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Shahar Tishler
Shahar Tishler
Shahar Tishler

Shahar Tishler

Country: Israel
Birth: 1992

I am 28 years old, newly married and live in Haifa, Israel. BFA graduate of the NB Haifa School of Design. I am a professional photographer and artist whose work derives from this medium. Also, I teach photography in high school. I was born in a small town in the northern Galilee, a peaceful city. When I was 14, a hard incident had struck my family. My father had passed away and left me and my mother alone at home. This is an important part of my life, both as an adult and as an artist. This event influenced the way I approach my art and the way I express my feelings through it.

Statement:
For me, photography is modus operandi for self-expression and discovery of one's self-identity through it. It is a tool for making human connections, an instrument that reflects realty and at the same time is a reality with its own guidelines.
 

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Deb Schwedhelm
United States
Born in Detroit, Michigan, Deb Schwedhelm was originally trained as a Registered Nurse and subsequently spent 10 years employed as an Air Force Nurse. Although she has been passionate about photography since her early 20s, it wasn't until Deb left the military that she was able to pursue the medium as a full-time career.Deb's photographs have been exhibited widely and featured in numerous publications throughout the world. She has received awards from Photolucida, Portland, OR; PhotoNOLA, New Orleans, LA; MPLS Photo Center, Minneapolis, MN; The Perfect Exposures Gallery, Los Angeles, CA; A. Smith Gallery, Johnson City, TX; Santa Fe Photographic Workshops, Santa Fe, NM; and The Art of Photography Show, San Diego, CA. Her photographs have also been selected for the permanent collection of The Center for Fine Art Photography, Fort Collins, CO.Deb is married to a Naval Explosive Ordnance Disposal Officer and she is the mother to three children, who are often the subjects of her photographs. Deb is currently based in Tampa, Florida and will be moving to Yokosuka, Japan summer 2014. All about Deb Schwedhelm:AAP: Where did you study photography?I purchased a DSLR and began teaching myself photography in 2006. Prior to that, I was a Registered Nurse in the U.S. Air Force for 10 years.AAP: Do you have a mentor or role model?Jock Sturges has been mentoring me for the past few years and I'm so grateful for all that he has shared with me.AAP: Do you remember your first shot? What was it?While I don't remember my first shot (because I was too busy trying to learn photography at that time), I do remember my first commissioned portrait session. It was with a family that lived down the street. One of the photographs (boxer boy) still remains one of my favorites, especially remembering back to how new I was to photography.AAP: What or who inspires you?As cliche as it may sound, I truly draw so much inspiration from my children. My middle child (10 yo) very much gets me. When I take her out to photograph, I leave with a vision and a plan, but based on her actions, I typically end up dumping any plan that I had and we just mesh with one another. She'll tell you that I often say to her, "just keep doing what you're doing." I also am very much inspired by dance and music.AAP: How could you describe your style?Raw, real and emotive.AAP: What kind of gear do you use? Camera, lens, digital, film?Above water: Nikon D3S, 35mm f/1.4, 50mm f/1.4 and 85mm f/1.8In the water: SPL housing,Nikon D700 and a 35mm f/2.0.AAP: Do you spend a lot of time editing your images? For what purpose?No, I don't really spend a lot of time editing my digital images. I do my best to get it right in camera, which makes the editing process very simple. I work mostly in Lightroom but I do bring my black and white images into Photoshop for a bit of fine-tuning. Basically, I want my editing to look pure, while gently enhancing the overall essence and feeling of the photograph.AAP: Favorite(s) photographer(s)?Sally Mann, Jock Sturges and Mary Ellen Mark have been my favorites from the very beginning.AAP: What advice would you give a young photographer?Work to master your technique -- and your artistry. Work really hard. Be dedicated, committed and determined. Never stop exploring, reflecting, learning and growing. Have patience. Know that the journey of photography is not always an easy one, but it is an absolutely amazing one. Be authentic and make genuine connections. Remember to be grateful, kind and giving. Do your best and don't ever give up!AAP: What mistake should a young photographer avoid?The greatest gifts a photographer could give themselves is allowing time and being patient. AAP: An idea, a sentence, a project you would like to share?I would love to share a couple of photography projects that I recently learned about and am inspired by...I had the opportunity to take a workshop from Mary Ellen Mark and I'm greatly inspired by her work and authenticity (both professionally and personally). She and her husband recently launched a kickstarter campaign, which I am thrilled to support: STREETWISE: Tiny RevisitedAnd 'The Return' kickstarter is another project I am happy to support. It is so incredibly beautiful and heartfelt: The return: Book ProjectLove these words shared in the project video: "State the intention for spirit to be present in your finished object, it will be. My soul need these images."AAP: What are your projects?For the past few years, I have been working on my 'From the Sea' series. This summer, I am planning to travel the US for a few months and will not only be photographing in various bodies of water across the US, I am also planning to launch a new project. While I'm not quite ready to release details of my new project, I hope you'll stay tuned.AAP: Your best memory as a photographer?Wow, that's a tough question. Receiving that first message from Jock Sturges was pretty darn amazing and winning photoNOLA was such an incredible gift. I never saw either coming.AAP: The compliment that touched you most?Every compliment greatly touches me. I truly am so appreciative for all that others share with me.AAP: If you were someone else who would it be?I'm quite happy being me and can't imagine being anyone else. AAP: Your favorite photo book?Oh how I love photography books. I have so many that proudly grace my bookshelves -- books which I've collected over the years. Sally Mann's Immediate Family was the first photography book I owned so it's pretty special. I also had the opportunity to have Sally Mann sign my books last summer, while attending her talk at the University of Michigan.AAP: Anything else you would like to share?No matter what your personal journey, don't be afraid to dream and dream big -- you just never know what's possible with a little dreaming and a lot of hard work. Don't forget the importance of authenticity and don't ever forget to share your gratitude with those who have assisted you.Thank you so much for this wonderful opportunity to share. This has been the most amazing journey and I'm beyond grateful.
