All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Win the First Solo Exhibition of 2026! Submit your best project now. Open Theme
Win the First Solo Exhibition of 2026! Submit your best project now. Open Theme
Lee Jeffries
Lee Jeffries
Lee Jeffries

Lee Jeffries

Country: United Kingdom

Lee Jeffries lives in Manchester in the United Kingdom. Close to the professional football circle, this artist starts to photograph sporting events. A chance meeting with a young homeless girl in the streets of London changes his artistic approach forever. Lee Jeffries recalls that, initially, he had stolen a photo from this young homeless girl huddled in a sleeping bag. The photographer knew that the young girl had noticed him but his first reaction was to leave. He says that something made him stay and go and discuss with the homeless girl. His perception of the homeless completely changes. They become the subject of his art. The models in his photographs are homeless people that he has met in Europe and in the United States: "Situations arose, and I made an effort to learn to get to know each of the subjects before asking their permission to do their portrait." From then onwards, his photographs portray his convictions and his compassion to the world.

"If you will forgive my indulgence, This work is most definitely NOT photojournalism. Nor is it intended as portraiture. It's religious or spiritual iconography. It's powerful stuff. Jeffries gave these people something more than personal dignity. He gave them a light in their eyes that depicts transcendence, a glimmer of light at the gates of Eden, so to speak. The clarity in their eyes is awesome to behold as if God is somewhere in there. He has made these people into more than poor old broken homeless people lazily waiting for a handout from some urbane and thoughtful corporate agent. He infused them with light, not darkness. Even the blind guy has light pouring from his sightless eyes. I think Jeffries intended his art to honor these people, not pity them. He honors those people by giving their likenesses a greater meaning. He gives them a religious spiritual significance. He imbues them with the iconic soul of humanity. I think that's what he was trying to do, at least to some degree thereof."

Source: www.yellowkorner.com


Lee Jeffries leads a double life – as a full-time accountant near Manchester, and in his free time as an impassioned photographer of the homeless all over the world.

A self-taught photographer who started out taking pictures of stock in a bike shop, his epiphany came in April 2008 when, on the eve of running the London Marathon, he snatched a long-lens image of a homeless girl huddling in a doorway, and felt compelled to apologize to her when she called him out for it. Their resulting conversation changed not only his approach to photography; it changed his life.

Since that day Lee has been on a mission to raise awareness of – and funds for – the homeless. His work features street people from the UK, Europe, and the US whom he gets to know by living rough with them, the relationship between them enabling him to capture a searing intimacy and authenticity in his portraits. He has published two critically acclaimed fund-raising books, Lost Angels and Homeless, worked with the Salvation Army on a major campaign, and donated the half-dozen cameras he's won in prestigious imaging competitions to charity. He estimates he's given thousands of pounds of his own money to help those he photographs. All this, and he's still 'an amateur'.

