflection." The visual elements, coupled with the titles’ reference to artists and paintings of the past (Ophelia by Delacroix, The Torero Bride with a Black Suit of Lights, Remembering Picasso), are meant to come together to challenge conventional notions and traditions of art and cultural identity. "I want an image that tries to rethink its own meanings and references." For her self-portraits, Yoshida received the International Photography Award in 2005. She continues to exhibit worldwide, and her work is found in the permanent collections of the Museum of Fine Arts of Houston, the Israel Museum, the Kawasaki City Museum, and the Maison Européenne de la Photographie in Paris. Source: Holden Luntz Photo Gallery
Sirkka-Liisa Konttinen
Sirkka-Liisa Konttinen
Finland
1948
Sirkka-Liisa Konttinen is a Finnish photographer who has worked in Britain since the 1960s. She was born in Myllykoski, municipality of Sippola (from 1975 part of the town of Anjalankoski, from 2009 part of the town of Kouvola), Finland in 1948. Konttinen became interested in photography at the age of 12 and was a member of a photography group in a nearby town. Intending to pursue photography as a career, she was apprenticed to a fashion photographer in Helsinki for a year. Konttinen studied photography in London in the 1960s, and cofounded the Amber Collective, which moved to the northeast of England in 1969. From 1969 Konttinen lived in Byker, and for seven years photographed and interviewed the residents of this area of terraced houses until her own house was demolished. She continued to work there for some time afterward. This resulted in the book Byker, which in David Alan Mellor's words "bore witness to her intimate embeddedness in the locality". In 1980 she became the first photographer since the Cultural Revolution to have her work exhibited by the British Council in China. Konttinen's next project was a study of girls attending dance schools in North Shields, their mothers, and the schools. The book Step by Step came from this. The book was an influence for the film Billy Elliot. Three years of photographing the beach between Seaham and Hartlepool resulted in the series Coal Coast. Konttinen later returned to Byker and photographed its new residents in colour.Source: Wikipedia Sirkka-Liisa Konttinen is a photographer and filmmaker, best known for her work documenting working-class life in North East England. She is also co-founder of the Amber Film and Photography Collective, based in Newcastle Upon Tyne and the Side Gallery, dedicated to socially engaged documentary photography. Her documentation of Byker, the close-knit community of Newcastle, led to national recognition as a key photographic and filmic account of the rich working-class culture on the eve of its destruction. In 2003-09 she returned to the Byker Wall Estate that came to replace the original community, with her Byker Revisited/Today I’m With You book and film. Konttinen’s other long-term projects include Step by Step/Keeping Time, Hoppings, Writing in the Sand, Letters to Katja and the Coal Coast/Song For Billy. In 2011 her photography was inscribed in the UNESCO UK Memory of the World Register. She has exhibited widely, with her works held in multiple collections including the Finnish Museum of Photography, Helsinki, Museum of Fine Arts, Houston, The New York Public Library, Tate Modern, London, Victoria and Albert Museum, London and the AmberSide Collection Trust, Newcastle.Source: Artimage
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Philippe Chancel
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Colin Page
Colin Page
United Kingdom
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I begun my journey into photography thanks partly to the Duke of Edinburgh Awards project and the help of my Dad who set up a make shift darkroom in the cramped spare bedroom. I worked in a professional darkroom and then art studio for nearly 20 years. Using many different film cameras, usually borrowed or second hand, I always developed and printed my own pictures. The new technologies replaced the darkroom and I was made redundant. I tried many different things including an HND in photography as a mature student. BUT…… After a long near death illness, and with the help of my family, I took up photography again. Mostly ‘street photography’ and with new digital cameras. Using a computer instead of a darkroom but only doing that could be done in a darkroom. Awarded Photographer of the Week - Week 04
Sandrine Hermand-Grisel
Sandrine Hermand-Grisel
France
1973
Sandrine Hermand-Grisel grew up in Paris, France and in London, UK. She studied International Law before deciding to dedicate her life to photography in 1997. Influenced by her late mother's sculptures and her husbands paintings and films, she worked on several personal projects before her series Nocturnes was recognized in 2005 by Harry Gruyaert, Bertrand Despres and John Batho for the Prix Kodak de la Critique Photographique. In 2006 she moved with her family to the United States and began experimenting landscape photography with her series Somewhere and On the road. Despite the diversity of her projects she has a unique, very intimate, relationship with her subjects. Photography provides her with a way to express her feelings, like in the series ''Nocturnes'' where she photographed only close friends and family members peacefully abandoning themselves in front of her camera. ''Somewhere'' is her dream of America, a road trip through her adopted country. And ''Waterlilies'' is full of joy and love for her two children as she watched them jumping and playing in pools over and over again. Sandrine Hermand-Grisel not only photographs what she loves, she breaks free from her own reality in her poetic vision of the world. In 2013, she created the acclaimed website All About Photo and now spends most of her time discovering new talents while still working on personal projects. All about Sea Sketches Since I was a little girl my parents insisted that my brother and I accompany them almost every weekend to see an exhibition, a museum or an historic house. What was excruciating at first slowly became a real pleasure. Thanks to them, I had the privilege to see incredible exhibitions both in Paris and London where I grew up. Depending on my age and moods at the time, I favored a century, a movement, a painter... It was love at first sight when I discovered "Wanderer above the Sea of Fog" by Caspar David Friedrich. In the foreground, a young man stands upon a rocky precipice with his back to the viewer. He overlooks a landscape covered in a thick sea of fog. I was overwhelmed by the beauty of nature, the subtle colors, the calm and yet the movement that came from the wind. I perceived the character as content and in harmony with nature and I wondered if one day I would find my perfect place... and many years later, I did. On the west coast of Florida lies Anna Maria, a quaint barrier island nestled in the Gulf of Mexico. The water is warm and turquoise, the sand is white. Well preserved, the birds and turtles come here to nest while the respectful tourists lie on the sand every night to witness the incredible sunsets. Time is suspended. With the romantic painters Turner and Friedrich in mind, I captured a glimpse of Anna Maria, its light, its beaches, its movement, its unleashed elements... I hope you will immerse yourself in my Sea Sketches "paintings" and escape with me, even for the length of a sigh, from the harsh realities of life and share my happy place.
