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Win a Solo Exhibition in July 2026 + An Exclusive Interview!
Win a Solo Exhibition in July 2026 + An Exclusive Interview!
Christian Vizl
Christian Vizl
Christian Vizl

Christian Vizl

Country: Mexico
Birth: 1972

CHRISTIAN VIZL was born in México City and has been a photographer for over three decades. He has won dozens of international professional awards including Wildlife Photographer of the year, International photographer of the year and Sony World Photography awards. He has served as judge in several international underwater photography contests and his images have been published in numerous outlets including National Geographic and Ocean Geographic.

Artist Statement

"Every since I was a kid, as far back as I can remember, I was attracted to the sea. I dreamt about what lay beneath the waves, and how would it look if suddenly all the water vanished, leaving in stasis all the animals and living creatures. In this way, I could walk inside the ocean and see them all, suspended for a moment in time and space.

I have devoted my life to exploring and contemplate the amazing beauty of the ocean and it has been an incredible journey that has brought me a deep feeling of connection with nature, but sadly during my lifetime I have witness the ever-increasing devastation that we humans are creating in this planet. Today the world's Ocean is in grave danger. Overfishing, pollution, plastics, radiation, climate change, acidification and other human pressures threaten the fundamental nature of the ocean and it's animals are being pushed to near extinction. The time to act and reverse our negative impact is now, before it's too late risking loosing everything.

The majority of humans see marine animals merely as tons of food, but I see them as so much more than that. They don't have a voice that we can understand, so the higher purpose of my images is to be a voice of the ocean and for the ocean, hoping that people can get a glimpse of who they really are, beautiful sentient individuals, with feelings and different personalities, with complex behaviors and interesting lives that science is only starting to understand.

I believe Photography is capable of real service to humanity, promoting empathy and initiating change, so my main purpose as a photographer is to create poetic images showing the incredible beauty of these animals knowing they carry the power of changing our perception and spark the love and empathy that we all have inside. If we want to have a future in this planet, we need to understand that our lives are interconnected to all living animals, and our own well being is directly linked to the well being of these animals. As Dr. Sylvia Earl stated, "No blue no green, if the oceans die, we die"

All the images where taken in their natural environment, with great respect to the animals, and for postproduction I only use basic settings in Lightroom."

Photography is all about light, and in my opinion, it is the single most important aspect when it comes to creating appealing, inspiring and touching images. Beyond technical issues, what's most important is how I apply and manipulate the light that's available in order to create pictures with dramatic effect, carrying depths of emotion and using contrast and tonalities as means to emphasize form and structure of the scenery. I focus on the emotional impact of the final shot that will connect on a deeper level with the people that observe these photographs. Just as a poet uses words to create poetry, a photographer uses light to create images. So when I'm underwater taking pictures, one of my goals is to create poetic images through the use of light.

I try to capture sublime moments of the marine environment, the essence of being there, in that experience and in the presence of that particular animal, capturing their splendor and soul. It's sheer beauty and poetry with images that inspire, make us vibrate through the beauty in every corner of the ocean, an epic sight that make us dream of a better world, where we value and care for all expressions of life.
 

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More Great Photographers To Discover

