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Elaine Mayes
Elaine Mayes

Elaine Mayes

Country: United States
Birth: 1936

Elaine Mayes has been an active visual artist since 1960. A main focus and emphasis for her work has been investigations of ‘seeing’ and documentary forms in photography. This interest led to a number of projects and seeking out various close at hand situations in the world as subject material for her photographs.

Elaine majored in painting and art history at Stanford University and then studied at the San Francisco Art Institute with John Collier, Jr. Paul Hassel, Minor White, Nathan Oliviera and Richard Diebenkorn.

Between 1961 and 1968 she was an independent photojournalist working in San Francisco for magazines and graphic designers. During 1967 and 1968 she was a rock and roll photographer and photographed the ‘Summer of Love’ and scene in the Haight Ashbury District of San Francisco. One of her assignments was to photograph the Monterey Pop Festival. This work was published in her book called, It Happened In Monterey.

Elaine taught photography for thirty-five years, beginning at the University of Minnesota in 1968. Then she taught at Hampshire College from 1971 to 1981, at Bard College during 1982 and 1983, and at New York University’s Tisch School of the Arts from 1983 until 2001. Elaine was Chair of the Tisch Photography Department from 1997 until her retirement from teaching. Currently, she is Professor Emeritus and is living in the Catskill Mountains of New York actively continuing her work.

Elaine’s photography has been exhibited extensively, with recent exhibitions connected with The Fiftieth Anniversary of the Summer of Love and The Monterey Pop Festival and includes the de Young Museum, The California Historical Society, The SFO Museums United Airlines Terminal, The Monterey Art Museum, The Grammy Musuem, Spazio Gerra - Comune di Reggio Emilia, Italy and the Joseph Bellows Gallery in La Jolla.

Elaine has received a number of awards including three grants from the National Endowment for the Arts and a Guggenheim Fellowship. She also was awarded funding from The Atherton Foundation for her Hawaiian images and book production for a limited edition handmade book called, Ki i ‘no Hawai’i. Her newest publication is, Recently, Daylight Press, 2013.

Elaine is affiliated with Getty Images, Joseph Bellows Gallery, Morrison Hotel Galleries, and Liberal Arts Roxbury.

Source: www.elainemayesphoto.com


 

