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Win the First Solo Exhibition of 2026! Submit your best project now. Open Theme
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Paweł Pilch
Paweł Pilch
Paweł Pilch

Paweł Pilch

Country: Poland/United States
Birth: 1966

I was born in Southern Poland and I currently live in USA. My heart and my time is divided between these two countries, and I love being able to call them both home.

My photographic adventure started 20 years ago and eventually become my life’s passion. I received my primary and secondary education in Cracow, studied in NYC’s Hunter Collage and trained at Manhattan’s International Center of Photography. In my work I always look for images that can be best expressed with clear lines, bold colors, strong forms and rich textuers. From architectural and still life subjects to landscape and aerial imagery the goal always is to find places and moments when what I see in my viewfinder suddenly comes into sharp focus obliterating everything outside the frame.

As photographers we are always engaging in transforming the 3 dimensional world we live in onto a flat 2 dimensional surface. How successful we are in this pursuit depends on how effectively we can focus our perception, eliminate peripheral distractions and reduce what we see to its most basic visual elements. Every time I pick up my camera or start my drone’s engine the hunt begins for the perfect scene, and with every click of the shutter I ask the hidden image to reveal itself.
 

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Lucas Barioulet
France
1996
Lucas Barioulet, born in Angers, France in 1996, is a french freelance photojournalist based in Paris, focusing on islamic republics. He graduate from Ecole de Journaliste de Tours and San Diego State University. The same yearn he began working in between the United States and Mexico in 2016 and 2017 as a correspondent for french newspaper, following the presidential elections and the migrant crisis. He then came in France and worked for the daily french newspaper Le Parisien as a staff photographer for one year. In march 2018, he began working as a stringer photographer for the world news agency Agence France Presse, covering the world cup, the yellow vests movements and daily news in France. During the Covid-19 crisis, he extensively covered the situation in France, from intensive care units to funerals parlors. He also contributes regularly to french newspaper Le Monde and magazine GEO. Since 2018, he works on a long term project on islamic republics, starting with Mauritania and then Pakistan exploring the different aspects and the young generations of these misunderstood countries. His last serie "The Long and Difficult Path of the Mauritanian National Women's Football" won the 2nd place in the "Sport" Category at the Sony World Photography Award 2020. "Camera is the best passport to my eyes. To not be a tourist, but a traveler. To not be only a photographer, but also a journalist. Trying to understand be fore judging, Watching and listening so that other can also see, go where the others cannot go for putting light on shadows areas. Take the time necessary to do photography, when the all industry is rushing. Build human connections that goes over the simple photographer - subject relationship. "
Filippo Venturi
Filippo Venturi is an Italian documentary photographer working on editorial, corporate, commercial assignments and personal projects. His works have been published in different newspapers and magazines such as The Washington Post, Financial Times, Vanity Fair, Internazionale, La Stampa, Geo, Marie Claire, Die Zeit, Gente, D di Repubblica, Io Donna/Corriere della Sera. He cooperates with several agencies in Italy and abroad for advertisement projects. He also pursues many personal stories and projects on the critical issues that he finds interesting. In 2016 his work, "Made in Korea" about South Korea, has been hosted at the Italian Center for Fine Art Photography in Bibbiena, at Modena's Foro Boario as New Talent selected by the Modena Foundation Photography, at Rome's Museum of Contemporary Art (MACRO) as selected Emerging Talent and at Somerset House in London by the Sony World Photography Awards. In 2017 he was the photographer sent by Vanity Fair in North Korea. In 2018 he is Testimonial Photographer for Fujifilm.I work as a multi-disciplinary photographic artist specialising in conceptual documentary and reportage Photography. I look at identity, displacement and the human condition. I also work as a photojournalist, documentary filmmaker and freelance commercial photographer.About Korean Dream Between 1905 and 1945 Korea was dominated by the Japanese, thus becoming a colony of the Empire. In 1945, after Japan's defeat, Korea was involved in the Cold War and became an object of interest for the USA, the URSS and lately for China as well. This brought to the division of the country in two along the 38th parallel and to the Korean War between 1950 and 1953. On the 27th of July of 1953, an armistice was signed but a declaration of peace never followed, leaving the country in a permanent state