Susan Meiselas
United States
1948
Susan Meiselas is a documentary photographer who lives and works in New York. She is the author of Carnival Strippers (1976), Nicaragua (1981), Kurdistan: In the Shadow of History (1997), Pandora's Box (2001), Encounters with the Dani (2003) Prince Street Girls (2016), A Room Of Their Own (2017) and Tar Beach (2020). She has co-edited two published collections: El Salvador, Work of 30 Photographers (1983) and Chile from Within (1990), rereleased as an e-book in 2013, and also co-directed two films: Living at Risk (1985) and Pictures from a Revolution (1991) with Richard P. Rogers and Alfred Guzzetti. Meiselas is well known for her documentation of human rights issues in Latin America. Her photographs are included in North American and international collections. In 1992 she was made a MacArthur Fellow, received a Guggenheim Fellowship (2015), and most recently the Deutsche Börse Photography Foundation Prize (2019) and the first Women in Motion Award from Kering and the Rencontres Internationales de la Photographie d'Arles. Mediations, a survey exhibition of her work from the 1970s to present was recently exhibited at the Fundació Antoni Tàpies, Jeu de Paume, San Francisco Museum of Modern Art and the Instituto Moreira Salles in São Paulo. She has been the President of the Magnum Foundation since 2007, which supports, trains, and mentors the next generation of in-depth documentary photographers and innovative practice. About Nicaragua Susan Meiselas became known through her photo reportages on the Nicaraguan revolution. From 1978 to 1982 she documented the uprising of the Sandinistas against the then president Anastasio Somoza Debayle. Some of her photographs, foremost among them the “Molotov Man”, became iconic media images and shaped the way the Latin American revolution was perceived in the West. About Carnival Strippers The role of women has been a focal point of Meiselas’ work ever since the 1970s. In her first major photographic essay entitled Carnival Strippers (1972-1975), she showcased the working conditions of women who earned a living working as strippers at fairs in New England. She combined her photographs with audio recordings of the women, their clients, and their managers. In this project Meiselas depicts the reality of life for these protagonists and lets them tell their own stories, thereby strengthening their feeling of self-worth and their personal identity. About Prince Street Girls For the series Prince Street Girls, she accompanied young girls in Little Italy, New York City over a period of seventeen years - from childhood to puberty and on into adulthood. The photographs illustrate the gradual changes in their lives, their bodies, and their place within society. About Archive of Abuse In her series Archive of Abuse Susan Meiselas addressed the issue of domestic abuse. In the early 1990s, the photographer was invited to support an awareness-raising campaign in San Francisco on the subject of domestic violence. Meiselas used material from police reports to focus on documenting the crimes, both visually and in text. The collages created in this way were posted in public spaces to raise people’s awareness of the many different forms of violence towards women as a structural phenomenon. About Kurdistan Meiselas’ starting point for her long-term project Kurdistan was the documentation of the genocide perpetrated against the Kurds by the Iraqi regime under Saddam Hussein in northern Iraq in 1988. She created an archive that preserves a people’s cultural memory and the chequered history of the Kurdish diaspora. The multimedia project comprises photographs, videos, documents, and oral accounts compiled by the artist over a period of more than thirty years.Source: Kunst Haus Wien
Mike Brodie
United States
1985
Claiming inspiration from “old-school American values mixed with a little punk-rock idealism,” Mike Brodie, aka The Polaroid Kidd, hopped trains across the U.S. for seven years, documenting his friends, lovers, and travels with a Polaroid and a 35-millimeter camera and amassing a critically acclaimed body of images. Like a 21st-century Jack Kerouac, replacing pen with pictures, Brodie rode the railways with a motley crew. In 2004, two years into his journeying, he acquired a camera and began photographing this gritty youth subculture. His intimate portraits, saturated with color and often set against moving backgrounds, capture the reality of this life in raw detail—its dirt-encrusted bodies, sickness and exhilaration, dangers and comforts. After traveling more than 50,000 miles through 46 states, Brodie has since become an itinerant mechanic. He says he has abandoned photography—at