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Mark Steinmetz
United States
1961
Mark Christopher Steinmetz (born 1961) is an American photographer. He makes black and white photographs "of ordinary people in the ordinary landscapes they inhabit". Steinmetz's work was shown in a group exhibition at the Museum of Modern Art, New York in 1993/1994 and in solo exhibitions at the Ogden Museum of Southern Art in 2015, the High Museum of Art in 2018 and at Fotohof in Salzburg, Austria in 2019. He is the recipient of a Guggenheim Fellowship. His work is held in the collections of the Art Institute of Chicago, Hunter Museum of American Art, Museum of Contemporary Photography, Chicago, Metropolitan Museum of Art, Whitney Museum of American Art and Museum of Modern Art, New York, and Nelson-Atkins Museum of Art. Steinmetz was born in New York City and raised in the Boston suburbs of Cambridge and Newton until he was 12. He then moved to the midwest before, aged 21, he went to study photography at the Yale School of Art in New Haven, Connecticut. He left that MFA program after one semester and in mid 1983, aged 22, moved to Los Angeles in search of the photographer Garry Winogrand, whom he befriended. He moved to Athens, Georgia in 1999 and was still living and working there as of 2017. Marc Steinmetz makes photographs "of ordinary people in the ordinary landscapes they inhabit", and "in the midst of activity". Most of his work has been made in the USA but also in Berlin, Paris, and Italy. His books combine portraits (portrait-like but spontaneous) and candid photos of people, and also include animals and still life photos. He finds many of his subjects whilst walking around but he has also spent time at Little League Baseball and summer camps. Steinmetz predominantly works with black and white film, usually medium format, developed and printed in his own darkroom. He has mostly worked the same way with the same film, chemicals, and cameras since beginning in the mid 1980s.Source: Wikipedia Mark Steinmetz is an Athens, Georgia-based photographer whose work captures black-and-white images of Southern Americana as seen in urban, rural and suburban landscapes. “I like to stress the poetry and ambiance of a place, while still trying to be truthful,” he has remarked, and his candid shots of everyday life reflect this statement. Examples of this sentiment are strikingly portrayed in Steinmetz's new photo series Terminus, showing the everyday moments of people passing through airports. “At the airport, people from all over the world and from all walks of life can be found in the midst of their journeys,” Mark Steinmetz has said. “Though my main subject has been the passengers, I am also photographing the people who work at the airport, the interiors and exteriors of the planes, as well as the hotels, parking lots and neighborhoods that surround and support the airport.” Mark Steinmetz draws inspiration from a number of Southern artists whose talents extend beyond the realm of photography, and has remarked “the South has many great writers—William Faulkner, Flannery O'Connor, Carson McCullers—and they've influenced me.” Surprisingly, Mark Steinmetz did not originate in the South. In fact, he attended high school in Iowa and received his MFA from Yale University in 1986. (Though he initially dropped out in 1983 in order to move to Los Angeles and work with photographer Garry Winogrand) It wasn’t until 1999 that he left shooting freelance in Chicago and moved south for a teaching job at the University of Tennessee. He has remained in the South ever since. “I love the South for the weeds growing through the cracks of its sidewalks, for its humidity and for its chaos,” he has said. Interestingly, Mark Steinmetz has worked with analog since the beginning of his career, and even uses the same camera, film and development process today as he did as a novice photographer. Mark Steinmetz’ monographs include South Central (2007), South East (2008), Greater Atlanta (2009) and Summertime (2012). He has also been published in Aperture, Blind Spot and DoubleTake magazines. In 1994, he was awarded a Guggenheim Fellowship, and in 1998 he participated in Light Work’s Artist-in-Residence Program. Mark Steinmetz has taught at a number of institutions, including Harvard, Sarah Lawrence College, Emory University and Yale. Steinmetz’ photos can be found in the collections of The Museum of Modern Art, The Metropolitan Museum of Art, The Whitney Museum of American Art, The Art Institute of Chicago and the Los Angeles County Museum of Art.Source: Jackson Fine Art
Imani McCray
United States
1992
"Born in Baltimore Maryland 1992, the probability of me being dead or negative statistic was inherited from birth. With the help of those who have come into my life, I have triumphed over those odds and wish it help others overcome their adversity. Progressive art aids social justice by using its polyrhythmic mediums to give form to the thoughts, needs, and pains of a broken society. As an advocate for social justice and artist, my goal is to use impactful images, easily accessible copy, and strategic design to engage and inspire my audience. Passion, deception, faith, and spontaneity, are constant themes throughout our world. Navigating these experiences through different mediums is my attempt to shape this reality with imagination and passion. Photography and graphic design are the mediums I nurture as a way of bringing tangibility to my imagination." Statement "2020 has presented the world with a myriad of challenges being met in succession. The events that continue to transpire are radically reshaping our societies and mindsets. People have been tasked with