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FINAL CALL WIN A Solo Exhibition this December! Juror: Ed Kashi
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Lala Deen Dayal
Lala Deen Dayal
Lala Deen Dayal

Lala Deen Dayal

Country: India
Birth: 1844 | Death: 1905

Lala Deen Dayal, (famously known as Raja Deen Dayal) born in 1844 in Sardhana, Uttar Pradesh, is revered as one of India's most influential photographers. His journey into photography began after he completed his education in engineering at Thomason College of Civil Engineering (now IIT Roorkee). Initially working as a draftsman for the Public Works Department, Deen Dayal's interest in photography soon turned into a passionate pursuit, transforming him into a pioneer of the craft in India.

In the late 19th century, when photography was still a nascent field, Deen Dayal's talent quickly garnered attention. He established his first studio in Indore, gaining the patronage of Maharaja Tukoji Rao II. His reputation for capturing intricate details and the essence of Indian life, architecture, and landscapes soon spread, leading to numerous commissions from Indian royalty and British officials. This period marked the beginning of his illustrious career, during which he documented India's rich cultural heritage with a distinctive artistic vision.

Deen Dayal's photographic expertise reached new heights when he was appointed the court photographer for the sixth Nizam of Hyderabad, Mahbub Ali Pasha, in 1885. This prestigious position allowed him unparalleled access to the royal family and their opulent lifestyle. His photographs from this era are renowned for their exquisite composition and detail, providing a rare glimpse into the grandeur of princely India. Deen Dayal's work from this period includes portraits, architectural studies, and documentation of royal ceremonies, all characterized by their meticulous attention to detail.

Throughout his career, Deen Dayal's contributions to photography extended beyond his royal commissions. He established studios in Mumbai, Indore, and Hyderabad, training a generation of Indian photographers and expanding the reach of professional photography in the country. His innovative techniques and commitment to quality earned him international recognition. In 1897, he was awarded the Royal Warrant by Queen Victoria, a testament to his exceptional skill and the impact of his work on a global scale.

Lala Deen Dayal passed away in 1905, but his legacy endures through his extensive body of work that continues to be celebrated for its historical and artistic significance. His photographs are invaluable records of India's architectural and cultural history, capturing the essence of a bygone era with clarity and depth. Deen Dayal's pioneering spirit and dedication to his craft have left an indelible mark on the history of photography, establishing him as a true trailblazer in the field. His work remains a source of inspiration for photographers and historians alike, preserving the rich tapestry of 19th-century India for future generations.
 

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More Great Photographers To Discover

