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FINAL CALL TO ENTER AAP MAGAZINE WOMEN: GET PUBLISHED AND WIN $1,000
FINAL CALL TO ENTER AAP MAGAZINE WOMEN: GET PUBLISHED AND WIN $1,000
Osama Elolemy
Osama Elolemy
Osama Elolemy

Osama Elolemy

Country: Egypt
Birth: 1979

I am Osama aka Gennie-in-a-Click and I don't know how the Universe has conspired for me to be a photographer, but I am loving it. There have been so many synchronicities which led me to the path I have taken. Slowly but surely, I have discovered my niche, and discovered that I love being a fine art photographer.

I love people and, through my art, I like to discover and capture different portrays and facets of human nature.

I have always been fascinated by the deep connection between humans and nature. As humans we associate images, taste, smell, sound with our emotions.

As an artist I associate my art with my emotions at the time I took the photograph. Just by looking at a photograph that I have created I am taken back to the moment in time when it was shot. I can feel the smell, I can feel the light, I can feel the emotions I had that time, I can feel the wind, I cand hear the sounds around me. It is astonishing to be trans boarded in a second. I hope by giving background to the viewer about the way the photographs were shot, to help them feel the emotions that are associated with each piece of art.

Statement:
Happiness is found all around us, happiness is all little things that we ignore daily, happiness is a deep connection with Gaia.
 

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More Great Photographers To Discover

