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Lisa Thomas
Lisa Thomas
Lisa Thomas

Lisa Thomas

Country: United States
Birth: 1974

Lisa Thomas is a self-taught Atlanta-based photographer with a passion for creating unique, abstract images. Born in Virginia in 1974, she holds a degree in physical therapy from the University of Oklahoma and has spent over 20 years in the healthcare industry. She began studying photography in 2020 as a creative outlet to cope with stress and to connect with others during a time of social isolation. Initially drawn to representational imagery, her journey as an artist has been an evolution, leading her to embrace the enchanting realm of abstract photography. Thomas’s current work, Studies in Oil and Water, is a macro view of the interplay between oil and water set against a variety of backdrops. Thomas’s distinctive style combines vibrant colors, playful compositions, and the use of light to create images that are emotionally uplifting and encourage viewers to embark on a visual journey.

Studies in Oil and Water
My photographic work is an exploration of two seemingly incompatible elements, oil and water. Through my lens, I capture their intricate interactions giving rise to mesmerizing abstract compositions allowing viewers to immerse themselves in a realm of color and fluidity. In this chaos, I find harmony in the hues and patterns that emerge and an appreciation for the beauty in the everyday. From bold and intense to tranquil and serene, my photographs mirror the kaleidoscope of emotions that define our lives. My aim is not only to captivate the eye but also to inspire curiosity and contemplation in the viewer.

Websites

@lisathomasfineart

lisathomasfineart.com

 

Inspiring Portfolios

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More Great Photographers To Discover