navigating the well-being of themselves, their livelihood, and conscious contribution to change. Our individual and collective ability to adapt is continually being pushed. With the future uncertain, we must be proactive in creating our reality. We must be the change we want to see. Be The Change is a multifaceted photo-journalistic design series highlighting some amazing people working to shape a better future through vast forms of social justice. I progress the second issue is focused on documenting the changes our society is going through from the frontline. As a minority I have marched in solidarity with others striving to defend our most basic human rights to life, to freedom, to vote, and to love in public without the threat of an oppressive society continuing to cause us harm. Protesters have occupied streets and been used in social justice movements to remind others of our humanity. January 6th was a sight that should have been relegated only to horror movies and pre-reconstruction ignorance-not 2021. What we witnessed wasn't protest-peaceful or otherwise. It was an insurrection and the manifestation and mass personification of white privilege and fragility. The mob implored the tactics of a victimhood mentality, while simultaneously showing a broad sense of entitlement. They should be held accountable for their actions and not allowed to shrink back into the shadows of ignorance and hate. For the last four years, we have watched as America's darker truths were aired for the entire world to see. We have watched white privilege documented and the murder of black bodies go without justice. America has never been the land of the free, but we have always believed we can be more. The entire world has had to adapt to the adversity of a global pandemic and overcome the fear of the unknown. The American dream is based on success through adversity. The American reality is adversity reveals character and many Americans should be ashamed of what happened on January 6 and all that led up to it. From the ones that stormed the Capitol with malicious intent to the ones that allow ignorance to go unchecked, and all the in-between-we all hold responsibility. There is always room to be better and be the change you want to see. As Amanda Gorman, National Youth Poet Laureate said at the inauguration of a new President, 'There is always light if we're brave enough to see it. There's always light if we're brave enough to be it.' I aim for my photography and Be the Change to be a path forward with both truth and light." -- Imani McCray
Christian Tagliavini
Switzerland/Italy
1971
Christian Tagliavini was born in 1971 in Switzerland, where he currently lives and works as a fine art photographer and craftsman. His work is heavily shaped by a childhood spent in Parma, where he grew up immersed in the rich artistic culture of the Plain of the Po, Italy’s longest river. Tagliavini’s evocative images represent just the final stage in his artistic process. His photographs capture the creative vision in his mind’s eye, which he brings to life with handcrafted props, made-to-measure costumes and unconventional models. This behind-the-scenes work establishes him as an artisan- photographer. Choosing unexplored concepts as themes, Tagliavini’s work narrates open-ended stories, inviting the viewer to actively experience unique ideas, sensations and feelings, and ultimately decide the ending for themselves. A self-taught photographer, Tagliavini originally trained in architecture and worked as a graphic designer. His interest in photography was sparked in 2000, at a photographic exhibition in Milan. Fascinated by the technical aspects of photography, he tried his hand at several photographic disciplines before discovering that the mise-en-scène technique was the most effective way to capture the stories that lived in his imagination. Embracing the art of slow photography, Tagliavini’s creative approach involves meticulous planning and careful design. Each project begins with initial historical and iconographic research, feasibility assessments, sketches, storyboarding, colour experimentation, and composition before he sets about making his vision a reality. Tagliavini uses various techniques to handcraft each and every detail, including the props and backdrops. Each costume is fashioned to Christian’s detailed designs, including the fabric and colour choices, and is made-to-measure for each model. Where possible, Tagliavini prefers to work with non-professional models, drawing inspiration from their spontaneity and curiosity. A champion of unconventional beauty, he has always favoured personality over a classical aesthetic. His models represent the only detail of his work that he cannot control: their expressiveness is instinctive and they often inspire him to take his stories in completely new directions. This unscripted detail casts him in the role of observer rather than director. Christian Tagliavini won the Hasselblad Masters Fine Art Category in 2012 and the IPA Fine Art: Portrait prize in 2013. His work has been exhibited in many art galleries and museums worldwide.
Geir Tonnessen
Norway
1976