Valerio Nicolosi
Valerio Nicolosi, filmmaker and photojournalist based and born in Rome in 1984, has always had a passion for photography and video. In 2008 he graduated with highest honours from the 'Experimental Television Center' in Rome. He is always looking for the "human factor" on his photos. He made few reportages from the Syrian-Lebanon border about the crises of refugees and the humanitarian corridors. He made Italian and european network and investigative journalism programs for which he has made many reportages on the issue of immigrants and in particular in the "Jungle of Calais". He also covered the terrorist attacks both in Paris and Brussels. During the months of October and November 2016 he followed the US elections making a series of reportages together with the journalist Giovanna Pancheri, broadcast by SkyTg24. Most of the reportages were about human condition on suburbs of America. Making the documentary "Death Before Lampedusa" for the German national TV, ARD, he followed the operation "Mare Nostrum" on board the Italian military vessels deployed in the recovery of boats coming from Africa. He has made numerous music videos with Italian and Palestinian singer/songwriters and has published three books of short stories and photography, "Bar(n)Out", "Be Filmmaker in Gaza" "(R)Esistenze". He spent more than 20 days on board the "Proactiva Open Arms" boat, a Spanish NGO whose main mission is to rescue refugees from the sea that arrive in Europe fleeing wars, persecution or poverty. On that 3 weeks they rescued 86 refugees. He is just come back from the Gaza Strip where he taught filmmaking and did some reportages about fishermen and daily life. He also works as an occasional lecturer with the 'Audio-visual Journalism Tribune' at La Sapienza University and the Palestinian Al-Aqsa and Deir El-Balah, both located in the Gaza Strip. He collaboreted with the international press agency Reuters and currently he collaborates with Associated Press. Discover Valerio Nicolosi's Interview
Ruvén Afanador
Colombia
1959
Ruvén Afanador is an internationally renowned photographer of limitless imagination, powerful vision and profound sense of self. He was born in Colombia, and his proud Latin American heritage has inspired his extensive body of work creating an intensely personal language characterized by the balance of bold emotion and delicate nuance. The expressive images in his six books: Torero, Sombra, Mil Besos, Ángel Gitano, Yo seré tu espejo and Hijas del Agua, and his portraiture and fashion editorials, reveal extravagant dreamlike sequences that seem to emerge from Afanador’s original imagination already full grown, always splendid sometimes mischievous, often decadent, all steeped in classic formality. Ruven’s work has appeared in countless publications including New York Magazine, Vanity Fair, Rolling Stone, The Hollywood Reporter, Billboard, The New York Times Magazine, numerous Vogue editions, Tatler, Elle, and The New Yorker. His personal projects have been exhibited in Galleries and Museums in Spain, Italy, Colombia, Argentina, Japan and the United States. His most recent exhibition was at the National Museum of Colombia in Bogota this past winter and spring 2021 and it comprised 60 large format photographs from his Hijas del Agua book project paying homage to the indigenous cultures that have inhabited Colombia for thousands of years. He lives in New York City from where he continues his career photographing the emblematic figures of contemporary fashion, music and film, as well as his personal book projects, always challenging the conventional definitions of gender and beauty. Source: Sarah Laird & Good Company Ruven Afanador was born in Colombia, in the sixteenth century city of Bucaramanga, La Ciudad de los Parques high in the scenic plateau above the Rio de Oro. He lived there until adolescence, surrounded by breathtaking mountains and immersed in old traditions and enchanting rituals that imbued everyday life with mystery and wonderment. Religious ceremonies involved the meticulous costuming of saints and marked every holiday, turning narrow colonial streets into rich visual feasts where ordinary objects acquired symbolic meaning; elaborate beauty pageants showcased glamorous women of deliberate beauty and intentional charm; and long hours were filled with the reading of adventure books or listening to the improbable tales of those coming back from journeys abroad, a peculiar form of imaginary traveling which nurtured an intense curiosity for faraway places. At fourteen, Afanador moved to the United States to attend school in the Midwest, right in the American heartland, a starkly different place from the magical world of his childhood, but one he saw as full of possibilities. And then, while studying art, he discovered photography. “From my first assignment I knew that photography would be my life’s passion”, says Afanador. With that passion, he would transform ordinary reality into captivating splendor. Or, as he himself puts it, “....into my way of seeing things.” After graduation Afanador spent two years in Washington, DC, gaining distinction as a fashion photographer of audacious taste, as well as a portraitist with an original and inventive eye. In 1987 he moved to Milan to broaden his vision, hone his technical skills and build a portfolio. Lack of studio space in the Italian city, forced him to develop techniques for photographing outdoors, in alleyways and streets, on the steps of churches and palazzos, incorporating backgrounds to frame images with texture and depth, a highly conceptual approach that Afanador uses to this day. While in Italy, he also discovered the type of model, that was to become his prototype: interesting rather than conventionally beautiful, of sculpted neck and arms, and the graceful long torso for centuries favored by painters----enigmatic and timeless. He returned from Italy in 1990 with an impressive portfolio, settling in New York and soon coming to the attention of editors at the major magazines. Since then, his distinct fashion editorials, signature advertisements and iconic portraits of the emblematic beauties and powerful male figures of the worlds of contemporary art, literature, music and film, have constantly appeared in the world’s leading fashion, celebrity and portrait magazines. His work has been the subject of numerous exhibitions and installations in galleries, museums and outdoor spaces in Latin America, Europe, Asia and the United States.Source: Fahey/Klein Gallery
Athina Alkini
Greece
2004
