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Mo Kwang
Mo Kwang
Mo Kwang

Mo Kwang

Country: Korea
Birth: 1979

Kwang Mo was formally trained in photography at the Kaywon School of Art and Design in Korea. He was awarded the 13th Young Photographer’s Prize during the Daegu Photo Biennale and a place in the SeMA (Selected Emerging Artists) Support Program from Seoul Art Museum in 2010. In 2010, Mo was also nominated for the Prix Pictet award in France. In his sepia-tinted photographs selected for “New Photography in Korea II”, Kwang Mo blurs the line that separates fantasy and reality. He skillfully manipulates his images into semblances of the childhood memories and dreams that people stubbornly cling onto, inviting audiences into timeless, limitless universes, otherworldly spaces that his characters seem more than comfortable in.
Source Art Radar Journal

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Galerie Paris-Beijing

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Galerie Paris-B

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www.kwangmo.com

 

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JP Terlizzi
JP Terlizzi
United States
1962
JP Terlizzi is a New York City visual artist whose practice explores themes of memory, relationship, and identity. His images are rooted in the personal and heavily influenced around the notion of home, legacy, and family. He is curious how the past relates and intersects with the present and how that impacts and shapes one's identity. Born and raised in the farmlands of Central New Jersey, JP earned a BFA in Communication Design at Kutztown University of PA with a background in graphic design and advertising. He has studied photography at both the International Center of Photography in New York and Maine Media College in Rockport, ME. His work has been exhibited widely in galleries including shows at The Center for Fine Art Photography, Vicki Myhren Gallery at the University of Denver, The Griffin Museum, Tilt Gallery, Panopticon Gallery, Candela Gallery, The Los Angeles Center of Photography, University Gallery at Cal Poly, and The Berlin Foto Biennale, Berlin, Germany, among others. His solo exhibits include shows at the Rhode Island Center for Photographic Arts, Cameraworks Gallery in Portland, OR and Soho Photo Gallery in Manhattan. Awards and honors include: Critical Mass Top 50 (2019, 2018), Critical Mass Finalist (2016, 2015), Fresh Finalist (Klompching Gallery, 2019), First Look Winner (Panopticon Gallery, 2019) International Portfolio Competition Winner (Soho Photo Gallery, 2018). About The Good Dishes Eating is a physical need, but meals are a social ritual. Utilizing passed down heirlooms of friends and family, The Good Dishes celebrates the memory of family and togetherness by integrating legacy and inheritance. This series focuses on stylized rituals of formal tableware while drawing inspiration from classic still life paintings. Background textiles are individually designed and constructed to reflect patterns found in each table setting while presentation, etiquette and formality are disassociated by using food and fine china in unconventional ways as metaphors for the beauty and intimacy that are centered around meal and table. Discover JP Terlizzi's Interview Read more about JP terlizzi
Rafał Michalak
Rafał Michalak
Poland
1971
Lives and works in Wroclaw, Poland. He studied political science and public relations. Graduate of Academy of Art and Design in Wroclaw with a Master of Arts (Media Art Department). A member of The Association of Polish Art Photographers (ZPAF). He has been associated with the advertising industry and commercial photography for years. In his everyday work he deals with brand communication issues as well as visual identity development for companies and corporations. At the same time, he is actively engaged in creating his own original photography, thereafter presented in exhibitions and published in trade magazines. Winner of many photographic praises and commendations. Human being as individuality and its place in the so fast altering world are the key factors of Michalak’s photographic research. In his photography he is mostly consumed with transgression understood as a conscious and intentional exceeding of bounds and limits that we impose on ourselves or encounter. At the same time, it provides a way to learn more about the hidden depths and makes it possible to experience reality from different points of view. Transgressive approach has characterised Michalak’s personal style of representation, regardless of used technique and medium, ever since he knowingly engaged in fine-art photography. Transgression determines his personal choices in terms of subjects he approaches, and even more so, the message, i.e. the idea behind a photograph, which he believes to be essential.
