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FINAL DAYS TO ENTER AAP MAGAZINE SHADOWS: GET PUBLISHED AND WIN $1,000
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Christian Chaize
Christian Chaize
Christian Chaize

Christian Chaize

Country: France

Christian Chaize, a self-taught artist, lives and works in Lyon, France. In 1992, he was awarded the Prix European Panorama de Kodak for Young European Photographer in Arles, France. In addition to his artistic achievements, he enjoys a successful career as a commercial photographer.

In 2004, Chaize became intrigued by a small stretch of coastline in southern Portugal. Itching an artistic scratch, he began shooting what was then an entirely new subject matter for him. Using medium and large format cameras, his commitment to photographing a single beach front several times a year since then is now evident in the series, Praia Piquinia. This work has been the focus of two one-man museum shows in Portugal, as well as gallery exhibitions in New York, Berlin, and Lyon. Among other publications, it has been featured in The Collector’s Guide to New Art Photography Vol. 2, BLINK MAGAZINE, Issue No. 13, and Elle Decor. In addition to its popularity on 20×200.com, Praia Piquinia is also the subject of Chaize’s first monograph, published by Chronicle Books in the Spring of 2013.

Paradis, images made in the Seychelles, and To Praia Grande, a separate beach series shot in Portugal, have also been exhibited in New York and Berlin, respectively. Future projects will continue to reveal his interest in enlightening the way we look at something that has otherwise become banal, or merely familiar. In the words of Marcel Proust, and in the tradition of all the great modern photographers who came before him, Chaize is always seeking to « have new eyes ».
 

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More Great Photographers To Discover