Geir Tønnessen (born in 1976) is a contemporary photographer currently based in Oslo, Norway. He studied photography by himself with some guidance from friends and the Internet. Some of his works have been exhibited in the following galleries: Cyan Studio (Oslo, Norway), Galleri MAP (Oslo, Norway), and Preus Museum (Horten, Norway). "Photography is to have fun and being smart at the same time, which for me is the perfect combination. With my creative fun shots I want to get other people to laugh and inspire them to shoot for them self. With my nature and city shots I want to create a special feeling that makes my viewers think and make them look at my shots for a long quiet time." Interview with Geir Tønnessen All About Photo: When did you realize you wanted to be a photographer? Geir Tønnessen: When i very young realized i had to release my creative urges, and since i am a shitty drawer/painter, photo was my thing! And since i also like to be playful and humorous every day, i had to get it out some way! AAP: Where did you study photography? GT: I studied photography all by myself, spending many hour every day on the net looking at others pictures, by having a father reading art books to me since i was born, by going to a lot go art exhibitions home i Oslo and when visiting other countries and cities all over the world. AAP: How long have you been a photographer? GT: I got my camera when i was about five years old to my birthday from my grandmother. Something i enjoyed very much that time! AAP: What or who inspires you? GT: Other artists that with a lot of creativity and great new ideas. I love to find shoots by others that look like something i never have seen before. AAP: How could you describe your style? GT: My style is not easy to describe but i like to take creative artsy portraits, calm pictures of nature and early morning shots of cities. AAP: What kind of gear do you use? Camera, lens, digital, film? GT: I shoot both digital and analog. When i shoot analog, i use my Hasselblad 500cm with the standard 85mm Carl Zeiss and my Pratica LTL with a 50mm. When i shoot digital i use my Nikon d800 with Nikon NIKKOR 85mm 1:1.4G lens. AAP: Do you spend a lot of time editing your images? GT: I don`t use much time to edit on my computer, i like that my shots can be taken directly from the camera. So i general i just edit the shots just a little bit. AAP: Favorite(s) photographer(s)? GT: My favotite is Martin Parr. AAP: What mistake should a young photographer avoid? GT: Don`t think to much of technique! Just shoot and try to be creative and original! AAP: If you could have taken the photographs of someone else who would it be? GT: Martin Parr AAP: Anything else you would like to share? GT: Shoot first and ask for permission afterwards.
Joseph Szabo
United States
1944
What strikes us first in the photographs of Joseph Szabo is a quiet shock of recognition. His poignant images of the life of American teens present a nostalgic portrait of those tumultuous years between childhood and adulthood. We remember our own high school years - first loves, classic rock, hanging out. We see ourselves in his photographs. Born in Toledo, Ohio, Joseph Szabo discovered his passion for photography as a student at New York's Pratt Institute. By the early 1970s, he was teaching art and photography at Malverne High School in a working-class neighborhood on Long Island. As he struggled to connect with his students, Szabo began using his camera to bridge the gap between teacher and student. In the classroom or on school grounds, and with the neutral eye of a documentary photographer, Szabo depicted his subjects as they were - preening and posing, showing off and goofing around, kissing, smoking - without judgment. What emerges is a dignified, compassionate, and tender view of teenage life rarely seen by adults. Although Szabo's portrait of adolescence in America is specific to suburban Long Island in the 1970s and 1980s, the images are universal and timeless. They capture the bravado and vulnerability, the joy and exuberance, the angst and fear, and the blossoming self-confidence and emerging sexuality of those complex years at the cusp of adulthood. Describes as a "chronicler of teenage life," Szabo's work actually comprises several distinct series - adolescents, Rolling Stones fans, Jones Beach and hometowns - that share a common aesthetic. Wether his camera is focused on his students, the "melting pot of humanity" at Jones Beach, fans at a rock 'n' roll concert, or the suburban streets of the East Coast and Ohio, Szabo's interest is in capturing quintessential American experiences, familiar to all of us, no matter where we grew up. He taught at the International Centre of Photography (ICP). Szabo is the recipient of a National Endowment for the Arts Fellowship and his work resides in the permanent collections of the Metropolitan Museum of Art, International Center of Photography and the Bibliothèque Nationale de France in Paris. Szabo is most notable for his photographs of American youth taken during the 1970s and collected in the books Almost Grown and Teenage. His photograph Priscilla was featured as the cover of alternative rock band Dinosaur Jr's 1991 album Green Mind. Szabo made a body of work on Rolling Stones Fans photographed at a concert in Philadelphia in 1978. Joseph Szabo currently lives in Amityville, New York with his wife Nancy.Source: Wikipedia Joseph Szabo is a teacher, photographer and author. He taught photography and art at Malverne High School on Long Island for 27 years and for over 20 years at the International Center of Photography in Manhattan. His 1978 book, Almost Grown, featured many of his students and was acclaimed as one of the “Best Books of the Year” by the American Library Association. In the book’s forward, legendary photojournalist and Founder of the International Center of Photography Cornell Capa, wrote that “…in Szabo’s hands, the camera is magically there, the light is always available, the moment is perceived, seen, and caught.” Throughout the 80s and 90s, Almost Grown attained cult classic status in the fashion world, prompting Vogue editor Grace Coddington to notice that “all the young fashion photographers were looking at Joe’s photographs as their