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Lisa Thomas
Lisa Thomas
Lisa Thomas

Lisa Thomas

Country: United States
Birth: 1974

Lisa Thomas is a self-taught Atlanta-based photographer with a passion for creating unique, abstract images. Born in Virginia in 1974, she holds a degree in physical therapy from the University of Oklahoma and has spent over 20 years in the healthcare industry. She began studying photography in 2020 as a creative outlet to cope with stress and to connect with others during a time of social isolation. Initially drawn to representational imagery, her journey as an artist has been an evolution, leading her to embrace the enchanting realm of abstract photography. Thomas’s current work, Studies in Oil and Water, is a macro view of the interplay between oil and water set against a variety of backdrops. Thomas’s distinctive style combines vibrant colors, playful compositions, and the use of light to create images that are emotionally uplifting and encourage viewers to embark on a visual journey.

Studies in Oil and Water
My photographic work is an exploration of two seemingly incompatible elements, oil and water. Through my lens, I capture their intricate interactions giving rise to mesmerizing abstract compositions allowing viewers to immerse themselves in a realm of color and fluidity. In this chaos, I find harmony in the hues and patterns that emerge and an appreciation for the beauty in the everyday. From bold and intense to tranquil and serene, my photographs mirror the kaleidoscope of emotions that define our lives. My aim is not only to captivate the eye but also to inspire curiosity and contemplation in the viewer.

Websites

@lisathomasfineart

lisathomasfineart.com

 

Inspiring Portfolios

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More Great Photographers To Discover