Colin Jones
Colin Jones
United Kingdom
1936
Colin Jones is an English ballet dancer-turned-photographer and prolific photojournalist of post-war Britain. Jones documented facets of social history as diverse as the vanishing industrial working lives of the North East coalfields, Grafters, delinquent Afro-Caribbean youth in London, The Black House, hedonistic 1960s Swinging London with pictures of The Who early in their career, the 1963 race riots in Alabama, Soviet Leningrad, and remnants of a rural Britain now lost to history. Jones was born in 1936. He experienced a war childhood; his father, a Poplar, East End printer, went away as a soldier on the Burma campaign. Jones' family was evacuated to Essex and he attended a succession of thirteen schools whilst struggling with dyslexia, before the age of sixteen, when he took up ballet lessons. In 1960 Jones was called up for national service and served in the Queen's Royal Regiment. Fresh out of the army, Colin joined the Royal Opera House, later moving to the Touring Royal Ballet and embarked on a nine-month world tour. Jones met, and for four years was married to, the great ballerina Lynn Seymour. Whilst on tour and running an errand for Dame Margot Fonteyn, he purchased his first camera, a Leica 3C rangefinder, in 1958 and started taking photographs of the dancers and backstage life during the Australian leg of the circuit. Jones admired the available-light backstage photography of Michael Peto, a Hungarian émigré, who agreed to mentor him. Colin Jones took advantage of the ballet company's travel to photograph extensively in the streets of Tokyo, Hong Kong and the Gorbals, Glasgow in 1961. Driving with fellow dancers from Newcastle to Sunderland that year, he saw, north of Birmingham, coal searchers on the spoil-heaps. In 1962, having changed his career to become a photographer for The Observer he returned to produce a series of photographs recording the vanishing industrial working poor and mining communities in the North East of England, later publishing the essay as the book Grafters. At The Observer he worked alongside photographers Philip Jones Griffiths and Don McCullin. He worked in Fleet Street for several years before turning freelance. Commissioned assignments took him to New York City in 1962; Liverpool docks in 1963; the race riots in Birmingham, Alabama, USA, where he made portraits of both 'Bull' Connor, and Dr Martin Luther King in 1963; Leningrad, USSR in 1964. In 1966 he photographed the British rock band The Who at the beginning of their career, and Pete Townshend, then Mick Jagger in 1967. He travelled to the Philippines in 1969 where he photographed the sex trade. He portrayed significant dancers, including Rudolph Nureyev for several publications. Jones’ work has been published in major publications including Life, National Geographic, Geo and Nova as well as many supplements for major broadsheet newspapers, most prominently The Times, who dubbed Jones "The George Orwell of British photography". In his later career he covered assignments around the world, including Jamaica in 1978; the indigenes of the New Hebrides and Zaire in 1980; Tom Waits in New York, 1981; San Blas Islands in 1982; Ireland in 1984; Xian, China in 1985; Ladakh in northern India 1994 and Bunker Hill, Kansas in 1996. Solo exhibitions have been devoted to his work: The Black House: Colin Jones at The Photographers' Gallery in London, 4 May – 4 June 1977 as well as at many other galleries. Martin Harrison’s Young Meteors associated Jones with other important British photographers including Don McCullin and Terence Donovan. In 2013 the Victoria and Albert Museum acquired three of Jones' historic photographs from The Black House series, along with a photograph by Dennis Morris depicting the original Black House associated with Michael X, both acquired as part of Staying Power, a five year partnership between the V&A and Black Cultural Archives, preserving black British experience from the 1950s to the 1990s through photographs and oral histories. The Arts Council also purchased his work.Source: Wikipedia The art of photography remains so fascinating because of the individuals who arrive from unexpected places and take the medium through a lifetime of changes. The career of Colin Jones has a startling trajectory. He was born in 1936, in time to be a war child, a father away as a soldier, and 13 different schools. An element of chance, as well as talent, led to a scholarship at the Royal Ballet School. The moment that defined Jones's later life occurred as he was driving with fellow-dancers from Newcastle to Sunderland one day in 1961. Travelling north of Birmingham and seeing the winding gear of coalmines had always excited Jones, who was steeped in the books of George Orwell, but now he saw the extraordinary drama of spoil-heaps swarming with coal searchers - an epic of reality and survival. Colin Jones is one of the most celebrated and prolific photographers of post-war Britain. He has documented facets of social history over the years as diverse as the vanishing industrial working lives of the Northeast (Grafters), delinquent Afro-Caribbean youth in London (The Black House), and most recently, the high-octane hedonism of Swinging London with his famous pictures of The Who early in their career. His work has been published in every major publication with any regard for the image and photography. Such as Life, and National Geographic, as well as many supplements for the major broadsheets. He has had solo exhibitions at the National Gallery of Art in Washington DC and at the Photographers Gallery in London, as well as at many other venues internationally.Source: Michael Hoppen Gallery
Eduardo Soler
Eduardo Soler
United States
Eduardo started his career working for renown photographers in Los Angeles and San Francisco. Later he worked full time as a staff photographer for The Sharper Image catalog company in San Francisco. His most recent clients include Bayer HealthCare, Novartis, Intuit, Boehringer Ingelheim, among others. He's also an award-winning street photographer. Eduardo lives in Oakland, California with two fun cats, Sprinkler and Tiger.
