All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Send your best project to Ed Kashi ans WIN A Solo Exhibition this December!
Send your best project to Ed Kashi ans WIN A Solo Exhibition this December!
Mario Testino
Mario Testino

Mario Testino

Country: Peru
Birth: 1954

Mario Testino is a Peruvian fashion photographer. His work has been featured in magazines such as Vogue and Vanity Fair. His career highpoint came when he was chosen by Princess Diana for her Vanity Fair photoshoot in 1997. Testino has been regularly employed by the British royal family ever since.

Aaron Hicklin of The Observer described him as "the world's most prolific magazine and fashion trade photographer". His persistence in shooting Gisele Bündchen is widely credited with elevating her to supermodel status.

Testino was born and grew up in Lima, the eldest son of a businessman. He was one of six children in a middle class family. When he was young he wanted to be a priest. Testino studied economics at Universidad del Pacífico. In 1976 he went to London to study photography. Living in an unconverted floor of a hospital, without much money, he funded himself by working as a waiter. He had his hair dyed pink which helped him get noticed as a photographer. He is one of six children born to an Italian father and an Irish mother. He attended the Catholic school Santa Maria Marianistas. Testino attended the Universidad del Pacifico, the Pontificia Universidad Catolica del Peru and the University of San Diego. In 1982 Testino moved permanently to London.

Testino has become one of the world's most well known and celebrated fashion photographers. His work has been featured across the globe in magazines such as Vogue, Vanity Fair and V, and he has crafted and contributed to the imagery of leading fashion houses such as Burberry, Gucci, Versace, Calvin Klein, Dolce & Gabbana, Salvatore Ferragamo, Estee Lauder and Michael Kors, among others. As well as having published seven books of his work and edited one other dedicated to contemporary art and artists from his native Peru, Mario Testino has had many successful exhibitions in galleries and museums around the world.

In 2002, The National Portrait Gallery in London staged the landmark exhibition “Portraits” by Mario Testino that to date remains its second most successful exhibit. For ten years it had the highest attendance of any exhibition ever to be held there. Over the next four years the exhibition went on tour to Milan, Amsterdam, Edinburgh, Tokyo, Mexico City, and Boston.

Testino has also received royal commissions, including The Prince of Wales, The Duchess of Cornwall, Prince William, Prince Harry, The Duchess of Cambridge, Diana Princess of Wales, The Duke of Kent, Prince and Princess Michael of Kent, Prince Nikolaos of Greece, Prince Willem-Alexander and Maxima of the Netherlands, Prince Haakon Magnus and Princess Mette-Marit of Norway and Her Majesty Queen Rania al Abdullah of Jordan.

Source: Wikipedia


Mario Testino OBE is widely regarded as one of the most influential fashion and portrait photographers of our times. His photographs have been published internationally in magazines such as Vogue, V Magazine and Vanity Fair. He has contributed to the success of leading fashion and beauty houses, creating emblematic images for brands from Gucci, Burberry, Versace and Michael Kors to CHANEL, Estée Lauder and Dolce & Gabbana.

Alongside his 40-year practice as a photographer, Testino has realised a body of work as a creative director, guest editor, museum founder, art collector/collaborator and entrepreneur. In 2007, at the request of his clients to provide full creative direction services, he formed MARIOTESTINO+ which today is a growing team of individuals who support Testino to realise the breadth of his creative output.

Source: www.mariotestino.com

 

