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LAST CALL TO Win a Solo Exhibition in July 2026 + An Exclusive Interview!
LAST CALL TO Win a Solo Exhibition in July 2026 + An Exclusive Interview!
Chad Cowan
Chad Cowan
Chad Cowan

Chad Cowan

Country: United States
Birth: 1984

Chad Cowan is a photographer and aspiring filmmaker who has been chasing storms across America's Tornado Alley over the past 10 years and 200,000 miles. His goal is to capture the awe inspiring beauty of nature in the most extreme and violent weather on earth. Cowan's current film project for which he is seeking financing and distribution is a collection of timelapses of these supercells shot in 8k resolution.

Growing up in Kansas, the epicenter of severe weather on the planet, he quickly became obsessed with thunderstorms. Inspired by a few timely weather-related gifts from his grandfather at a young age, Cowan decided he wanted to chase them once he had his driver's license.

Cowan's photos have been published around the globe and his work has appeared in major motion pictures, and on most national news outlets. In 2010, his 'Icemaker' photo of the supercell that dropped the largest hailstone ever recorded on earth came in second place in a National Geographic photo contest.

He has a BS in Economics from Kansas State University

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More Great Photographers To Discover

Esther Bubley
United States
1921 | † 1998
Esther Bubley was an American photographer who specialized in expressive photos of ordinary people in their everyday life. She worked for several agencies of the American government and her work was also featured in multiple news and photographic magazines. Bubley was born in Phillips, Wisconsin, the fourth of five children of Russian Jewish immigrants Louis and Ida Bubley. In 1936, while Esther was a senior at Central High School in Superior, Wisconsin, the photo magazine Life first hit the newsstands. Inspired by the magazine, and particularly by the pictures of the Great Depression produced by the Farm Security Administration, she developed a passion for photojournalism and documentary photography. As editor-in-chief of the yearbook, she sought to emulate the style of Life. After high school, Bubley spent two years at Superior State Teachers College (now the University of Wisconsin–Superior) before enrolling in the one-year photography program at the Minneapolis School of Art (now the Minneapolis College of Art and Design). After college in 1941, Bubley moved to Washington, D.C. seeking work as a photographer. Failing to find a job in Washington, Bubley moved to New York City. During the 1941 Christmas season, she landed a position at Vogue in New York, but she didn't like the work. Early in 1942, she returned to Washington when she was offered a job as a microfilmer for the National Archives and Records Administration. In the fall of 1942, Roy Stryker hired her as a darkroom assistant at the Office of War Information (OWI), where his photographic unit had recently been transferred from the Farm Security Administration. With the encouragement of Stryker, and some of the more senior photographers, she moved to take pictures for the OWI historical section, documenting life on the home front during the war. Her most challenging assignment was a noted series on the bus system in the Midwest and South. In late 1943, when Stryker left the OWI to work on a public relations project for the Standard Oil Company (New Jersey), she accompanied him, along with other photographers, including Gordon Parks and John Vachon. The Bus Story series she produced for Standard Oil, a reprise of her earlier Bus Story for the OWI, earned the award for Best Picture Sequence in the Encyclopædia Britannica/University of Missouri School of Journalism "News Pictures of the Year" in 1948. During this period, she was briefly married to Edwin Locke, Stryker's administrative chief, but they soon divorced. By 1947, Bubley was expanding her horizons beyond Stryker and Standard Oil. She began working for the Children's Bureau, a federal child welfare agency. Over the next several years, she contributed thousands of images to their files, and her work appeared on more than thirty covers of their journal The Child. In 1949, Bubley's photo essay on mental illness for the Ladies' Home Journal was given the first place award for a feature in the Encyclopædia Britannica/University of Missouri School of Journalism contest, winning Bubley a second set of the Encyclopedia. She continued working for the Ladies' Home Journal, producing a dozen photo stories for their celebrated series "How America Lives," which ran intermittently between 1948 and 1960. In 1951, Bubley began to freelance for Life, eventually contributing 40 photo stories, including two cover stories. Bubley was one of the first women to successfully support herself by working as a freelance photographer for major magazines. In 1951, she also produced a series on the Pittsburgh Children's Hospital for Stryker, who was then establishing the Pittsburgh Photographic Library. Edward Steichen, Directory of Photography at the Museum of Modern Art (MoMA), used 13 prints from this series in the 1952 exhibition Diogenese with a Camera. He also mounted and displayed her contact sheets to show how she used every frame. This series led to medical themes becoming a major part of her portfolio. In 1953, she was hired by UNICEF and the French government to travel to Morocco to photograph a program to treat trachoma, an infectious disease that causes blindness. Bubley entered a photo from this assignment in the international division of a contest sponsored by Photography magazine in 1954. She became the first woman to win first place, and she received a trophy depicting a male photographer. In 1955, Steichen included her work in his monumental The Family of Man exhibition. A year later, Pepsi-Cola International hired Bubley to cover Latin America for their company magazine Panorama. In the mid-1960s, Pan American World Airways sent her around the world twice to make images for their corporate photographic library. In the late 1960s, Bubley reduced her workload as sales of photographic magazines declined, and she wearied off the grueling travel schedule. She spent more time at home in New York City where she pursued projects of personal interest, producing two children's books about animals and a book featuring macro photography of plants. A devoted animal lover, she spent her mornings in Central Park walking her dog, taking photographs, and making notes that she hoped to turn into a book about the park. In 1991 the Minneapolis College of Art and Design awarded Bubley an honorary doctorate. She died in New York City, of cancer, on March 16, 1998. In 2001 a retrospective exhibition of Bubley's work appeared at the UBS Art Gallery in New York City. In 2005 Aperture Foundation published a monograph about Bubley, Esther Bubley: On Assignment by photographic historian Bonnie Yochelson with Tracy A. Schmid, archivist for the Bubley Estate. In 2010, the Library of Congress published the monograph Fields of Vision: The Photographs of Esther Bubley.Source: Wikipedia