Damian Lemański
Damian Lemański
Poland
1985
Damian Lemański aka Damian Wolf Wagabunda Polish freelance photojournalist documenting the life around him. He is mainly interested in people and their place in today's world - especially those left aside, on the margins of society. In 2008 he graduated from the European Academy of Photography in Warsaw - Dr Izabela Jaroszewska's school. He took part in workshops led by Kadir van Lohuizen, Pep Bonet, Tanya Habjouga, Espen Rasmussen, Stefano De Luigi, Tomasz Tomaszewski, Michael Ackerman, Lorenzo Castore. Vagabond and dreamer. At the turn of 2011 and 2012 he wandered for 181 days through South America. From this solitary expedition he edited the film 181. And in 2015 he set off on his bike from Korsze in Masuria (Poland) to Africa, to reach Dakar in Senegal after 171 days. During this expedition, together with the foundation Hear Africa, he raised money for the education of a deaf girl, Makane Dieng. From this expedition, Damian created the film Restaurant, which premiered in February 2018. In early 2019, he flew to the Greek island of Lesbos, where Europe's largest refugee camp is located, because he wanted to get to know the people that so many are afraid of without knowing them at all. For a few weeks, walking between tents in the so-called jungle next to the Moria camp (which he was not allowed into) and in other places on the island, he met hundreds of people who willingly invited him to join them around the campfire for warm tea or a meal in the tent that is currently their home, shared bread they had just baked in an oven dug into the ground, and shared heartbreaking stories. He met people who live in inhumane conditions and try to maintain their dignity, people who, having little, get offended if you don't eat enough, when they offer what they have. He also met there a wonderful Greek couple, Katerina and Nikos, who 6 days a week host the residents of the Moria and Kara Tepe camps for dinner in their restaurant and take the meals to the place. They are assisted by many volunteers, including from Poland. In October 2019, he visited Senegal again - this time to document the work of the Polish Medical Mission. At that time, he met Huleje (Little Princess) and her parents. Since 2017, every now and then he visits Lunik IX, a Roma settlement in Kosice, Slovakia, where he left his heart among the children living there. On a daily basis, he tries to love.
Jacques Lowe
Jacques Lowe
United States
1930 | † 2001
Jacques Lowe (born Jascha Lülsdorf) was a photographer and publisher best known for his role as U.S. President John F. Kennedy's official photographer during his election campaign and presidency. Lowe was born in Cologne, Germany, on Jan. 24, 1930. He came to New York in 1949 and became an assistant to the photographer Arnold Newman in 1951. Lowe began working as Kennedy's campaign photographer in 1958, and documented the Kennedy administration after his election until 1962. Lowe died at his home in Manhattan on May 12, 2001. Months after his death, approximately 40,000 of Lowe's negatives were destroyed in the September 11 attacks on the World Trade Center.Source: Wikipedia Jacques Lowe is an internationally renowned photographer and photo journalist who is best known for his portraiture of the leading personalities of our time, nationally and internationally, in politics, business, and the entertainment world. In 1951, Mr. Lowe was a prize winner in Life magazine's contest for young photographers, after which Roy Stryker, the grand old man of photography, gave him an eight week assignment in Europe. Starting in 1953 as a contributor to Jubilee magazine he won numerous awards for his photo journalistic work among gypsies and other minorities. He went on to contribute to such magazines as Time, Life, Look, The Saturday Evening Post, Ladie's Home Journal, Paris Match, Epoca, Stern, and many others, and he was a staff photographer at Collier's Magazine at the time that journal folded. In 1956, through his work, he befriended Robert F. Kennedy who had been appointed majority counsel to the McClellan Committee. In 1958 Ambassador Joseph P. Kennedy, who admired his work, asked him to photograph his "other son, Jack." That assignment led to his becoming the Official Campaign Photographer of John F. Kennedy's quest for the presidency and, when elected, the personal photographer of President Kennedy. Although offered the White House Photographer's job Lowe declined, but the president asked him to "stick around and record my administration. Don't worry, I'll make it worth your while." His work for the campaign, the Kennedy White House, and