Mario Testino's Video

Selected Books

Inspiring Portfolios

Call for Entries
AAP Magazine #53 Travels
Publish your work in AAP Magazine and win $1,000 Cash Prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Michael Anker
I entered the professional side of photography during my studies in graphic design. It was then that I discovered the rich tonality and depth of tones that can be found in analog black-and-white photos. My photography teacher at the time, Manfred Paul, provided the necessary inspiration. Nowadays, I execute the majority of my projects using analog methods once again. This approach allows me to alleviate the time pressure from the creative process. "The Dark River" from the cycle "Remember me?" For several years, I have been working on my photographic series "Remember Me," which explores traces of my cultural identity. At the same time, it serves as a long-term study of the relationship between people and landscapes. My focus is on two topographies that lie beyond media attention: the Oderbruch region on the northeastern border of Germany and Poland, and the former German-speaking enclave of Hirschenhof in present-day Latvia. Both areas, which have undergone significant changes, are also imbued with traces of the last great war. My family stories are rooted in these places. The first part of the series, "The Dark River," presented here, tells the story of my father's family's deep connection with nature. The subsequent second part, "The Dark Silence," will explore the migration and flight of my maternal family. Without explicitly stating it, the work invites reflection on the fact that economically or politically motivated migration has always existed. The anchor point of "The Dark River" is the Oder River, which today forms the border between Germany and Poland. Along the Oder, my father's family witnessed the two-and-a-half-century-long transformation of the once primeval river and swamp landscape into an agrarian cultural area, initiated by the Prussian King Frederick II. This region also saw one of the fiercest battles of World War II in 1945. It was here, after the war, that my father met my mother's family, who had reached the Oderbruch on a trek from the Wartheland/Poland. They later met while dancing at the "Schwarzer Adler" in Seelow. In "The Dark River," long-buried memories and dreams resurface. Calm and dark, the Oder flows, filled with memories of itself and the people along its banks. The sky reflects in it, even at night. Dark shallows remain hidden. Sluggish like the stream, life moves through the plains, carrying my own family history with it. Where the landscape is left undisturbed, it recalls its own fertility and the myths that once surrounded it. Scars in its terrain remind it of its vulnerability, keeping the pain alive, and these scars grow deceptively. The images are captured on 120 film, which I believe is the only suitable format for processing history and stories in an epic way.
Peter Marlow
United Kingdom
1952 | † 2016
Peter Marlow (19 January 1952 – 21 February 2016) was a British photographer and photojournalist, and member of Magnum Photos. Born in Kenilworth, England, Marlow studied psychology at Manchester University, graduating in 1974. He began his photography career in 1975 working on an Italian cruise liner in the Caribbean before joining the Sygma news agency in Paris in 1976. In the 1970s Marlow worked in Northern Ireland, Angola, The Philippines and Lebanon primarily as a war photographer, but soon found that the competition of photojournalism did not suit him. "I did get some very good pictures and was doing a lot of conflict work, but I just realised I was never ever going to be Don McCullin. And actually, in certain situations, I was very, very scared." He returned home to Britain and worked in Liverpool on an eight-year project, Liverpool – Looking out to Sea, which documented what he perceived to be a decline of the city under Margaret Thatcher. He became associated with Magnum Photos in 1980 and became a full member in 1986, having been attracted to the freedom the agency gives its photographers to work on personal projects. Alongside Chris Steele-Perkins, he founded Magnum's London office in 1987. He served as the agency's president twice and was vice-president numerous times. The photographer Martin Parr said it was “difficult to overestimate” Marlow's contribution to Magnum". He also worked regularly for The Sunday Times in the mid-1980s. In 1991 he received an assignment from the Somme department in France to photograph Amiens. Later he began to work abroad again, traveling to Japan, the United States, and other parts of Europe. His later photography is primarily in color. Though well known for his depictions of places, Marlow also documented politics with a collaboration with Tony Blair. Marlow died on 21 February 2016 from influenza contracted during a stem cell transplant as a treatment for multiple myeloma.Source: Wikipedia Although gifted in the language of photojournalism, Peter Marlow was not a photojournalist. He was initially, however, one of the most enterprising and successful young British news photographers, and in 1976 joined the Sygma agency in Paris. He soon found that he lacked the necessary appetite for the job while on assignment in Lebanon and Northern Ireland during the late 1970s; he discovered that the stereotype of the concerned photojournalist disguised the disheartening reality of dog-eat-dog competition between photographers hunting fame at all costs. After those days, Marlow’s aesthetic shifted – in that he made mainly color photographs – but his approach was unchanged. The color of incidental things became central to his pictures in the same way that the shape and mark of things had been central to his black-and-white work. Marlow had come full circle. He started his career as an international photojournalist, returned to Britain to examine his own experience, and discovered a new visual poetry that enabled him to understand his homeland. Having found this poetry, he took it back on the road: he photographed as much in Japan, the USA and elsewhere in Europe as he did in the UK.Source: Magnum Photos
Stephan Vanfleteren
