Lee Miller, 1907-1977, first entered the world of photography as a model in New York to photographers such as Edward Steichen, Arnold Genthe and George Hoyninguen-Huene.
In 1929 Miller moved to Paris and became the assistant, and lover, of Man Ray. Together, they produced some of the most significant works of both of their careers, including rediscovering the solarisation technique in Man Ray’s darkroom. She quickly became established as both surrealist artist and photographer in her own right and returned to New York to run her own studio with commissions for portraits, packing shots and editorials for Vogue magazine.
Lee Miller spent several years in the mid 1930’s living in Cairo with her Egyptian husband, Aziz Eloui Bey. Bored of life in the city, she would travel by jeep through the desert on photography exhibitions and re-imagine desert landscapes with her witty and surrealist flair.
In 1939, Lee moved to London and worked as freelance photographer for British Vogue magazine. Alongside this, her documentation of the Blitz was published in Grim Glory, a pamphlet encouraging the US to join the war effort. Lee Miller later became one of the first ever female war correspondents accredited to the US army and travelled with the US troops throughout Europe during 1944 and 1945. She documented the liberation of Paris, the siege at St Malo and Buchenwald and Dachau concentration camps. Perhaps most famously, she took a self-portrait sitting in Adolf Hitler’s bathtub in his Munich apartment, a statement of the end of the war.
Lee Miller mostly abandoned photography later in her life and didn’t speak of her wartime experiences. Her former and final home, Farley Farm House, Sussex, England is now the base of the Lee Miller Archives which holds over 60,000 of her negatives as well as manuscripts and vintage prints. Over 3,000 images are available to view at www.leemiller.co.uk
Lee Miller (1907-77) began her artistic career in 1929 as a Surrealist photographer in Paris. She produced images, often in collaboration with Man Ray, in which she isolated motifs by means of tight framing and experimental techniques, and in doing so rendered visible a paradoxical reality.
This publication surveys Miller's best works, including early Surrealist compositions as well as travel photos. At the end of World War II, Miller traveled through Europe as a war reporter, producing harrowing photographs of considerable historical significance. One of her most spectacular pictures originated in late April 1945 in Adolf Hitler's city apartment at Prinzregentenplatz in Munich: Lee had a photo taken of herself sitting naked in the dictator's bathtub--not long after having captured on film the crimes committed in the concentration camps in Dachau and Buchenwald immediately after their liberation by the occupying forces (Miller was one of the first photographers to do so).
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