Nat Coalson
United Kingdom
1970
Nathaniel (Nat) Coalson was born and raised in the Rocky Mountains of Wyoming and Colorado USA. His early years were filled with travel, art and music, charting the course for his life in the arts. Although Nat's initial career interests were focused on music, by his late teenage years he began working as a graphic designer and his vocation then turned toward the visual. He studied drawing, painting and illustration, eventually receiving a camera as a gift from his father. With his growing passion for image-making, around 2003 Nat elected to develop his career in fine art photography and this has been his sole professional concentration ever since. Nat was initially inspired by the great masters of landscape photography and honed his craft photographing the mountains and deserts of the American West. But he soon discovered his love for abstraction and began creating non-representational images and photo-based mixed media works, drawing upon his expertise in the graphic arts. Around the same time, he fell in love with Europe, and in his travels began photographing more subjects within the built environment. Following Nat's marriage to his British wife Ruth in 2012 he moved to the UK, from where he continues to explore and photograph the Old World. In 2019 Nat founded a gallery of fine art photography, Gallery Photiq, in Leamington Spa, UK where he exhibits his own work along with fine prints by other notable photographic artists from around the world. Artist Statement: I'm captivated by visual phenomena and take great enjoyment in the beauty of how things appear. More deeply, I'm fascinated by the optical effects of materials and physical matter, and the infinite ways the effects of light interact with objects to produce what we see. I love making photographs that are engaging and beautiful even while the true subject matter isn't readily apparent, and much of my work involves photographing mundane, everyday subjects and scenes that may, at first glance, appear unattractive or uninteresting. I enjoy the challenge of extracting beauty from the most unexpected sources. This mindful practice of noticing the details and finding beauty everywhere has profoundly impacted my life experience in the most positive ways. Sharing my discoveries with others through prints and mixed media artworks brings joy both to myself and the viewers of the work, and this gives great meaning and purpose to my life. AAP Magazine AAP Magazine 54 Nature
William Klein
United States
1928 | † 2022
William Klein (born in New York, New York, USA, on April 19, 1928) is a photographer and filmmaker noted to for his ironic approach to both media and his extensive use of unusual photographic techniques in the context of photojournalism and fashion photography. He was ranked 25th on Professional Photographer's Top 100 Most influential photographers. Trained as a painter, Klein studied under Fernand Léger and found early success with exhibitions of his work. However, he soon moved on to photography and achieved widespread fame as a fashion photographer for Vogue and for his photo essays on various cities. Despite having no training as a photographer, Klein won the Prix Nadar in 1957 for New York, a book of photographs taken during a brief return to his hometown in 1954. Klein's work was considered revolutionary for its "ambivalent and ironic approach to the world of fashion", its "uncompromising rejection of the then prevailing rules of photography" and for his extensive use of wide-angle and telephoto lenses, natural lighting and motion blur. Klein tends to be cited in photography books along with Robert Frank as among the fathers of street photography, one of those mixed compliments that classifies a man who is hard to classify. The world of fashion would become the subject for Klein's first feature film, Who Are You, Polly Maggoo?, which, like his other two fiction features, Mr. Freedom and The Model Couple, is a satire. Klein has directed numerous short and feature-length documentaries and has produced over 250 television commercials. Though American by birth, Klein has lived and worked in France since his late teens. His work has sometimes been openly critical of American society and foreign policy; the film critic Jonathan Rosenbaum once wrote that Klein's 1968 satire Mr. Freedom was "conceivably the most anti-American movie ever made." Klein was born into an impoverished Jewish family. Klein graduated from high school early and enrolled at the City College of New York at the age of 14 to study sociology. Klein joined the US Army and was stationed in Germany and later France, where he would permanently settle after being discharged. In 1948, Klein enrolled at the Sorbonne, and later studied with Fernand Léger. At the time, Klein was interested in abstract painting and sculpture. In 1952, Klein had two successful solo exhibitions in Milan and began a collaboration with the architect Angelo Mangiarotti. Klein also experimented with kinetic art, and it was at an exhibition of his kinetic sculptures that he met Alexander Liberman, the art director for Vogue. In 1966, Klein directed his first feature film, Who Are You, Polly Maggoo? He has since directed many others, including the cinéma vérité documentary Grands soirs et petits matins, the 1964 documentary Cassius the Great, re-edited with new footage as Muhammed Ali, The Greatest in 1969, and the satires Mr. Freedom and Le Couple Témoin. A long time tennis fan, in 1982 he directed The French, a documentary on the French Open tennis championship at Roland-Garros. He was awarded The Royal Photographic Society's Centenary Medal and Honorary Fellowship (HonFRPS) in recognition of a sustained, significant contribution to the art of photography in 1999. In 2012, Klein received the Outstanding Contribution to Photography Award at the annual Sony World Photography Awards in recognition of his work in the field of photography.Source: Wikipedia