Stephan Vanfleteren studied photography at Lucas Institute in Brussels (1988-1992). From 1993 to 2009, he worked as a free-lance photographer for the Belgian Journal De Morgen and always worked and invested in his own personal projects. Actually, Stephan works for museums, he's publishing his portraits in foreign journals and several foreign magazines. He's cofounder of Hannibal Publishing and Cannibal Publishing. Stephan Vanfleteren is art-director for the two publishing houses. PRICES 1996 - World Press Photo Award - Sports, third prize stories - Boxing in Cuba 1997 - World Press Photo Award - Daily Life, first prize stories - Aids, Kenia 1998 - European Fuji Awards 2000 - World Press Photo Award - Arts and Entertainment, third prize stories, Elvis & Presley 2001 - World Press Photo Award - Children's Award, prize singles - Afghanistan 2001 - European Fuji Award 2007 - Nikon Press Photo Award 2009 - Louis Paul Boon award - Belgium 2010 - Lead Awards: 'Portätfotografie des Jahres', Germany 2011 - Henri Nannen Price, Germany - Tomi Ungerer 2012 - Vijfjaarlijkse Cultuurprijs voor de Provincie West-Vlaanderen 2012 - National Portrait price of the Netherlands - Rem Koolhaas, Dutch architect 2013 - World Press Photo Award - Staged Portraits, first prize stories, People of Mercy 2019 - Henri Nannen Price, Germany - Angels of the Sea - Mare Publication. BOOKS 1999 - Elvis&Presley, with photographer Robert Huber (Switserland) 2000 - Buren, with Mark Power & Eva Leitolf 2003 - Tales from a Globalizing World 2005 - Flandrien - Cannibal Publishing 2007 - Belgicum - Hannibal Publishing 2009 - Portret 1989-2009 - Lannoo 2012 - En avant, marche! - Hannibal Publishing 2013 - Façades & Vitrines (Limited edition 666 exp) - Hannibal Publishing 2014 - MMXIV - De Red Devils - Cannibal Publishing 2014 - Atlantic Wall - Hannibal Publishing 2015 - Charleroi, il est clair que le gris est noir - Hannibal Publishing 2018 - SURF TRIBE - Hannibal Publishing 2019 - PRESENT - Hannibal Publishing 2019 - ONUITGESPROKEN - Hannibal Publishing About PRESENT Stephan Vanfleteren is mainly known to the general public for his penetrating black & white portrait photography, but over the past decades his work has ranged to documentary, artistic and personal pictures. From street photography in world cities like New York to the genocide of Ruanda, from storefront façades to the mystical landscapes of the Atlantic wall, from still lifes to intense portraits. The iconic images sit side by side with unknown treasures in this heavy tome containing no less than 505 photographs. In the very personal accompanying text, Vanfleteren reflects on how his own work and the photography genre as a whole have evolved in recent decades. You get a close-up look at his intriguing career from the very beginning, when he travelled the world with an appetite for action. He also photographed his home country: all of the headline news stories of the 1990s appeared before his lens. Around the Millennium, Vanfleteren started to focus on that which is disappearing. With painstaking attention to nuance he created a visual archive of his homeland and of his fellow Belgians, in his own inimitable style. In the last few years Vanfleteren has brought the world inside, to his daylight studio, resulting in many encounters and portraits. This book includes two new series – not previously published – which were born in the intimacy of his studio: an exploration of the still life and a study of nude photography, both in colour. Present is an impressive overview of Vanfleteren's oeuvre that provides a complete picture of him as a photographer, an artist, and above all a human being who faces life with empathy, wonder, and curiosity. More about PRESENT
Ernie Luppi
United States
1954
San Francisco native Ernie Luppi became involved with photography in 1973 when he started using his mother's Instamatic 126 camera that he and his brothers had given to her as a Christmas gift the previous year. During this time, Ernie was attending the City College of San Francisco and decided to switch his major to photography. The CCSF Photography Department offered one of the finest programs in the area and it helped Ernie unearth the creativity within him. To this day, Ernie is an avid black and white film and darkroom enthusiast. In 1975, Ernie graduated from CCSF with an Associate of Science degree in Photography and has spent the past 39 years in retail photography sales, first working at Adolph Gasser, Inc. for 23 years, followed by 16 years at Keeble and Shuchat in their respective film and darkroom supply departments. Ernie's photographic vision is varied. It ranges from travel, portraiture, street, and the urban landscape. Ernie has often quoted, “I am a jack of all trades and a master of none,” but really he is just curious about everything that he sees through his camera lens. An association with RayKo Photo Center was established in June of 1992 when Ernie had a solo exhibition of photographs, all of them gelatin silver prints, that he had taken during trips to Italy in 1981 and 1991. For the past decade, with the guidance of gallery director Ann Jastrab, Ernie has been a member of RayKo's Photographers Marketplace. Ernie's images have also been selected for RayKo exhibitions such as the documentary show "With Our Own Eyes", "The Perimeter of the World: Contemporary Travel Photography", as well as several Plastic Camera Show exhibits. He continues to photograph daily and can usually be found in his darkroom.
Frank Horvat
Italy
1928 | † 2020
Frank Horvat is an internationally renowned fashion photographer, who has recently celebrated fifty years experience in the field. Throughout these years he has not only embraced fashion photography, but also been unafraid to experiment and adapt to new technologies, transcending the confines of photographic borders. His photography is diverse and considerably more complex than a cursory glance could reveal. He is perhaps best known for his spontaneity, trust and empathy, qualities that express themselves in his sophisticated photographs. Frank Horvat was born in Italy in 1928. He first started photographing at age fifteen with a 35 mm Retinamat camera, and moved to Milan to study art in 1947. By 1950 he was doing freelance work for Italian fashion magazines; Epoca published his first photographic essay in 1951. Horvat was one of the first artists to apply the 35mm film camera and reportage techniques to fashion art photography. He created a new and more realistic style that revolutionized the development of fashion-based photography in England, France, and the United States. He stylistically combined realism and artifice, movement, and inventive locations, which won him immediate success as a French fashion photographer. His photographs have appeared in leading European and American magazines including Life, Elle, Vogue, Harper’s Bazaar, Glamour and Jardin des Modes from 1951-61. Horvat initially worked for the American picture agency, Magnum, but since he “posed” his subjects he left for Realities and Black Star. He moved to Paris three years later and currently divides his time between the city and the south of France. Horvat’s work with French fashion photography has been exhibited around the world and can be found in the permanent collections of numerous prestigious museums including Bibliothèque Nationale, Musée National d’Art Moderne, Kunst-bibliothek, Museum of Modern Art, and the George Eastman House, and numerous other collections. Source: Holden Luntz Gallery
