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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Jet Long
Jet Long
Jet Long

Jet Long

Country: United States
Birth: 1965

Growing up in the dense, vertical landscape of Hong Kong, Jet Long was captivated by the interplay of light, shadow, and form that defined his urban environment. Surrounded by modern architecture and the constant hum of city life, he developed a deep sensitivity to the structures and rhythms that shape the world around us. After working in Information Technology, he transitioned to photography, channeling his analytical mindset into an artistic pursuit. Now based in Los Angeles, his work involves the abstract forms of modern buildings, capturing the minimalist lines and textures that transform everyday structures into visual narratives.

A passionate traveler, he is deeply inspired by the cultures, landscapes, and people he encounters along the way. From remote natural environments to the vibrant street life of cities, he seeks to capture not only the natural beauty of the world but also the rich tapestry of human stories woven into each place.
 

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More Great Photographers To Discover

Lukas Holas
Czech Republic
I am a small-town photographer and a graphic designer from the Czech Republic. I have occasionally been taking photos of everything that comes along - people, animals, macro and landscape ... for about 6 years. My dream is taking pictures of wild and exotic animals in their natural environment. So far, however, workload, a tight family budget and most of all being an active father of three children do not allow me to fulfill it. I can only combine business with pleasure and therefore we often go with the whole family to zoos in our small country at least. And so it happens that instead of tracking wildlife I often seek and “tame” our wild offspring. Nevertheless, it sometimes comes about that Dad gets away for a few minutes and gets stuck in a willingly posing animal.It may not seem so but shooting in a zoo might turn into a totally exciting matter. "Will the picture be good despite a smudged glass, strong steel bars, frequent apathy of animals or omnipresent crowds of tourists?" Sometimes it works out well! I'm trying to take pictures of the animals against a naturally dark background, but the contrasting final form is given by the adjustments in Photoshop. The experience and the daily practice at my work (a graphic designer) come in handy. My images have no specific message, but I believe that they leave some space for personal imagination and foreshadow a deeper story of animals portrayed. I also suppose that the black colour simply suits the animals and presents them in a more dignified environment than the stark walls of the enclosures do.I was also pleased with the opportunity to cooperate with the Union of Czech and Slovakian Zoos (for which I have been designing the annual reports using my black&white photos for several years), or with some specific gardens in the Czech Republic. I hope that such cooperation will continue in future and that the animals in my images will delight and inspire people in other countries than the Czech Republic.
Mariana Basurto
Mexico
1976
My name is Mariana Basurto. I was born in Mexico City and I'm passionate about exploring the world with my camera in hand. My photography seeks to invade the intimacy of the streets, to extract and represent the magic that is perceived in everyday life and show the world from my eyes. Through my lens I seek to capture the unique and different everyday life with a personal stamp. With every click of my camera I connect with people through a smile or conversation where I have achieved spontaneity, intimacy and respect. There are three people and a country that triggered my passion for street photography at various times in my life. My grandfather and my father taught me to never stop being surprised in life and this fueled the action of exploring the planet. Today, I have visited more than seventy-five countries in the world and I have had the opportunity to live in five of them. My sister inspired me to photography when we traveled together and she captured moments with her Kodak camera from the 1980’s. Finally, having lived in a city like Shanghai motivated me to tell with my lens the fascinating stories that are lived every day in a country as special as China. I hold an Industrial Engineering degree and Professional Cook but abandoned both careers to focus on photography. I’m a member the Women street photography and Mexican Street Photography Collectives. I’m interested in documentary, travel and street photography. My medium-long-term documentary projects are: • At their home – Show how people live around the world. Through my connection on the street I have managed to enter people's homes and they have shown me how they live. • Elder beauty portrait- Document the expressions, textures and stories of elderly men and women from different cultures who through their skin show a unique beauty • Quirks – Fun and unique things from everyday life that represent cultures, places or people I have recently participated in worldwide exhibitions in Hong Kong, New York, Iran, Mexico but my greatest reward is seeing people's expressions when I show them their photo. They feel happy, heard, and represented. I currently live in Charlotte, North Carolina, in the United States in constant search of new places to visit and stories that my lens can tell Statement My photography is a unique, personal dialogue between the images and viewer, crafted with the passion and privilege of capturing human connections and truths, often challenging prevailing narratives without compromise,. My main belief is that: “Never stop being amazed”