Jacob Riis
Jacob Riis
Denmark/United States
1849 | † 1914
Jacob August Riis was a Danish-American social reformer, "muckraking" journalist, and social documentary photographer. He contributed significantly to the cause of urban reform in America at the turn of the twentieth century. He is known for using his photographic and journalistic talents to help the impoverished in New York City; those impoverished New Yorkers were the subject of most of his prolific writings and photography. He endorsed the implementation of "model tenements" in New York with the help of humanitarian Lawrence Veiller. Additionally, as one of the most famous proponents of the newly practicable casual photography, he is considered one of the fathers of photography due to his very early adoption of flash. While living in New York, Riis experienced poverty and became a police reporter writing about the quality of life in the slums. He attempted to alleviate the bad living conditions of poor people by exposing their living conditions to the middle and upper classes. Riis had for some time been wondering how to show the squalor of which he wrote more vividly than his words could express. He tried sketching but was incompetent at this. Camera lenses of the 1880s were slow as was the emulsion of photographic plates; photography thus did not seem to be of any use for reporting about conditions of life in dark interiors. In early 1887, however, Riis was startled to read that "a way had been discovered to take pictures by flashlight. The darkest corner might be photographed that way." The German innovation, by Adolf Miethe and Johannes Gaedicke, flash powder was a mixture of magnesium with potassium chlorate and some antimony sulfide for added stability; the powder was used in a pistol-like device that fired cartridges. This was the introduction of flash photography. Recognizing the potential of the flash, Riis informed a friend, Dr. John Nagle, chief of the Bureau of Vital Statistics in the City Health Department who was also a keen amateur photographer. Nagle found two more photographer friends, Henry Piffard and Richard Hoe Lawrence, and the four of them began to photograph the slums. Their first report was published in the New York newspaper The Sun on February 12, 1888; it was an unsigned article by Riis which described its author as "an energetic gentleman, who combines in his person, though not in practice, the two dignities of deacon in a Long Island church and a police reporter in New York." The "pictures of Gotham's crime and misery by night and day" are described as "a foundation for a lecture called 'The Other Half: How It Lives and Dies in New York.' to give at church and Sunday school exhibitions, and the like." The article was illustrated by twelve-line drawings based on the photographs. Riis and his photographers were among the first Americans to use flash photography. Pistol lamps were dangerous and looked threatening, and would soon be replaced by another method for which Riis lit magnesium powder on a frying pan. The process involved removing the lens cap, igniting the flash powder, and replacing the lens cap; the time taken to ignite the flash powder sometimes allowed a visible image blurring created by the flash. Riis's first team soon tired of the late hours, and Riis had to find other help. Both his assistants were lazy and one was dishonest, selling plates for which Riis had paid. Riis sued him in court successfully. Nagle suggested that Riis should become self-sufficient, so in January 1888 Riis paid $25 for a 4×5 box camera, plate holders, a tripod and equipment for developing and printing. He took the equipment to the potter's field cemetery on Hart Island to practice, making two exposures. The result was seriously overexposed but successful. For three years, Riis combined his own photographs with others commissioned of professionals, donations by amateurs and purchased lantern slides, all of which formed the basis for his photographic archive. Because of the nighttime work, he was able to photograph the worst elements of the New York slums, the dark streets, tenement apartments, and "stale-beer" dives, and documented the hardships faced by the poor and criminal, especially in the vicinity of notorious Mulberry Street. A particularly important effort by Riis was his exposure of the condition of New York's water supply. His five-column story "Some Things We Drink", in the August 21, 1891, edition of the New York Evening Sun, included six photographs (later lost). Riis wrote: "I took my camera and went up in the watershed photographing my evidence wherever I found it. Populous towns sewered directly into our drinking water. I went to the doctors and asked how many days a vigorous cholera bacillus may live and multiply in running water. About seven, said they. My case was made." The story resulted in the purchase by New York City of areas around the New Croton Reservoir, and may well have saved New Yorkers from an epidemic of cholera. Riis tried hard to have the slums around Five Points demolished and replaced with a park. His writings resulted in the Drexel Committee's investigation of unsafe tenements; this resulted in the Small Park Act of 1887. Riis was not invited to the eventual opening of the park on June 15, 1897, but went all the same, together with Lincoln Steffens. In the last speech, the street cleaning commissioner credited Riis for the park and led the public in giving him three cheers of "Hooray, Jacob Riis!" Other parks also were created, and Riis was popularly credited with them as well.Source: Wikipedia
Carolyn Moore
Carolyn Moore
United States
