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Hai Bo
Hai Bo

Hai Bo

Country: China
Birth: 1962

Hai Bo (b. 1962, Changchun, China) graduated from the Printmaking Department of the Fine Art Institute of Jilin in 1984. His artistic ideals involve the restoration of the past through photography. Hai Bo’s work is less about what changes through time and more about what endures. His photography often depicts people shown in various stages of life as well as the passage of time.
 

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George Zimbel
United States / Canada
1929
George S. Zimbel (born July 15, 1929) is an American-Canadian documentary photographer. He has worked professionally since the late 1940s, mainly as a freelancer. He was part of the Photo League and is one of its last surviving members. Born in Massachusetts, he settled in Canada about 1971. His works have been shown with increasing frequency since 2000, and examples of his work are part of several permanent collections including the Museum of Modern Art and the Montreal Museum of Fine Arts. George Zimbel has been described as a humanist. He has published several books of his photographs and in 2016 was the subject of a documentary retrospective film co-directed by his son Matt Zimbel and distributed by the National Film Board of Canada. Born George Sydney Zimbel in Woburn, Massachusetts, son of a dry goods store owner, he attended Woburn High School and was the school's yearbook photographer. He later studied at the Photo League under John Ebstel. George Zimbel then enrolled in Columbia University in New York where he became the school's news photographer. There he met art student Garry Winogrand and introduced Winogrand to photography. They used the school's darkroom late at night to avoid crowding at other times of the day, and they called themselves the "Midnight to Dawn Club". Both Zimbel and Winogrand later both studied under Alexey Brodovitch at the New School for Social Research on scholarships in 1951. He next met Edward Steichen, the then curator of the Museum of Modern Art who showed Zimbel original prints by early masters of photography, and this sealed his decision to take up photography as a career. On Steichen's advice, he had a stint as a photographer with the US Army and spent 2 years in Europe during the restoration period following World War II. On his return to America, he became a freelance photographer. One of his early opportunities was the famous Marilyn Monroe shoot on Lexington Avenue in 1954 to promote her film The Seven Year Itch, at which Monroe wore her famous white dress. Zimbel never sold any of these images and packed them away until 1976, whereupon he printed them and began to show them in solo exhibitions. He was married to Elaine Sernovitz in 1955. A professional writer, she has collaborated with George Zimbel on travelogues and other works. George and Elaine Zimbel had four children including jazz musician Matt Zimbel, founder of Manteca. Matt Zimbel co-produced and co-directed (with Jean-Francois Gratton) a documentary film about his father called Zimbelism, released in 2016. In 1971, Zimbel and his family moved to the small community of Argyle Shore, Queens County, Prince Edward Island where they raised animals for the next 10 years at a farm they called "Bona Fide Farm". After their children moved away, he and his wife relocated to Montreal, where they still reside. Though he was widely published in publications such as the New York Times, Look, Redbook and Architectural Digest in the 1950s and 60s, he did not become widely recognized until a retrospective exhibition of his work was mounted at the Institut Valencià d'Art Modern in Spain in 2000. Since then he has had several major shows around the world.Source: Wikipedia The American-Canadian humanist photographer George S. Zimbel is one of the last elders of photography faithful to the legacy of the Photo League, who in the fifties imbued their pictures with a personal commitment towards the people and the social landscapes they documented. Zimbel’s work is collected by major museums internationally, he has published numerous books and in 2016 he was the subject of an award winning feature documentary on his work called Zimbelism. George’s collection is now managed by his children. The collection consisting of prints printed by George, negatives and colour slides is in the process of being cataloged. Cataloging of the prints has been completed. The thousands of colour slides, and hundred of thousand negatives will be an on going project. In an era of increased manipulation of the photographic image by computer technology, Zimbel’s commitment to the “straight” photograph has become stronger. He sees the early 21st century as a period in which classic photography will have it’s last flowering. "My work begins with recording an image, but it is not finished until I have made a fine print. That is my photograph. A lot goes into a finished documentary photograph: a very personal view of life, a knowledge of technique, and of course, information. It is the information that grabs the viewer, but it is the photographer’s art that holds them." – George S. ZimbelSource: georgezimbel.com