of conflict. North Korea is officially a socialist State with formal elections but in fact, it is a totalitarian dictatorship based on the cult of the Kim dynasty, practically an absolute monarchy. Since 1948 the country was ruled by Kim Il-Sung, the "Great Leader"; in 1994 his son, Kim Jong-II the "Dear Leader" succeeded him and until in 2011 Kim Jong-Un, his son, the "Brilliant Comrade" became Supreme Leader. North Korea is one of the most secluded countries in the world, we know little about it and the citizens' rights are subdued to the country's needs. Citizens have no freedom of speech, media are strictly controlled, you can travel only with authorization and it is not allowed to leave the country. The few foreign travellers who get the visa can travel the country only with authorized Korean guides, who have also the task of controlling, censoring and finding spies. Pyongyang, the capital, is the centre of all the resources and the country's ambition to boast a strong and modern façade (the rest of North Korea is composed of countryside, rice-fields and villages usually with no water, electricity or gas). The continuous and incessant propaganda against the USA portraits the South Korean population as a victim of the American invasion; young generations live in a constant alert state as if the USA could attack any day. At the same time, the propaganda aims at instilling a great sense of pride for the country's technical progression, fueled by the Supreme Leader and culminating in the atomic bomb and the subsequent tests. Pyongyang youngsters have been educated to be learned and knowledgeable people, especially in the scientific field, to foster the development of armaments and technology, chasing the dream of reuniting Korea in a whole and free state.
Georges Rousse
France
1947
Georges Rousse (born July 28, 1947) is a French photographer, painter, and installation artist. He has been taking photos since receiving his first camera at the age of nine, but he never formally attended art school to pursue photography. Instead, he attended medical school in Nice, but studied photography and printing on the side. He currently lives in Paris.Source: Wikipedia When he was 9 years old, Georges Rousse received the legendary Kodak Brownie camera as a Christmas gift. Since then, the camera has never left his side. While attending medical school in Nice, he decided to study professional photography and printing techniques, then opened his own studio dedicated to architectural photography. Soon, his passion for the medium led him to devote himself entirely to photography, following in the footsteps of such great American masters as Edward Steichen, Alfred Stieglitz and Ansel Adams. After he discovered Land Art and Malevich's Black Square against a white field, Georges Rousse altered his relationship to photography, inventing a unique approach that shifted the relationship of painting to space. He began making installations in the types of abandoned or derelict buildings that have long held an attraction for him--creating ephemeral, one-of-a-kind artworks by transforming these sites into pictorial spaces that are visible only in his photographs. From the early 1980s on, Georges Rousse has chosen to show his photographs on a large scale, so that his viewers participate in the work and experience the sense of space in a compelling way. Collapsing the usual restrictions between artistic mediums, his unique body of work quickly made its mark on the contemporary art world. Since his first exhibition in Paris, at the Galerie de France in 1981, Georges Rousse has continued creating his installations and showing his photographs around the world, in Europe, in Asia (Japan, Korea, China, Nepal.), in the United States, in Quebec and in Latin America. He is represented by several European galleries and his works are included in many major collections the world over. Georges Rousse was born in 1947 in Paris, where he currently lives andworks.Source: www.georgesrousse.com French artist and photographer Georges Rousse, converts abandoned or soon-to-be-demolished buildings into surprising visions of color and shape. Rousse translates his intuitive, instinctual readings of space into masterful images of several “realities”: that of the actual space, wherein the installation is created; the artist’s imagined mise-en-scène, realized from a single perspective; and the final photograph, or the reality flattened. Since his first exhibition in 1981 at the Galerie de France in Paris, Rousse has continued creating his one-of-a-kind installations and photographs around the globe. His work has exhibited in the Grand Palais (Paris), Hirshhorn Museum (Washington, D.C.), Haggerty Museum (WI), House of Culture (La Paz, Honduras), Sivori Museum (Buenos Aires), and National Art Museum of China, among hundreds of others. In 1988, he received the International Center of Photography Award. In 2008, Georges Rousse succeeded Sol LeWitt as an associate member of the Belgian Royal Academy.Source: Sous Les Etoiles Gallery
Dan Fenstermacher
United States
1985