the Kennedy family has resulted in six books, numerous exhibitions from the USA to Moscow, several prime time television shows, and some 150 major magazine pieces and covers. Reviewers have credited Lowe's "natural, warm, and intimate images of the president and his family and the workings of the presidency with keeping alive the Kennedy flame for generations yet to come." Following his work at the Kennedy White House Lowe returned to his studio in New York where he renewed his magazine, advertising and corporate photography work. His clients ranged from AT&T to Hertz Cars, from DuPont to United Airlines He won numerous gold and silver art director's awards for his commercial work. Lowe was a 26 year old freelance journalist in 1956 when he was assigned by three magazines within the same week to photograph Chief Counsel Robert Kennedy. They became friends and Lowe soon was invited to spend weekends at Kennedy's Hickory Hill home in Virginia. Joseph Kennedy, Sr. was impressed with Lowe's photographs and requested he photograph his other son 'John'. Although the initial meeting between Lowe and Senator Jack Kennedy was not an auspicious start, the relationship soon changed course due to Lowe's honorable approach to his photographs and he was provided unprecedented access to one of the most iconic leaders of the 20th century, as well as members of his family. These legendary images share an intimate view of John F. Kennedy as he was on the intense campaign trail, important moments during the early years of his term as President and family moments with his wife Jackie and his children. The archive comprises over 40,000 images.Source: Westwood Gallery What do you do when, as a photographer, you are told your image archive is so precious that it's uninsurable? The answer for Jacques Lowe, whose images helped create the legend of John F Kennedy, was to store them in JP Morgan's seemingly impregnable vault in Tower 5 of New York's World Trade Center. But then 9/11 came, and his life's work went with it. After the terror attack, Jacques Lowe's daughter, Thomasina, campaigned to try and retrieve her father's archive from the twin tower's rubble before they were razed. Amazingly, the safe in which they were stored was found intact, but the contents – over 40,000 negatives – were reduced to ash. All was not completely lost though, as 1,500 of Lowe's contact sheets were located elsewhere in New York. From these, selected images were painstakingly restored for an exhibition at the Newseum in Washington DC. A collection of prints from the original negatives were also made by the photographer himself, prior to his death four months before 9/11. An exhibition at Proud Chelsea in London is now showcasing these rarities.Source: The Guardian
Mark Tuschman
Mark Tuschman
United States
Over the years I have become more motivated to use my photography to communicate in a more socially conscious way—in a way that exposes people to both the degree of human suffering that exists in today’s world and to the courage and fortitude that people manifest to overcome it. In my travels I can easily imagine that I could have been born into completely different circumstances and my worldview would have been radically different, having been influenced by a completely, radically dissimilar environment and culture. Indeed, I know I have been privileged and fortunate to have been born into an affluent culture with tremendous opportunities. I believe that it is especially important for people in our society to understand other cultures and the enormous difficulties that people in other countries face daily in order to simply survive. The human condition is wrought with great uncertainty and suffering, and yet the human spirit and the hope for a better life can grow stronger in the face of adversity. I am constantly inspired by the profound fortitude of people living in difficult conditions and the empathy and commitment of the many who give counsel and aid to those less fortunate. I believe it as my moral obligation to use whatever talents I have as a photographer to transcend our limited worldviews and to help bridge the gap between cultures of affluence and poverty. Photography is a universal language and it is my hope that my images will move viewers to respond not only with empathy, but also with action. It is my intention to photograph people with compassion and dignity in the hope of communicating our interrelatedness. In the words of Sebastiao Salgado whose work I greatly admire, “If you take a picture of a human that does not make him noble, there is no reason to take this picture. That is my way of seeing things.”