Barbara De Vries
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The Dutch artist Barbara de Vries studied at the Rietveldacademie and the St. Joostacademie graphic art, industrial design and theater design. Although she worked with several famous theatres, Barbara finally got specialised in photography. The atmosphere in her work is a midway between fantasy and reality. Her images are mostly blurred, out of focus, with glimpses of reality. The Dutch curator Maarten Bertheux wrote as follow about her work. ‘Work of Francis Bacon and Marlene Dumas are relevant for the work of Barbara de Vries. Her work contain of digital reworked photographic material printed on Japanese paper. She combines and deforms her images in order to create her layered images. When she uses soft contours it brings in mind an aquarellist way of painting, a style De Vries used frequently before she started to use the computer as a tool in her photographic work. Her background as a stage designer has also influenced her actual work. This experience appears in the theatrical and dramatic setting and in the way she manipulates the light. In the photographic work there can be clear definition of space, but equally she uses an indistinct space that can vary from a sfumato-like space to a space where figures seem to float in. The figures are constructed out of several limbs and elements that are reconstructed in a new way, creating a new figuration. It seems as it is De Vries’ capability to creep under the skin of her model and analyzing the basic psycho logic characteristics’. Barbara de Vries' photography evoke feelings of hope, desire and consolation. Source: Morren Galleries
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France
1983
JR has the largest art gallery in the world. Thanks to his photographic collage technique, he exhibits his work free of charge on the walls of the whole world - attracting the attention of those who do not usually go to museums. Originator of the 28 Millimeters Project which he started in and around Clichy-Montfermeil in 2004, continued in the Middle East with Face 2 Face (2007), in Brazil and Kenya for Women Are Heroes (2008-2011), the documentary for which was presented at the Cannes Film Festival in 2010 (Critics' Week). JR has created "Infiltrating art". During his collage activities, the local communities take part in the act of artistic creation, with no stage separating actors from spectators. The anonymity of JR and the absence of any explanation accompanying his huge portraits leave him with a free space in which issues and actors, performers and passers-by meet, forming the essence of his work. In 2011 he received the Ted Prize, giving him the opportunity to make a vow to change the world. He created Inside Out, an international participatory art project that allows people from around the world to receive a print of their portrait and then billboard it as support for an idea, a project, an action and share that experience. In 2014, working with the New York City Ballet, he used the language of dance to tell his version of the riots in the Clichy-Montfermeil district. He created The Groves, a ballet and short film, the music for which was composed by Woodkid, Hans Zimmer and Pharrell Williams, and which was presented at the Tribeca Film Festival. At the same time, JR worked in the abandoned hospital of Ellis Island, an important place in the history of immigration - and made the short film ELLIS, with Robert De Niro. In 2016, JR was invited by the Louvre, whose pyramid he made disappear the with the help of an astonishing anamorphosis. The same year, during the Olympic Games in Rio, he created gigantic new sculptural installations throughout the city, to underline the beauty of the sporting gesture. JR & Agnès Varda - Faces, Places. In 2017, he co-directed with Agnès Varda "Faces, Place"s, screened the same year in the official selection out of competition for the Cannes Film Festival. The film won the Golden Eye (for best documentary) and was nominated for a Caesar and an Oscar in the same category in 2018. He has received other awards around the world. In 2013, the first retrospectives of JR's work took place in Tokyo (at the Watari-Um Museum) and the Cincinnati Contemporary Arts Center, followed by exhibitions at the Frieder Burda Museum in Baden Baden in 2014, and at the HOCA Foundation in Hong Kong in 2015. He exhibited in 2018 at the Maison Européenne de la Photographie in Paris, and in 2019 at the San Francisco Museum of Modern Art (SFMOMA) and the Brooklyn Museum. Source: jr-art.net
Eve Arnold
United States
1912 | † 2012
