All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Win a Solo Exhibition in April 2026 + An Exclusive Interview!
  1. Home
  2. All Photographers
  3. Rising Photographers
  4. Abhishek Basak
Abhishek Basak
Abhishek Basak
Abhishek Basak

Abhishek Basak

Country: India

Abhishek Basak is a professional freelance photographer specializing in travel, people, and documentary photography. Based in India, he has been dedicated to capturing compelling images and sharing the art of photography for over seven years. His journey in this field has been one of continuous exploration, boundless learning, and an unwavering passion for storytelling through the lens. He has served as a photography teacher at a distinguished school in Kolkata and continues to mentor aspiring photographers in various aspects, including post-processing. He is also a co-mentor for AH Photography Expedition, where he organizes photography tours and workshops to inspire and guide budding talent. He has achieved prestigious distinctions such as EFIP (Excellence FIP) and EFIAP (Excellence FIAP). He has mentored two National Geographic photographers from Poland. He has judged many national and international photography competitions. His photographs have been exhibited in more than 130 countries worldwide. He has been honoured with the Best Photographer Award over 70 times in international competitions held in countries like France, Luxembourg, Serbia, Bulgaria, Belgium, Ukraine, South Africa, Slovenia, Italy, and more. In India, he has received this distinction over 100 times in national competitions, amassing a total of more than 3000 awards across national and international contests. Awards and Honors: · HIPA Finalist in both 2018 and 2023. · First Indian to win the One Eyeland Photography Award 2024. · Winner in 35 Awards 2022. · Winner in Agora Photography Competition. · Winner in Black & White Photo Award. · Winner in World Photography Club Competition. · Winner in FIP Monthly Photography Competition. · Winner in India Photography Summit 2024. · Winner in Photography Club of Assam photo contest. · Winner in NAP Photo contest, Dhanbad Camera Club. · First Indian to win an award from Taichung Photo Award. · Honourable Mention at the KAFF International Contest. · Finalist in the prestigious SIENA International Photo Awards. · Finalist in Urban Photo Awards & Vanguard Photo contest, and many more. · In 2022, he earned 2nd place nationally in the EISA International Photography Competition, a distinguished honour in the field of photography. Publications: · His photographs have been featured in globally acclaimed publications and platforms, including National Geographic, Getty Reportage, The Bangla Live, Chiiz, Asian Photography Magazine, Smart Photography Magazine, Travellers’ World, Viewfinder, The Guardian, and Uttarbanga Sangbad. His work has also been published in major Indian media outlets, including Anandabazar, Eisamay, Bartaman, Anandabahar, Uttarbanga Sangbad, and Outlook Traveller, among others.

Kulasai Dussehra:
Kulasai Dussehra, celebrated in Kulasekarapattinam, Tamil Nadu, is one of South India's most unique and vibrant festivals. Unlike the traditional Dussehra festivities across India, which often center on Lord Rama's victory over Ravana, Kulasai Dussehra is marked by grand processions and intense devotion to Goddess Mutharamman, who is believed to be an incarnation of Durga. Thousands of devotees dress in various forms of gods, goddesses, and mythical figures, bringing alive the region's deep-rooted cultural and religious traditions.This festival showcases one of the diverse ways Dussehra is celebrated. It represents the triumph of good over evil while highlighting local traditions, beliefs, and artistic expressions. My photos of this event, taken in a 24-hour cycle covering start to finish, capture the fervour, colours, and deep spirituality of the festival, making it a cultural experience that deserves wider recognition and appreciation. Understanding Kulasai Dussehra broadens our view of India's rich heritage.

Websites

@abhishek.basak.714

www.facebook.com/abhishek.basak.714

 