Jianwei Yang
Jianwei Yang
Canada
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"I was born in 1969, Beijing. Studied Computer Science at Beijing University of Technology and University of Tsukuba. I’m currently working for a software company in Vancouver. Photography is a hobby and I became a serious street photographer in late 2010. I love walking on the streets in downtown Vancouver and capture the interesting moments in those familiar places. Urban geometry, light and shadow, strong contrast and precise timing... those are the basic elements in my work. My enthusiasm for photography started with my kids, and it's still on the climb."
William Gedney
William Gedney
United States
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William Gale Gedney (October 29, 1932 – June 23, 1989) was an American documentary and street photographer. It wasn't until after his death that his work gained momentum and is now widely recognized. He is best known for his series on rural Kentucky, and series on India, San Francisco, and New York shot in the 1960s and 1970s. William Gedney was born in Greenville, New York. He studied at Pratt Institute in Brooklyn, New York. In 1955 he graduated with a BFA in Graphic Design and began work with Condé Nast. During his lifetime, Gedney received several fellowships and grants, including a John Simon Guggenheim Memorial Foundation fellowship from 1966 to 1967, a Fulbright Fellowship for photography in India from 1969 to 1971, a New York State Creative Artists Public Service Program (C.A.P.S.) grant from 1972 to 1973; and a National Endowment for the Arts grant from 1975 to 1976. In a career spanning the late 1950s to the mid-1980s, he created a large body of work, including a series documenting local communities during his travels to India, San Francisco, Brooklyn, and New York shot in the 1960s and 1970s. He is also noted for night photography, principally of large structures, like the Brooklyn bridge and architecture, and architectural studies of neighborhoods quiet and empty, at the night. In 1969, he started teaching at Pratt Institute, though later in 1987, two years before his death, he was denied tenure. Gedney's work has been exhibited in numerous group shows, including Museum of Modern Art shows, Photography Current Report in 1968, Ben Schultz Memorial Collection in 1969, and Recent Acquisitions in 1971; as well as Vision and Expression,George Eastman House, and Rochester Institute of Technology, in 1972. However, he remained a recluse, had only one solo exhibition during his lifetime. Despite receiving appreciation from noted photographers of the time, Walker Evans, Diane Arbus, Lee Friedlander, and John Szarkowski, he remained an under-appreciated artist of the generation. He didn't manage to get any of his eight-book projects published. William Gedney died of complications from AIDS in 1989, aged 56, in New York City and is buried in Greenville, New York, a few short miles from his childhood home. He left his photographs and writings to his lifelong friend Lee Friedlander. In time, Friedlander's efforts, which had earlier led to the revival of E. J. Bellocq's works, chartered posthumous revival of Gedney's work. An extensive collection of his work, including large photographic prints, work prints, contact sheets, negatives, sketchbooks, notebooks and diaries, correspondence, and other files are housed at the Rubenstein Library, Duke University, Durham, North Carolina.Source: Wikipedia
Claude Cahun
Claude Cahun
France
1894 | † 1954
Claude Cahun (25 October 1894 - 8 December 1954), born Lucy Renee Mathilde Schwob, was a French Surrealist photographer, sculptor and writer. Schwob adopted the pseudonym Claude Cahun in 1914 and is best known for their self-portraits, in which they assume a variety of personae. Cahun's work was both political and personal, and often undermined traditional concepts of static gender roles. In their autobiography, Disavowals, they explained their rejection of gender, "Masculine? Feminine? It depends on the situation. Neuter is the only gender that always suits me." This declaration is an important consideration when analysing Cahun's photography as they intentionally play with and subvert the viewers' understanding of gender. This quote, together with their unconventional appearance and their gender-ambiguous pseudonym, means that it is not infrequent to see the pronoun 'they' used nowadays in critical studies on Cahun. There is no evidence that they ever adopted 'they' as their preferred pronoun, but one should take into account the cultural and historical context behind this. Given that French pronouns were extremely binary and the use of gender neutral pronouns for nonbinary individuals wasn't common in the European interwar period, it isn't unreasonable to imagine Cahun would have used gender neutral pronouns had it not been for their environment. In any case, the use of the gender neutral pronouns in reference to Cahun is less of an attempt to apply contemporary norms to a historical figure, but rather a way for their gender to remain an open question in academia. During WWII, Cahun was also active as a resistance worker and propagandist. Source: Wikipedia
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Call for Entries
AAP Magazine #54 Nature
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