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Umberto Verdoliva
Umberto Verdoliva
Umberto Verdoliva

Umberto Verdoliva

Country: Italy
Birth: 1961

I was born in 1961 in Castellammare di Stabia near to Naples.
I live in Treviso (Italy).
I immediately loved street photography, this awareness over time has pushed me to investigate my "daily" in depth, constantly seeking poetry and beauty in the humanity around me.
From 2010 to 2017, I was a member of the international collective "ViVo" and in 2013 I founded "SPONTANEA" an Italian collective dedicated to street photography dissolved in 2019
I like to convey my passion by curating workshops, exhibitions, portfolio readings, presentations, writing articles and insights on photography.
Many of my photos and photographic projects have been published in the main Italian and international photography magazines.
 

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Anaïs Boileau
France
1992
Anaïs Boileau is from the south of France. She completed training in photography and visual communication at ECAL, the art school from Lausanne. She works in 2012 with the photographer Charles Freger and in 2014 she gets a residency at the Hong Kong Design Institute. Her photographic work is presented in various group exhibitions. In 2015, her photographic project Plein Soleil is part of the Black Mirror exhibition in New York, organized by Aperture Foundation, and is presented to Katmandu Photo festival in Nepal. It is selected to Boutographies 2016 projection of the jury and is one of ten finalists presented at the 31st edition of the international fashion and photography festival in Hyères at the Villa Noailles where she received the audience award and the Elie Saab grant.My work "Plein Soleil" is about a kind of community women taking the sun. These are women with golden skin exposing themselves under the omnipresent sun. They stay along the coast of the seaside towns marked by Latin, bright and colorful architecture. There is a temporality game beetween women and architectures because they are modeling in the same way by the sun light. These portraits represents a kind of happy idleness that exist in south. I try to bring a look a bit funny and tender about that women cause it was like a game with them about their image. Lost behind their sunglasses, accessories, women are distant, pensive as absorbed by the sun. We never see their eyes with their solarium glasses and that make them impersonal. Floating Between documentary and fiction, the portraits of this matriarchal community, reveal a desire for exoticism. There is a dimension of artificiality and something false in all that . The idea that they put forward, they refine and polish their bodies but also in the idea that all this is just a world of appearance, of surfaces.
William Klein
United States
1928
William Klein (born in New York, New York, USA, on April 19, 1928) is a photographer and filmmaker noted to for his ironic approach to both media and his extensive use of unusual photographic techniques in the context of photojournalism and fashion photography. He was ranked 25th on Professional Photographer's Top 100 Most influential photographers. Trained as a painter, Klein studied under Fernand Léger and found early success with exhibitions of his work. However, he soon moved on to photography and achieved widespread fame as a fashion photographer for Vogue and for his photo essays on various cities. Despite having no training as a photographer, Klein won the Prix Nadar in 1957 for New York, a book of photographs taken during a brief return to his hometown in 1954. Klein's work was considered revolutionary for its "ambivalent and ironic approach to the world of fashion", its "uncompromising rejection of the then prevailing rules of photography" and for his extensive use of wide-angle and telephoto lenses, natural lighting and motion blur. Klein tends to be cited in photography books along with Robert Frank as among the fathers of street photography, one of those mixed compliments that classifies a man who is hard to classify. The world of fashion would become the subject for Klein's first feature film, Who Are You, Polly Maggoo?, which, like his other two fiction features, Mr. Freedom and The Model Couple, is a satire. Klein has directed numerous short and feature-length documentaries and has produced over 250 television commercials. Though American by birth, Klein has lived and worked in France since his late teens. His work has sometimes been openly critical of American society and foreign policy; the film critic Jonathan Rosenbaum once wrote that Klein's 1968 satire Mr. Freedom was "conceivably the most anti-American movie ever made." Klein was born into an impoverished Jewish family. Klein graduated from high school early and enrolled at the City College of New York at the age of 14 to study sociology. Klein joined the US Army and was stationed in Germany and later France, where he would permanently settle after being discharged. In 1948, Klein enrolled at the Sorbonne, and later studied with Fernand Léger. At the time, Klein was interested in abstract painting and sculpture. In 1952, Klein had two successful solo exhibitions in Milan and began a collaboration with the architect Angelo Mangiarotti. Klein also experimented with