Ole Marius Joergensen
Ole Marius Joergensen
Norway
1976
Ole Marius Joergensen is an artist with a background in film based in Asker, Norway. He is best known for his meticulously staged cinematic photographs. With the use of theatrical light and vivid color juxtapositions, Ole Marius' work emphasizes the mystery and duality of rural life in the modern world. A child of 80s rural Norway, he became fascinated with suburban America, like the popular narratives told on screen by Steven Spielberg and the storytelling of author Stephen King. Drawn to the descriptive narrative and quality of light, he found himself wanting to create his own stories. Influenced by the work of the mid century painter Hopper and the directors Alfred Hitchcock, David Lynch, as well as 19th Century painting traditions of David Caspar Frederic, his work often depicts ordinary situations infused with a unique narrative that unlocks an unexpected mystery that feels both old and new. In 2014 he debuted his first major series "No Superhero," an ode to one of his childhood heroes, and a playful series with dark undertones. Ole Marius views Superman as a metaphor for taking risks and the worry of failure. Each scene is depicted through a lens that captures childhood nostalgia with the hero as an ordinary man. In 2015 Ole Marius made the series "Space Travels" which was his rediscovery of his native country. It was a narrative driven by the feeling of being trapped in a place and yearning for a new adventure that is out of reach. "Vignettes of a Salesman" (2016) is a love letter to simpler times of Scandinavia in the 1950s and 1960s. This series follows the main protagonist on a silent, solitary journey and the complex emotions, from the dark to the eccentric, associated with a stranger's life unfulfilled. Ole Marius' work has been exhibited widely in the United States, Asia, and Europe. His work can be found in private collections in Hong Kong, Los Angeles, Oslo, New York, Madrid and Berlin. His work has been featured on international art & culture websites, as well as in printed publications around the world.
Laurent Kronental
Laurent Kronental
France
1987
Self-taught photographer, he discovers photography in China during a stay of several months in Beijing. He is captivated by the big metropolises there and by the variety of their architectures, their inhabitants, the way they tame the space and their personal stories. He has developed during 4 years an artistic series, Souvenir d'un Futur, on the elderly living in the large estates of the Paris region. The photographer intends to question us on the condition of seniors in these places in highlighting a sometimes neglected generation and in reestablishing the intergenerational links so important for the transmission of human values. He pushes forward another look on often underestimated suburban areas whose walls seem slowly get older and carry with them the memory of a modernist utopia. EXHIBITIONS & ART FAIRS Solo Exhibitions September / October 2016 - Solo show, Galerie du Carré d'Art, Rennes, France Group Exhibitions November / December 2016 - Group show, Galerie Robert Doisneau, Nancy, France July 2016 / September 2016 - Group show, Galerie Praz Delavallade, Paris, France June 2016 / July 2016 - Athens Photo Festival, Benaki Museum, Athens, Greece June 2016 / July 2016 - Raster Beton Festival, D21 Kunstraum, Leipzig May 2016 - Photo London with LensCulture, Somerset House, United Kingdom March / June 2016 - Circulation(s) Festival, emerging European photography February / March 2016 - Exhibition at villa Noailles, commissioned work, la villa Reine Jeanne, Hyères, France December 2015 / February 2016 - Bourse du Talent, Bibliothèque Nationale Francois-Mitterrand, Paris, France AWARDS & HONORS 2016 - Audience Award, Festival Circulations, winner 2016 - Athens Photo Festival, selected 2016 - LensCulture Exposure Awards, finalist 2015 - Circulation(s) Festival, selected 2015 - Bourse du Talent #64 landscape / space / architecture, winner 2015 - Arles 2015 Photo Folio Reviews, finalist 2015 - European Photography Magazine #98, theme urbanics, selected SELECTED PUBLICATIONS, REVIEWS, INTERVIEWS Video interviews CNN International LensCulture Arte Metropolis Festival Circulations & Louis-Lumière Published British Journal of Photography, Washington Post, The Guardian, CNN, European Photography, Aesthetica Magazine, Wired, Business Insider, Vice Creators Project, PBS News Hour, Slate, Wallpaper, Port Magazine, Suddeutsche Zeitung, Der Spiegel, Le Monde, L'Obs, L'Oeil de la Photographie, Zoom Magazine, D'Architectures, Lufthansa magazine, Huffington Post world, D-La Repubblica, Style Magazine-Corriere della Sera, Neon Magazine, France Culture Radio, Pagina 99, M&C Saatchi Little Stories, Feature Shoot, Wyborcza, Duzy Format, De Morgen , Divisare, Ignant, Konbini, Ilpost, Gestalten, Fisheye Magazine, Style Park, Artnet News, La Vanguardia, Archdaily, Fubiz, Radio Nova, GUP Magazine, Dazed & Confused , Esquire, Urbanautica and many more websites/blogs.
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