Inspiring Portfolios

Anna Biret
© Anna Biret
Svetlin Yosifov
© Svetlin Yosifov
Shinji Ichikawa
© Shinji Ichikawa
Call for Entries
AAP Magazine #56 Shadows
Publish your work in our printed magazine and win $1,000 cash prizes
© Lev L. Spiro
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Nicola Balestrazzi
Nicola Balestrazzi
Italy
1979
Born and raised in Italy, Nicola Balestrazzi has worked in London as a trader in the financial sector. His love for photography and travels pushed him to undertake photography full time since 2022, dedicating more time exploring the world and shooting what satisfies his curiosity and stimulates his sight. He favors street and documentary/social photography, and more generally everything that documents human life and the surrounding environment. My Work I photograph what draws my attention to, from people to the beauty of nature, patterns, shapes, shadows, reflections, colors and light. Lately, my focus has been mainly on people: I feel the need to capture the humanity in them. I enjoy to watch how other human beings conduct themselves. I like to catch people staring, laughing, having fun, showing pain, when they are doing something that surprise me, often being oblivious to everything around them, catching them in off guard moments. I love being on the road and traveling without a predetermined purpose, usually. In the past few years, I have been attracted by the juxtaposition between traditions and modernity caught in a fast, ever-changing world. For this purpose, I started a long-term project on Mexicans and on India. They are mainly street photography projects, both colors and black & white, but with some documental and social elements in them. Being self-taught, my process is one of instinct rather than of intellect or thought. I don’t try to control, or stage anything. The idea is to collect as many interesting pictures as possible, and then figure out how to build a sequence and a narrative that reflect the main theme of modernity vs. tradition.
Laurent Baheux
Laurent Baheux
France
1970
Laurent Baheux is a French photographer born in 1970 in Poitiers. After covering unrestrained international sport news, Laurent Baheux turned towards nature and wilderness. Its been fifteen years since the photographer works on making collections of images of nature in a dense and contrasting style. Laurent Baheux tries to develop a different way of photographing nature and its faune by attempting to create portraits that depict the personality and humanity of each animal, as an individual. He adopts an animal portrayer approach where aesthetics and sensibility prevail over the documentary vision. Tight or misaligned layouts, blur or grain, raw and deep blacks, he explores all the ways possible, having as only requirement the magnification of his subject instead of just representing it. The photographer actively advocates for organizations of environmental protection such as WWF, the Foundation Good Planet, the Institute Jane Goodall or the Association Cheetah for Ever. In 2013, he became goodwill ambassador for the United Nations program for the environment on the anti-poaching campaign Wild and Precious. His photographs are exhibited in galleries and are part of books, publications and exhibitions in France and abroad. Interview Exclusive Interview with Laurent Baheux
Laura Heyman
Laura Heyman
United States
Laura Heyman was born in Essex County, New Jersey. She received a B.F.A in photography from University of the Arts in Philadelphia, PA, and an M.F.A. from Cranbrook Academy of Art in Bloomfield Hills, MI. Heyman’s work has been exhibited at Luggage Store Gallery, San Francisco, CA, Deutsches Polen Institute, Darmstadt, DE, Ampersand International Arts, San Francisco, CA, Senko Studio, Viborg, DK, Silver Eye Gallery, Pittsburgh, PA, The Palitz Gallery, New York, NY, Light Work Gallery, Syracuse, NY, The Ghetto Biennale, Port-au-Prince, Haiti, Philadelphia Photographic Arts Center, Philadelphia, PA, The Laguna Art Museum, Laguna, CA, The United Nations, New York, NY and The National Portrait Gallery, London, UK.In 2010, she was nominated for a John Guttman Photography Fellowship, and was awarded a Light Work Mid-Career Artist Grant. She has received the Silver Eye Fellowship, a Ragdale Fellowship and multiple NYFA Strategic Opportunity Stipends. Heyman has curated exhibitions and panel discussions at Vox Pouli, Philadelphia, PA, Wonderland Art Space, Copenhagen DK and the Clocktower Gallery, New York, NY, and her work has been reviewed and profiled in The New Yorker, Contact Sheet, Frontiers, and ARTnews.Pa Bouje Ankò: Don’t Move Again uses the studio portrait to explore embedded hierarchies between photographers, subjects and viewers. The work is driven in part by longstanding questions around photographic representation, specifically those involving the voyeurism and objectification of so-called “third world” subjects by “first world” artists. Seeking to examine these questions in depth, I established an outdoor portrait studio in the Grand Rue neighborhood of Port-au-Prince, Haiti in late November 2009. Advertisements circulated news about a photography studio in the area, where members of the local community could schedule appointments to have their portraits made for free. Working in black and white with an 8x10 camera, I photographed one hundred and twenty people over a period of two weeks.Three weeks later, the meaning of those images shifted with the earthquake. They became both records and memorials. That event also changed the focus of the project, which evolved to include various expanding populations in Port-au-Prince tied to future development and reconstruction.Issues of representation, visual sovereignty and cultural protocol, central to the project from the beginning, became more complicated after the earthquake. When I first arrived in Port-au-Prince, I imagined that positioning myself as a “studio photographer” would allow me to escape or subvert the