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Jonathan Frydman
Jonathan Frydman
Jonathan Frydman

Jonathan Frydman

Country: France/United States
Birth: 1998

Born in LA as a first generation American, from Jewish European descent. I grew up in Miami and later left for University in Montreal. I now am constantly travelling with artists across America.

Having gotten my start sneaking into hip-hop shows in South Florida in 2017, I immediately fell in love with photography. There was something alluring in where photography could bring me and the experiences I could share.

As I spent time in hip-hop I began to see a two-way disconnect in the conversations being had within it and without it. Outsiders viewed it negatively, at times as a threat and problem and sometimes as something low-grade. And insiders often did not belong to the larger social and political movements. As for most of my life, I felt as I didn't belong to any particular group. I was an insider who wanted to help outsiders understand how hip-hop's issues were reflective of larger systemic issues. And an outsider who wanted to push insiders to make a change in those systemic issues.

This point of view pushed me to use photography as a tool to understand the world around me.
 

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Deb Schwedhelm
United States
Born in Detroit, Michigan, Deb Schwedhelm was originally trained as a Registered Nurse and subsequently spent 10 years employed as an Air Force Nurse. Although she has been passionate about photography since her early 20s, it wasn't until Deb left the military that she was able to pursue the medium as a full-time career.Deb's photographs have been exhibited widely and featured in numerous publications throughout the world. She has received awards from Photolucida, Portland, OR; PhotoNOLA, New Orleans, LA; MPLS Photo Center, Minneapolis, MN; The Perfect Exposures Gallery, Los Angeles, CA; A. Smith Gallery, Johnson City, TX; Santa Fe Photographic Workshops, Santa Fe, NM; and The Art of Photography Show, San Diego, CA. Her photographs have also been selected for the permanent collection of The Center for Fine Art Photography, Fort Collins, CO.Deb is married to a Naval Explosive Ordnance Disposal Officer and she is the mother to three children, who are often the subjects of her photographs. Deb is currently based in Tampa, Florida and will be moving to Yokosuka, Japan summer 2014. All about Deb Schwedhelm:AAP: Where did you study photography?I purchased a DSLR and began teaching myself photography in 2006. Prior to that, I was a Registered Nurse in the U.S. Air Force for 10 years.AAP: Do you have a mentor or role model?Jock Sturges has been mentoring me for the past few years and I'm so grateful for all that he has shared with me.AAP: Do you remember your first shot? What was it?While I don't remember my first shot (because I was too busy trying to learn photography at that time), I do remember my first commissioned portrait session. It was with a family that lived down the street. One of the photographs (boxer boy) still remains one of my favorites, especially remembering back to how new I was to photography.AAP: What or who inspires you?As cliche as it may sound, I truly draw so much inspiration from my children. My middle child (10 yo) very much gets me. When I take her out to photograph, I leave with a vision and a plan, but based on her actions, I typically end up dumping any plan that I had and we just mesh with one another. She'll tell you that I often say to her, "just keep doing what you're doing." I also am very much inspired by dance and music.AAP: How could you describe your style?Raw, real and emotive.AAP: What kind of gear do you use? Camera, lens, digital, film?Above water: Nikon D3S, 35mm f/1.4, 50mm f/1.4 and 85mm f/1.8In the water: SPL housing,Nikon D700 and a 35mm f/2.0.AAP: Do you spend a lot of time editing your images? For what purpose?No, I don't really spend a lot of time editing my digital images. I do my best to get it right in camera, which makes the editing process very simple. I work mostly in Lightroom but I do bring my black and white images into Photoshop for a bit of fine-tuning. Basically, I want my editing to look pure, while gently enhancing the overall essence and feeling of the photograph.AAP: Favorite(s) photographer(s)?Sally Mann, Jock Sturges and Mary Ellen Mark have been my favorites from the very beginning.AAP: What advice would you give a young photographer?Work to master your technique -- and your artistry. Work really hard. Be dedicated, committed and determined. Never stop exploring, reflecting, learning and growing. Have patience. Know that the journey of photography is not always an easy one, but it is an absolutely amazing one. Be authentic and make genuine connections. Remember to be grateful, kind and giving. Do your best and don't ever give up!AAP: What mistake should a young photographer avoid?The greatest gifts a photographer could give themselves is allowing time and being patient. AAP: An idea, a sentence, a project you would like to share?I would love to share a couple of photography projects that I recently learned about and am inspired by...I had the opportunity to take a workshop from Mary Ellen Mark and I'm greatly inspired by her work and authenticity (both professionally and personally). She and her husband recently launched a kickstarter campaign, which I am thrilled to support: STREETWISE: Tiny RevisitedAnd 