Athina Alkini is a visual artist, born in Athens, Greece in 2004. She is currently studying in the Athens School of Fine Arts. Alkini utilizes various media in her artistic practice such as photography and sculpting. She has participated in art exhibitions in Greece and Malta, and has been awarded by the Museum of Cycladic Art in Athens. Her photography series MAMA has been exhibited at the Visual Arts International Festival of Thessaloniki in 2024. In 2025, Alkini was selected for the ΕΚΕΙΝΕΣ: The Women of Greek Photography exhibition by Photometria Photography Center and Photometria Festival, on the occasion of the International Women’s Day, with her photography series MAMA. Since 2023, she has been writing and editing cultural and art related content for the Athens Center for Indian and Indo-Hellenic Studies of the Hellenic-Indian Society for Culture and Development. In her conceptual photography, Alkini explores scenarios linked to emotional states and interpersonal relationships. About the Series: MAMA MAMA is a series of photographs referring to a mother-daughter relationship through the lens of loss. This series is based on the duality of that bond; profound love and immense sorrow. It aims to express the incomplete restoration of moments and images of childhood time and space, combining the contexts of motherhood and loss. Alkini utilizes specific objects, places and people to form memory-like scenarios, based on her journey of reflecting on the relationship and reconnecting with her mother in the present. Every image in this series corresponds to a specific memory or emotion, functioning as part of a diptych: the past and present of this relationship. The visual elements used are deeply personal, but also serve as symbols, linked to loss, grief, childhood, and family. Alkini strives for the series to become part of a collective memory and shared journey, inviting viewers to reflect on their own connections to love and loss. Awarded Photographer of the Week - Week 12
Nhien Hong Do
Vietnam
1962
I got into street photography as a passion after long days of work. I started exploring it in 2016, and I’ve found that street photography allows me to tell daily stories through images, capturing people with my vision and emotions. It’s about seeing each character through my lens and presenting them in a carefully chosen frame. I don’t focus too much on the technical side of my Fujifilm camera; instead, I focus intensely on discovering something unique or even unsettling in each person’s character to convey a story. Street photography brings me joy by letting me capture fleeting moments that reveal something about the people in my images. Over time, I’ve learned a lot by studying photo books and award-winning photography. I take time to appreciate each photo from other photographers, often wondering, "How did they capture this? What made them choose this specific moment?" Through this reflection, I realized that every photographer has their own way of seeing and capturing street life, and I respect their individual approaches. I’ve adopted bits of their skills into my work, but instead of copying, I’ve built my own unique style. In the end, my goal is to create street life photography that brings what I see to your soul. My talent in street photography has been recognized and featured in several publications and exhibitions. My work captures the essence of urban life and has found its place in notable books and projects dedicated to the art of street photography. In 2023, my photography was included in Urban Unveils the City and Its Secrets – Volume 08, a project by the Urban Photo Awards in Italy, which highlights the hidden sides of urban landscapes. In 2017, I was featured in Soul of Street – Volume 12, published by Photography & Philosophy Magazine in Germany, showcasing street photography that resonates with human stories and philosophical insights. That same year, my work was included in Street Photography in the World – Volume 1, a collection from Italy celebrating street photography from across the globe. Back in 2016, I contributed to Street Photography from Around the Globe in collaboration with the We Street collective, a project dedicated to street photographers worldwide. Additionally, in 2016, I had the opportunity to exhibit my work in Bucharest, Romania, where my photographs were displayed as part of a curated exhibition. Awarded Photographer of the Week - Week 46
Jonas Bendiksen
Norway
1977
Jonas Bendiksen is a Norwegian photojournalist based near Oslo. He has published the books Satellites (2006) and The Places We Live (2008) and received awards from World Press Photo, International Center of Photography, National Magazine Awards and Pictures of the Year International. Bendiksen became a Magnum Photos nominee in 2004 and a member in 2008. In 2010 he was its president. Bendiksen was born in Tønsberg, in Vestfold county, southern Norway, on 8 September 1977. He lived in Russia for several years. The time he spent there resulted in his book, Satellites - Photographs from the Fringes of the former Soviet Union, about separatist republics in the former USSR, published in 2006. For three years he photographed slum communities in Nairobi in Kenya, Mumbai in India, Jakarta in Indonesia, and Caracas in Venezuela, for The Places We Live, a book published in 2008, and an exhibition containing projections and voice recordings.Source: Wikipedia Thinking back on the series of events, and “ill-advised” actions he undertook as a photographer in his 20s, Jonas Bendiksen says one of the driving forces of his landmark project, Satellites, was luck. Happening to be in a specific place, at a specific time, is what led the photographer to make some of the series’ most unique and most memorable images. Yet, through all of his reflections on the project, it’s clear that a keen sense of observation, determination in the execution of an idea, and a certain streak of recklessness were all part of the mix. During the collapse of the Soviet Union, economic, political and ethnic disparities gave birth to a series of lesser-known unrecognized republics, national aspirations, and legacies. Crafted from a series of Bendiksen’s photoessays made from 1999 to 2005, Satellites documented these places in transition. Six regions undergoing great social shifts formed the six chapters of the book: the “non-existent” state of Transdniester; the beach resort of Abkhazia; the contested region of Nagorno-Karabakh; the Fergana Valley, lying across Uzbekistan, Kyrgyztan and Tajikstan; the spaceship crash zones of the Altai Territory; and the Jewish Autonomous Region of Birobidzhan. Through this collection of vignettes, little-seen in the West at the time, Bendiksen provided an insight into how daily life was lived in liminal places, documenting communities that were experienced the breakdown of Soviet communism in varying ways. Jonas Bendiksen’s sharply evocative images explore themes of community, faith and identity with unsparing honesty. He has made major bodies of work all over the world, at the same time as he always also photographs the daily rhythms of life at home. As well as many critically acclaimed long-form projects he has also produced significant work for many commercial and editorial clients. Bendiksen most recent book The Last Testament from 2017 told the story of seven men who all claimed to be the biblical Messiah returned to earth. His editorial clients include magazines such as National Geographic, Stern, TIME Magazine, Newsweek, The Sunday Times Magazine, The Guardian Weekend. On the commercial side, he has done projects for HSBC, Canon, FUJI, BCG, Red Bull and Land Rover. Bendiksen lives with his wife and three children outside Oslo, Norway.Source: Magnum Photos
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Call for Entries
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