Formento & Formento
United States/United Kingdom
BJ Formento is the light. Richeille Formento is the pigment. This dynamic husband-wife team have made an art of their unique strain of photography. Exuding an eerie sensuality combined with a narrative cinematic sensibility, the ambiguous nature of the characters and scenarios remind us of David Lynch and Hopper-esque landscapes. They couldn’t have landed in the photographic landscape at a more opportune moment. With the enormous interest in their work—success is eminent. Vogue Italia has been a forerunner and loyal supporter of their work, as well as cutting edge magazines like Aesthetica, Blink, Musee and L’oeil de la Photographie. 2012 was a breakthrough year for F+F. They were nominated top finalist to American Vogue’s New Exposure Competition working with Bottega Venetta and Red Digital Camera. In 2014 their works were selected by Alessia Glaviano, photo editor of Vogue Italia and L’Uomo Vogue for a “Glimpse at Photo Vogue” at Carla Sozzani Gallery and in 2015 for “45 Frames from Photo Vogue” at Leica Milan Gallery. Amazing response from the shows at Art Basel Miami Beach, Aipad and Armory NYC. Solo exhibitions across Europe starting in Paris, London, Berlin, Stuttgart and Dusseldorf. Their work also been exhibited in New York at Edelman Arts Gallery in February 2013. The most notable event this year is the publication of their first coffee table book by YK editions, as well as a film to promote the book which has been shown this fall at the Pompidou in Paris. Fahey Klein Gallery has offered them the coveted summer slot and the inaugural exhibition of Japan Diaries. A Photo Shanghai booth dedicated to their works Circumstance, September 2014. The inaugural exhibition of “She is Cuba” at Art Miami 2014 was received with great applause as well as the celebrity studded opening at Miami Fahey Klein and Chrome Hearts during Art Basel 2014. BJ Formento was born in Hawaii and grew up in the Philippines, studied in San Francisco and moved to New York in 1999. Richeille Formento was born in London and attended the prestigious Central St. Martins College of Art before working as an art director and designer in the fashion industry. They split their time between NYC and Miami with their 3 siamese cats.
Vicky Martin
United Kingdom
Vicky Martin is an award winning fine art photographer based in the UK. Although she studied art and photography in the 1990s it was not until 2008 when she was awarded a prestigious Rhubarb Bursary that she was able to pursue photography full time. Since then Vicky has had her work published and exhibited nationally and internationally: from Europe to the USA in solo and group shows. Her work continues to garner many awards and nominations, including Winner of Single Image in the Professional Fine Art Category at the 2018 12th Julia Margaret Cameron Awards, Directors Choice Award in the Portrait Exhibition at Praxis Gallery, Winner of the Professional Fine Art Category in the 2016 Fine Art Photography Awards, nominations and honorable mentions in the Julia Margaret Cameron Awards, IPA ,TIFA, IPOTY, PX3 Color Red, Neutral Density Awards, CHROMATIC International Color Photography Awards, La Grande Photo Awards, International Color Awards, Siena International Photo Awards, Photography Grant Award, the Aesthetica Art Prize and 1st place winner AAP Magazine Colors. Throughout Vicky's practice she explores her fascination with identity and the emotions that are created by considered scenarios that are based in both fantasy and reality. Her work explores identity through staging and creating realities for characters who often display conflicting emotions with situations. Vicky seeks to encourage the viewer to ask questions of her work to which ultimately the answers depend on the viewer's own personal identity and perceptions. Discover Vicky Martin's Interview
Jo Ann Chaus
United States
1954
Jo Ann Chaus is an American photographer from and based in the New York metro area She holds two certificates from the International Center of Photography in New York City. In 2016 Jo Ann self-published "Sweetie & Hansom", a 60-image book with original text exploring family, relationships and loss. Her current body of work, "Conversations with Myself", is a collection of performative self-portraiture that explores women's roles and identity, currently under edit for publishing. Her work has been exhibited nationally and internationally, and she holds special recognitions and awards: Critical Mass Top 200 2020, 2019, 15th Julia Margaret Cameron Award for Women Photographers Winner Self Portrait Series, 14th Julia Margaret Cameron Awards Honorable Mention, Winner 13th Pollux Awards non-professional category, Critical Mass 2019 Top 200, Klompching Fresh 2019 Finalist, PDN Emerging Photographer Fall 2019 Winner, , Candela Unbound8! and 9! juried exhibitions, Permanent Collection in the Center for Creative Photography Qualities of Light Exhibition, Juror's Choice South East Center for Photography Portrait Exhibition 2019. Statement Jo Ann's work is a visual record of her interactions with and with-in her environment, and her curiosity to explore and discover personal truths, whether found or assembled, as metaphors for her inner landscape. She expresses the joys and pathos of a life, as seen and felt by the young girl within who became the woman, the mother, and the wife. Her perspective is through the eyes of an elder in our society, contemplating the challenges and incongruities of her own will, desire and constraints within a historical context. Heightened and enhanced by the literal light of day, it is an examination of life's ambiguities: the close and the distant, the beauty and the grit, the singular and the plural, satisfaction and longing, together and apart… all relentlessly seeking to understand and witness herself, past, present and future. All About Photo Competitions All About Photo Awards 2020 AAP Magazine 23 Women AAP Magazine 39 Shadows
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Latest Interviews

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For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
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German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
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