bible.” In 2003, Szabo released Teenage his more complete view of adolescents coming of age. His most recent book Jones Beach captures his forty year exploration of summer at New York’s most popular beach. Szabo’s evocative black and white images have won him worldwide recognition and admiration, from photographers including Bruce Weber and filmmakers Cameron Crowe and Sofia Coppola. He is the recipient of a photography fellowship from the National Endowment for the Arts and his images reside in the collections of the Bibliothèque Nationale de France in Paris, the George Eastman House museum in Rochester, the Museum of Modern Art in New York, and the San Francisco Museum of Modern Art, among many others. His photographs have been published in The New York Times, the Los Angeles Times, The Times, French Vogue, Women’s Wear Daily and exhibited at galleries in Paris, London, Japan, New York, Atlanta and Los Angeles.Source: josephszabophotos.com Galleries Jackson Fine Art Michael Hoppen Gallery Gitterman Gallery M+B Gallery
Laura Heyman
United States
Laura Heyman was born in Essex County, New Jersey. She received a B.F.A in photography from University of the Arts in Philadelphia, PA, and an M.F.A. from Cranbrook Academy of Art in Bloomfield Hills, MI. Heyman’s work has been exhibited at Luggage Store Gallery, San Francisco, CA, Deutsches Polen Institute, Darmstadt, DE, Ampersand International Arts, San Francisco, CA, Senko Studio, Viborg, DK, Silver Eye Gallery, Pittsburgh, PA, The Palitz Gallery, New York, NY, Light Work Gallery, Syracuse, NY, The Ghetto Biennale, Port-au-Prince, Haiti, Philadelphia Photographic Arts Center, Philadelphia, PA, The Laguna Art Museum, Laguna, CA, The United Nations, New York, NY and The National Portrait Gallery, London, UK.In 2010, she was nominated for a John Guttman Photography Fellowship, and was awarded a Light Work Mid-Career Artist Grant. She has received the Silver Eye Fellowship, a Ragdale Fellowship and multiple NYFA Strategic Opportunity Stipends. Heyman has curated exhibitions and panel discussions at Vox Pouli, Philadelphia, PA, Wonderland Art Space, Copenhagen DK and the Clocktower Gallery, New York, NY, and her work has been reviewed and profiled in The New Yorker, Contact Sheet, Frontiers, and ARTnews.Pa Bouje Ankò: Don’t Move Again uses the studio portrait to explore embedded hierarchies between photographers, subjects and viewers. The work is driven in part by longstanding questions around photographic representation, specifically those involving the voyeurism and objectification of so-called “third world” subjects by “first world” artists. Seeking to examine these questions in depth, I established an outdoor portrait studio in the Grand Rue neighborhood of Port-au-Prince, Haiti in late November 2009. Advertisements circulated news about a photography studio in the area, where members of the local community could schedule appointments to have their portraits made for free. Working in black and white with an 8x10 camera, I photographed one hundred and twenty people over a period of two weeks.Three weeks later, the meaning of those images shifted with the earthquake. They became both records and memorials. That event also changed the focus of the project, which evolved to include various expanding populations in Port-au-Prince tied to future development and reconstruction.Issues of representation, visual sovereignty and cultural protocol, central to the project from the beginning, became more complicated after the earthquake. When I first arrived in Port-au-Prince, I imagined that positioning myself as a “studio photographer” would allow me to escape or subvert the complex tangle of hierarchies at play in Haiti, as well as in the exchange between photographer and subject. Neither has been the case. Instead, layers of meaning and intention continue to reveal themselves, expanding the project's framework and engaging the myriad contradictions and impossibilities present in the work’s original question.All about Laura Heyman:AAP: When did you realize you wanted to be a photographer?I began making photographs in high school, and knew I wanted to be a photographer before going to college.AAP: Where did you study photography?At University of the Arts in Philadelphia, I studied with Jack Carnell and Alida Fish. At Cranbrook Academy of Art, where I got my MFA, I studied with Carl Toth, and also Grant Kester, who taught Critical Theory at the school during my first year there.AAP:Do you have a mentor or role model?I don’t know that I’d say I have a mentor – there are peers I look to regularly for advice and feedback on my work.AAP: Do you remember your first shot? What was it?One of my first shots was the stream in my grandparent’s backyard in Phonecia, New York. My grandfather fished there, and my older sister and I used to run around and catch salamanders and frogs.AAP: What or who inspires you?Artists like Collier Schorr, An-My Lê, Roni Horn, Robert Adams, Mark Ruwedel, Pieter Hugo; David Shrigley, Jennifer Dalton Ai Wei Wei; Richard Mosse and Liz Cohen. I’m inspired by artists whose work makes me think, those using humor in their practice, and artists who really put themselves on the line. Books and essays, movies and performance – I’m inspired by a lot of different people and things.AAP: How could you describe your style?The visual style of my work changes according to the subject – a constant is subjects or projects that can and do express a layered viewpoint, or pose a series of questions.AAP: What kind of gear do you use? Camera, lens, digital, film?While I sometimes shoot digital, mostly I work analogue, with a medium or large format camera. Lately that has meant using Ilford