kinetic art, and it was at an exhibition of his kinetic sculptures that he met Alexander Liberman, the art director for Vogue. In 1966, Klein directed his first feature film, Who Are You, Polly Maggoo? He has since directed many others, including the cinéma vérité documentary Grands soirs et petits matins, the 1964 documentary Cassius the Great, re-edited with new footage as Muhammed Ali, The Greatest in 1969, and the satires Mr. Freedom and Le Couple Témoin. A long time tennis fan, in 1982 he directed The French, a documentary on the French Open tennis championship at Roland-Garros. He was awarded The Royal Photographic Society's Centenary Medal and Honorary Fellowship (HonFRPS) in recognition of a sustained, significant contribution to the art of photography in 1999. In 2012, Klein received the Outstanding Contribution to Photography Award at the annual Sony World Photography Awards in recognition of his work in the field of photography.Source: Wikipedia
Wendel Wirth
United States
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Kimiko Yoshida
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Dan Winters
United States
1962
Dan Winters (b. October 21, 1962) is an American photojournalist, illustrator, filmmaker and writer. He was born in Ventura County, California on October 21, 1962. He first studied photography and the darkroom process starting in 1971 while a member of his local 4-H club. In 1979, while still a high school senior, he began working full time in the motion picture special effects industry in the area of miniature construction and design. He went on to study photography at Moorpark College, in California. After receiving an associates arts degree there, he entered the documentary studies program at Ludwig Maximilian University of Munich in Germany, focusing mainly on narrative photojournalism. In 1986, he began his career in photography as a photojournalist in his home town in Ventura County, at the Thousand Oaks News Chronicle. After winning several local awards for his work, he moved to New York City, where magazine assignments came rapidly. In 1991, he moved to Los Angeles and married Kathryn Fouts, who became his photo rep and studio manager. In 1993, his son Dylan was born in Los Angeles. In 2000, while maintaining a home in LA, he moved to Austin, Texas. There he set up a studio outside Austin in a historic building built in 1903, that had originally served as a general store, gas station and post office for nearly 100 years before he arrived. Known for the broad range of subject matter he is able to interpret, he is widely recognized for his iconic celebrity portraiture, his scientific photography, his photojournalistic stories and more recently his drawings and illustrations. He has created portraits of luminaries such as Bono, Neil Young, Barack Obama, Tupac Shakur, the Dalai Lama, Stephen Hawking, Leonardo DiCaprio, Helen Mirren, Johnny Depp, Kate Winslet, Angelina Jolie, Sandra Bullock, Brad Pitt, Steven Spielberg and Al Gore. He has won over one hundred national and international awards from American Photography, Communication Arts, The Society of Publication Designers, Photo District News, The Art Directors Club of New York and Life, among others. In 1998, he was awarded the prestigious Alfred Eisenstadt Award for Magazine Photography. In 2003, he won a 1st place World Press Photo Award in the portrait category. In 2003, he was also honored by Kodak as a photo "Icon" in their biographical "Legends" series. In addition to regular assignments for magazines such as Esquire, GQ, Vanity Fair, The New York Times Magazine, The New Yorker, New York, Texas Monthly, Wired, Fortune, Discover, Audubon Magazine, Details, Premiere, W, Entertainment Weekly, Rolling Stone, Life, Newsweek, Time, Vibe and many other national and international publications, his clients for print and advertising include Nike, Microsoft, IBM, LG, Hewlett-Packard, Sony, Bose, Saturn, Sega, Fila, Cobra, ABC, Warner Brothers, Paramount, Dreamworks, Columbia TriStar and Twentieth Century Fox. Regular music clients include RCA, A&M, Sony BMG, Interscope, Warner Bros., Elektra Records and Epitaph. His work has appeared in four solo exhibitions in galleries in New York and Los Angeles. A book of his work entitled "Dan Winters: Periodical Photographs" was published in 2009 by Aperture. In addition, he has photos in permanent collections of the National Portrait Gallery (United States), the Museum of Fine Art Houston, The Whitliff Collection at Texas State University and the Harry Ransom Center for Photography in Austin, Texas.[6]He currently has a solo exhibition at the Telfair Museum/Jepson Center in Savannah, GA entitled Dan Winters's AMERICA: Icons and Ingenuity. A catalogue was published to accompany the exhibition. His book Last Launch which chronicles the final launches of Discovery, Endeavour and Atlantis in 2011, signaling the end of an era in space travel, will be released October 22, 2012 by UT Press and available in bookstores everywhere. He currently lives in Austin, Los Angeles and Savannah, Georgia with his wife and son. Source: wikipedia
Leigh Ann Edmonds
United States
1980