Yukari Chikura
Yukari Chikura
Japan
Yukari Chikura born in Tokyo, Japan. After graduated from university of music. She became music composer and computer programmer. She is the winner of STEIDL BOOK AWARD and her work has been published by STEIDL. She was selected as "FOTOFEST Discoveries of the Meeting Place 2018". She won LensCulture Emerging Talent Awards 2016, Sony World Photography Awards , Photolucida Critical Mass TOP50 2016 & 2015 among others. Her work has been published by New York Times, Guardian among others. She held 12 places solo exhibition and group exhibition at museum, gallery around the world. Some projects have collected in Griffin Museum in US and Bibliotheque national de France. ZAIDO This book is Yukari Chikura's preservation of the 1300-year-old Japanese ritual festivity "Zaido." Following a series of tragedies including her father's sudden death, her own critical accident and the 2011 Tohoku earthquake and tsunami, Chikura recalls how her father came to her in a dream with the words: "Go to the village hidden deep in the snow where I lived a long time ago." And so with camera in hand she set off on a restorative pilgrimage to northeast Japan (the first of numerous journeys), which resulted in this book. Chikura arrived at the village, surreally silver in the snow and mist, and there discovered Zaido, where inhabitants from different villages gather on the second day of each new year and conduct a ritual dance to induce good fortune. The performers dedicate their sacred dance to the gods and undergo severe purifications. Combining photos of snowscapes that border on abstraction with images of the intricate masks and costumes of Zaido, Chikura depicts the cultural diversity of the participants as well as their common bond in creating collective memory and ensuring the survival of this ritual. More about Zaido by Ann Jastrab
Ilse Bing
Ilse Bing
Germany
1899 | † 1998
Ilse Bing was one of the leading European photographers of the interwar period. She was born into a comfortable Jewish family in Frankfurt, Germany, in 1899. As a child her education was rich in music and art. In 1920 she began studying mathematics and physics at the University of Frankfurt, but soon changed to study the history of art. In 1924 she continued her studies with a doctorate on the Neo-Classical German architect Friedrich Gilly. Bing's introduction to photography was triggered by a practical need to illustrate her doctoral thesis. She bought a Voigtlander camera in 1928 and began to teach herself photography. The following year she bought a Leica, the new and revolutionary 35mm hand-held camera that enabled photographers to capture fast-moving events. As well as enabling her to photograph buildings for her thesis, Bing's newfound skill with the camera earned her an extra living as a photojournalist for a German illustrated magazine supplement, Das Illustriete Blatt. During these early days of her career, Bing was also commissioned by the Dutch modernist architect Mart Stam, who taught at the Bauhaus school of design, to visually record all of his housing projects in Frankfurt. The resulting photographs were characterized by dizzy angles, flat planes and strong shadows, which were characteristic of an emerging modernist language of art and design, pioneered by both the new architecture and the 'New Photography' movement, of which Bing was beginning to be a part. Through Stam, Bing was also introduced to Frankfurt's avant-garde artistic circles. Having found some commercial success with photography, and with her artistic horizons expanding, Bing gave up her thesis in the summer of 1929 and, in 1930, decided to move to Paris to concentrate on photography. Establishing herself in Paris as a freelance photographer, she applied elements of the photographic style she had experimented with in Frankfurt to commercial work, including photojournalism, architectural and theatrical photography, advertising, fashion and portraiture. For the first couple of years in the city, she published her work regularly with German newspapers and Das Illustriete Blat. Gradually, she also started to publish work in the leading French illustrated newspapers such as L'Illustration, Le Monde Illustré and Regards, and from about 1932, she increasingly worked for fashion magazines Vogue, Adam, Marchal, and the American Harper's Bazaar. She explored Paris' rich historic past and its worn and weathered environments as well as its modern urban scenes, photographing the exhausted grandeur of the Père Lachaise cemetery, dark apartment blocks reflected in gutters, or the layering of torn posters on a wooden fence. Her fascination with shadow, contrasts of light and dark, and basic geometrical shapes also informed her portraiture. Her photograph of a young girl (Flower Girl, 1931) staring into the distance demonstrates her skill as a portraitist. The large flowers in the background contrast with the delicate bright flowers on the girl's dress, and the shadows behind highlight the bright young face. When on assignment, Bing would take extra pictures for her own artistic interests, and she quickly built up a large body of work. During a commission to photograph the famous Moulin Rouge cabaret, for example, she made a series of photographs of dancers, which formed her first exhibition in Paris in 1931. Later that year, her photographs caught the attention of the photographer and critic Emmanuel Sougez, who praised their dynamism. Nicknaming Bing 'the Queen of the Leica', Sougez continued to be an important and influential supporter of her work throughout the 1930s. In 1931 Bing met the New York-based writer Hendrik Willem van Loon, who became her most important patron and introduced her work to American clients. Van Loon showed her work to the collector and gallerist Julien Lévy, who subsequently displayed her work in the exhibition Modern European Photography: Twenty Photographers at his New York Gallery in 1932. Bing also frequently exhibited in Parisian galleries, where her work was shown alongside that of Brassaï, Henri