least for now. Source: Artsy Mike Brodie, best known by his pseudonym "Polaroid Kidd", is a self-trained American photographer from Pensacola, Florida. In 2003 Brodie left home at 18 to travel the rails across America. A friend gave him a camera and he found himself spending three years photographing the friends and companions he encountered with the Polaroid SX-70. Polaroid discontinued SX-70 film, so now he shoots on 35mm on a Nikon F3. His photographs have been featured in exhibits in Milwaukee, at Get This! Gallery in Atlanta and in Los Angeles at M+B Gallery. His work was also selected to appear in the 2006 edition of the Paris International Photo Fair at the Louvre. In November 2007 he collaborated with Swoon and Chris Stain to mount an installation at Gallery LJ Beaubourg in Paris. He also has had collaborative shows with artist Monica Canilao. His photographs largely depict what he refers to as "travel culture", train-hoppers, vagabonds, squatters and hobos. Critic Vince Aletti of artsandantiques.net says of Brodie's work: "Even if you're not intrigued by Brodie’s ragtag bohemian cohort—a band of outsiders with an unerring sense of post-punk style—the intimate size and warm, slightly faded color of his prints are seductive. His portraits... have a tender incisiveness that is rare at any age." Source: Wikipedia Born in 1985, Mike Brodie began photographing when he was given a Polaroid camera in 2004. Working under the moniker 'The Polaroid Kidd,' Brodie spent the next four years circumambulating the United States, amassing an archive of photographs that make up one of the few, true collections of American travel photography. Brodie made work in the tradition of photographers like Robert Frank, William Eggleston and Stephen Shore, but due to never having undergone any formal training he always remained untethered to the pressures and expectations of art market. Brodie compulsively documented his exploration of the tumultuous world of transient subcultures without regard to how the photographs would exist beyond him. After feeling as though he documented all that he could of his subject, his insatiable wanderlust found a new passion, and as quickly as he began making photographs, he has left the medium to continue in his constant pursuit of new adventures. In 2008, Brodie received the Baum Award for American Emerging Artists and has a forthcoming book to be published by Steidl, as well as numerous international shows. Brodie recently graduated from the Nashville Auto Diesel College (NADC) and is now working as a diesel mechanic. Although Brodie has stopped making photographs, the body of work he made in only four short years has left a huge impact on the photo world, and is now being made available to the public. Source: M+B
Jennifer Little
United States
1977
Jennifer Little (b. 1977) lives in Oakland, California. Her current photographic work focuses on social and ecological concerns and documents intersections between the natural and the man made. Jennifer received a B.F.A. in Photography from Washington University in St. Louis and an M.F.A. from the University of Texas at Austin. She is a tenured Associate Professor at University of the Pacific in Stockton, California, where she teaches courses covering Digital Photography, Video Production, Documentary Photography, the History of Photography, and Web Design. Jennifer is Chair of the Art Department at University of the Pacific. Jennifer Little's new photographic series, 100 Years of Dust: Owens Lake and the Los Angeles Aqueduct, is receiving significant recognition from galleries, publications, and curators. It just won the prestigious 2014 Critical Mass Top 50 Award from PhotoLucida. This series has also been selected for a solo exhibition at University of the Arts' Sol Mednick Gallery in Philadelphia from March 20 - April 24, 2015. Jennifer has been invited to give a presentation about Owens Lake at the Society for Photographic Education (SPE) National Conference in New Orleans, LA, from March 12-15, 2015. She also presented at the SPE West Regional Conference in Los Angeles on November 15, 2014, with Kathy Bancroft, the Tribal Historic Preservation Officer for the Lone Pine Paiute-Shoshone Reservation. Jennifer's series about Owens Lake won the 2014 "Dotphotozine Award for Excellence in Photography" and is featured in the September, 2014, issue of the magazine. This series also won first prize in an October - November, 2013, juried exhibition at Book and Job Gallery on Geary Street in San Francisco: The Human Impact: New Directions in Landscape Photography. Jennifer has exhibited her work at galleries and museums including Stanford University’s Thomas Welton