Carolyn Moore is a fourth generation Californian, raised in a family of artists and outdoor enthusiasts. Her love of nature is evident in her artwork having spent much of her formative years hiking, swimming, backpacking and enjoying the vast diversity in nature. Equally adept at both music and art, her formal education fell to music. Degrees were completed at University of California Berkeley, University of Oslo and Conservatory of Music, Norway. After a fulfilling and successful career of performance and teaching of flute, percussion and special needs music, her focus since 2005 has turned to visual expression through photography. Artistic inspiration came early in life when presented with paint brushes and a brownie box camera by her artist father at the age of 7. Mostly self taught, Carolyn has experimented with many photographic techniques - everything from digital, to film based using plastic or pinhole cameras and handmade or lensless processes. Since 2007 Carolyn has received multiple photographic honors and awards and has been juried into several exhibits at the Soho Photo Gallery, New York. Carolyn has been published in Color Magazine and has participated in multiple solo and collective exhibits both in the United States and Europe. She is currently a member of the Center for Photographic Art and proudly serves as Steering Committee Chair for Image Makers Photographers of Monterey. My Heart Exposed Photography to me, represents a composite of my personal feelings, emotions, values and experiences expressed on a canvas. It is as if the artwork is an open window where artist and viewer peer one to the other in a silent exchange. Images from “My Heart Exposed”, Volume 1, are created in a process that includes entering a meditative state where feelings, intuition and curiosity drive choices made in an experimental photographic process. This process lends an element of unpredictability, and as a result parameters are set for embracing surprises and allowing the image to evolve. The decisions I make are influenced by my innermost feelings and thus, each image presents a visually poetic reflection of my unique story. My personal story is made all the more poignant by the recent loss of family and intense emotional turmoil of the past year. This chaotic and complicated year of love, loss and strife made maintaining a sense of self a major challenge. I am often reminded of time spent in nature with lost family members, and I cherish the thought of loved one’s hands guiding me in a shared love of nature and an expression that uses plants as an artistic voice. I invite viewers to draw on their own experiences and allow their hearts to embark on a journey of reflection and discovery within each image. “My Heart Exposed”, Volume 1 are sunshine exposed Lumens with hand painted cyanotype on expired photographic paper. While developing this technique, I have experimented with different types of photographic paper, timing of exposure and elements that change the chemical reaction between plants and paper. Images evolve and change during the development process and I present captures of those stages in unaltered true color. While some images are fixed and will remain stable, others will continue to evolve and eventually dissipate altogether. Article Exclusive Interview
Jesse Alexander
Jesse Alexander
United States
1929 | † 2021
Jesse Alexander is an American photographer that covers motorsports, portraits, birds and travel. He also published several books. One of his first photo expeditions was in 1953 to the Carrera Panamericana race in Mexico. Since 1954, he covered large European races such as 24 Hours of Le Mans in France, and the Mille Miglia and Targa Florio of Italy. While in Europe he also photographed culture celebrities for New York Times, and was the European editor for Car and Driver magazine. He has exhibited at the Birmingham Museum of Art, the Akron Art Museum, and the Santa Barbara Museum of Art.Source: Wikipedia Jesse Alexander has been involved in photography and especially motorsports photography since the early 1950s when he covered the original Mexican Road Race. He then spent many years in Europe covering Formula One and the famous long distance sports car races, the 24 Hours of Le Mans, the Mille Miglia and Targa Florio. In that period of time he also photographed theater and music personalities for the New York Times. “As a young boy growing up during World War II, I was captivated by the imagery that came out of the war through the eyes of legendary photographers like Edward Steichen and W. Eugene Smith. My other heroes include Henri Cartier-Bresson, Jacques Henri Lartigue, Mary Ellen Mark, Bruce Davidson and Robert Capa”, he said. Jesse’s current body of work includes travel photographs of Iceland, the Galapagos Islands, and birds.Source: Fahey/Klein Gallery In the wake of World War II, a golden age of motor sports emerged in Europe, pitting competing countries against each other on the racetrack instead of the battlefield. A young photographer at the time, Jesse Alexander followed "the circus" and captured on film the adventure, glamour and innocence of this influential period in racing. In one image, Phil Hill waves after winning the 1960 Italian Grand Prix in his Ferrari; in another, Piero Taruffi celebrates his 1957 victory at the Mille Miglia in Brescia, Italy. Since then, Jesse Alexander has remained one of the most acclaimed and commercially successful racecar photographers in the history of the sport. Jesse Alexander's photographs have been exhibited in numerous museums and galleries in the United States, including the Birmingham Museum of Art, the Akron Art Museum, and the Santa Barbara Museum of Art. Source: Robert Klein Gallery
Jacko Vassilev
Jacko Vassilev
Bulgary
1951
Jacko Vassilev is an internationally acclaimed art and press photographer, actively working in the field since 1983.He was born in 1951 in Stara Zagora in Bulgaria. His work has been widely shown around the world in museums and galleries, institutes and private collections. His photographs are included in the permanent collections of the International Center for Photography in New York City, the European Center of Photography in Paris, the Museum of Fine Arts in Houston. Since 1996 Vassilev’s been residing and traveling around the United States.
Giovanna Aryafara
Giovanna Aryafara
Australia