'The Return' kickstarter is another project I am happy to support. It is so incredibly beautiful and heartfelt: The return: Book ProjectLove these words shared in the project video: "State the intention for spirit to be present in your finished object, it will be. My soul need these images."AAP: What are your projects?For the past few years, I have been working on my 'From the Sea' series. This summer, I am planning to travel the US for a few months and will not only be photographing in various bodies of water across the US, I am also planning to launch a new project. While I'm not quite ready to release details of my new project, I hope you'll stay tuned.AAP: Your best memory as a photographer?Wow, that's a tough question. Receiving that first message from Jock Sturges was pretty darn amazing and winning photoNOLA was such an incredible gift. I never saw either coming.AAP: The compliment that touched you most?Every compliment greatly touches me. I truly am so appreciative for all that others share with me.AAP: If you were someone else who would it be?I'm quite happy being me and can't imagine being anyone else. AAP: Your favorite photo book?Oh how I love photography books. I have so many that proudly grace my bookshelves -- books which I've collected over the years. Sally Mann's Immediate Family was the first photography book I owned so it's pretty special. I also had the opportunity to have Sally Mann sign my books last summer, while attending her talk at the University of Michigan.AAP: Anything else you would like to share?No matter what your personal journey, don't be afraid to dream and dream big -- you just never know what's possible with a little dreaming and a lot of hard work. Don't forget the importance of authenticity and don't ever forget to share your gratitude with those who have assisted you.Thank you so much for this wonderful opportunity to share. This has been the most amazing journey and I'm beyond grateful.
Aleksander Rodchenko
Russia
1891 | † 1956
Born in St Petersburg on November 23rd, 1891, Aleksander Rodtchenko was one of the most eclectic artists to emerge from the Russian Revolution. Sculptor, painter, photographer and graphic designer, he is the founder of the "Russian Constructivist" movement and was also very influential in Photography and Russian Design. In 1907, after his father's death, his family moved to Kazan. In 1910, he began studies at the Kazan Art School, where he met his future wife Varvara Stepanova. In 1914, he moved to Moscow where he pursued briefly his artistic studies at the Stroganov Institute. In 1915, using a compass and a ruler, he created his first geometric black and white drawings. In 1916, introduced to Tatline by architect Viktor Vesnine, Aleksander Rodtchenko will exhibit his drawings at the "The Store" exhibition alongside painters Lioubov Popova, Alexander Exter and Ivan Klioune. Alexander Rodtchenko's work was influenced by innovative Cubist and Futuristic artists. In 1917, he applied his Futurism research on everyday life objects and designed lamps for the "Pittoresque Café", newspaper stands, buildings etc... It is at that time that he founded the left wing "Painter Syndicat". Following the Russian Revolution, as most avant-gardist Russian artists, he will become a member of several official schools (Proletkoult, Vkhoutemas), where he will become a teacher. In 1919, he will present his "black on black" paintings to answer Malevitch's "White on White" series. It is also at that time that he started experimenting with collages and photomontages. In 1921, he took part in various exhibitions, one called "5x5=25", where he presented a Monochrome triptych. Each canvas presenting a primary color: Red, yellow and blue. At the end of the exhibition, he signed the "Productivist Manifest" to abandon easel painting to focus on everyday life objects. The same year, in March, the "Constructivist" movement was created within the Inkhouk Institute. Initiated by artists, critics and theoricians its aim was to conduct "concrete experiments in the real world". From 1922 onwards he started producing graphic designs for movie, books and political billboards. In 1923, he started collaborating with various editors and till 1925, he illustrated the cover of Constructivist magazine LEF. Influenced by German Dadaist photomontages, Rodtchenko began experimenting with photographs in 1923. His first photomontage illustrated Mayakovsky's poem "About this". From 1924 onwards, his focus was on photography. He started experimenting on new compositions and techniques. His work emphasized the subject's position and movement in space combined with a diagonal framing. He also produced many portraits. In 1925, he was responsible for the Soviet Pavilion at the "International Industrial and Modern Art fair" held in Paris. In 1933, he was commissioned by Russian magazine SSSR na Stroïké, to photograph the construction of the Baltic Sea Canal.From 1934 to 1939 Rodtchenko and Stepanova, produced several photo albums: "Fifteen years of Soviet Cinema, Soviet Aviation, Ten years of Ouzbekistan". During the second world war, as other artists, he fled Moscow and took refuge in the Perm region where he will produce patriotic billboards.
Giles Duley
United Kingdom
1971