complex tangle of hierarchies at play in Haiti, as well as in the exchange between photographer and subject. Neither has been the case. Instead, layers of meaning and intention continue to reveal themselves, expanding the project's framework and engaging the myriad contradictions and impossibilities present in the work’s original question.All about Laura Heyman:AAP: When did you realize you wanted to be a photographer?I began making photographs in high school, and knew I wanted to be a photographer before going to college.AAP: Where did you study photography?At University of the Arts in Philadelphia, I studied with Jack Carnell and Alida Fish. At Cranbrook Academy of Art, where I got my MFA, I studied with Carl Toth, and also Grant Kester, who taught Critical Theory at the school during my first year there.AAP:Do you have a mentor or role model?I don’t know that I’d say I have a mentor – there are peers I look to regularly for advice and feedback on my work.AAP: Do you remember your first shot? What was it?One of my first shots was the stream in my grandparent’s backyard in Phonecia, New York. My grandfather fished there, and my older sister and I used to run around and catch salamanders and frogs.AAP: What or who inspires you?Artists like Collier Schorr, An-My Lê, Roni Horn, Robert Adams, Mark Ruwedel, Pieter Hugo; David Shrigley, Jennifer Dalton Ai Wei Wei; Richard Mosse and Liz Cohen. I’m inspired by artists whose work makes me think, those using humor in their practice, and artists who really put themselves on the line. Books and essays, movies and performance – I’m inspired by a lot of different people and things.AAP: How could you describe your style?The visual style of my work changes according to the subject – a constant is subjects or projects that can and do express a layered viewpoint, or pose a series of questions.AAP: What kind of gear do you use? Camera, lens, digital, film?While I sometimes shoot digital, mostly I work analogue, with a medium or large format camera. Lately that has meant using Ilford HP5 black and white film with a Deardorff 8X10 camera and a 300 mm lens.AAP: Do you spend a lot of time editing your images?For me, editing (by which I mean deciding what images are included in a series, not post-production) is at least fifty percent of the job. I spend as much, if not more time editing a series as I do producing it.AAP: Favorite(s) photographer(s)?Collier Schorr, Robert Adams, Rineke Djikstra, Zoe Strauss, Luc DelahayeAAP: What advice would you give a young photographer?Know what you want. Shoot twice as much as you think you should. Be prepared to shoot and re-shoot until you get what you want.AAP: Your best memory as a photographer?A number of photographs I made of some friends while we waited in a car for the ferry. It was cold out, and we were all inside, smoking. The images captured the moment and the subjects very precisely – although this was over twenty years ago, they still have an immediacy that thrills me.AAP: Your worst souvenir as a photographer?A little while ago I was shooting some portraits on a very sunny day, and forgot to flag the lens. The negatives l ended up with were completely fogged and unusable.AAP: If you could have taken the photographs of someone else who would it be?Either Robert Adams What We Bought, or Collier Schorr’s Jens F. Both books have a real hold on me – I’m completely consumed every time I open one up. And after years of looking at them, they still surprise and fascinate me.
Lisa Kristine
Lisa Kristine
United States
1965
Acclaimed humanitarian photographer Lisa Kristine specializes in images of remote indigenous peoples. Best known for her evocative and saturated use of color, her fine art prints are among the most sought after and collected in the world. Lisa has documented in over 100 countries on six continents, using a 19th century 4×5” field view camera for the majority of her work. Lisa Kristine was born in San Francisco, California, on September 2, 1965. She developed an early interest in anthropology and photography. Lisa was mentored in her youth in Silver Gelatin and Cibachrome printing. Following graduation from the Fashion Institute of Design and Merchandising in San Francisco, Lisa photographed for nearly five years in Europe and Asia. Lisa has collaborated with international humanitarian organizations. When the State of the World Forum convened in San Francisco in 1999 and in New York in 2000, Lisa was asked to present her work to help inspire discussions on human rights, social change, and global security. Her work was auctioned by Christie’s New York to benefit the United Nations with Kofi Annan. She was also honored to be the sole exhibitor at the 2009 Vancouver Peace Summit with His Holiness the Dalai Lama, Reverend Tutu and award winning Nobel Laureates. In 2010 Lisa collaborated with Free the Slaves documenting modern-day slavery. She traveled into the heart of broiling brick kilns, down rickety mine shafts, and into hidden lairs of sex slavery. She bore witness to the most horrific abuses imaginable and the astonishing glimpses of the indomitable human spirit. A groundbreaking photographic book entitled Slavery in which Archbishop Desmond Tutu wrote the foreword was released in the fall of 2010. The sales of the book will help to end slavery. John C. Sweeney, Director of the United Nations, says of her work, “Lisa Kristine’s sensitive and beautiful portrayal of isolated and distant peoples helps us to better appreciate the diversity of the world. She captures the sheer beauty of the differences in people and places and allows us to comprehend the shared nature of the human condition: its hope, its joy and its complexity.” Her work is made distinctive by her passion and intuition and her intense interest in the humanity of her subjects. “I want a person to feel at ease with me, so that they remain who they are and are unchanged by a new, foreign element such as a stranger (myself) or a camera. In order