Laurence Leblanc
Laurence Leblanc was born in Paris in the early days of June 1967. Starting her artistic training early on, she studied drawing, painting, and gravure as a child at the Musée du Louvre’s Ecole des arts décoratifs. Later on Leblanc studied visual art at the Academie Charpentier, at its historic La Grande Chaumiere workshop located in Paris. "Each of us has to tell something that nobody else can tell" -- Wim Wenders. Leblanc always had a deep desire to convey her world a little differently and it was in that spirit that she covered Peter Gabriel’s Secret World Tour in the 90’s, travelling large parts of the world with the British musican over the next two years. In 1999, Leblanc came to the attention of art critic and curator Régis Durand who described her work as : « It exists in these pictures a kind of familiar fantastic, a mix of ordinary poetry and some strangeness » Whatever the medium, the act of creation for Laurence Leblanc comes after gradual impregnation with the subject and his or her environment. The results are often carefully thought-out and reflect both the expansive and minute of the subject and, their context. Cambodian filmmaker Rithy Panh said of Leblanc that: « Her pictures look like souls… the fuzzyness is not fuzzy, the grainy asppearance is not grain, life is not exactly life. Yet it is not death either, and I like being led on this narrow territory between the two » Leblanc is the winner of awards such as the Villa Médicis Hors–Les–Murs scholarship in 2000, and the HSBC Fondation prize in photographie in 2003. In 2003, Peter Gabriel wrote in the preface of her first book Rithy, Chéa, Kim Sour et les autres "Laurence has continued to explore new areas in her work, and I have watched her develop into an extraordinary artist" Leblanc’s second book Seul l’air was published in 2009 by Actes Sud. At the same time her exhibition Seul l’air consisting of work from Africa was presented at the 40th International Photography Festival in Arles. Always expanding her range of learning and creating, Leblanc responded to radio producer and writer Frank Smith’s proposition to create a sound piece for the Atelier de Création Radiophonique. The final 53 minute sound piece was broadcast on France Culture in July 2008. Leblanc also collaborated on the « Sometimes I think Sometimes I don’t think » project with the Domaine de Chamarande. Bulles de silence, a 19 minutes film, written, produced and directed by Leblanc, was selected and premiered at the Museum’s Night in the Niepce’s Museum in May 2015. Laurence Leblanc silently follows her own solitary artistic path which leads her to the field of contemporary photographic creativity, yet her strongest ally is time, the time given (and taken by the artist) to observe and to mature. Represented by the Claude Samuel gallery in 1999 then by the VU’ gallery from 2001 to 2015 Leblanc is a regular at: Art Paris, Art genève, and at Paris Photo since her début there in 1998. Leblanc’s works can be found in collections ranging from the prestigious National Trust for Contemporary Art in France, the Niépce Museum in Chalon-sur Saône, the French National Library, the HSBC Fondation & Collection, as well as in various private collections includng that of Marin Karmitz. We can see one of her picture in the exhibition « Etranger résident » Marin Karmitz’s collection from 15 october 2017 to 21 january 2018 in la maison rouge – fondation Antoine de Galbert. Source: laurenceleblanc.com
Guillermo Espinosa
Guillermo Espinosa is a Spanish photographer born in Madrid in 1985 and currently based in Berlin. He studied Graphic arts and wine making in Madrid. He started in photography around 7 years ago, making pictures in the streets of Madrid with an old reflex camera. Later on he moved to Germany to work as a waiter. It was then when he saw the potential of street photography as a way to grow personally and escape from the routine. Since then he has combined his job as a waiter with some jobs related to photography such as Cruiseship photographer or photographer for a german decoration shop. He is currently involved in a few ongoing street photography projects in the city of Berlin. Statement My artwork is about the relation between the human being and the public enviroment, searching for the insual in the usual or mundane. Trying to find candid moments in the dalily life using what the enviroment gives me, such a light, subjects, geometry, etc. Another distinguising feature is the friction created by the layers (physical or conceptual). I have been always attracted by the contrasts that happen in everyday life, the juxtaposition in any "normal" situation that can create many humoristic, visual or critic lectures. Even a frontal shot of a character on the street can be read in many different ways depending on the viewer, place or epoque. My main aproach is to create a connection with the viewer that can go beyond the aesthetics, making an image more than a 2D object that comfrontes the previous concept of the daily life