I am a photographer deeply drawn to the authenticity of human connection and the beauty of cultural resilience. My work is rooted in natural light—I never use flash or artificial setups, as I believe less gear creates a more comfortable and organic experience for my subjects. This allows me to connect with them deeper, capturing their essence without intrusion. Occasionally, when I have the time, I incorporate a black backdrop—particularly when camping—creating an intimate space to balance both environmental and portraiture elements. However, my process always begins the day before a shoot. I explore the area, searching for the best natural light (“chasing the light”) and ensuring the background complements the subject without distractions. Just as important is observing and connecting with the people, and understanding who is comfortable with my presence behind the lens. My photography is defined by its relaxed, immersive style—capturing joy, beauty, and quiet moments of connection in a subject’s natural environment. Whether it’s the strength of Ethiopian tribes or the spiritual devotion in Bali, I strive to document cultural narratives with honesty and warmth. I shoot primarily in Africa, particularly Ethiopia, but Bali is home. My husband is Balinese, and my connection to the island runs deep, especially in the villages where tradition, Hindu rituals, and daily resilience are ever-present. When I’m not travelling, I work from my Photography Gallery & Coffee House in Bali, where my small, dedicated team understands and shares my passion for storytelling through images. For years, I exclusively used Canon gear, but three years ago, I transitioned to Sony Alpha R5 (two bodies), paired with my go-to lenses: • Sony G Master 24-70mm • Sony G Master 70-200mm • Sony 50mm Prime • Sony 16-35mm However, I only carry what is necessary for each shoot, ensuring I remain as mobile and unobtrusive as possible. The two series I have submitted—Ethiopia and Bali—reflect my deep appreciation for culture, beauty, and resilience. Whether in the remote Omo Valley or the heart of Bali’s spiritual traditions, my focus remains the same: to honour the people I photograph and to share their stories with the world. About the Myanmar Collection "Myanmar is one of my favourite places on Earth—it feels like time has stood still. The ancient pagodas, temples, and deep history make it so special, but Bagan is truly breathtaking. The monasteries, the monks, and their quiet way of life have always drawn me in. There’s something about the early morning light, the sound of chanting, and the simplicity of daily rituals that feels unchanged for centuries. Through my photographs, I want to capture that feeling—the beauty, the stillness, and the deep sense of tradition that makes Myanmar so unique." Awarded Photographer of the Week - Week 09
Md. Arifuzzaman
Md. Arifuzzaman
Bangladesh
1979
Md. Arifuzzaman Zaman is a Bangladeshi visual storyteller whose journey into photography began at the age of 35, after receiving a small camera as a gift from his sister-in-law in Florida. Inspired from childhood by films, literature, cultures, rituals, and the beauty of everyday life, he gradually transformed from a passionate reader into a dedicated storyteller through photography. Now over 50, he has spent more than 16 years developing a distinctive visual language rooted in authenticity, emotion, and human connection. He learned from acclaimed photographer GMB Akash and further refined his craft through workshops at Counter Foto school. His work focuses on documentary, travel, street, and cultural photography, with a deep interest in preserving human stories, traditions, spirituality, and the poetic rhythm of everyday life. Rather than pursuing staged narratives or stereotypes, he seeks to capture the quiet dignity and soulful essence of people and places. His photography has received numerous international recognitions, including the Xposure International Photography Award, Urban Photo Award, Budapest International Photography Award, Global Photography Award, Ashaishimbun Award,Tokyo Foto Festival Award, One Eye land Travel Award, and Gold Award in the 1839 Color Photography Contest 2025. He also received a special July Award from Viepa in the Street category in 2025. More than 385 of his photographs have been published on 1x.com, and his work has appeared in renowned publications including The Guardian, Fstoppers, The Daily Telegraph, South Florida, Sun Sentinel, National Geographic, Amnesty International, The Daily Star, and many others. His photo stories have also been featured on 121clicks.com and Edge of Humanity Magazine. In January 2026, his work The Wonder of Nature was exhibited at Dusk Gallery in the United States. He believes photography is “the mystic reflection of life—a mirror veiled in shadows and light, whispering stories only the soul can hear.” Statement Through my photography, I try to explore the relationship between people, memory, and environment. Growing up in Bangladesh, I have been deeply inspired by everyday life, disappearing traditions, and the resilience of communities facing social and environmental change. I aim to create images that feel both documentary and poetic, transforming ordinary moments into visual stories filled with emotion and atmosphere. Of all the Legend Photographers Steve McCrurry, Fan Ho, Raghu Rai, Salgado, James Nachtway made a deep impact on my work. And I was so lucky to meet some of Legend. Recently I am moved by Earnst Hass, Mitchel Kanashkevich work. All About Photo Competitions Photographer of the Week 21, 2026
Laura El-Tantawy
Laura El-Tantawy
Egypt/United Kingdom
Laura El-Tantawy is an award winning British/Egyptian documentary photographer, artful book maker & mentor. She is a Canon Ambassador, representing the global camera giant’s vision & passion for visual storytelling. Born in Ronskwood in Worcestershire, UK, Laura studied in Egypt, Saudi Arabia, the US & UK. Living between East and West for much of her life inspires her work, which contemplates notions of home & belonging through exploring social & environmental issues pertinent to her background. Her photography is recognised for its characteristically painterly & lyrical eye on reality. Laura started her career as a newspaper photographer in the United States. She turned freelance in 2005, moving to Cairo and starting what became her seminal body of work In the Shadow of the Pyramids. Laura is the first Egyptian to be awarded the prestigious W. Eugene Smith Memorial Fund award, which she received for her long-term series I’ll Die For You. The award honours photographers whose work follows the tradition of W. Eugene Smith's humanistic photography & dedicated compassion. In 2016, she was among the four artists nominated for the prestigious Deutsche Börse Photography Foundation Prize, awarded annually to a photographer who made the most significant contribution to the photographic medium in Europe during the past year. Her work has been published in The New Yorker, Afar, Le Monde, Wall Street Journal, National Geographic, Time, New York Times, Huck & Foam. In 2020, Laura joined Canon’s global Ambassador Programme. Joining a roster of more than 100 visual professionals, she represents the future of visual storytelling, Canon's unique brand & “its silent heroes — the staff & visionary engineers who make my work possible” she said. Laura prides herself on her independent identity as a visual creative. Her goal as an artist is to produce socially engaged, unique and thought-provoking work. She often collaborates with like-minded individuals, institutions & organisations driven to inform responsibly, contribute positive change to the world & encourage stimulating thought & creativity. Source: www.lauraeltantawy.com