for me to photograph a person in this unaffected environment of ‘self,’ there must be a firm trust between us. Without this, one might still create a beautiful image, but not a stirring one. I’m drawn to people who have been living closer to the earth, and who have very old traditions. People who have not, in any way, been altered by modernity.” “The saturation of color opens our eyes to those who are living in ways very different from our own,” says Paul Oppenheimer, a highly regarded philosopher and teacher. “Lisa invites each of us as humans to look into the eyes of those whom we cannot understand—in a setting that does not diminish our differences. In those differences, we find the roots of our unity.” The images, both inspiring and evocative, draw a connection between the viewer and the subject. Lisa Kristine’s art is her personal statement about the connection of humanity, and about the diversity, beauty, and hardship of our world. Published in 2003, Lisa’s limited edition hardcover monograph A Human Thread of 120 photographs sold out within a year. The accompanying short documentary film, A Human Thread, explores the process behind the photographs and includes interviews with Kristine as well as footage of her on location. Following on the success of her first book, Kristine published This Moment in 2007. This Moment won the bronze metal for the Independent Publisher Book Awards. The book consists of 62 full color plates showcasing her use of the large-format 4x5 field view camera. A second documentary film, Through the Lens, was produced in association with the book. The film illuminates her photographic and artistic process in using a 4x5 large-format view camera.
Shin Noguchi
Shin Noguchi
Japan
1976
Shin Noguchi, born 1976 in Shinjuku, Tokyo, Japan, is an award winning street photographer based in Kamakura and Tokyo, Japan. He describes his street photography as an attempt to capture extraordinary moments of excitement, humanism and beauty among the flow of everyday life. With his discreet, poetic and enigmatic approach to his art, Shin is able to capture the subtleties and complexities of Japanese culture without relying on staged, no-finder or hip shot photography. He has been invited to hold solo exhibitions in Russia, France, China (organized by Leica Camera) and other countries, and also He has been featured on The Leica Camera Blog many times, in Courrier Inte'l, Internazionale, Libération, The Guardian, The Independent, etc, and some assignment work has been also published in Die Zeit, Libération, etc. His new book "In Color In Japan" was published in Italy, and one of his works was used as key visual for FIFDH 2022: The International Film Festival and Forum on Human Rights. Currently, he has been selected for Leica Camera's new global campaign “M is M.” "The subjects tell me the meaning and value of life. To take a picture is to affirm the existence of peopleーthe human nature and karmaーand it's also an opportunity to affirm my own existence and accept it as it is." In Color in Japan From the introduction of the book: Like all good photographers, Shin Noguchi treats the camera as another appendage - a special sensory organ merging hand and eye that allows him to show us what he sees, and more subtly, how he sees. And his camera is always working. Noguchi is internationally respected as a "street photographer," but while he has won numerous prizes for his work in that genre, the appellation does not do justice to his omnivorous eye. His is just as likely to record tender moments with his family or newsworthy events like the typhoon as his encounters on the streets of Tokyo where he works, or Kamakura, where he lives. The connecting vein that runs throughout his work is a belief in the appearance of objectivity, a belief that first began to manifest when he discovered the work of the Magnum photo cooperative when he was still in his teens. It was, as he has said, the first time he realized that art and documentation could be merged. Noguchi knows perfectly well that what he shows us reflects his own sensibility and intellect but prefers to dial back the expressionistic impulse. It is an old trick in photography: make the viewer believe that had she been standing next to him she would have seen precisely what he saw. It’s also a difficult trick to pull off, particularly when the everyday world seems to be so full of surprises. In Noguchi-world, Giraffes wander about temples with Buddhist monks; workers dive into random circular openings in giant bushes, or burst from openings in blank walls as if transporting to or returning from another dimension; golf carts cluster like insects on neon-green lawns; objects possessed of more animate power than the people carrying them seem to propel their human cargo down the sidewalk instead of the opposite. In many images, goofy absurdity suddenly explodes from a sober social milieu in a way that seems to Western eyes particularly Japanese. Sentiment and affection are common themes, but the work is never sentimental. His new book, "Shin Noguchi, in Color in Japan," skates across the peaks of many of Noguchi’s favorite preoccupations (I personally have developed a fondness for his utterly adorable daughters) and one can only hope that we will get to explore his work more deeply in the future. - Chuck Patch museum curator, photographer and writer
Joy Celine Asto
Joy Celine Asto
Philippines
Joy Celine Asto is a writer and film photographer from Manila, Philippines. She regularly contributes to photography and creative publications, including The Phoblographer, where she is currently the News & Culture Editor; and Whattaroll, an online magazine celebrating the outstanding works of film photographers like herself. Primarily a portrait photographer influenced by emotive and conceptual styles, her works have appeared in print and online magazines such as She Shoots Film: Self-Portraits Issue, Casimir Magazine, ANON Magazine, EMUSLIVE, and Film Shooters Collective. Her portraits have also been been selected for Flickr's Your Best Shot in 2016 and 2017. Joy also self-publishes zines and photobooks, with Stories from Year Twenty-Nine (a personal year-long project documenting the last year of her twenties) being her most important self-published work.
