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Win a Solo Exhibition this October, Open Theme. Juror Aline Smithson.
Win a Solo Exhibition this October, Open Theme. Juror Aline Smithson.
Laurie Freitag
Laurie Freitag
Laurie Freitag

Laurie Freitag

Country: United States
Birth: 1956

Laurie Freitag is a self-taught, digital photographer making pictures with her iphone based in Los Angeles, California. Her early years, spent in the Bronx, Coney Island & Far Rockaway, influence her work with themes of family, childhood, memory & home.

After 20 years working behind the scenes in TV news, she took a buyout & went back to school where she took every Child Development class offered. She's been working the past 10 years as a nanny where she has intimate access to documenting children. Freitag says, "I enter their world. Watching them puts me into positions I could have never thought up. This latest series, 'In the Garden at Chislehurst' had me sitting very low as a 4 year old played in the dirt next to me. As I looked up, I found the wonder of the dracena trees above me. Those are the images that comprise this newest series.

Artist Statement:
My series,'In the Garden at Chislehurst', explores my challenges of adjusting emotionally to the Covid-19 pandemic.

When the pandemic came to my world I thought I could 'handle' it but I spent most evenings stockpiling supplies from Amazon preparing for the worst.

My days, on the other hand, are spent in a garden in Los Angeles as a nanny to a 4 year-old boy, where he pulls berries from a bush to make berry stew. I sit alongside him in the dirt as he 'cooks.'

In this pretend world of innocence & nature I'm safe & able to hide from the realities just outside the garden.
 

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More Great Photographers To Discover