Meryl Meisler
United States
1951
Meryl Meisler was born 1951 in the South Bronx and raised in North Massapequa, Long Island, New York. Inspired by photographers such as Diane Arbus and Jacques Henri Lartigue, as well as her dad, Jack, and grandfather, Murray Meisler, Meryl Meisler began photographing herself, family, and friends while enrolled in a photography class taught by Cavalliere Ketchum at the University of Wisconsin, Madison. In 1975, Meisler returned to New York City and studied with Lisette Model, continuing to photograph her hometown and the city around her. After working as a freelance illustrator by day, Meisler frequented and photographed the infamous New York discos. As a 1978 C.E.T.A. Artist grant recipient, Meisler created a portfolio of photographs which explored her Jewish identity for the American Jewish Congress. After C.E.T.A., Meisler began a three-decade career as a NYC Public School Art Teacher. Meisler has received fellowships, grants, and residencies from the New York Foundation for the Arts, Light Work, YADDO, The Puffin Foundation, Time Warner, Artists Space, C.E.T.A., the China Institute, and the Japan Society. Her work has been exhibited at the Zillman Art Museum, Brooklyn Museum, Brooklyn Historical Society, Dia Art Foundation, MASS MoCA, Islip Art Museum, Annenberg Space for Photography, the New Museum for Contemporary Art, New-York Historical Society,Steven Kasher Gallery, the Whitney Museum of American Art, and in public spaces including Grand Central Terminal, South Street Seaport, Photoville, Vichy Portrait Festival, and throughout the New York City subway system. Her work is in the permanent collections of the American Jewish Congress,ARTPPOOL Budapest, AT&T, Bibliothèque Nationale de France, the Brooklyn HistoricalSociety, Book Art Museum (Poland), Columbia University, Emory University, Islip Art Museum,the Library of Congress, Musée de la Poste Paris, Smithsonian Institute, University of Iowa, and The Waskomium, and can be found in the artist book collections of Carnegie Mellon, the Centre Georges Pompidou, the Chrysler Museum, the Museum of Modern Art NYC, Metronome Library, and the Whitney Museum of American Art. Upon retiring from the New York City public schools, Meisler began releasing large bodies of previously unseen work. Her monographs have received international acclaim. A Tale of Two Cities: Disco Era Bushwick (Bizarre, 2014) juxtaposes her zenith of disco photos with images of the burned out yet beautiful neighborhood of Bushwick, Brooklyn in the 1980s. Her second book, Purgatory & Paradise: Sassy ‘70s, Suburbia &The City (Bizarre, 2015), contrasts intimate images of home life on Long Island alongside New York City street and night life. Her latest book New York PARADISE LOST Bushwick Era Disco (Parallel Pictures Press 2021) revieals darker sides of disco and takes the viewer into 1980s Bushwick school and street life. Meryl Meisler lives and works in New York City and Woodstock, New York. NIGHTLIFE NYC, 1977-2023 In 1975 Meryl Meisler moved to New York City. Two years later its most notorious and celebrated nightclub, Studio 54, opened its doors. Meisler immersed herself in the nightlife scene and began to make images of Studio 54's colorful pleasure-seekers, along with some of its most noted party-goers such as Andy Warhol. The photographer states, ''When Studio 54 opened, my friend JudiJupiter got us on the guest list as photographers. The doorman took a liking and parted the door for us night after night. Studio 54's fabulous changing décor, DJs, sound system, and incredible crowds of diverse ages, races, ethnicities, sexual orientations, and gender identities were thrilling.'' Fueled by the excitement of Manhattan's exploding club scene of the late 70s, Meisler photographed fashionable night revelers and celebrities at a number of other hedonistic havens that popped up throughout the City. Legendary clubs such as Copacabana, Paradise Garage, Hurrah, Xenon, GG's Barnum Room, CBGB, and erotic Go-Go bars, provided an endless and diverse array of extravagant subjects immersed in dance and party spectacles. Each venue had its own unique identity, clientele, and energy. Some club-goers who were unable to gain admission to Studio 54 or wanted a change of scenery explored the crowd, vibe, and music at other night spots. Meisler adds, ''On nights off, club owners and cohorts would party at other discos.'' It was on one of these evenings that Meisler photographed Halston and Studio 54 co-owner Steve Rubell comfortably huddled together on a couch at the club Hurrah. A monogamous relationship, full-time art teaching job, and the onset of the AIDS epidemic prompted the photographer's foray into nightlife culture to dramatically slow down around 1981. Meisler kept her collection of images to herself, as a sort of private visual memoir, until an encounter in 2014 at the drag & burlesque bar BIZARRE, in Bushwick. Many of the club's performers and the scene they created were reminiscent of the freedom and energy that abounded during New York City's nightlife heyday in the late 70s. This emerging scene with its emphasis on inclusion, costumed spectacles, and over-the-top revelry inspired Meisler to exhibit her earlier nightlife photos and, once again, document these venues of unbridled celebration. Dance and performance take center stage in many of Meisler's current images taken at clubs like Bushwick's House of Yes and Bartschland's roaming parties. These new club scenes with drag queens and kings, bodacious burlesque performers, acrobats, magicians, dancers, and disco divas add to the continuum of NYC's nightlife culture — honoring and elevating the dynamic spirit set forth by prior generations of party-goers. Article Street Walker
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