Formento & Formento
Formento & Formento
United States/United Kingdom
BJ Formento is the light. Richeille Formento is the pigment. This dynamic husband-wife team have made an art of their unique strain of photography. Exuding an eerie sensuality combined with a narrative cinematic sensibility, the ambiguous nature of the characters and scenarios remind us of David Lynch and Hopper-esque landscapes. They couldn’t have landed in the photographic landscape at a more opportune moment. With the enormous interest in their work—success is eminent. Vogue Italia has been a forerunner and loyal supporter of their work, as well as cutting edge magazines like Aesthetica, Blink, Musee and L’oeil de la Photographie. 2012 was a breakthrough year for F+F. They were nominated top finalist to American Vogue’s New Exposure Competition working with Bottega Venetta and Red Digital Camera. In 2014 their works were selected by Alessia Glaviano, photo editor of Vogue Italia and L’Uomo Vogue for a “Glimpse at Photo Vogue” at Carla Sozzani Gallery and in 2015 for “45 Frames from Photo Vogue” at Leica Milan Gallery. Amazing response from the shows at Art Basel Miami Beach, Aipad and Armory NYC. Solo exhibitions across Europe starting in Paris, London, Berlin, Stuttgart and Dusseldorf. Their work also been exhibited in New York at Edelman Arts Gallery in February 2013. The most notable event this year is the publication of their first coffee table book by YK editions, as well as a film to promote the book which has been shown this fall at the Pompidou in Paris. Fahey Klein Gallery has offered them the coveted summer slot and the inaugural exhibition of Japan Diaries. A Photo Shanghai booth dedicated to their works Circumstance, September 2014. The inaugural exhibition of “She is Cuba” at Art Miami 2014 was received with great applause as well as the celebrity studded opening at Miami Fahey Klein and Chrome Hearts during Art Basel 2014. BJ Formento was born in Hawaii and grew up in the Philippines, studied in San Francisco and moved to New York in 1999. Richeille Formento was born in London and attended the prestigious Central St. Martins College of Art before working as an art director and designer in the fashion industry. They split their time between NYC and Miami with their 3 siamese cats.
Chris Moret
Chris Moret
Netherlands
"I'm a Rotterdam based amateur-photographer. However, saying photography is 'just a hobby' would be a big understatement. Taking pictures is a thing I have to do. There is that ever present need to freeze the remarkable, beautiful, or odd moments that cross my everyday path. I got a degree in photography in 1992, but never turned that into a professional career. Once a frustration that made me drift away from photography for 16 years. However later on it became a solid foundation of valuable knowledge to help me pursuing the images I want to make. I made several travels to India and Morocco, visited a lot of European cities but as time goes by I find myself discovering pictures more and more closer to home. And that is the beauty of photography; you don't have to travel to the end of the world to find a compelling picture. It can be right there in your street, in your living room or backyard. You only have look and then raise that camera to your eye and click. " -- Chris Moret
Liz Obert
Liz Obert
United States
Liz Obert is a lens-based artist based in the Pacific Northwest. Her current work is a reflection on mortality and the human condition, along with our culture’s obsession with materialism. It expresses the transience of our existence through our shared experiences with food through imagery inspired by Dutch’s paintings. She has a BFA from the College of Santa Fe and an MFA from Washington State University. Her work has been exhibited nationally and internationally, with showcases in Spain, France, and Hungary. Her work has been published in outlets including The Missouri Review, Slate, The Huffington Post, and others. Modern Vanitas In my series Modern Vanitas, I draw upon the paintings of 17th-century artists in the Netherlands who created still-lifes often referred to as Vanitas. These compositions contained what appeared to be random objects of their time, such as candles, silver platters, and exotic foods. However, the items were a symbolic representation of the futility of life’s pleasures, creating moral lessons for the soul. Many contain representations of death or specifically, the human skull, making them memento mori, illustrating that all of us are mortal. I am inspired by these paintings because their message of consumerism is even more relevant today. Mass consumption is no longer just about morality; it also has concrete consequences. Globalization of trade, industrial farming, and the mass production of cheap plastic have all contributed to global warming. I see my photographs as memento mori for the planet, I draw inspiration from their baroque lighting and use of chiaroscuro. In my images, I often recreate their use of diagonal lines, cluttered compositions, and dramatic light, but I populate the photos with meticulously chosen items, such as fast food representing our mass consumption, fruit illustrating our reliance on transporting food, and candles and dying flowers showing that time is running out. Although these images have an element of humor by elevating the mundane, such as Starbucks and Burger King, the message is serious. I intend for both the humor and the rich lighting to draw in the viewer and I hope that they will understand the deeper meaning. Article American Bodegónes
Advertisement
AAP Magazine #56 Shadows
Win a Solo Exhibition in April
AAP Magazine #56 Shadows