Jay Maisel
United States
1931
Having studied painting and graphic design at Cooper Union and Yale, Jay Maisel embarked on his photographic career in 1954. While he boasts an impressive portfolio that includes iconic figures like Marilyn Monroe and Miles Davis, Maisel is renowned for his ability to capture the essence of light, color, and gesture in ordinary life. Among his noteworthy commercial achievements are five Sports Illustrated swimsuit covers, the inaugural two covers of New York Magazine, the cover of Miles Davis' Kind of Blue (the highest-selling jazz album of all time), twelve years of advertising collaboration with United Technologies, and accolades from esteemed organizations such as the International Center for Photography, American Society of Media Photographers, Art Directors Club, Professional Photographers of America, and The Cooper Union. Although he ceased commercial work in the late '90s, Jay has persistently dedicated himself to personal projects. His reputation as a generous and inspiring teacher has grown through extensive lectures and photography workshops across the country. Additionally, he continues to make prints available, which can be found in private, corporate, and museum collections. As people, we love pattern. But interrupted pattern is more interesting. – Jay Maisel Since he stopped taking on commercial work in 1995, Jay has continued to focus on his personal work. He has developed a reputation as a giving and inspiring teacher as a result of extensive lecturing and photography workshops throughout the country. He also hosted his own workshops at his residence at 190 Bowery in New York City, from 2008-2015, instructing more than 640 students over the eight-year period. In 2015, Jay sold his famous six-story building where he lived and worked for 50 years. Stephen Wilkes documented Jay’s epic move out of “the Bank” that was released as a feature-length film, Jay Myself, in the summer of 2019. Since 2015, Jay has committed himself to reviewing his last sixty years of shooting. The results can be seen on his website, jaymaisel.com. Jay continues to sell prints of his photographs, many of which can be found in private, corporate, and museum collections.Source: International Photography Hall of Fame and Museum
Gustave Le Gray
France
1820 | † 1884
Gustave Le Gray was born in 1820 in Villiers-le-Bel, Val-d'Oise. He was originally trained as a painter. He even exhibited at the salon in 1848 and 1853. He then crossed over to photography in the early years of its development. He made his first daguerreotypes by 1847. His early photographs included portraits; scenes of nature such as Fontainebleau Forest; and buildings such as châteaux of the Loire Valley. He taught photography to students such as Charles Nègre, Henri Le Secq, Nadar, Olympe Aguado, and Maxime Du Camp. In 1851 he became one of the first five photographers hired for the Missions Héliographiques to document French monuments and buildings. In that same year he helped found the Société Héliographique, the "first photographic organization in the world". Le Gray published a treatise on photography, which went through four editions, in 1850, 1851, 1852, and 1854. In 1855 Le Gray opened a "lavishly furnished" studio. At that time, becoming progressively the official photographer of Napoleon III, he became a successful portraitist. His most famous work dates from this period, 1856 to 1858, especially his seascapes. The studio was a fancy place, but in spite of his artistic success, his business was a financial failure: the business was poorly managed and ran into debts. He therefore "closed his studio, abandoned his wife and children, and fled the country to escape his creditors". He began to tour the Mediterranean in 1860 with the writer Alexandre Dumas, père. They crossed the path of Giuseppe Garibaldi, and Dumas enthusiastically joined the revolutionary forces with his fellow travelers. His striking pictures of Giuseppe Garibaldi and Palermo under Sicilian bombing became as instantly famous throughout Europe as their subjects. Dumas abandoned Le Gray and the other travelers in Malta as a result of a conflict about a woman. Le Gray went to Lebanon, then Syria where he covered the movements of the French army for a magazine in 1861. Injured, he remained there before heading to Egypt. In Alexandria he photographed Henri d'Artois and the future Edward VII of the United Kingdom, and wrote to Nadar while sending him pictures. He established himself in Cairo in 1864; he remained there about 20 years, earning a modest living as a professor of drawing, while retaining a small photography shop. He sent pictures to the universal exhibition in 1867 but they did not really catch anyone's attention. He received commissions from the vice-king Ismail Pasha. From this late period there remain a mere 50 pictures, some of them as beautiful as ever. He probably died on July 30, 1884, in Cairo. Source: Wikipedia