Zhou HanShun
Singapore
1975
Born 1975, and raised in Singapore, Zhou HanShun is a Photographic Artist, Printmaker and Art Director.After graduating from Nanyang Academy of Fine Arts Singapore and RMIT University, he went on to make a living as an art director, and continues to pursue his passion as a visual storyteller and photographer.He uses photography as a way to explore, investigate and document the culture and people in the cities he lived in.HanShun has exhibited at the Tumbas Cultural Center in Thessaloniki, Greece for Photoeidolo (2017), the Molekyl Gallery in Sweden, for the Malmo Fotobiennal (2017), the Gallery under Theater in Bratislava, Slovakia for The Month of Photography Bratislava(2017), the Czech China Contemporary Museum in Beijing for the SongZhuang International Photo Biennale(2017), the PhotoMetria "Parallel Voices" exhibition in Greece (2016), the Addis FotoFest in Ethiopia (2016), among others.HanShun was awarded a Special Mention at the Balkan Photo Festival (2016), Shortlisted for the Hariban Award (2017) and was a finalist of Photolucida Critical Mass (2016), among others.About Frenetic City To say life moves fast in a city is an understatement. People go through life in an uncompromising, chaotic pace, overcoming and absorbing anything in their path. Time in the city seem to flow quicker, memories in the city tend to fade away faster. Nothing seems to stand still in a city. I use photography as a way to explore, investigate and document the culture, society and people in the cities that I have lived in. Using Hong Kong as a starting point, this project aims to be a documentation of our increasingly overpopulated world. When I first landed, I was immediately confronted by a society that is in fierce competition for physical and mental space. I decided to capture and re-create the tension and chaos that I experienced in photographic form, using multiple exposures on B&W negatives. The creation of each photograph requires me to be fixed at a specific location from between 5 to 7 hours per session. Through the viewfinder of an old Hasselblad, I created each photograph by overlapping selected individuals or groups of people within the 6 x 6 frame. The resulting photograph is not of a singular moment in time, but a multitude of moments in time captured in a single frame.
Flor Garduño
Mexico
1957
Flor Garduño was born in Mexico and studied visual arts at the Academy of San Carlos (UNAM), where she focused on the search for the structural aspects of form and space. She became especially interested in the work of Kati Horna, a Hungarian photographer whose communicative dimension of her photographs had a great impact on the development of Garduño's aesthetic. She gave up her studies to work as a darkroom assistant for Manuel Álvarez Bravo, one of Mexico's most prestigious photographers, with whom she strengthened her photographic skills. Since then, Garduño has received numerable prizes, and her work has been exposed and published around the world. Garduño's photos depict the landscapes of Central and South America -- and the people whose ancestors were indigenous to the region. Her photos depict subjects that could have existed in a time long before the present moment, and through photographing them, brings the Indian land of America to the present moment. She addresses time -- past, present, and future -- simultaneously through her photographs. Through her photos we witness the slow procession from life to death, interrupted by comic accidents, childish play, liturgical ceremonies, and erotic repose. Though many themes traverse Garduño's body of work, all ultimately reach the point of incense where, uncertainly, nature, and art blend so that mankind may have a margin of whimsy, freedom, or significance on the face of the gods.Source: Peter Fetterman Gallery Flor Garduño (Born Mexico City, Mexico, 1957) studied at the Escuela Nacional de Artes Plásticas in Mexico City.  In 1979 she became an assistant to Manuel Alvarez Bravo. Between 1981 and 1982 she traveled with a team of photographers organized by Mariana Yampolsky. The team photographed rural villages throughout Mexico for reading primers published by the Secretariat of Education for Indigenous Communities.  This experience as well as her association with Kati Horn influenced Garduño's photographs, which are usually of country locales and towns depicted in strange and mysterious ways typical of Surrealism in Mexican photography.  Garduño had her first one-person exhibition in 1982 at the Galeria Jose Clemente Orozco in Mexico City.  In 1985, a compendium of six years of her work was published entitled "Magia del Juego Eterno" and in 1987 another book entitled "Bestiarium" was published.  In 1986 she participated in the first photographic exhibition of the Salón de la Plástica Mexicana and in the inauguration of the Kahlo-Coronel Gallery in Mexico City. In 1986 and 1988 she was included in several traveling exhibitions "Reserved for Export" and "Realidades Mágicas" that were seen in the United States and Europe.  1996 Image and Memory, Latin american Photography, 1880-1992  Itinerary: El Museo del Barrio, New York.  Art Gallery of the University of Scranton, PA.  Lowe Art Museum, Florida.  Museo de Arte de Ponce, Puerto Rico.  Crocker Art Museum, CA.  Meadows Museum, Tx.  Akron Art Museum, OH. Her one-person shows were in Paris in 1986, the Museum Volkenkunde de Rotterdam in 1989, the Field Museum of Chicago in 1990 and Montreal in 1991.  Since 1989 she has dedicated herself to photographing the images that appear in her one-person exhibition and monograph, "Witnesses of Time".  The exhibition started at the Americas Society in 1993 and will be traveling across the country to the Museum of Photographic Arts in California as well as various other venues.  Her work is in the collections of the Museum of Modern Art, New York; Bibliotheque Nationale, Paris; and Centro Cultural de Arte Contemporáneo, Mexico.Source: Throckmorton Fine Art Galleries in the USA:   Peter Fetterman Gallery   Throckmorton Fine Art   Fahey/Klein Gallery   Holden Luntz Gallery   Etherton Gallery   Andrew Smith Gallery
Anka Zhuravleva
Russia
1980