Leigh Ann is a freelance photographer located in a small town just north of Birmingham, Alabama. Her freelance career spans over 20 years as a professional with portrait, commercial and documentary/editorial work for publications and the entertainment industry. Her work has been in ROLLING STONE, VINTAGE GUITAR and B&W MAGAZINE. She is also an award-winning photographer for her portrait titled 'RODEO'. She is an avid trail runner married to a full-time working musician and her work often reflects that of her lifestyle, showcasing her love of adventure, people and the great outdoors. She received a BA in Studio Art and minor in Journalism from the University of Alabama in 2004 and considers photography more about her visual journey than a professional destination. STATEMENT Over the years I have noticed a pattern with my personal works. I often seek out the road less traveled rather it be within my living environment and community or during my travels. The isolation feels comforting and safe for me, as it allows me to slow down, it is here in these moments, when photography becomes my therapy. I've always been intrigued by the unplanned photograph and my work never is pre-conceptualized. I typically don't know what I will end up photographing and often feed off the energy I am given within that moment when I decide to take the image. The act of shooting is more important to me than the image I capture because it is about the connection I have found with the individual or space I come across. I tend to shoot more on sporadic intuition than thinking the shot through. If I feel something, I don't hesitate and click the shutter only to discover the image later, which can add to the excitement of this experience with my camera. The days I find myself inspired to shoot are days that I long for a connection, rather it be connection with others or the space I am in. I have found that over the years, my photography has become more about a glimpse into who I am more than a means to make a living as a professional. The pattern of my work tends to primarily focus on portraits of locals and the environment of small towns documented in black and white. This approach is to give the sense of isolation and nostalgia of small-town living. I don't want my work to feel 'dated' as I hope those viewing my work will also connect them to that place or person without feeling dated or current. I want my work to gather a sense of timelessness to the viewer and to me. I consider my personal works a journal of my life, my adventures, and a sense of belonging somewhere as I hope others will stumble across and 'read' my photographs when I am gone.
Leo Rubinfien
United States
1953
Leo Rubinfien (b. 1953, Chicago, Illinois) is an American photographer and essayist. He lives and works in New York City.Rubinfien first came to prominence as part of the circle of artist-photographers who investigated new color techniques and materials in the 1970s. His first one-person exhibition was held at Castelli Graphics, New York, in 1981 and he has since had solo exhibitions at institutions that include the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Cleveland Museum of Art, the Seattle Art Museum, the Corcoran Gallery of Art, Washington, DC, the National Museum of Modern Art, Tokyo, and the Cantor Arts Center, Stanford University. He is the author of two books of photographs, A Map of the East (Godine, Thames & Hudson, Toshi Shuppan, 1992), and Wounded Cities (Steidl, 2008.)Rubinfien is also an active writer, who has published numerous extended essays on major photographers of the 20th century. He has contributed a memoir, “Colors of Daylight” to Starburst: Color Photography in America, 1970-1980 (Kevin Moore, Cincinnati Art Museum / Hatje Caantz 2010) and produced the long personal and historical essay in Wounded Cities, which recounts the attacks of September 11th, 2001 and the years that followed. In 2001-2004, he served as Guest Co-curator of the San Francisco Museum of Modern Art’s retrospective of the work of Shomei Tomatsu and is co-author of Shomei Tomatsu / Skin of the Nation (Yale University Press, 2004). Since 2010, he has been serving as Guest Curator of the San Francisco Museum of Modern Art’s retrospective of the work of Garry Winogrand, which will begin a world tour in 2013.Rubinfien’s work has been acquired for numerous public and private collections, including the Metropolitan Museum of Art, the Museum of Modern Art, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, the Cleveland Museum of Art, the Seattle Art Museum, the Tokyo Metropolitan Museum of Photography, the Corcoran Gallery of Art, the Bibliotheque Nationale, the Yale University Art Gallery, the Cantor Arts Center at Stanford University, the Fogg Museum at Harvard University, the Museum of Fine Arts, Houston, the Israel Museum and the Center for Creative Photography of the University of Arizona. He has held fellowships with the Guggenheim Foundation, Japan Foundation, Asian Cultural Council, and the International Center for Advanced Studies at New York University, and in 2009 was awarded the Gold Prize at the 5th Lianzhou International Photography Festival.Source Wikipedia
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AAP Magazine #22: Streets
AAP Magazine #22: Streets
Solo Exhibition December 2021

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Solo Exhibition December 2021
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