Jared Ragland
United States
1977
Jared Ragland is a fine art and documentary photographer and former White House photo editor. He currently teaches and coordinates exhibitions and community programs in the Department of Art and Art History at the University of Alabama at Birmingham and is at work on a long-term documentary on methamphetamine users living in northeast Alabama. He is the photo editor of National Geographic Books' "The President's Photographer: Fifty Years Inside the Oval Office," and has worked on assignment for NGOs in the Balkans, the former Soviet Bloc, East Africa and Haiti. His photographic work is rooted in his lifelong exposure to the landscapes, people, aesthetics, and storytelling traditions of the American South, and his work has been exhibited internationally and featured by The Oxford American, The New York Times, and TIME Magazine. Jared is an alumni of LaGrange College and a 2003 graduate of Tulane University with an MFA in Photography. He resides in his hometown of Birmingham, Alabama. Statement: The rise in use of methamphetamine across the United States over the last decade has led to increased cultural anxiety about the drug and those who use it, while the general perception of the meth-head is perpetuated by popular television programs and pervasive anti-meth campaigns. These limited representations typically paint one-dimensional, demonized characters whose chronic drug use is epitomized by obsessiveness, paranoia, and monstrous physical side effects. But while there are certainly deleterious consequences to meth use and stereotypes often ring too true, existing cultural narratives too often fall short of more complex, individually considered realities. Photographed over 18 months in collaboration with University of Alabama at Birmingham sociologist Heith Copes, Ph.D., GOOD BAD PEOPLE documents the tumultuous lives of meth users from Sand Mountain, a sandstone plateau in northeast Alabama infamous for extreme poverty, poultry processing plants, Pentecostal snake-handlers, and meth production. The images simultaneously reinforce and undermine assumptions of what it means to be a methamphetamine user and present an intimate look into the lives of those who struggle amidst drug use and diminished social status.
Charles Scowen
United Kingdom
1852 | † 1948
Charles Thomas Scowen (11 March 1852 – 24 November 1948) was a British photographer during the nineteenth century. He was active as a photographer from 1871 to 1890, working in Sri Lanka and British India in the early 1870s. By 1876 Scowen had established a studio, Scowen & Co, in Kandy and by the 1890s, he had opened a second in Colombo. His work, which included landscapes and portraits of Malay women, is noted for its lighting, technically superior printing, and strong compositional qualities. Scowen's photographs are represented in the collections of the J. Paul Getty Museum, Yale University Art Gallery, the Art Institute of Chicago, the Metropolitan Museum of Art, and the Museum of Fine Arts, Boston. Charles Scowen became a tea planter before retiring and returning to England around the turn of the century. He died in Sudbury, Suffolk, aged 96.Source: Wikipedia Described as the Pearl of the Indian Ocean, the island Ceylon was conquered by the English in 1796 and for many years was at the center of the spice and trade routes. Rich in ivory, cinnamon, coffee, tea, gems, and pearls the island became increasingly accessible during the nineteenth century. Its exotic scenery was well documented by commercial photographers throughout the nineteenth century. One of the most accomplished and successful photographic firms working in Ceylon was Charles T. Scowen and Co. Scowen and his team produced records for the tourist market, as well as for commerce and industry. These documents included images of plantation economies, railroad, native people, architectural city views, and ancient ruins. The photographs are of superior quality, representing the rich beauty and detail found only in an albumen print.Source: Joseph Bellows Gallery
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