Elliott Erwitt
France
1928 | † 2023
Born in Paris in 1928 to Russian parents, Erwitt spent his childhood in Milan, then emigrated to the US, via France, with his family in 1939. As a teenager living in Hollywood, he developed an interest in photography and worked in a commercial darkroom before experimenting with photography at Los Angeles City College. In 1948 he moved to New York and exchanged janitorial work for film classes at the New School for Social Research. Erwitt traveled in France and Italy in 1949 with his trusty Rolleiflex camera. In 1951 he was drafted for military service and undertook various photographic duties while serving in a unit of the Army Signal Corps in Germany and France. While in New York, Erwitt met Edward Steichen, Robert Capa and Roy Stryker, the former head of the Farm Security Administration. Stryker initially hired Erwitt to work for the Standard Oil Company, where he was building up a photographic library for the company, and subsequently commissioned him to undertake a project documenting the city of Pittsburgh. In 1953 Erwitt joined Magnum Photos and worked as a freelance photographer for Collier's, Look, Life, Holiday and other luminaries in that golden period for illustrated magazines. To this day he is for hire and continues to work for a variety of journalistic and commercial outfits. In the late 1960s Erwitt served as Magnum's president for three years. He then turned to film: in the 1970s he produced several noted documentaries and in the 1980s eighteen comedy films for Home Box Office. Erwitt became known for benevolent irony, and for a humanistic sensibility traditional to the spirit of Magnum. Source: Magnum Photos
James Houston
Australia
James Houston's background as a sculptor helped shape and influence his graphic photographic style. Australian born, Houston celebrates beauty and the human form, creating sensual iconic portraits and international campaigns for L'Oreal Paris, GAP, Donna Karan, Hugo Boss and Givenchy. New York based Houston balances his career with passion projects that make a difference in the community. Five award winning international books have been published on his work. Houston's book MOVE (PowerHouse Books), was created to benefit various HIV/AIDS charities and raised close to US$500,000 from sales and launch events. The book project, titled MOVE FOR AIDS was launched in 2006 with the support of Elton John, Hugh Jackman, Baz Luhrmann and Sarah Murdoch. While working on MOVE FOR AIDS, Houston was shocked to learn about American attitudes towards adolescent sexuality and the impact it has on U.S. teens. This discovery inspired Houston to raise over 1 million dollars to fund his first feature documentary titled, LET’S TALK ABOUT SEX (www.letstalkaboutsexthefilm.com). The Award winning film takes a revealing look at how American attitudes towards adolescent sexuality affect today’s teenagers. The film aired nationally on the TLC network in April, 2011 with the goal of helping parents and communities understand the importance of honest and open communication. For his latest photographic project, Natural Beauty, Houston turns his eye to nature for inspiration with the goal to raise awareness for the environment and funds for environmental non profit Global Green USA. In collaboration with MILK, Houston shot a series of striking portraits of some of the world’s leading models and celebrities. These captivating photographs, bring together two of Houston’s great passions – the human form and the natural world. Natural Beauty launched at MILK Gallery NYC April 2013. Houston also directed a web series on the 'making of' Natural Beauty as well as several film installations for the exhibition. Source: www.houstonphoto.com
Thomas Annan
Scotland
1829 | † 1887
Thomas Annan was a Scottish photographer, notable for being the first to record the bad housing conditions of the poor. Born in Dairsie, Fife he was one of seven children of John Annan, a flax spinner. After his initial apprenticeship as a lithographic writer and engraver at the Fife Herald in Cupar, he moved to Glasgow in 1849 and worked as a lithographer and engraver for Joseph Swan until 1855. He set up business with George Berwick at 40 Woodlands Road, Glasgow, listing in the 1855 - 56 Glasgow post office directory as calotypists, practitioners of this early form of photography. In 1855, he photographed the ship RMS Persia, under construction on the Clyde, which was probably a commission by engineer, Robert Napier. This photograph was part of a group of images sent to the Photographic Exhibition in connection with the British Association. After dissolving his previous partnership, he established himself in a photographic studio at 116 Sauchiehall Street during 1857. In 1859, the business moved to 200 Hope Street and he was also able to establish a printing works in Hamilton in 1863. First interested largely in architectural photography and then portraits, as well as photographing artworks and maps, in 1866 Annan photographed slum areas of the city. These images were used by Glasgow City Improvement Trust to document the overcrowded, unhygienic conditions ahead of extensive redevelopments. It was this series of photographs, created between 1868 and 1871, entitled Old Closes and Streets of Glasgow, that ensured his posterity. In 1869, Annan purchased the contents of Rock House, which belonged David Octavius Hill, which included