Cartier-Bresson, Florence Henri, Man Ray and André Kértesz. In a trip to New York, Bing met Alfred Stieglitz, a leading figure in the American photographic world and great supporter of modern photography. We can see the influence of Stieglitz's vision on the photographs Bing made of the city following their meeting. In Bing's image of a carriage in Central park, the cropped dark outline of the carriage and its driver dominate the composition, providing a stark contrast to the wispy trees and gentle cityscape in the background – stylistically reminiscent of Stieglitz's work The Terminal (1892). Bing also absorbed the styles of other contemporary American artists – some of whom she met through Stieglitz. Her street scenes, for example Barber College, New York (1936), can be likened to scenes from contemporary American realist painting. After returning to Paris in 1937, Bing married the German pianist Konrad Wolff, whom she had met in 1933 when they lived in the same block of flats. Bing kept her maiden name for her photographic activities, but also used the name Ilse Bing Wolff. She took fewer photographs during the late 1930s, though she continued to find inspiration in Paris, and explored different subject-matter, including still life work. The outbreak of the Second World War changed everything. In 1940 Bing and Wolff, who were both Jewish, were forced to leave Paris and were interned in separate camps in the south of France. Bing spent six weeks in a camp in the Pyrenees, before rejoining her husband in Marseille. The couple spent nine months there, awaiting visas for the US. Eventually, with the support of the fashion editor of Harper's Bazaar, they were able to leave for the US in June 1941. Although Bing had managed to take her negatives with her, she left all of her prints behind in Paris under the safekeeping of a friend. They were sent on to Marseille but Bing and her husband had left already France by the time they arrived. The prints remained in Marseille – in a shipping company's warehouse – miraculously missing the many bombs that fell on the port, until the end of the War, when they were finally sent to Bing in New York. Tragically, when they arrived, Bing was unable to pay the customs duty for all of them. She had to sift through the prints and decide which to keep and which to throw away – some of her most important vintage prints were lost at this time. Five years after her successful visit to New York in 1936, Bing returned to an altogether different environment. This was partly due to changing fashions in photography, and partly because of the large number of photographers who had, like Bing, fled Europe and were now seeking work. Bing found it hard to gain commissions for reportage work and worked much less as a photojournalist from this point on, though she continued to take portraits – especially of children – and exhibited her work throughout the late 1940s and early 1950s. Bing returned to Paris twice after the war, in 1947 and in 1952, and once again photographed the city that she had loved so much in the 1930s. According to Bing, these later Paris photographs are infused with a different spirit. Influenced by the war, she saw things on a more impersonal, isolated level. In the late 1950s, Bing eventually gave up photography, wanting to make more abstract work through poems and line drawings, and later, collage.Source: Victoria and Albert Museum
Aurélien Bayo
Aurélien Bayo
France
1992
Aurélien Bayo (born in Besançon, France) is a photographer living in Brooklyn, New York. His work explores marginalized youth and communities grappling with climate change.
Antonio Denti
Antonio Denti
Italy
1972
Antonio Denti is an Italian cameraman and photographer. A Reuters staff video journalist for over 20 years, he covered conflict in Kosovo, Afghanistan, Iraq, Israel, Gaza, Lebanon. He also covered the beginning of the Arab Spring in Tunisia and the epic human migration to Europe across the Mediterranean sea. He often travelled with Popes during their travels, including to Iraq and recently to Canada. He also filmed the aftermath of the death of Pope John Paul II at the Vatican and of Queen Elizabeth II in London. The Kid of MosulAntonio Denti He loves still photography, which he tries to integrate more and more in his moving pictures work. His still pictures have won awards (Ippawards, All About Photo awards, International Photography Awards, Urban Photo Awards, ND Awards, Mifa Awards etc...) and have been published on The Eye of Photography magazine, the Social Documentary Network, LensCulture and other international online photography publications. He strongly believes that visual story-telling can bring a precious contributions to counter the contemporary tendency towards a results-focused, speed-obsessed, screamed and over all standardized journalism and push towards a more authentic, respectful and meaningful way to tell about our world.
Auguste Belloc
Auguste Belloc
France
1800 | † 1867
Auguste Belloc (1800–1867) was a French photographer, known for his erotic works. He was born in Montrabé, and died in Paris. Belloc began his career as a painter of miniatures and watercolors. Belloc's first photographic studio was mentioned in 1851. Auguste Belloc practiced daguerreotype, he became involved in wet collodion development and improved the wax coating process, helping the photos to keep their wet-like luster. Belloc led also important research about color stereoscopy (3-dimensional photography).Source: Wikipedia Auguste Belloc, born in Paris in 1800, was a portrait miniaturist and watercolor painter. By 1851, Belloc was making portraits with the daguerreotype and calotype processes. He was one of the founding members of the Société Française de Photographie. In the mid 1850’s, he was inventing, manufacturing and selling photographic supplies and equipment, which he continued until his death in 1867. In 1869, Marconi reproduced and published Belloc’s exquisite nudes, which were deemed pornographic at the time. Source: Andrew Cahan Bookseller
Fabrice Fouillet
Fabrice Fouillet