Source: Nikon In-Frame


Read Our Exclusive Interview with Lee Jeffries
 

Lee Jeffries's Video

Selected Books

Inspiring Portfolios

Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Maggie Taylor
United States
1961
Maggie Taylor received her BA degree in philosophy from Yale University in 1983 and her MFA degree in photography from the University of Florida in 1987. After more than ten years as a still life photographer, she began to use the computer to create her images in 1996. Her work is featured in Adobe Photoshop Master Class: Maggie Taylor’s Landscape of Dreams, published by Adobe Press in 2004; Solutions Beginning with A, Modernbook Editions, Palo Alto, 2007; and Alice’s Adventures in Wonderland, Modernbook Editions, Palo Alto, 2008. Taylor’s images have been exhibited in one-person exhibitions throughout the U.S and abroad and are in numerous public and private collections including The Art Museum, Princeton University; The Fogg Art Museum, Harvard University; Harn Museum of Art, University of Florida; Museum of Fine Arts, Houston, Texas; and The Museum of Photography, Seoul, Korea. In 1996 and 2001, she received State of Florida Individual Artist’s Fellowships. In 2004, she won the Santa Fe Center for Photography’s Project Competition. 2005 she received the Ultimate Eye Foundation Grant. She lives in Gaineville, Florida.From en.wikipedia.orgMaggie Taylor (born 1961 in Cleveland, Ohio) is an artist who works with digital images. She won the Santa Fe Center for Photography's Project Competition in 2004. Her work has been widely exhibited in the United States and Europe and is represented within the permanent collections of several galleries and museums. She is the third wife of American photographer, Jerry Uelsmann. She produces prints by scanning objects into a computer using a flatbed scanner, then layering and manipulating these images using Adobe Photoshop into a surrealistic montage.
Wolfgang Bohusch
Austria
1985
Bohusch decided to become photographer at the early age of 13. He began experimenting with old darkroom equipment of his grandmother and shooting with a 35mm camera. After studying photography for 5 years at die Graphische, Vienna he started working as freelance Production Manager, Location Scout and later Photographer or D.o.P and Director for advertising film production companies. On extensive travels he is working on his personal projects. Street- photography in India, Miami or Tokyo, landscape and aerial photography in various places as well as fashion films, music videos in London or Paris. In January 2017 Wolfgang Bohusch stayed in a tent for two weeks in Maroccos Sahara desert. Under very special conditions during his work for the series 'silicon based creatures' Bohusch experienced a period of intense meditation. Details and blurred outlines make it difficult to recognize the shape of the image at once. Pattern recognition takes place only through the perception of the seemingly random forms and structures. The viewer is encouraged to look more closely in order to get lost in the work and to let the subconscious mind wander - in order to finally be able to find his own associations. silicon based creatures With his series 'silicon based creatures' Wolfgang Bohusch invites the viewer to stand in front of his photographs, mediate, and let the mind wander into subconsciousness. Each and every work tells a different story, your own story. There are no titles, no hints for interpretation, no directions to look. Like in a Rorschach test, Bohusch wants you to find your own associations and recognize patterns that are not pregiven and therefore renders every photograph an individual experience. A millisecond is the time span for Wolfgang Bohusch's sculptures to be created but the artist allows us to ponder these millisecond sculptures calmly. The “silicone based creatures” series of 21 photographs presented at OSME Gallery is the outcome of his stay in the Sahara desert for weeks and experimenting with its elements like sand, wind, light, and chance. What you see on the photographs is thus the fusion of elements which serendipitously form into sculptures and are randomly captured on paper. The process behind these snapshots therefore resembles the behaviour patterns of bird or fish swarms. What is more, when we see them crowding together in the sky or in the water, our minds automatically associate certain forms or figures with the sudden patterns they create. As soon as we have caught one image within the crowd, it is already gone again. We get the opportunity to slowly make our own interpretations, though, and to try and find a piece of ourselves in them. So, when you have invented your creatures, where do they come from? And what do they want to tell us? If you think of them as signs, maybe even add a little bit of superstition, can they be hints to the future? Like popular customs or shamanic rituals to predict the future, Bohusch's creatures could also be prophetic figures. Or do they come from the past as mythical beings? Wolfgang Bohusch confronts us with a range of topics and questions in this series which he does not want or cannot answer himself. Lastly, he gives us another little hint with which he introduces one more existential quest. Silicone, which is a constituent of sand, is also the material used for microelectronics, like computer chips, and the basis for what creates the tools for producing the photographs in the first place. Finally, this aspect could trigger another question, or rather “the mother of all questions”: what came first? www.juliahartmann.at
Dan Fenstermacher
United States
1985