Stanford Art Gallery; Tag Gallery in Bergamot Station Arts Center, Santa Monica, CA; Photo Center Northwest, Seattle, WA; Kala Art Institute in Berkeley, CA; The San Francisco Arts Commission Gallery; The LAB, San Francisco; Viewpoint Photographic Art Center in Sacramento, CA; Eisentrager-Howard Gallery at The University of Nebraska at Lincoln; The Marin Museum of Contemporary Art in Novato, CA; The Center for Fine Art Photography in Fort Collins, CO; and Jay Etkin Gallery in Memphis, TN. Jennifer’s work has been published and reviewed in Dotphotozine, View Camera Magazine, ArtAscent Magazine, Camera Arts Magazine, and The Austin Chronicle. Jennifer has presented artist talks at Stanford University, San Francisco Art Institute, the Foto 3 Conference, Kala Art Institute in Berkeley, CA, and the Dimen Cultural Eco-museum Forum on the Preservation and Development of Ancient Villages, Dimen, Guizhou, China.About Owens Lake and the Los Angeles AqueductThis project documents the Los Angeles Department of Water and Power’s (LADWP) legally mandated dust mitigation program at Owens Dry Lake in Southern California. It is the latest chapter in a century of legal battles over water rights and air quality in Owens Valley. Owens Lake lies in Southern California's eastern Sierra, about 200 miles northeast of Los Angeles. This 110-square-mile lake began to dry up in 1913 when the City of Los Angeles diverted the Owens River into the Los Angeles Aqueduct. The new water supply allowed Los Angeles to continue its rapid growth and turned the arid San Fernando Valley into an agricultural oasis, but at a tremendous environmental cost. By 1926, Owens Lake was a dry alkali flat, and its dust became the largest source of carcinogenic particulate air pollution in North America.1
José Ney Milá Espinosa
José Ney Milá Espinosa, of Cuban nationality, was born in Havana on March 4, 1959. He is a self-taught photographer, recognized within documentary photography and auteur photography since the mid-1980s. Initially trained as a technical drawer, artisan artist, civil designer, and finally abandoned his career in architecture for photography. He received several awards in his country in drawing, painting, applied arts and photography, but his greatest achievements were from the early 90s, in international photography salons, achieving numerous awards and distinctions throughout his career. Much of his work is in permanent collections such as the Southeast Museum of Photography Daytona; Palmer Museum of Art, Pennsylvania; Houston Museum of Fine Arts; Lehigh University Art Galleries / Museum Operation, Bethlehem, PA; Inés María Galerie, Houston; Mother Jones International. Fund for Documentary Photog, San Francisco; Fotofest, Houston, USA; Museum of Fine Arts of Santo Domingo. Dominican R.; Toscano Photographic Archive, Italy; UNESCO / ACCU, Tokyo. Japan; World Press Photo Foundation. Holland; University of La Rabida, Huelva. Spain; Media Library, INAH, Mexico; Galerie Bilderwelt Reinhard Schultz. Berlin Germany; National Museum of Photography, Pachuca, Mexico, and Fototeca de Cuba among others. His dedication and innovation in the chemical processes of analog photography led him to develop new formulas for film development that surpassed the results and practices of the Black and White laboratory, of the avant-garde of the time such as Tetenal, Ilford, and Kodak. . He presented his inventions at the Spanish Patent and Trademark Office and marketed them at Casanova Profesional (specialized store in Barcelona) in partnership with Luis Casademunt (photographer) in 1997 and later in 1998, with Isaac Donoso (businessman in Madrid) to guarantee industrial production by a commercial contract signed with the international company JOBO, well known for its laboratory instruments (Labortechnik, GmbH & Co. KG. Gmbh) of Cologne, Germany. His new formulas were published in the catalog of the year of JOBO products as New fine art line “The new generation fine art B / N chemistry” Page 70 and back cover, presented during the International Festival "FOTOKINA 2000" Kolonia, Germany, with the technical support of various specialists on the subject, such as the English John Tisley and the North American, John Sexton among others. In addition, various tests were published in various specialized magazines of the time, such as SCHWARZWEISS 27 (Das magazin für fotografie) "Auf anderer Wellenlänge", November, Germany. 2000; F.V. Nº 149. “Jobo: new Classic Line products”, Spain. 2001; Super Photo. No. 67. "Diary of a personalized development" Spain. 2001 and Super Photo. No. 70. "Diary of a personalized development (II)", Spain. 2001.
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