many of Hill's photographs and negatives. These were eventually exhibited by Thomas' son, James Craig Annan, and reproduced in photogravure in Alfred Stieglitz's journal Camera Work. Annan's photographs of the Loch Katrine Waterworks were praised in the British Journal of Photography: "The views by Mr. Annan could scarcely fail to be attractive, for in a country so beautiful a clever artist is bound to produce results in keeping with the nature of the subject, and this Mr. Annan has done." Indeed, Annan's work was often praised not only for its aesthetics, but also for its technical virtuosity. Twenty years later, Annan's studio would be singled out by Baden Pritchard for its accomplishments in carbon printing and "beautiful pictures of exteriors and interiors of Scotch strongholds." Thomas Annan purchased the rights to the photogravure process in Britain from Karel Klíč of Vienna in 1883 after visiting the city with his second son, James Craig Annan. James was a noted photogravurist and associated with late nineteenth-century art photography continued in his father's profession, receiving a Royal Warrant as Photographers and Photographic Engravers to Her Majesty in Glasgow. Thomas Annan died on 14 December 1887 at his home in Lenzie. Before his death by suicide, he had experienced a month-long period of "mental aberration". The family business survives to the present day in the form of the Annan Fine Art Gallery, located on Woodlands Road in the West End of Glasgow. A selection of prints from the Glasgow Improvements act 1868 series were displayed in the Scottish National Portrait Gallery from 2011 to 2012. In 2017, the J. Paul Getty Museum curated an exhibition entitled Thomas Annan: Photographer of Glasgow, the first to survey his career and legacy as photographer and printer.Source: Wikipedia
Edwin Carungay
United States
1969
Joel Meyerowitz
United States
1938
Joel Meyerowitz is an award-winning photographer whose work has appeared in over 350 exhibitions in museums and galleries around the world. He was born in New York in 1938. He began photographing in 1962. He is a “street photographer” in the tradition of Henri Cartier-Bresson and Robert Frank, although he works exclusively in color. As an early advocate of color photography (mid-60s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance. His first book, Cape Light, is considered a classic work of color photography and has sold more than 100,000 copies during its 30-year life. He is the author of 17 other books, including the newly released book by Aperture, Legacy: The Preservation of Wilderness in New York City Parks. In 1998 he produced and directed his first film, POP, an intimate diary of a three-week road trip he made with his son, Sasha, and his father, Hy. This odyssey has as its central character an unpredictable, street-wise and witty 87-year-old with a failing memory. It is both an open-eyed look at aging and a meditation on the significance of memory. Within a few days of the 9/11 attacks on the World Trade Center in New York, Meyerowitz began to create an archive of the destruction and recovery at Ground Zero and the immediate neighborhood. The World Trade Center Archive consists of over 8,000 images, and was created with the sponsorship of the Museum of the City of New York, to whom a set of digital files was donated for their archives and for exhibition. The Archive is an historic, photographic record of the immediate aftermath of the tragedy and the neighborhood as it evolved. The U.S. Department of State mounted 35 exhibitions of this work and they were shown around the globe from their inauguration by Colin Powell in Spring 2002 until 2005. Over 4 million people have seen these shows from Jerusalem to Islamabad, Rome, Paris, London, Kuwait, Moscow, Istanbul, and 200 other cities. Meyerowitz’s photographs from the World Trade Center Archives were also on view when he represented the United States at the 8th Venice Biennale for Architecture in 2002. Meyerowitz created a traveling exhibition of 117 vintage and modern prints entitled Out of the Ordinary 1970-1980, which premiered at the Jeu de paume in Paris, France. It has been exhibited at the Museum der Modern in Salzburg, Austria, and the Nederlands Fotomuseum in Rotterdam, the Netherlands, the Musee de la Photographie in Charleroi, Belgium and the Thessaloniki Museum of Photography in Thessaloniki, Greece Meyerowitz completed the ambitious project of documenting and creating an archive of New York City’s 29,000 acres of parkland. It is the first long-term visual documentation of NYC parks since the 1930’s when they were photographed as part of Franklin Roosevelt’s WPA program. Adrian Benepe, Commissioner of Parks and Recreation, has invited Meyerowitz to produce a comprehensive database for future use by the Parks department and to share these images of the parks with communities in all 5 boroughs. Legacy: The Preservation of Wilderness in New York City Parks was published by Aperture in the fall of 2009, accompanied by a large-scale exhibition of the same name at the Museum of the City of New York. Meyerowitz is a two-time Guggenheim fellow, a recipient of both the NEA and NEH awards, as well as a recipient of the Deutscher Fotobuchpreis. His work is in the collection of the Museum of Modern Art, the Boston Museum of Fine Arts and many others. Source: Wikipedia
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