Vladimir Nosalskiy (Lenin)
Vladimir Nosalskiy (Lenin)
Russia Federation
1973
I was born in USSR on June 10-th 1973. My pseudonyms in arts is Lenin. Back there our country was far from being open towards new ways of self-expression such as modern art, creative photography or so. For a long time everything people could percept from art and culture has been gray and monotonous. My childhood passed in criminal district. However, both of my parents are self-educated artists. I am sure that my ability to see beauty in ordinary, routine things originates from my family. Photography itself appeared in my life when I was 10.With my father's camera Zenith; I discovered all the nearby corners of my district, all the parks and squares. When I was teenager, the only way to make surrounding world more beautiful was to go studying as a tailor, which was the only creative profession in our town back there. During Perestroika Russia moved from cultural aspects of governmental policy into market economy, which made a life of an artist hard. I built into the system by creating decorations and shows for governmental and business events. However, I always missed the camera, it was my companion everywhere. I took pictures of the art plans, events, nature, city and travel. However, my comeback to real inspirational photoshoots happened several years ago. "Contemplate, create, enjoy" - has become my moto since I was young. I had several personal exhibitions art & photo: 1999, "26 steps", Moscow, Russia, 2000, "Cocoon-2000", Moscow, Russia. And several group exhibitions 1999, "Kazantip", "Kazantip-2" The exhibition of young artists "Lenin i Deti", Moscow, Russia, 2016, "Planet Moscow 2016" , Moscow, Russia. My inspiration in photography and arts are: Alexander Rodchenko, Auguste Rodin, Billy Monk, Claude Monet, Francisco Josè de Goya, Hieronymus Bosch, Ivan Bilibin, Jackson Pollock, Jean-Michel Basquiat, Leonardo da Vinci, René Magritte, Vladimir Tatlin, Wassily Kandinsky.
Matt Wilson
Matt Wilson
United Kingdom
1969
Matt Wilson’s current body of work is part of an ongoing project, based upon a collection of transient observations, the landscapes of every day life and the people that call those landscapes home. It delves into the artist’s own history, his formative and current years within his home landscape and in the city he now resides and also, those of distant landscapes both literally and metaphorically he has traveled. A subtle, visually rich character study of what makes us who we are and the places we all inhabit and journey to, a chance to observe those looking outward whilst reflectively an opportunity to gaze inward.Source: Susan Inglett Gallery Matt Wilson photographed everywhere in Europe, starting with his native England, but also in France, with which it has its affinities, without omitting the Eastern countries where he still returns frequently between two stays Cuba. More recently, he ended his desire browse new territory: the United States where he lived for ten years. He could be afraid to touch this history, both American photographers are already loaded beautifully. But again, it gives us an amazing vision that reveals by snapshots of landscapes and men burnt by the sun that eventually, anyway, by lying down on this vast landscape to create ineffable moments that we may be fooling yourself and see it in watercolor. Then we could call this work “pictorial metaphor” even if the drift purely pictorial characters Matt Wilson were not so rooted in their time and in their daily lives, although sometimes needy. Because somewhere, if Matt Wilson gives us what he sees through a poetic prism, it is also a reporter and reflects our contemporary society by its subjects but often raw deals at tragic nor misery. His watchful eye is rather benevolent view borrowing a tragicomic light behind the full extent of a deeply humanistic thought.Source: mattwilsonphotography.com
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Latest Interviews

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Interview
Exclusive Interview with Carolyn Moore
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
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Exclusive Interview with Matthew Finley
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Exclusive Interview with Jan Janssen
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Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
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Exclusive Interview with Henk Kosche
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German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
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Exclusive Interview with Anastasia Samoylova
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Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
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Exclusive Interview with Marijn Fidder
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Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Exclusive Interview with Josh S. Rose
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Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Interview with Maureen Ruddy Burkhart
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Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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