Dan Fenstermacher merges documentary storytelling, and street photography with both humor and activism. Fenstermacher was recently selected as the winner of the 2020 Miami Street Photography Festival International Series Contest and the 15th Annual Smithsonian Photo Contest for the American Experience category. Fenstermacher has photographic experience on four continents including a multi-media internship in Accra, Ghana, as a portrait photographer in Sydney, Australia, a Professor of Fine Arts at Xiangfan University in China, and as an artist-in-residence in San Ramon Costa Rica. His work about mental illness and stigma has been featured in The Huffington Post. He holds a Master of Fine Arts Degree in Photography from San Jose State University, is a member of the Bay Area Photographers Collective, Maverick Photographers, and teaches photography at West Valley Community College. About Food Chain Series Every day the fisherman from the seaside towns of Prampram, Cape Coast, and Ada, Ghana, head out to sea where they fish up to 40 kilometers offshore. For generations families of these communities have fished the Atlantic Ocean. What they catch will determine the livelihood of the community and their families. Rising early to push the canoes in the water and fight with the breaking waves, and after a pause for prayer; the 10-hour workday ensues. Back on land the selling, cleaning, and cooking of the fish is a lively affair. Working hand to mouth, the fish are sold and taken in baskets by families and prepared for frying in oil for the night’s dinner. Some days there are barely any fish from the day’s work. To make matters worse, due to overfishing by many big fleets from China there is a depleted supply of fish. Millions of dollars per year are reported to be taken from the Ghana economy by overfishing from foreign countries. Because of this the government of Ghana has implemented an annual one-month fishing ban on local fisherman. Many do not know how they will make a living for the length of this ban, and fish illegally risking fines in-order-to feed themselves. With supplies of fish dwindling and the broken food chain as a result, these communities have little to fall back on, and the future of the Ghanaian fishing occupation is in danger of being inundated.
Hidetoshi Ogata
Hidetoshi Ogata, born in Osaka, Japan in 1987, is a Japanese photographer. After taking an MSc in Biochemistry, he visited many places around the world to photograph landscapes. His fascination with traditional Japanese fire festivals began when he was 26 and photographed the annual Yassai Hossai fire festival at his birthplace Osaka. Since then, he has travelled around Japan photographing traditional local lore about fire preserved from the past, as part of his ongoing, long-term project, "In Awe of Fire". Ogata has also been working on wild macaques and regularly visits places like Nagano prefecture, Awaji island in Hyogo, and Shodoshima island in Kagawa. He was the 13th Smithsonian Photo Contest Natural World Winner and the National Geographic Travel Photographer of the Year 2018 People's Choice nomination. His work has been recognized in various photography competitions, including the LOOK SMITHSONIAN exhibition in Shanghai, and has appeared in magazines, TV programs and Web pages throughout the world such as the Washington Post, NY Daily News, the Daily Mail, CBS, Beijing TV and TV Tokyo. Awards: International Photography Awards (IPA) 2015 Honorable Mention The 13th Smithsonian Photo Contest, Natural World Category, 1st Prize Winner International Photography Awards (IPA) 2016 Honorable Mention Outdoor Photographer of the Year 2017 Shortlist National Geographic Travel Photographer of the Year 2018 Nature People's Choice nomination Media: The Washington Post, USA TODAY, NY Daily News, The Daily Mirror, The Daily Mail, The Daily Telegraph, El País, CBS News, National Geographic, National Geographic Travel Publications: Garuda Indonesia Colours December 2017 Outdoor Photographer of the Year Portfolio III TV: BTV, Sichuan Satellite TV, TV Tokyo Photo Exhibition: LOOK SMITHSONIAN Seoul, LOOK SMITHSONIAN Shanghai
Bill Gekas
Australia
Australia-based photographer Bill Gekas has a real knack for portraiture, particularly the kind that results in an homage to many Old Masters of classic paintings, including artists like Vemeer and Rembrandt. Using his five-year-old daughter as the model, Gekas recreates many mid-18th century settings that are inspired by portraits of adults from famous paintings. He styles the environment and his daughter to fit the time period, and uses strobe lights to maintain the appearance of soft, natural lighting. The self-taught photographer learned on 35mm and has since turned to digital techniques. He uses post-processing to put the final touches on each of his photographs. Through hard work, experimentation, and a grand vision, the talented artist has successfully produced an extensive collection—a tribute to both the well-known artists as well as to his young daughter. As Gekas has evolved as a photographer, so has his unique style. He says "Don’t be scared of taking certain elements from different works and molding them into something to call your own. You might like the lighting from a photo you saw somewhere, a prop from another photo, colors from another. The key is not to limit yourself with the excuse, ‘It’s all been done before.’ Yes, many things have been done before, but with some careful thought you can adjust a concept to give it your signature. Experiment!”From www.billgekas.comMy name is Bill Gekas and I was born and live in Melbourne, Australia. A self taught photographer that learnt the technicals of photography using a 35mm film slr camera from the mid 90's and switched to digital in 2005, practicing the art of photography and constantly refining my style. Source: My Modern Met