Martine Franck
Belgium
1938 | † 2012
Franck was born in Antwerp to the Belgian banker Louis Franck and his British wife, Evelyn. After her birth the family moved almost immediately to London. A year later, her father joined the British army, and the rest of the family were evacuated to the United States, spending the remainder of the Second World War on Long Island and in Arizona. Franck's father was an amateur art collector who often took his daughter to galleries and museums. Franck was in boarding school from the age of six onwards, and her mother sent her a postcard every day, frequently of paintings. Ms. Franck, attended Heathfield School, an all-girls boarding school close to Ascot in England, and studied the history of art from the age of 14. "I had a wonderful teacher who really galvanized me," she says. "In those days she took us on outings to London, which was the big excitement of the year for me." Franck studied art history at the University of Madrid and at the Ecole du Louvre in Paris. After struggling through her thesis (on French sculptor Henri Gaudier-Brzeska and the influence of cubism on sculpture), she said she realized she had no particular talent for writing, and turned to photography instead. In 1963, Franck's photography career started following trips to the Far East, having taken pictures with her cousin’s Leica camera. Returning to France in 1964, now possessing a camera of her own, Franck became an assistant to photographers Eliot Elisofon and Gjon Mili at Time-Life. By 1969 she was a busy freelance photographer for magazines such as Vogue, Life and Sports Illustrated, and the official photographer of the Théâtre du Soleil (a position she held for 48 years). From 1970 to 1971 she worked in Paris at the Agence Vu photo agency, and in 1972 she co-founded the Viva agency. In 1980, Franck joined the Magnum Photos cooperative agency as a "nominee", and in 1983 she became a full member. She was one of a very small number of women to be accepted into the agency. In 1983, she completed a project for the now-defunct French Ministry of Women's Rights and in 1985 she began collaborating with the non-profit International Federation of Little Brothers of the Poor. In 1993, she first traveled to the Irish island of Tory where she documented the tiny Gaelic community living there. She also traveled to Tibet and Nepal, and with the help of Marilyn Silverstone photographed the education system of the Tibetan Tulkus monks. In 2003 and 2004 she returned to Paris to document the work of theater director Robert Wilson who was staging La Fontaine's fables at the Comédie Française. Nine books of Franck's photographs have been published, and in 2005 Franck was made a chevalier of the French Légion d'Honneur. Franck continued working even after she was diagnosed with bone cancer in 2010. Her last exhibition was in October 2011 at the Maison Européenne de la Photographie. The exhibit consisted of 62 portraits of artists "coming from somewhere else" collected from 1965 through 2010. This same year, there were collections of portraits shown at New York's Howard Greenberg Gallery and at the Claude Bernard Gallery, Paris. Franck was well known for her documentary-style photographs of important cultural figures such as the painter Marc Chagall, philosopher Michel Foucault and poet Seamus Heaney, and of remote or marginalized communities such as Tibetan Buddhist monks, elderly French people, and isolated Gaelic speakers. Michael Pritchard, the Director-General of the Royal Photographic Society, observed: "Martine was able to work with her subjects and bring out their emotions and record their expressions on film, helping the viewer understand what she had seen in person. Her images were always empathetic with her subject." In 1976, Frank took one of her most iconic photos of bathers beside a pool in Le Brusc, Provence. By her account, she saw them from a distance and rushed to photograph the moment, all the while changing the roll of film in her camera. She quickly closed the lens just at the right moment, when happened to be most intense. She cited as influences the portraits of British photographer Julia Margaret Cameron, the work of American photojournalist Dorothea Lange and American documentary photographer Margaret Bourke-White. In 2010, she told The New York Times that photography "suits my curiosity about people and human situations." She worked outside the studio, using a 35 mm Leica camera, and preferring black and white film. The British Royal Photographic Society has described her work as "firmly rooted in the tradition of French humanist documentary photography." Source: Wikipedia Born in Belgium, Martine Franck (1938-2012) grew up in the United States and in England. She studied art history at the University of Madrid and at the École du Louvre in Paris. In 1963, she went to China, taking her cousin's Leica camera with her, and discovered the joys of documenting other cultures. Returning home via Hong Kong, Cambodia, India, Afghanistan and Turkey, and bought her first camera while on the trip. Returning to France, she worked as a photographic assistant at Time-Life where she developed her own technique. In 1966, Franck met Henri Cartier-Bresson, whose photographs epitomized Magnum's tradition of humanitarian photography. Franck was adamant that she would neither bask in his reflection nor disappear in his shadow and she joined the Vu agency in 1970. Her first solo exhibition was planned for the ICA in London that year; when she saw that the invitations were embossed with the information that her husband would be present at the launch, she cancelled the show. With Vu's demise, Franck co-founded the Viva agency in 1972. It also collapsed and it was not until 1980 that Franck joined Magnum, becoming a full member in 1983. She was one of the few women to be accepted into the agency and served as vice-president from 1998 to 2000. Eschewing the war/human tragedy reportage that characterized Magnum's reputation, Franck continued her projects on marginal or isolated lives throughout the rest of her life. Source: Howard Greenberg Gallery
Advertisement
AAP Magazine #53 Travels
Win a Solo Exhibition this December
AAP Magazine #53 Travels