Laura Pannack
United Kingdom
1985
Laura Pannack is a London-based, award-winning photographer. Renowned for her recognizable portraiture and social documentary artwork, she often seeks to explore the complex relationship between subject and photographer. Her work heavily focuses on the youth. She was educated at the University of Brighton, Central Saint Martins College of Art and LCP. Pannack's work has been extensively exhibited throughout the UK and abroad, including at The National Portrait Gallery, Somerset House, the Royal Festival Hall and the Houses of Parliament. Driven by research-led, self-initiated projects, Pannack seeks to fully understand the lives of those she captures on film in order to portray them as truthfully as possible. Perceiving “time, trust and understanding” to be the key elements to achieving this, many of her projects develop over several years, helping her achieve a genuine connection between herself and her sitter and allowing her to capture the intimacy, shared ideas and shared experiences of this relationship. Pannack chooses to shoot with analogue film on her personal projects. By using traditional methods of working from negatives, as well as shooting with Polaroid, she finds beauty in the mistakes that come from working with unpredictable material. Her artwork has received much acclaim and won numerous awards, among which are the John Kobal Award , Vic Odden prize,World Photo Press Awards and the HSBC Prix de la Photographie prize In addition to her own practice, Pannack lectures, critiques and teaches at universities, workshops and festivals around the world, and in 2015, judged the portrait category in World Photo Press Awards in Amsterdam. Pannack has also been widely published, both commercially and as a photographic artist, with work appearing in The British Journal of Photography, Hotshoe International, TIME, The Guardian Weekend, The Telegraph, The Sunday Times, Creative Review. Her monograph 'Against the dying of the light' was published by Acts de Suds in 2016 and YOUTH Vol 1 was released in 2018 by Polite company
Oleksandr Rupeta
Ukraine
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Oleksandr Rupeta is a documentary photographer from Ukraine working worldwide. He is a member of the Independent Media Trade Union Of Ukraine and the International Federation of Journalists from 2016 and a member of the Ukrainian Association of Professional Photographers and Federation of European Photographers from 2018. As a news and reportage photographer, Oleksandr carries out short and long-term projects about political, cultural, and social life in Europe, Africa, the Middle East, and Asia. His works highlight Ukrainian-Russian conflict, Afghan Red Crescent Society, the life of Iranian Jews community, Sufi Community in Northern Cyprus, people with disabilities in Southern African countries, ethnic minorities in Azerbaijan, LGBT community in the Balkans, elephant conservation in Laos, robotics in Japan, etc. The photos appeared in The New York Times, The Financial Times, The Times, The Guardian, The Economist, Time, Nature, Forbes, National Geographic Traveler and others. His news photos were chosen numerous times as a photo of the day, a photo of the month and a photo of the year in agencies such as NurPhoto, Zuma Press and GettyImages reportage. About Someone in your corner From the middle of the XX century, the tendency of keeping animals as pets has been increased in their number and variety. There are many reasons for this phenomenon. First of all, the technological development improved the overall standard of living. Human attitudes towards animals are becoming of increasing importance and less pragmatic. When a man moves away from nature he begins to use animals as compensation for the lost connection. As a result, animals are engaged in social relations with a human. As family members, pets are changing not only their behavior but also the behavior of the owners. They build complex interdependent relationships. In Ukraine, like the entire post-Soviet space, this tendency has become widespread with gaining independence. Open borders facilitated the transportation of exotic animals and their purchase became quite easy. Keeping unusual animals ceased to be the prerogative of a privileged few. Instead of this came out a problem of the pet owners' ignorance who may have a lack of knowledge of proper exotic pet care. The idea for the project was to explore the mutuality and relationship of the human-animal bond in the modern world, to see and pay attention to the conditions of their interaction and coexistence. The project was created in the summer-fall 2019, throughout Ukraine. The primary eligibility criteria for choosing characters was the exclusion of all occasional owners, zoos, circuses and using animals in entertainment spectacles. But everything turned out to be more complicated than expected. Odd owners often saved their pets from death and mostly they showed true love to the pets. Other characters were chosen from people with a passion for animals. In addition to owning exotic animals as house pets, these people frequently try to link their lives with animals. Some of them organize private or home zoos, some work in pet shops, others try to find work at animal shelters or wildlife sanctuary. The project turned out wider than I planned but each shot in the series elucidates the special human-animal connection.
Shinya Arimoto
Arimoto, who was born in Osaka in 1971, currently resides and works in Tokyo. Arimoto, a 1994 graduate of Visual Arts Osaka, won the 35th Taiyo Award in 1998 for his piece "Portrait of Tibet." He started the Totem Pole Photo Gallery in 2008. In 2016, Arimoto collaborated with Zen Foto Gallery to publish "Tokyo Circulation," and in 2017, she was honored with the Photographic Society of Japan's Lifetime Achievement Award and the 26th Tadahiko Hayashi Award. His other works include "TIBET" and "ariphoto selection" (Nos. 1–10, Totem Pole Photo Gallery) (Zen Foto Gallery, 2019). He actively exhibits his work both inside and outside of Japan. In 2017, he held a solo exhibition at Le Plac'Art Photo in Paris, and in 2019, he took part in the group show "Am Rand der Gesellschaft. Barlach, Springer, Arimoto" at Museum Bautzen in Germany. Statement In 1994, while still in my early 20’s and fresh out of photo school I went to India to photograph. Six months into my travels the backpack in which I was keeping my exposed film – over 150 rolls – was stolen. This incident cast a dark shadow over my youth and ultimately signified a turning point in my understanding about photography which continues to this day. Even though I went to India determined to make photographs this event was the trigger for me to realize that essentially I was there sightseeing and made me question why I was even in India in the first place. It made me aware of the ambiguity of my determination (…). Soon after this I went to Nepal. With no set destination I happened to end up in Kathmandu. There, I encountered a Tibetan family on the roadside (…). My relationship with this family grew as we shared meals and our living space. In between mantra carving, I looked after the children when they played. Our time together was short yet it was a time of happiness. As the days passed I picked up bits of their language and began to feel a strong desire to see their homeland with my own eyes (..). In 1996, I set foot in Tibet. I’ll never forget that thrill. Everything that had happened so far – every coincidence, incident, and tribulation, had brought me to this point. (…) Looking back I realize that most of my twenties were spent with Tibet. Having started out as an empty vessel, it was Tibet and my experiences there that made me full.
Veronica Alkmim
Brazil/Sweden
1959
Verônica Alkmim França is a multidisciplinary artist and photographer who has lived in Sweden and Brazil for many years. With a background in Fine Arts, Photography, and Communication, her portfolio includes sculptures, wearables, photographs, scenarios, and textiles, all of which reflect her cultural identity. Her frequent travel between Brazil and Sweden has led her to move away from conventional artistic venues. Born in Brazil, she emerged in the 1990s as one of the pioneers of wearable art in the country, sparking discussions on the fine line between design, art, and fashion, and inspiring new generations. Verônica’s work is also known for its photographic documentation of her art and her recent exploration as an authorial photographer. Her approach critiques mass consumption and the aesthetics of excess, while her collaborations with disadvantaged communities aim to give these groups visibility and support cultural social initiatives. She has been recognized internationally, winning awards such as the Female in Focus International Photography Award 2022 from the British Journal of Photography, the Brasília Photo Show 2022, the Chromatic International Photo Awards, and the Monochrome Photo International Awards. She has also been nominated for RE-Focus International Awards and Color International Photo Awards, won second place in Photomanipulation at FAPA (Fine Art Photography Awards), participated in the Women in Photography exhibition in Glasgow in 2023, and earned distinctions in the PX3 Prix de la Photographie de Paris, IPA International Photography Awards, Budapest Photo Awards, Aesthetica Magazine Prize, PISPA-Paris International Street Photo Awards, and Prix de la Photographie de Paris in 2024. Recently, she collaborated with WIEGO (Women in Informal Employment) and Sheffield University on the CATA project—Climate Change and Waste Pickers—featured at Memorial Minas Gerais Vale in Brazil and The Mind Festival in Sheffield, England.
Mark Seymour
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1960
Mark Seymour is a highly acclaimed documentary wedding photographer based in Berkshire, UK, with a career spanning over 30 years. His passion for capturing authentic, candid moments has led him to photograph more than 1,000 weddings, earning him a reputation for excellence in the industry. Mark's distinctive style focuses on storytelling, aiming to document the genuine emotions and unique narratives of each couple's special day. Throughout his illustrious career, Mark has received numerous accolades, including being named the UK Wedding Photographer of the Year three times by the Master Photographers Association (MPA). He holds the distinction of being the first photographer to receive a double Fellowship and Master Craftsman status in documentary wedding photography, a recognition akin to earning three Michelin stars in the culinary world. Mark also served as a Nikon UK Ambassador from 2013 to 2018, highlighting his influence and expertise in the field Mark's work extends beyond weddings; his documentary photography has been featured in esteemed publications such as National Geographic. One of his notable portraits, capturing designer Jimmy Choo, is part of the National Portrait Gallery's collection in London. In addition to his photography, Mark is dedicated to education, leading street and documentary photography workshops through Light & Land. His workshops take participants to culturally rich destinations like India, Vietnam, and Venice, offering immersive experiences that inspire photographers to see the world through new perspectives. Mark's commitment to meaningful storytelling is evident in his personal project, "Living with Alzheimer's: A Harmonica for Ronnie," which documents his father's battle with dementia. This poignant series was exhibited at the Andipa Gallery in London during World Alzheimer's Month in 2016 and featured on Sky TV, raising awareness about the impact of Alzheimer's disease. For couples seeking a wedding photographer who combines technical precision with an empathetic approach, Mark Seymour offers a wealth of experience and a genuine passion for capturing life's most cherished moments. His work not only preserves memories but also tells the unique story of each couple's journey together.
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