Latest Interviews

Exclusive Interview with Jan Janssen
Interview
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
Read the full interview
Exclusive Interview with Henk Kosche
Interview
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Read the full interview
Exclusive Interview with Anastasia Samoylova
Interview
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Read the full interview
Exclusive Interview with Marijn Fidder
Interview
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Read the full interview
Exclusive Interview with Josh S. Rose
Interview
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Read the full interview
Interview with Maureen Ruddy Burkhart
Interview
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Read the full interview
Exclusive Interview with Peter Ydeen
Interview
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Read the full interview
Exclusive Interview with Julie Wang
Interview
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Read the full interview
Exclusive Interview with Ghawam Kouchaki
Interview
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Read the full interview
Call for Entries
Solo Exhibition April 2026
Get International Exposure and Connect with Industry Insiders
© Samantha Yancey
Explore All About Photo
All About Photo
About Us
Contact Us
Link Back
Press
Blog
Newsletter
Terms of Use
Privacy Policy
Competitions
All About Photo Competitions
Our Jurors
All Photo Contests
Open Photo Contests
Amateur Photo Contests
Professional Photo Contests
Portfolio Reviews
Photo Competition News
Artists
Photographers A-Z
Masters of Photography
Modern Photographers
Rising Photographers
Articles
Interviews
Inspirational
Photography Exhibitions
Photography Festivals
Photo Fairs
Photo Museums
Galleries & Centers
Photographer Monographs
Technique Books
History of Photography
Miscellaneous
Paper Magazines
Online Magazines
Resources
Schools and Classes
Photography Agencies
Equipment Rentals
Studio Rentals
Photo Labs
Camera Repairs
Framing Stores
Photo Tips & Tools
Photo Gear
© 2026 © All-About-Photo.com, All Rights Reserved  •  Photographs © the Respective Artists, All Rights Reserved.