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Win a Solo Exhibition in June 2026 + An Exclusive Interview!
Win a Solo Exhibition in June 2026 + An Exclusive Interview!
Osama Elolemy
Osama Elolemy
Osama Elolemy

Osama Elolemy

Country: Egypt
Birth: 1979

I am Osama aka Gennie-in-a-Click and I don't know how the Universe has conspired for me to be a photographer, but I am loving it. There have been so many synchronicities which led me to the path I have taken. Slowly but surely, I have discovered my niche, and discovered that I love being a fine art photographer.

I love people and, through my art, I like to discover and capture different portrays and facets of human nature.

I have always been fascinated by the deep connection between humans and nature. As humans we associate images, taste, smell, sound with our emotions.

As an artist I associate my art with my emotions at the time I took the photograph. Just by looking at a photograph that I have created I am taken back to the moment in time when it was shot. I can feel the smell, I can feel the light, I can feel the emotions I had that time, I can feel the wind, I cand hear the sounds around me. It is astonishing to be trans boarded in a second. I hope by giving background to the viewer about the way the photographs were shot, to help them feel the emotions that are associated with each piece of art.

Statement:
Happiness is found all around us, happiness is all little things that we ignore daily, happiness is a deep connection with Gaia.
 

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More Great Photographers To Discover