Eve Arnold was born Eve Cohen in Philadelphia, Pennsylvania, the middle of nine children born to immigrant Russian-Jewish parents, William Cohen (born Velvel Sklarski), a rabbi, and his wife, Bessie (Bosya Laschiner). Her interest in photography began in 1946 while working for Kodak in their Fair Lawn NJ photo-finishing plant. Over six weeks in 1948, she learned photographic skills from Harper's Bazaar art director Alexey Brodovitch at the New School for Social Research in Manhattan. She married Arnold Schmitz (later Arnold Arnold) in 1941. Eve Arnold photographed many of the iconic figures who shaped the second half of the twentieth century, yet she was equally comfortable documenting the lives of the poor and dispossessed, "migrant workers, civil-rights protestors of apartheid in South Africa, disabled Vietnam war veterans and Mongolian herdsmen." Her joyful picture of a Cuban couple with their child was selected in 1955 for the world-touring Museum of Modern Art exhibition The Family of Man and seen by 9 million visitors. For Arnold, there was no dichotomy: "I don't see anybody as either ordinary or extraordinary," she said in a 1990 BBC interview, "I see them simply as people in front of my lens." Arnold was particularly noted for her work using available light, concentrating on the image in the lens and eschewing extensive use of photographic lighting and flash. Of this she said "By the time you set up lights the image is gone" in a Guardian interview in 2000. Arnold's images of Marilyn Monroe on the set of The Misfits (1961) were perhaps her most memorable, but she had taken many photos of Monroe from 1951 onwards. Her previously unseen photos of Monroe were shown at a Halcyon Gallery exhibition in London during May 2005. She also photographed Queen Elizabeth II, Malcolm X, Marlene Dietrich, and Joan Crawford, and traveled around the world, photographing in China, Russia, South Africa and Afghanistan. Arnold left the United States and moved permanently to England in the early 1970s with her son, Francis Arnold. While working for the London Sunday Times, she began to make serious use of color photography. In 1980, she had her first solo exhibition, which featured her photographic work done in China at the Brooklyn Museum in New York City. In the same year, she received the Lifetime Achievement Award from the American Society of Magazine Photographers. In 1993, she was made an Honorary Fellow of the Royal Photographic Society, and elected Master Photographer by New York's International Center of Photography. She did a series of portraits of American First Ladies. In 1997, she was appointed a member of the Advisory Committee of the National Media Museum (formerly the Museum of Photography, Film & Television) in Bradford, West Yorkshire. She was appointed an Honorary Officer of the Order of the British Empire (OBE) in 2003. She lived in Mayfair for many years until her last illness, when she moved to a nursing home in St George's Square, Pimlico. When Anjelica Huston asked if she was still doing photography, Arnold replied: "That's over. I can't hold a camera any more." She said she spent most of her time reading such writers as Fyodor Dostoyevsky, Thomas Mann and Leo Tolstoy. Arnold died in London on January 4, 2012, aged 99. Source: Wikipedia Eve Arnold was born in Philadelphia, Pennsylvania to Russian immigrant parents. She began photographing in 1946, while working at a photo-finishing plant in New York City, and then studied photography in 1948 with Alexey Brodovitch at the New School for Social Research in New York. Arnold first became associated with Magnum Photos in 1951, and became a full member in 1957. She was based in the US during the 1950s but went to England in 1962 to put her son through school; except for a six-year interval when she worked in the US and China, she lived in the UK for the rest of her life. Her time in China led to her first major solo exhibition at the Brooklyn Museum in 1980, where she showed the resulting images. In the same year, she received the National Book Award for In China and the Lifetime Achievement Award from the American Society of Magazine Photographers. In later years she received many other honours and awards. In 1995 she was made fellow of the Royal Photographic Society and elected Master Photographer - the world's most prestigious photographic honour - by New York's International Center of Photography. In 1996 she received the Kraszna-Krausz Book Award for In Retrospect, and the following year she was granted honorary degrees by the University of St Andrews, Staffordshire University, and the American International University in London; she was also appointed to the advisory committee of the National Museum of Photography, Film & Television in Bradford, UK. She has had twelve books published. Source: Magnum Photos
Qingjun Huang
China
1971
A freelancer artist, photographer. He was born in 1971 in China. He has been engaged in photographic art creation for 30 years, currently lives and works in Peoria, IL USA. Qingjun's representative work is series from 2003 and it is still on-going. The series has reached 150 works till 2023. Robert Frank reviewed Qingjun’s works in 2012 and evaluated “ Your work is an open window to look at China. 