Dan Fenstermacher merges documentary storytelling, and street photography with both humor and activism. Fenstermacher was recently selected as the winner of the 2020 Miami Street Photography Festival International Series Contest and the 15th Annual Smithsonian Photo Contest for the American Experience category. Fenstermacher has photographic experience on four continents including a multi-media internship in Accra, Ghana, as a portrait photographer in Sydney, Australia, a Professor of Fine Arts at Xiangfan University in China, and as an artist-in-residence in San Ramon Costa Rica. His work about mental illness and stigma has been featured in The Huffington Post. He holds a Master of Fine Arts Degree in Photography from San Jose State University, is a member of the Bay Area Photographers Collective, Maverick Photographers, and teaches photography at West Valley Community College. About Food Chain Series Every day the fisherman from the seaside towns of Prampram, Cape Coast, and Ada, Ghana, head out to sea where they fish up to 40 kilometers offshore. For generations families of these communities have fished the Atlantic Ocean. What they catch will determine the livelihood of the community and their families. Rising early to push the canoes in the water and fight with the breaking waves, and after a pause for prayer; the 10-hour workday ensues. Back on land the selling, cleaning, and cooking of the fish is a lively affair. Working hand to mouth, the fish are sold and taken in baskets by families and prepared for frying in oil for the night’s dinner. Some days there are barely any fish from the day’s work. To make matters worse, due to overfishing by many big fleets from China there is a depleted supply of fish. Millions of dollars per year are reported to be taken from the Ghana economy by overfishing from foreign countries. Because of this the government of Ghana has implemented an annual one-month fishing ban on local fisherman. Many do not know how they will make a living for the length of this ban, and fish illegally risking fines in-order-to feed themselves. With supplies of fish dwindling and the broken food chain as a result, these communities have little to fall back on, and the future of the Ghanaian fishing occupation is in danger of being inundated.
Sem Langendijk
The Netherlands
1990
Sem Langendijk is a documentary photographer with an interest in communities and their habitat, the urban environment and spatial arrangements. He observes the identity of a place, the impact communities have on their environments, and how space functions within the structures of a city. Langendijk shoots on large and medium format cameras, and aims to imbue his subjects with a certain tranquility. He continues to balance his work on the very narrow edge between visual storytelling and poetic personal documentation. Langendijk studied documentary photography at the Royal Academy of Arts, The Hague. In 2018, he was a recipient of the Mondrian Fund Stipendium for Emerging Artists and his work is exhibited at multiple art fairs and festivals, most recently 'The American Landscape', a group show travelling the US with The Gallery Club. He is currently working in Amsterdam, Londen and New York, on a personal body of work, continuing his research about the former Docklands. As an artist I intend to raise questions about the concept of 'the city' in our time. What role does history play in the identity of place, and feeling of belonging? How does ownership of (private) property relate to the right of the city? Through working with communities and researching their habitats I try to reveal (economical and political) systems that influence today's city life. My visual work is loosely related to social geography and anthropology, as I do field research and create visual notes. I combine this with more structured and methodological work, such as typologies. With these approaches I mean to reflect upon, as well as creating a more personal excerpt of, reality.
Richard Learoyd
United Kingdom
1966
Richard Learoyd was born in the small mill town of Nelson, Lancashire, England in 1966. At the age of 15, his mother insisted he take a pinhole photography workshop, which he attributes as the start of his interest in photography. In 1990 he graduated from the Glasgow School of Art with a degree in Fine Art Photography. While there he studied with American photographer Thomas Joshua Cooper. In 1991 Learoyd was awarded an artist-in-residence at the Scottish Ballet. Learoyd taught photography at Bournemouth and Poole College from 1994 until 1999. In 2000, he moved to London where he worked as a commercial photographer. Source: Wikipedia Richard Learoyd’s color images are made with one of the most antiquarian of photographic processes: the camera obscura. Literally translated from Latin as “dark room,” Learoyd has created a room-sized camera in which the photographic paper is exposed. The subject—often a person, sometimes a still life—is in the adjacent room, separated by a lens. Light falling on the subject is directly focused onto the photographic paper without an interposing film negative. The result is an entirely grainless image. The overall sense of these larger-than-life images redefines the photographic illusion. Learoyd’s subjects, composed simply and directly, are described with the thinnest plane of focus, re-creating and exaggerating the way that the human eye perceives, and not without a small acknowledgement to Dutch Master painting. Learoyd’s black-and-white gelatin silver contact prints are made using the negative/positive process invented roughly 170 years ago by Englishman W. H. Fox Talbot. Working with a large and portable camera obscura of his own construction, Learoyd has journeyed outside of his London studio, into the art-historically rich English countryside, along the California coast, and throughout Eastern Europe, producing images that have long been latent in his imagination. The negatives are up to 80 inches wide, resulting in the largest gelatin-silver contact prints ever made. In 2015, Aperture released Richard Learoyd: Day for Night, a comprehensive book of color portraits and studio work, and concurrently, the Victoria & Albert Museum in London mounted a his first solo museum exhibition, Dark Mirror. In 2016, the J. Paul Getty Museum opened a solo exhibition of his large-scale portrait and still-life photographs, which then traveled to the Nelson-Atkins Museum of Art. In 2019, a survey exhibition will open at Fundación MAPFRE in Spain. Learoyd’s work is included in the collections of The Getty, Tate, Victoria & Albert Museum, Centre Pompidou, The Metropolitan Museum of Art, San Francisco Museum of Modern Art, Nelson-Atkins Museum, National Gallery of Canada, and Yale University Art Gallery, among others. Source: Fraenkel Gallery