Ami Vitale
United States
1971
Nikon Ambassador and National Geographic magazine photographer Ami Vitale has traveled to more than 100 countries, bearing witness not only to violence and conflict, but also to surreal beauty and the enduring power of the human spirit. Throughout the years, Ami has lived in mud huts and war zones, contracted malaria, and donned a panda suit— keeping true to her belief in the importance of “living the story.” In 2009, after shooting a powerful story on the transport and release of one the world’s last white rhinos, Ami shifted her focus to today’s most compelling wildlife and environmental stories. Instyle Magazine named Ami one of fifty Badass Women, a series celebrating women who show up, speak up and get things done. She appeared alongside a group of incredible women including Jane Goodall, Christiane Amanpour and Ruth Bader Ginsburg. She has been named Magazine photographer of the year in the International Photographer of the Year prize, received the Daniel Pearl Award for Outstanding Reporting and named Magazine Photographer of the Year by the National Press Photographers Association, among others. She is a five-time recipient of WorldPress Photos, including 1st Prize for her 2018 National Geographic magazine story about a community in Kenya protecting elephants. She published a best-selling book, Panda Love, on the secret lives of pandas. She is a featured speaker for the National Geographic LIVE series, and frequently gives talks and workshops throughout the Americas, Europe, and Asia. Her photographs have been commissioned by nearly every international publication and exhibited around the world in museums and galleries. She is a founding member of Ripple Effect Images, an organization of renowned female scientists, writers, photographers and filmmakers working together to create powerful and persuasive stories that shed light on the hardships women in developing countries face and the programs that can help them. She is also on the Photojournalism Advisory Council for the Alexia Foundation. Currently based in Montana, Ami Vitale is a contract photographer with National Geographic magazine and frequently gives workshops throughout the Americas, Europe, and Asia. Ami Vitale talks about Climate Change Awareness
Betty Press
United States
Betty Press is a documentary fine art photographer, well-known for photographs taken in Africa where she lived and traveled for many years. Now living in Mississippi she has just completed a project called “Finding Mississippi” recording "real life" in small communities throughout Mississippi with black-and-white film and toy and vintage cameras. She taught photography at University of Southern Mississippi from 2003 to 2015. She is twice the recipient of a Visual Artist Grant from the Mississippi Arts Commission. Her photographs have been widely-exhibited as well as selected for many juried competitions. In addition, her photographs have been featured in publications such as Shots, Silvershotz, South x Southeast, Lenscratch, ACurator, RfotoFolio, and Don't Take Pictures. Her work is held in a number of public collections including Beinecke Library at Yale University, The National Museum of Women in the Arts, Washington, DC, The Harry Ransom Center for the Humanities, The University of Texas, Austin, Mississippi Museum of Art and The Do Good Fund of Southern Photography. In 2011 Betty published a photobook I Am Because We Are: African Wisdom in Image and Proverb that portrayed a stunning, life-affirming portrait of the African people and culture. For this book she received a statewide award in photography, from the Mississippi Institute of Arts & Letters and was selected for Critical Mass Top 50. Her other books/zines include La Dolce Vista, Hub City Impressions and Finding Mississippi. In August 2019 she moved to Nairobi, Kenya to photograph urban culture and social injustice, but returned to the USA in April 2020 due to the Covid-19 outbreak. Her most recent project They Were Us: Stories of Victims and Survivors of Police Brutality in Kenya, was selected for Photo Lucida Critical Mass Top 50. Betty was invited by Lenscratch to curate the States Project for Mississippi. She also helped bring the Do Good Fund Exhibition of southern fine art photography to USM Art Gallery and organized several simultaneous local exhibitions. Most recently, she co-curated an online show Virtual Photography 20:20 for One Off Contemporary Art Gallery, Nairobi, Kenya. She is represented by Panos Pictures, London; International Visions, Washington, DC; Fischer Galleries, Jackson, Mississippi; Treehouse Gallery, Oxford, Mississippi and One Off Contemporary Art Gallery, Nairobi, Kenya. As a former educator, journalist, and avid traveler Press brings a wide-ranging perspective and appreciation of diverse photographic styles, genres and mediums. Services Offered: The African Urban landscapeEye-catching, colorful and hand-painted! Popular creative signage, found on small shops started by mostly young entrepreneurs, livens up what would otherwise be a drab environment in the poorer, densely-populated areas of third world cities like Freetown, Nairobi, or Monrovia. Services, such as hairdressing, tailoring, phone charging, food stalls and video games are advertised. The designs, drawn from traditional as well as contemporary pop culture, are bold, simple and use primary colors and funky fonts. The sign painters are mostly young and self-taught. With more mobile smart-phone usage the signage reflects the modern world on an African canvas. I have spent more than 15 years living in various African countries. In 2019 I moved back to Kenya. My main focus was to document the social justice movement in Nairobi's urban settlements (formerly called slums), resulting in They Were Us: Stories of Police Brutality in Kenya which was selected for the 2020 Photo Lucida Critical Mass Top 50. On the side I would stop to photograph the colorful shops which I found so artful, refreshing and safer to photograph. Now back home in Mississippi, after being evacuated from Nairobi due to the pandemic, I continue working on my Mississippi projects which deal with how place, race and religion have played a part in the complicated history of the state and still affect black lives today.
(Arthur Fellig) Weegee
Austria/United States
1899 | † 1968