Giles Duley was born in 1971 in London. After 10 years as an editorial photographer in the fashion and music industries in both the US and Europe, Duley now focuses his work on humanitarian projects. Working with well respected charities such as Medecins sans Frontiers, IOM and UNHCR to highlight lesser known stories deserving of public attention and action. Although documenting challenging, and at times, horrific situations, Duley captures the strength of those who fight their adversity rather than succumb. His photographs draw the viewer to the subject, creating intimacy and empathy for lives differing from ours only in circumstance.In 2011, whilst on patrol with 75th Cavalry Regiment, United States Army in Afghanistan, Duley stepped on an improvised explosive device. He was severely injured, losing both legs and an arm.Source: www.gilesduley.com Artist Statement "In 2011 I was injured whilst working as a photographer in Afghanistan. I spent the next 46 days of my recovery fighting for my life in intensive care. During that period, I was often awake for days, unable to move or communicate as I was incubated and my remaining shattered hand was in a cast. My mind wandered, drifting on a mixture of morphine, exhaustion and fear and so battling to keep my sanity and to pass the dragging hours I’d challenge myself with mental exercises. My favourite was thinking of portraits I wished I could do, creating a list of the 100 people I most wanted to photograph. My first love in photography was portraiture. I love telling someone’s story through an image, trying to capture some essence of character in a frozen moment. For ten years I worked as a portrait photographer before cynicism with celebrity culture and a desire to document humanitarian issues took me in a different direction. I had always hoped to return to portraiture in time. Lying there, trapped in my body, I imagined all the portraits I wanted to take, aware that now I’d probably never get the chance. This wasn’t just a list of heroes or inspirations; more a collection of people who had shaped my cultural identity or whose large personas drew me in. Ben Okri whose writing first opened my eyes to Africa and storytelling; Tom Waits with his gnarled voice; Natalie Portman, hypnotic in the last film I’d seen before my accident; Don McCullin who inspired me to first pick up the camera. The list grew in my mind; eclectic, eccentric characters I wished I’d captured in frame. I resolved that if by some chance I made it through, I’d contact the names on my list and ask them to sit for a portrait. I would not waste my second chance at life. I have no idea where this project will lead, who will say yes, who will say no, or what I will learn about the people I meet and about myself. I’m aware I’ll face practical difficulties brought on by my injuries and the challenges of working within a celebrity culture, but through this journey I hope to develop my abilities in portraiture, to explore my own cultural identity and broaden my understanding of photography. Most importantly to fully regain my life and identity post accident, with more than a little fun along the way! As for the list? From PJ Harvey to Dead Prez, from Samantha Morton to Jean Paul Belmondo, the names on the list are united by a common trait. When I thought I was going to die and when I had to come to terms with my new life, one thing kept me going, my photography. It is my lifeblood. The sitters for my portraits may all be famous, but I believe they have become that because of what they do, not because they craved celebrity. I believe for each one their craft is also their lifeblood. So here I am. It’s taken two years, 30 operations and a long rehabilitation, but I’m ready to start. 100 Portraits Before I Die: A Photographers Odyssey..."
 Reza
Iran/France
1952
A philanthropist, idealist, humanist, Reza's career began with studies in architecture. He has gone on to become a renowned photojournalist who, for the last three decades, has worked all over the world, notably for National Geographic. His assignments have taken him to over a hundred countries as a witness to humanity's conflicts and catastrophes. His work is featured in the international media (National Geographic, Time Magazine, Stern, Newsweek, El País, Paris Match, Geo...), as well as a series of books, exhibitions and documentaries made for the National Geographic Channel. Along with his work as a photographer, since 1983 Reza has been a volunteer committed to the training of youths and women from conflict-ridden societies in the language of images, to help them strive for a better world. In 2001, he founded Ainaworld in Afghanistan, a new generation NGO which trains populations in information and communications through the development of educational tools and adapted media. While pursuing his reportages for international media outlets, Reza has continued to conduct workshops on the language of images in a variety through his association Reza Visual Academy. He works with refugees, urban youths in Europe and others from disadvantaged backgrounds. After his work, Mémoires d'Exil ("Memories of Exile") shown at the Louvre Carrousel in 1998, he has shared his humanitarian vision through a series of monumental installations: Crossing Destinies, shown on the grilles of the Luxembourg Gardens in Paris, One World, One Tribe in Washington DC, and the Parc de la Villette in Paris, War + Peace at the Caen Memorial and on the banks of the Garonne in Toulouse, Hope in Doha (Qatar), Windows of the Soul in Corsica, Soul of Coffee, 250 photographic exhibitions throughout the world, including major installations on the banks of the Seine, or