Justine Tjallinks is an Amsterdam-based Dutch Artistic Photographer. She started her career as a magazine Designer and Art-Director and worked for leading fashion titles. After several years of working with photography she wanted to create imagery as she envisioned and took the leap towards a new career in 2014.
Justine aims to capture the uniqueness of individuals and the diversity of human beauty, often backed by a story of social importance. Inspired by the master painters from the Dutch Golden Age, her artworks feature muted colours and balanced compositions. Fashion design is used as an additional means of expression.
Even though a sense of nostalgia speaks through her art, the aim is to always remain in line with the contemporary zeitgeist.
Justine her works have been exhibited in national and international venues and she has won multiple international photography awards.
Justine Tjallinks: Vision brings together a series of carefully composed portraits that challenge conventional ideas of beauty, identity, and representation. Drawing inspiration from the rich visual traditions of Flemish painting, Dutch artist Justine Tjallinks creates images defined by controlled lighting, sculptural poses, and an extraordinary attention to texture and detail. Her photographs unfold slowly, inviting contemplation rather than instant consumption. Each portrait appears suspended between reality and imagination, where silence, stillness, and emotional intensity shape the atmosphere of the image.
Tjallinks approaches photography with a method rooted in preparation and intuition. Long before the shutter is released, the image already exists as an internal vision, gradually refined through composition, costume, color, and gesture. This deliberate process gives the work a painterly quality while preserving the presence and individuality of the subjects themselves. Fabrics, skin, shadows, and backgrounds interact with remarkable precision, creating portraits that feel both timeless and deeply contemporary.
At the heart of Vision lies a commitment to expanding the ways people are seen and represented. Tjallinks photographs individuals whose appearances or bodies often remain excluded from dominant visual culture, yet her approach avoids spectacle or sentimentality. Instead, she emphasizes dignity, vulnerability, and emotional presence. The portraits do not seek to explain difference but to acknowledge it as an integral and valuable part of human experience. In many images, the directness of the gaze becomes central, confronting viewers with their own assumptions about beauty and normality.
The book ultimately transforms portrait photography into an act of attentive looking. Tjallinks encourages viewers to move beyond superficial perception and engage with the emotional and psychological depth contained within each image. Through restraint and empathy, Vision proposes a more inclusive and reflective understanding of beauty—one rooted not in perfection, but in fragility, individuality, and the complexity of human presence.
Justine combines the ‘old’ and the ‘new’ to create images that have a sense of nostalgia whilst the content and subjects are often firmly fixed in present-day sensibilities.
Taking inspiration from Dutch master painters for their use of light and color, this is juxtaposed with remarkable, contemporary faces and figures seen in modern clothing designs. This aesthetic combination means that Justine’s reputation and work is growing quickly. Owing to this photographer’s growing success, her work has been recently been taken on board by the Kahmann Gallery, and they plan to showcase her work in numerous fairs and art installations worldwide over the upcoming years.
For this interview, we wanted to focus specifically on The Face of the Mundari and the wider Pastoral Peoples and Practices series. We spoke with Trevor about his long-term work among the Mundari, what continues to draw him back to their cattle camps, and the experience of documenting a culture whose identity remains deeply connected to livestock, tradition, and the natural environment.
In our latest exclusive feature for All About Photo, I speak with veteran photography representative Frank Meo about what it truly takes to build a sustainable creative career today. Frank brings decades of experience working with Fortune 500 companies, major agencies, and documentary photographers to the table. We dive into the critical business skills often left out of art school curriculums, the power of mentorship, and the inspiring evolution of PROJECTIONS—his international salon platform for visual storytellers. It’s an essential read for anyone navigating the commercial or editorial photography landscape today.
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community.
Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist.
As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe.
Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments.
Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life.
His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin.
Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award.
We asked her a few questions about her life and work.