Latest Interviews

Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Exclusive Interview with Guillaume Bonn
With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
Exclusive Interview with Sander Vos
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
Exclusive Interview with Tomasz Trzebiatowski Editor-in-chief FRAMES Magazine
Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age. In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
Exclusive Interview with Manuel Besse
French photographer Manuel Besse is known for his compelling black-and-white imagery, which blends portraiture, documentary, and poetic narrative into a singular visual voice. With a career spanning several decades and continents—from the gold mines of Serra Pelada to the Arctic Circle—his work reflects a deep commitment to authenticity, human connection, and the preservation of cultural and natural landscapes. His series Macadam, winner of AAP Magazine #41 B&W, offers a contemplative look at fleeting urban encounters, rendered in his signature monochrome style. We asked him a few questions about his life and work.
Exclusive Interview with Matthew Portch
UK-born photographer Matthew Portch brings a quietly cinematic eye to the overlooked landscapes of suburban and rural America. Now based in Arizona, his photographic journey reflects a long-standing fascination with the cultural imprint of mid-century America—filtered through a distinctly outsider’s perspective. His series Lost America, selected for the September 2024 Solo Exhibition, captures an eerie stillness in the built environments of the American West, where nostalgia, silence, and isolation converge.
Exclusive Interview with Chris Yan
Chris Yan is a Beijing-based photographer and Creative Director whose work focuses on street and documentary photography. His series Beijing Story, which earned him a solo exhibition in October 2024, offers a nuanced look at daily life in the city. In this interview, he discusses his photographic approach, creative influences, and the ideas behind the project.
Call for Entries
AAP Magazine #53 Travels
Publish your work in AAP Magazine and win $1,000 Cash Prizes