at Kew Gardens in London, Land of Tolerance at the UN Headquarters in New York, the European Parliament in Brussels, as well as UNESCO in Paris. In 2014, Azerbaijan: the Elegance of Fire, presented at the Petit Palais revealed a little-known people with an ancestral culture, turned towards modernity. Finally, the giant panorama A Dream of Humanity was featured along the banks of the Seine during the summer of 2015, showing portraits of refugees around the world taken by Reza and photographs taken by refugee children in Iraqi Kurdestan who were trained as "camp reporters" at the workshops organized by Reza Visual Academy. Author of thirty books, and a recipient of many awards over the course of his career, Reza is a Fellow and Explorer of the National Geographic Society, and a Senior Fellow of the Ashoka Foundation. His work has been recognized by World Press Photo; he has also received the Infinity Award from the International Center of Photography, the Lucy Award, an honorary medal from the University of Missouri and the honorary degree of Doctor Honoris Causa from the American University of Paris. France has also appointed him a Chevalier of the National Order of Merit.
Nicola Perscheid
Germany
1864 | † 1930
Nicola Perscheid (3 December 1864 - 12 May 1930) was a German photographer. He is primarily known for his artistic portrait photography. He developed the "Perscheid lens", a soft focus lens for large format portrait photography. Perscheid was born as Nikolaus Perscheid in Moselweiβ [de] near Koblenz, Germany, where he also went to school. At the age of 15, he began an apprenticeship as a photographer. Subsequently, Perscheid earned his living as an itinerant photographer; he worked, amongst other places, in Saarbrücken, Trier, and Colmar, but also in Nice, Vienna, or Budapest. In Klagenfurt in Austria he finally found a permanent position and on 1 March 1887, he became a member of the Photographic Society of Vienna (Wiener Photographische Gesellschaft). In 1889, he moved to Dresden, where he initially worked in the studio of Wilhelm Höffert (1832-1901), a well-known studio in Germany at that time, before opening his own studio in Görlitz on 6 June 1891. The next year he was appointed court photographer at the court of Albert, King of Saxony. In 1894, Perscheid moved to Leipzig. Perscheid had his first publication of an image of his in a renowned photography magazine in 1897, and subsequently participated in many exhibitions and also had contacts with artist Max Klinger. As an established and well-known photographer, he moved in 1905 to Berlin. There, he experimented with early techniques for colour photography, without much success, and when his assistant Arthur Benda [de] left him in 1907, Perscheid gave up these experiments altogether. His portraits, however, won him several important prizes, but apparently were not an economic success: he sold his studio on 24 June 1912. In October 1913, he held a course at the Swedish society of professional photographers, the Svenska Fotografernas Förbund, which must have been a success as it was praised even ten years later. In 1923, he followed a call by the Danish college for photography in Kopenhagen. Percheid had several students who would later become renowned photographers themselves. Arthur Benda studied with him from 1899 to 1902, and joined him again in 1906 as his assistant for experimenting with colour photography. Benda left Perscheid in 1907; together with Dora Kallmus he went to Vienna and worked in her studio Atelier d'Ora, which he eventually took over and that continued to exist under the name d'Ora-Benda until 1965. Kallmus herself also had studied from January to May 1907 at Perscheid's. Henry B. Goodwin, who later emigrated to Sweden and in 1913 organized Perscheid's course there, studied with Perscheid in 1903. In 1924 the Swedish photographer Curt Götlin (1900-1993) studied at Perscheid's studio. Perscheid also influenced the Japanese photographer Toragorō Ariga, who studied in Berlin from 1908 to 1914 and also followed Perscheid's courses. He returned in 1915 to Japan. The Perscheid lens was developed around 1920. It is a soft-focus lens with a wide depth of field, produced by Emil Busch AG after the specifications of Perscheid. The lens is designed especially for large format portrait photography. Ariga introduced the Perscheid lens in Japan, where it became very popular amongst Japanese portrait photographers of the 1920s. Even after the sale of his studio, Perscheid continued to work as a photographer and even rented other studio rooms in 1917. Besides artistic photography, he also always did "profane" studio portraits, for instance for the Postkartenvertrieb Willi Sanke in Berlin that between 1910 and 1918 published a series of about 600 to 700 numbered aviation postcards, including a large number of portraits of flying aces, a number of which were done by Perscheid. Towards the end of the 1920s, Perscheid had severe financial problems. In autumn 1929 he had to sub-rent his apartment to be able to pay his own rent. Shortly afterwards, he suffered a stroke, and was hospitalized in spring of 1930. While he was at the hospital, his belongings, including his cameras and photographic plates, but also all his furniture were auctioned off to pay his debts. Two weeks after the auction, on 12 May 1930, Perscheid died at the Charité hospital in Berlin. Source: Wikipedia
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