HP5 black and white film with a Deardorff 8X10 camera and a 300 mm lens.AAP: Do you spend a lot of time editing your images?For me, editing (by which I mean deciding what images are included in a series, not post-production) is at least fifty percent of the job. I spend as much, if not more time editing a series as I do producing it.AAP: Favorite(s) photographer(s)?Collier Schorr, Robert Adams, Rineke Djikstra, Zoe Strauss, Luc DelahayeAAP: What advice would you give a young photographer?Know what you want. Shoot twice as much as you think you should. Be prepared to shoot and re-shoot until you get what you want.AAP: Your best memory as a photographer?A number of photographs I made of some friends while we waited in a car for the ferry. It was cold out, and we were all inside, smoking. The images captured the moment and the subjects very precisely – although this was over twenty years ago, they still have an immediacy that thrills me.AAP: Your worst souvenir as a photographer?A little while ago I was shooting some portraits on a very sunny day, and forgot to flag the lens. The negatives l ended up with were completely fogged and unusable.AAP: If you could have taken the photographs of someone else who would it be?Either Robert Adams What We Bought, or Collier Schorr’s Jens F. Both books have a real hold on me – I’m completely consumed every time I open one up. And after years of looking at them, they still surprise and fascinate me.
Julie-Anne Davies
Julie-Anne’s earliest memories consist of lying on the carpet of her childhood home scouring through the pages of her father’s prolific National Geographic collection. Her mind was shaped at a young age by visuals of exotic far off lands, cultures completely unlike her own and wild creatures her imagination barely yet had the capacity to comprehend. On her 10th birthday she received her first camera and recalls a distinct sense of ‘knowing’ from that moment that photography was going to play a central and defining role in her life. In love with her rural home in the mountains of Western Canada, but unable to suppress her nomad heart, Julie-Anne has spent the past several decades traveling the world, often with her two young children in tow. She leads cultural photography tours for UK based Wild Images and is an expedition photographer and ‘Adventure Specialist’ (yes, this is her real job title) for the world’s largest outdoor female adventure company, Wild Women Expeditions. Her heart is drawn to remote and challenging to access corners of the world and in particular to regions where lives are still intricately and intrinsically tied to the land on which they depend. The human condition and how it is shaped by its relationship to nature drives an endless curiosity in Julie-Anne and forms the backbone of her photography work. Fascinated by cultural, religious and ethnic diversity, she is often driven by a sense of urgency to document within these remote parts of our planet ‘what still is’ before it becomes ‘what was’. In doing so, she hopes to play her part in contributing to a visual archive of the beautiful but rapidly vanishing cultural diversity among humanity. She is a five time exhibitor in the prestigious Atlas of Humanity project, an ethnographic showcase of the world’s diverse cultures in Paris, Milan and New York and has been featured in many international publications. At home, her energy is spent, other than with family, in photographing the stunning Canadian landscape and most recently shifting towards documenting our changing natural environment through film and storytelling. Wild Images Photo Tours Wild Women Expeditions
Yukari Chikura
Yukari Chikura born in Tokyo, Japan. After graduated from university of music. She became music composer and computer programmer. She is the winner of STEIDL BOOK AWARD and her work has been published by STEIDL. She was selected as "FOTOFEST Discoveries of the Meeting Place 2018". She won LensCulture Emerging Talent Awards 2016, Sony World Photography Awards , Photolucida Critical Mass TOP50 2016 & 2015 among others. Her work has been published by New York Times, Guardian among others. She held 12 places solo exhibition and group exhibition at museum, gallery around the world. Some projects have collected in Griffin Museum in US and Bibliotheque national de France. ZAIDO This book is Yukari Chikura's preservation of the 1300-year-old Japanese ritual festivity "Zaido." Following a series of tragedies including her father's sudden death, her own critical accident and the 2011 Tohoku earthquake and tsunami, Chikura recalls how her father came to her in a dream with the words: "Go to the village hidden deep in the snow where I lived a long time ago." And so with camera in hand she set off on a restorative pilgrimage to northeast Japan (the first of numerous journeys), which resulted in this book. Chikura arrived at the village, surreally silver in the snow and mist, and there discovered Zaido, where inhabitants from different villages gather on the second day of each new year and conduct a ritual dance to induce good fortune. The performers dedicate their sacred dance to the gods and undergo severe purifications. Combining photos of snowscapes that border on abstraction with images of the intricate masks and costumes of Zaido, Chikura depicts the cultural diversity of the participants as well as their common bond in creating collective memory and ensuring the survival of this ritual. More about Zaido by Ann Jastrab
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Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age. In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
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