Gabriele Viertel
German fine art photographer, born near Cologne, Gabriele Viertel now lives and works in Eindhoven, Netherlands. She grew up as the youngest of 3 children in a rural area with an extended family of aunts, uncles and cousins. Inspired by her father, an avid filmmaker and amateur photographer, she took for the first time at the age of 14 his analogue camera to photograph the children of the family. During the education in technical design, she worked as a model to fund the studie. Completed the degree, Gabriele decided to move on to pursue the international career as a model and worked more than a decade for designers such as Dior and Karl Lagerfeld. Since 2008 she dedicated herself entirely to the art of photography as a freelance artist. Conceptually, Viertel's images play with the dialog between the mediums of painting and photography. The magical, often surreal pictorial language and the chiaroscuro light are characteristic means of expression. The major part of her works is staged underwater. Gabriele has received numerous awards, most recently the platin award of Graphis New York, the gold medal of the International Color Award, the silver medal of Prix de la Photographie Paris as well as the Merit Award of Best of Contemporary Photography, Fort Wayne Museum of Art. Her work has been featured in international exhibitions and publications in Europe and North America, notably the Museum of Art Fort Wayne and the Heritage Municipal Museum Malaga. One book on her work has been published by Associazione Artistico Culturale Cameraraw.it. Gabriele's works are in the public collections of the Fort Wayne Museum of Art, Indiana USA and the University of Art, Rotterdam NL as well as in various private collections.
Jan Janssen
Netherlands
1963
As a social photographer, Jan Janssen captures the moments he recognises in his fellow human beings, especially those elsewhere in the world. In everyday moments, he finds the same needs, insecurities or pleasures that all people enjoy in their lives - albeit to different degrees. Travelling is inseparable from Janssen photographic practice. On the one hand, travelling is an opportunity to discover who you are yourself. By travelling to other places, Jan seeks precisely the things we have in common. In a world of polarisation and contrasts, sometimes even on one continent, Janssen settles geographical and symbolic boundaries by photographing people in a pure essence. He photographs the richness of our most basic human needs, like freedom, family and security - or, conversely, the absence of their obviousness. To create his photographs, Janssen works on location for long periods of time. He often returns to the same place during subsequent trips. Here he builds a bond with the local people, a bond based on mutual respect and dignity. This photographing with a free heart allows him to get as close to people as possible. Only in this way can he penetrate to the essence of their being, and then capture it on camera. It Matters Pieces of Europe is a long-term photography project, started in 2016. In this series, I show the moments I recognise in my fellow human beings. Things that are common to our human existence, such as love, play, growing up, loss and need for contact. Things that are present everywhere in the world, in anyone. Several times a year, I travel to destinations in Central and Eastern Europe. For these photos, I travelled to Turkey, Azerbaijan, and Armenia, among others. Once arrived in the country, I work together with the locals to find entry into these communities. I find it very important that I approach them as an equal, and not as a western outsider just using them to take a photo. I build a bond with my portrayed people by following them for weeks, sometimes months. I may return regularly after my visit or stay in touch with my portraits online or remotely. Through this long-term contact, I get to know their traits and discover when they are at their most beautiful, their most vulnerable or their purest. It is at these moments that the most beautiful photos are created. The series is growing and will culminate in a book of the same name in 2026. Travelling is inseparable from my practice. It is an opportunity to discover who I am. By travelling to other places, I seek precisely the things we have in common. It is also a way for me to remind myself of the gratitude of a simple existence in places elsewhere in the world: things I take for granted in the West.
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