'Family Stuff' contains the main series and some sub-series includes 'Online Shopping Family Stuff', 'Homeless People’s Family Stuff', 'China Intangible Cultural Heritage Inheritor’s Belongings', 'The Stuffs of Live Streamers', and 'Family Stuff USA'. BBC interviewed Qingjun four times, Various international media, such as New York Times, Bloomberg, Harvard Business Review and Wired, have also covered his works. His works have also been published widely on paper media, online media, photo books such as National Geographic, Architecture Boston, Business Insider, GEO, Chinese National Geography, Discovery Cultural Geographic Monthly, Guardian Weekend, China Daily, Chinese Photography Magazine, Grazia France, Dutch Weekly Magazine, Vrij Nederland, Dutch Financial Daily, Family Photography Now etc. Some of his works appeared in textbooks published by Oxford University Press, and National Geographic learning. Family Stuff I have been making my long-term project "Family Stuff" series for 20 years, which now includes 150 photographs. I gather a family’s belongings from different spaces in the home and arrange them in one place to take a photograph with the family members. Most of these photos are taken outdoors, with the home as the background. Ninety percent of my previous works were shot in China during a time of rapid economic development, modernization and globalization. I used this method of staged photographs to record history. In the photos, a household’s real interior space is briefly exposed in an external space; also can be seen are environment changes, urban expansion, technological advancements and shifts in people's lifestyles. Through static documentation of the above, I create a dynamic social panorama. From 2022, I started photographing American families. The family is the smallest unit that forms society, and many such units make up this society. I continue to use the "Family Stuff" series to reflect the internal structure and diversity of contemporary American society. I have observed that among American families, whether they live in big cities or small townships, there isn't much difference in their basic material living standards. Therefore, I pay more attention to showcasing their cultural and spiritual life. I spend a significant amount of time preparing for each photo, getting to know the story of the subjects, visiting their rooms, contemplating the concept of the shoot, and carefully selecting the items for display. The concepts of these works cover the lifestyle of native-born Americans, immigrants' nostalgia for their homeland, as well as themes of love, work, identity, gender and the passage of time. Each material object is carefully chosen to reflect the subject’s interests and aspirations. I move these items and arrange them in overlapping frames, visually enhancing the familiar scenes and highlighting the current life status, beliefs and emotional memories of the family or individual. In Oct.2023, I had photographed a Swiss man living in a camp, with his Harley motorbike and sports car living a different lifestyle in Switzerland, which makes me thinking about to document different lifestyles around the world as much as I can. I then came back to China and photographed two more interesting subjects in December 2023. I hope to move on to showing people’s spiritual life through their material life. Through a single photograph, I depict both the external reality and their inner world. The images help viewers to look at humanity itself, understand the stories and often provoke contemplation.
Carlos Javier Ortiz
United States
Carlos Javier is a director, cinematographer and documentary photographer who focuses on urban life, gun violence, racism, poverty and marginalized communities. In 2016, Carlos received a Guggenheim Fellowship for film/video. His work has been exhibited nationally and internationally in a variety of venues including the Schomburg Center for Research in Black Culture; the Worcester Art Museum in Massachusetts; the International Museum of Photography and Film in Rochester, NY; the Museum of Contemporary Photography in Chicago; the Detroit Institute of Arts; and the Library of Congress. In addition, his photos were used to illustrate Ta-Nehisi Coates' The Case for Reparations (2014) article, which was the best selling issue in the history of the Atlantic Magazine. His photos have also been published in The New Yorker, Mother Jones, among many others. He is represented by the Karen Jenkins-Johnson Gallery in San Francisco. His film, We All We Got, uses images and sounds to convey a community's deep sense of loss and resilience in the face of gun violence. We All We Got has been screened at the Tribeca Film Festival, Los Angeles International Film Festival, St. Louis International Film Festival, CURRENTS Santa Fe International New Media Festival, and the Athens International Film + Video Festival. Carlos' current project is series of short films chronicling the contemporary stories of Black Americans who came to the North during the Great Migration. Beginning with his mother-in-law's story, Carlos is exploring the legacy of the Great Migration a century after it began. For Carlos, who moved back and forth between Puerto Rico and the U.S. mainland as a child, the story of a displaced people in search of stability and economic opportunity resonates with his own. Carlos' work has been supported by many organizations including: the University of Chicago Black Metropolis Research Consortium Short-term Fellowship (2015); the Economic Hardship Reporting Project (2015); the Pulitzer Center on Crisis Reporting (2013); the California Endowment National Health Journalism Fellowship (2012); the Richard H. Driehaus Foundation (2011); Open Society Institute Audience Engagement Grant (2011); and the Illinois Arts Council Artist Fellowship Award (2011). In addition to his photography and film, Carlos Javier has taught at Northwestern University and the University of California, Berkeley. He lives in Chicago and Oakland with his wife and frequent collaborator, Tina K. Sacks, a professor of social welfare at the University of California, Berkeley.
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