Fred Herzog
Canada
1930 | † 2019
Fred Herzog devoted his artistic life to walking the streets of Vancouver as well as almost 40 countries with his Leica, photographing - mostly with color slide film - his observations of the street life with all its complexities. Herzog ultimately became celebrated internationally for his pioneering street photography, his understanding of the medium combined with, as he put it, "how you see and how you think" created the right moment to take a picture. Fred was born Ulrich Herzog in Stuttgart, Germany in 1930 and spent his childhood in Rottweil, Germany. He lost both of his parents during the war, and in 1946 Herzog went to work as an apprentice in his grandparents' hardware store. Disillusioned by the ravages of war and the situation in Germany, he emigrated to Canada in 1952 and settled in Vancouver in 1953. During the next several years. Herzog studied photography magazines while working aboard ships for the CPR steamship line, and in 1957 he was hired as a medical photographer at St. Paul's Hospital. In 1961, he became the head of the Photo/Cine Division in the Department of Biomedical Communications at UBC, and in 1970 was appointed Associate Director of the Department. Herzog was also hired as an Instructional Specialist in the Fine Arts Department at Simon Fraser University in 1967, and in 1969 became an instructor in the Fine Arts Department at UBC. Herzog had a walking route through Vancouver that enabled him to build friendships with other photographers and neighborhood residents and gave him an acute understanding of the daily life and soul of Vancouver. Over the course of several decades, Herzog produced a substantial body of color photographs, taking urban life, second-hand shops, vacant lots, neon signage, and the crowds of people who have populated city streets over the past years as his primary subjects. Herzog's use of color was unusual in the 1950s and 60s, a time when fine art photography was almost exclusively associated with black and white imagery. Additionally, Herzog photographed using Kodachrome slide film which was notoriously difficult to print. For decades he remained virtually unknown until his mid-seventies when printing technology caught up, allowing him to make archival pigment prints that matched the exceptional color and intensity of the Kodachrome film. A retrospective exhibition, Fred Herzog: Vancouver Photographs, was held at the Vancouver Art Gallery in 2007 and was the first major recognition of Herzog's body of work. Herzog exhibited his work both in Canada and internationally, including the exhibitions Fred Herzog: Photographs, C/O Berlin, Germany (2010), Fred Herzog: A Retrospective, Equinox Gallery, Vancouver (2012), Eyes Wide Open! 100 Years of Leica Photography, Haus der Photographie, Hamburg, Germany (2015), Photography in Canada, 1960-2000, National Gallery of Canada, Ottawa (2017), and many others. In 2010 Herzog received an Honorary Doctorate from Emily Carr University of Art and Design, and in 2014 he received the Audain Prize for Lifetime Achievement in the Visual Arts. An artist profile on Herzog was featured on the Knowledge Network for the series Snapshot: The Art of Photography II in 2011. In 2014, Herzog's photograph Bogner's Grocery (1960) was released as a limited edition stamp as part of Canada Post's Canadian Photography Series. Herzog died on September 9, 2019 at age 88.Source: Wikipedia
Jefferson Caine Lankford
United States
1993
Jefferson Caine Lankford is a photographer born and currently based in the United States. He uses a range of photographic techniques including alternative, analog, and digital practices. Jefferson earned a BFA in photography at East Carolina University in 2016 and also attended the Australian National University, located in Canberra, Australia - where he studied documentary photography. His work focuses on a variety of subjects, ranging from environmental concerns and foreign cultures to the various aspects of the American South, such as agriculture, poverty, and society. To Be, Rather Than to Seem The American South has an essence that sparingly reveals itself, thus requiring unprecedented determination and patience to photograph all its splendor. Nevertheless, and despite its elusiveness, this essence I am chasing - permeates; it lingers in the air of North Carolina, and when discovered, puts on a magnificent display. This essence appears in the eyes of a jet-black cat within an abandoned barn: it agonizes within the face of an elderly Amish man; it breathes deep within the shadow of a stray dog crossing a back road; it flourishes within the wings of starlings above a farm after heavy rain; it shines on a dilapidated door in the middle of nowhere, and it tirelessly works in the tobacco fields without complaint. Over the past three years, I have traveled throughout many impoverished towns and across countless acres of farmland to document and share an original story of existence - life and death as it occurs in rural North Carolina. The photographs within this ongoing project, To Be, Rather Than to Seem - provides a window for others to witness these fleeting moments for themselves and embrace the beautiful raw essence of my homeland.
Advertisement
All About Photo Awards 2026
Win a Solo Exhibition this January
All About Photo Awards 2026

Latest Interviews

Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Exclusive Interview with Guillaume Bonn
With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
Exclusive Interview with Sander Vos
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
Call for Entries
Solo Exhibition January 2026
Get International Exposure and Connect with Industry Insiders