Viviane Sassen was born in 1972 in Amsterdam, and lives and works there. She first studied fashion design followed by photography at Hogeschool voor Kunsten Utrecht and fine art at Ateliers Arnhem. Sassen grew up in East Africa and has been taking photographs on the continent since her first return visit in 2002. Selected solo exhibitions have taken place at Forma in Milan (2009) and Foam in Amsterdam (2008). Sassen was one of six artists selected for the annual New Photography exhibition at the Museum of Modern Art, New York, in 2011. Recent group exhibitions include The Encyclopedic Palace at the 55th Venice Biennale (2013); No Fashion, Please! Photography between Gender and Lifestyle at the Vienna Kunsthalle (2011); Figure and Ground: Dynamic Landscape at the Museum of Contemporary Canadian Art in Toronto as part of the Contact Photography Festival (2011); and Six Yards: Guaranteed Dutch Design at the Museum voor Moderne Kunst Arnhem (2012). In 2007 Sassen received the first prize of the Prix de Rome, and in 2011 she won the International Center of Photography Infinity Award for Applied/Fashion/Advertising Photography.
This mid-career retrospective volume focuses on Viviane Sassen's fine art photography, revealing a surrealist undercurrent in her work. Sassen recognizes Surrealism as one of her earliest artistic influences, seen in the uncanny shadows, fragmented bodies, and otherworldly landscapes she captures in her work. In addition to images from the acclaimed series "Umbra," this volume draws from the series "Flamboya," in which she returned to Kenya, "Parasomnia," a dreamlike exploration of sleep, the "Roxane" series, a mutual portrait created with her muse, Roxane Danset, "Of Lotus and Mud," a study of procreation and fecundity, and "Pikin Slee," a journey to a remote village in Suriname. This book features a contextualizing essay and an insightful interview with the artist. Throughout, Sassen emerges as a poetic photographer obsessed with light and shadow and a brilliant technician, who is a master of both vibrant color and muted hues. Selected by Sassen herself from across the last ten years, the images draw on the surrealist strategies of collage and unexpected juxtapositions to give a survey of her practice.
This latest book by Viviane Sassen, one of the world’s most acclaimed photographers, explores the concept of shadow in a series of stunning images. Based on an award-winning exhibition, Viviane Sassen’s new book focuses on a common theme in her photographs: shadow. In this book she leads us through a series of thought-provoking takes on the concept―shadow as metaphor for anxiety and desire; as a symbol of both memory and hope for the future; and as an evocation of imagination and illusion. Sassen’s work is renowned for its deft interplay between realism and abstraction. Here that characteristic emerges in the dramatic use of light, shadow and color, as well as the adroit cropping of images and interventions on the prints. This lovely book brilliantly accentuates Sassen’s contrasting color schemes to reinforce the idea of shadow creating an enthralling tactile and visual experience.
Renowned photographic artist Viviane Sassen's latest body of work was realized in a remote village on the Upper Suriname River. Known for her imaginative approach to fashion photography, Sassen's lens here captures mundane objects, making them appear extraordinary against the background of nature's overwhelming presence. Largely shot in black and white, the informal photos also capture a sense of Sassen's personal connection to the village, which is inhabited by the ancestors of former slaves who escaped Dutch rule.
By Viviane Sassen, Charlotte Cotton and Nanda Van Den Berg
Publisher : Publisher : Prestel
2013 | 250 pages
Following the success of Parasomnia, this major new book focuses on the fashion photography of Viviane Sassen. Bringing together 17 years of work in the fashion world, this eye-catching volume features selections from Sassen's award winning series and campaigns for Stella McCartney, Adidas, Carven, Bergdorf Goodman, MiuMiu, and M Missoni, along with editorials for magazines such as the New York Times Magazine, i-D, Numéro, Purple, AnOther Magazine, Dazed &Confused, Fantastic Man, and POP. Sassen's intuitive and imaginative style can be flamboyant, contemplative, erotic, and surreal, often simultaneously. This volume includes essays that offer a context for Sassen's work in the history of fashion photography as well as a bibliography of nearly all of her fashion series. The book will be a delight for Sassen's many fans and those eager for inspiration or beautiful escape.
Tom Price is the Photographer of the Year, winner of All About Photo Awards 2021 - The Mind's Eye. My co-jurors Keith Cullen, Denis Dailleux, Stefano De Luigi, Monica Denevan, Claudine Doury, Ann Jastrab, Stephan Vanfleteren, Hiroshi Watanabe, Alison Wright and myself were impressed by his work 'Porter' taken from a series of surreal portraits, featuring 'relocated' porters from Kolkata, as a reflection on the experience of migrant workers.
Alternative photography pioneer Jill Enfield comes from a long line of photographers dating back to 1875-the date when her ancestors opened up gift stores in Germany where they sold cameras and other technical equipment. In 1939, after fleeing Nazi Germany, her family opened the first camera store in Miami Beach, where as a child, Jill roamed the aisles. It is easy to imagine that she grew up always having a camera in her hands. With photography imprinted in her DNA, her career path seemed inevitable.
Michael Nguyen is a street and documentary photographer living near Munich, Germany. He is also the co-founder of Tagree Magazine. We asked him a few questions about his life and work.
Jon Enoch is a London-based photographer who focuses on portrait and lifestyle photography for advertising and media publications, as well as large organisations. He has won numerous awards for his Vietnamese photography portrait series called cBikes of Hanoi', including the Smithsonian Grand Prize; the Lens Culture Portrait Award and the Portraits of Humanity Award in 2020. The images were also shortlisted for the Sony World Photography Award and they won the gold Prix de la Photographie Paris (Px3) award in 2019. The set of portrait images were featured on the BBC, the Guardian, the Telegraph and went viral on websites across the world.
Olivera Stegmann is a Swiss photographer and also the winner of AAP Magazine #16 Shadows with his project 'Circus Noir'. We asked him a few questions about his life and work.
Francesco Gioia is an Italian photographer who lives in England. He is the winner of AAP Magazine 15 Streets with his project 'Wake Up in London'. We asked him a few questions about his life and work
Paul Brouns is a Dutch photographer who found his voice by capturing architecture. The urban landscape is his ideal playground for apprehending rhythm, color and geometrical elements. He is the winner of AAP Magazine 14 "Colors" with his project 'Urban Tapestries'. We asked him a few questions about his life and work.
Referred to as someone who "captures the souls of his models", (Wanderlust Travel Magazine, 2018) Réhahn is more than just a man behind a camera. Behind each click is a story. Whether the photograph shows a child with startling blue eyes, a woman pulling a needle through indigo fabric or a man walking alone down a brightly painted street, these are more than just images to Réhahn. They are the culmination of an experience. The stories of his subjects as well as his passion to learn more about their culture, diversity and changing traditions are what drives Réhahn's work.
Craig Varjabedian's photographs of the American West illuminate his profound connection with the region and its people. His finely detailed images shine with an authenticity that reveals the ties between identity, place, and the act of perceiving. For Varjabedian, photography is a receptive process driven by openness to the revelation each subject offers, rather than by the desire to manipulate form or to catalog detail. He achieves this vision by capturing and suspending on film those decisive moments in which the elements and the spirit of a moment come together
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