Anka (born Anna Belova) was born on December 4, 1980. She spent her childhood with books on art and her mothers’ drawing tools, covering acres of paper with her drawings. In 1997 she entered the Moscow Architectural Institute deciding to follow in her mothers’ footsteps. But at the end of 1997 her mother was diagnosed with cancer and died in less that a year. Then her father died in 1999. After that Anka’s life changed dramatically. In attempt to keep sane, she plunged into an alternative lifestyle – working as a tattoo artist, singing in a rock-band, sometimes looking for escape in alcohol. In order to make a living while studying, Anka worked at several modeling agencies. Thanks to the drawing lessons she wasn’t afraid to pose nude, and her photos appeared in the Playboy and XXL magazines and at the Playboy 1999 photo exhibition. But she was not looking for a modeling career – it was just a way to make some money. In 2001 Anka was working in the post-production department at the Mosfilm StudiosThat same winter one of her colleagues invited her to spend a weekend in Saint-Petersburg with his friend, composer and musician Alexander Zhuravlev. In less than a month Anka said farewell to Moscow, her friends, her Mosfilm career and moved in with Alexander in Saint-Petersburg. Living with her loved one healed her soul, and she regained the urge for painting. She made several graphic works and ventured into other areas of visual arts. In 2002 Gavriil Lubnin, the famous painter and her husband’s friend, showed her the oil painting technique, which she experimented with for the following several years. During that period she made just a few works because each one required unleashing of a serious emotional charge. All those paintings are different as if created by different people. Anka’s first exhibition took place on a local TV channel live on the air - the studio was decorated with her works. Several exhibitions followed. Private collections in Russia and abroad feature her paintings and sketches. In 2006 Anka noticed that her inspiration often came from photos and decided to take up photography. Since that time Anka took part in numerous projects - magazine publications and covers, book and CD covers, exhibitions. She is engage in digital photo art and analog film photography as well. In 2013 Anka with her husband moves to live in Porto, Portugal. Source: anka-zhuravleva.com Interview With Anka Zhuravleva All About Photo: When did you realize you wanted to be a photographer? Anka Zhuravleva: "I always was about visual arts so I can't name exact date or year.. But I turned to photography completely in 2010." AAP: Where did you study photography? AZ: "I am self-educated. I took some individual workshops dedicated to analog processes but it was technical things." AAP:Do you have a mentor? AZ: "No." AAP: Do you remember your first shot? What was it? AZ: "I was 6 years.. I shot horses with small film lomo-camera." AAP: What or who inspires you? AZ: "Life, everything I got around me, my dreams, interesting people, my husband's music." AAP: How could you describe your style? AZ: "I have no special style. Different series in different styles." AAP:Do you have a favorite photograph or series? AZ: "No, I love them all!" AAP: What kind of gear do you use? Camera, lens, digital, film? AZ: "A lot... And they are changing all the time. Digital 35mm, film medium format, vintage cameras and cameras made by my husband. About 20 different lens, modern ones and vintage brass ones as well." AAP: Do you spend a lot of time editing your images? For what purpose? AZ: "It depends. I always edit digital a lot to reach exactly that tone and mood wich I need. And I also do analog process in darkroom without any computer at all." AAP: Favorite(s) photographer(s)? AZ: "This is a difficult question..." AAP: What advice would you give a young photographer? AZ: "To keep eyes wide open." AAP: What mistake should a young photographer avoid? AZ: "I don't know... Everybody make mistakes. I suppose it's important not "not making" mistakes, but learn after doing mistakes." AAP: The compliment that touched you most? AZ: "When people telling me that my pictures bring their mind, fantasy and soul to childhood or let them think about miracles.. Or making a good mood..." AAP: If you were someone else who would it be? AZ: "Hum... Maybe a baker? Just joking, I don't know..."
Emmanuelle Becker
France/United States
Jon Wollenhaupt
United States
For more than 20 years I have been dedicated to photography and fine art printmaking. During this span of time, I have I provided photography services to corporations, not-for-profit organizations, and news and media outlets. My street photography has been exhibited nationally in the United States and published internationally. I have a degree in Fine Art from Grossmont College and further studies in Studio Arts at San Francisco State University. Other current work includes a series called Awakening, which is a series of photomontage works that involve the overlaying of disparate images that reflect the workings of the unconscious mind and amorphous embedded memories. I also experiment extensively with alternative printing processes such as platinum pallidum and cyanotype. About Tales of a City: San Francisco Artist North Beach© Jon Wollenhaupt For more than 10 years I prowled the streets of San Francisco taking photos without a particular theme in mind. Or, you could say the city itself was the theme. I was more interested in trying to reveal something about the fabric of the city than looking only at specific threads. I hope these photos display a faithful chronicle of everyday life, in which there is glimmer of what John Szarkowski calls “ineffable dramatic possibilities.” Can it be that the capture of those small daily dramas that take place on busy streets, in alleys, and between tall buildings, can tell the story of a city as complex and unique as San Francisco? Perhaps. The story of a great city is always unfolding, and each day a page of a new chapter begins."
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Latest Interviews

Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
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German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
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