Weegee was the pseudonym of Arthur Fellig (June 12, 1899 – December 26, 1968), a photographer and photojournalist, known for his stark black and white street photography. Weegee worked in the Lower East Side of New York City as a press photographer during the 1930s and '40s, and he developed his signature style by following the city's emergency services and documenting their activity. Much of his work depicted unflinchingly realistic scenes of urban life, crime, injury and death. Weegee published photographic books and also worked in cinema, initially making his own short films and later collaborating with film directors such as Jack Donohue and Stanley Kubrick. Weegee was born Ascher (Usher) Fellig in Z?oczów (now Zolochiv, Ukraine), near Lemberg, Austrian Galicia. His name was changed to Arthur when he emigrated with his family to live in New York in 1909. There he took numerous odd jobs, including working as an itinerant photographer and as an assistant to a commercial photographer. In 1924 he was hired as a dark-room technician by Acme Newspictures (later United Press International Photos). He left, however, in 1935 to become a freelance photographer. He worked at night and competed with the police to be first at the scene of a crime, selling his photographs to tabloids and photographic agencies. His photographs, centered around Manhattan police headquarters, were soon published by the Herald Tribune, World-Telegram, Daily News, New York Post, New York Journal American, Sun, and others.In 1957, after developing diabetes, he moved in with Wilma Wilcox, a Quaker social worker whom he had known since the 1940s, and who cared for him and then cared for his work. He traveled extensively in Europe until 1968, working for the Daily Mirror and on a variety of photography, film, lecture, and book projects. In 1968, Weegee died in New York on December 26, at the age of 69.Weegee can be seen as the American counterpart to Brassaï, who photographed Paris street scenes at night. Weegee’s themes of nudists, circus performers, freaks and street people were later taken up and developed by Diane Arbus in the early 1960s. In 1980 Weegee’s widow, Wilma Wilcox, Sidney Kaplan, Aaron Rose and Larry Silver formed The Weegee Portfolio Incorporated to create an exclusive collection of photographic prints made from Weegee’s original negatives. As a bequest, Wilma Wilcox donated the entire Weegee archive - 16,000 photographs and 7,000 negatives - to the International Center of Photography in New York. This 1993 gift became the source for several exhibitions and books include "Weegee's World" edited Miles Barth (1997) and "Unknown Weegee" edited by Cynthia Young (2006). The first and largest exhibition was the 329-image “Weegee’s World: Life, Death and the Human Drama,” brought forth in 1997. It was followed in 2002 by “Weegee’s Trick Photography,” a show of distorted or otherwise caricatured images, and four years later by “Unknown Weegee,” a survey that emphasized his more benign, post-tabloid photographs. In 2012 ICP opened another Weegee exhibition titled, "Murder is my Business". Also in 2012, exhibition called "Weegee: The Naked City", opened at Multimedia Art Museum, Moscow.Source: Wikipedia
Christian Tagliavini
Switzerland/Italy
1971
Christian Tagliavini was born in 1971 in Switzerland, where he currently lives and works as a fine art photographer and craftsman. His work is heavily shaped by a childhood spent in Parma, where he grew up immersed in the rich artistic culture of the Plain of the Po, Italy’s longest river. Tagliavini’s evocative images represent just the final stage in his artistic process. His photographs capture the creative vision in his mind’s eye, which he brings to life with handcrafted props, made-to-measure costumes and unconventional models. This behind-the-scenes work establishes him as an artisan- photographer. Choosing unexplored concepts as themes, Tagliavini’s work narrates open-ended stories, inviting the viewer to actively experience unique ideas, sensations and feelings, and ultimately decide the ending for themselves. A self-taught photographer, Tagliavini originally trained in architecture and worked as a graphic designer. His interest in photography was sparked in 2000, at a photographic exhibition in Milan. Fascinated by the technical aspects of photography, he tried his hand at several photographic disciplines before discovering that the mise-en-scène technique was the most effective way to capture the stories that lived in his imagination. Embracing the art of slow photography, Tagliavini’s creative approach involves meticulous planning and careful design. Each project begins with initial historical and iconographic research, feasibility assessments, sketches, storyboarding, colour experimentation, and composition before he sets about making his vision a reality. Tagliavini uses various techniques to handcraft each and every detail, including the props and backdrops. Each costume is fashioned to Christian’s detailed designs, including the fabric and colour choices, and is made-to-measure for each model. Where possible, Tagliavini prefers to work with non-professional models, drawing inspiration from their spontaneity and curiosity. A champion of unconventional beauty, he has always favoured personality over a classical aesthetic. His models represent the only detail of his work that he cannot control: their expressiveness is instinctive and they often inspire him to take his stories in completely new directions. This unscripted detail casts him in the role of observer rather than director. Christian Tagliavini won the Hasselblad Masters Fine Art Category in 2012 and the IPA Fine Art: Portrait prize in 2013. His work has been exhibited in many art galleries and museums worldwide.
Francis A. Willey
Francis A. Willey is part indigenous and is proud of his Cree Ancestors on his mother's side and respects the history, languages, and cultures of the First Nations, Métis, Inuit, and all First Peoples of Canada, whose presence continues to enrich his practice. Francis A. Willey acknowledges that he is located on the traditional territories of the people of the Treaty 7 region in Southern Alberta, which includes the Niitsitapi (inclusive of the Siksika, Piikani, and Kainai First Nations), the Tsuut’ina First Nation, and the Iyarhe Nakoda (including the Chiniki, Bearspaw, and Wesley First Nations). The City of Calgary is also home to the Métis Nation of Alberta, Region III. Francis A. Willey Canadian (Born, July 21st, 1969) Self-taught, 35mm film photographer. He is deeply fascinated by fabric and historical textiles and is a collector of rare books and antiquities. He writes poetry and also enjoys composing music on the piano in his spare time. All his images are created in-camera without post-production. He has been referred to as a portraitist or a neo-pictorialist in his photographic pursuits by the academic art world. He searches for depth in storytelling, continuity, and mystery to the narrative, and spirit of each individual, he has the pleasure of photographing. He received his first KODAK camera when he was 12 years old from his mother June. The first frame ever captured with the aperture of his camera was a portrait of his mother. He believes that a deeper, more compassionate culture can be created through the arts. As an outsider artist, he has always been questing for and seeking refuge in a higher beauty. Francis composes on the piano and also writes songs and poetry, creates collages, and draws from life's observations. His school was the value of nature and dreams, people, intuition, that one develops by sharing empathy.
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AAP Magazine #58 B&W
Win a Solo Exhibition in June
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Latest Interviews

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