France
1974
Fabrice Fouillet was born in 1974. He first studied sociology and ethnology, then photography at the Gobelins school in Paris, and specialized in still lifes. He currently lives in Paris and regularly works with many magazines, such as Vogue, Wallpaper, Numero, L’Express, Le Monde, The New York Times... His out-of-studio approach fluctuates between art and documentary and aims to explore the close relationship of men with their environment. His work favours a thorough architectural approach and stems from a particular outlook and idea, serving uncluttered aesthetics. In 2013, his series on new places of worships, "Corpus Christi", won the Sony Awards in the category "Architecture".
Souichi Furusho
Souichi Furusho
Japan
1977
I live in Kumamoto-Japan, and work as a graphic designer in the field of advertising media. I discovered iPhoneography on Facebook and Flickr a couple of years ago, about the same time I bought my iPhone. That was followed by a variety of delightful encounters with people online. I have since participated in exhibitions in "Spain, The Netherlands, and California" along with iPhonegraphers from various countries. Although I had no prior experience whatsoever as a photographer, I was familiar with working with photographs as part of my career in graphics. My style is what I call "freedom & simple", and I approach it from many different angles. This style is the result of pursuing my own vision, which is represented by my works. iPhoneography has provided interesting opportunities for my new form of representation. The umbrella has become a symbol essential to my work. For me, the umbrella embodies the thoughts and dreams of people. This is a series of images using the umbrella as “a vehicle which carries a dream.
Mariska Karto
Mariska Karto
Netherlands
Mariska Karto is an artist/ fine art-photographer born in Suriname (South-America) and raised in the Netherlands. In this age of rapidity and technical development, in which human is exposed to impersonal detachment of current technical era, Mariska Karto creates the vulnerable and intensive dimensions of human feelings and emotions. This all happens in the dreamworld she has created with her technique in which past and present have found their way to each other, in this era of transformation.She talks to you in a language without words using symbolism in a dreamworld of historic paintings atmosphere.Mystique, tragic and erotic are the keywords for her work. Her work are like old stories escaped from an old world of eternal dreams, eternal emotions and eternal feelings that existed for hundred of years but still repeats themselves as in a pattern of an earthy rite, in this new modern contemporary era.Her works are like poems and thoughts, restless ones but are also like whispers of thoughtless experiences, floating in a centuries long movement in time.Artist Statement"My work is based on a period in which photography did not exist, It was not until the end of the 18th century that it was invented. As a result of this, people thought that photography would make the art of painting disappear, especially in the post modern era, the traditional art had to make way for new technical developments. In my work I seek and found a respectful connection of technique and traditional craft through a striking contradiction. Painters in the Baroque/renaissance time were trying to paint as true-to-life with painting-techniques and color applications. What a camera does is portray the world in its realistic colors. That’s the contradiction in my work, it’s the other way around. I shoot realistic images and through an intensive transformation process, the work is changed, true-to-life in the characteristic Baroque colors and style of that time. Eventually, this says nothing about photography and technique, but more about the great masters of that gone era, they were able to be as realistic and accurate as possible with brush and paint the world in all its reality… That’s the great contradiction in my work, I’m leaving the visible reality of our current time, and bring the invisible realism of the past forward in my work. As a result of this, I pull away present time from its structure and then time appears to be just a definition, which slowly fades away, when current and past becomes interwoven with each other.” More background info: "I mix skills from different worlds together. It is a blend of skills of my (I'm originally a painter and sketcher, textiles - I was a textile artist some years ago, photography and image processing) that ultimately meets each other in this form of art. A main factor are also social emotional influences in my life which developed how I see, learn and finally understand things in an essential (psychological) way. All these (artistic) elements from different areas and personal influences come together in a work of mine."
Julien De Wilde
Julien De Wilde
Belgium
1976
Julien De Wilde was born into a family of photographers and has been fascinated by Japanese black and white photography since his childhood. After years of commercial photography and traveling in Asia, he now focuses his work on personal fine art photography projects, moving images and short documentary films. His dark and deep black and white portraits are an invitation to dive into ourselves. Self-inquiry and introspection are omnipresent in his images full of sensitivity and truth. Go to the point, without detour or artifice. He lives in Brussels and often travels to Bangkok. His photographs have been honored with multiple awards.
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Interview
Exclusive Interview with Jan Janssen
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Exclusive Interview with Henk Kosche
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Exclusive Interview with Josh S. Rose
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Exclusive Interview with Ghawam Kouchaki
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Call for Entries
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