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Win a Solo Exhibition in July 2026 + An Exclusive Interview!
Win a Solo Exhibition in July 2026 + An Exclusive Interview!
Jimmy Nelson
Jimmy Nelson

Jimmy Nelson

Country: United Kingdom
Birth: 1967

Jimmy Nelson, born in 1967, embarked on a transformative journey across Tibet at age 17, captured by English National Geographic. He became a photojournalist, covering war zones and producing "Literary Portraits of China" for Shell Oil. Later, he celebrated global diversity with "Before they Pass Away" and "Homage to Humanity. " Through his lens, Nelson immortalized indigenous cultures, inspiring cultural preservation and appreciation worldwide.

James Philip Nelson, born in 1967 in Sevenoaks, Kent, led a diverse childhood marked by travels across Africa, Asia, and South America alongside his father, a geologist for International Shell. At 16, he developed Alopecia totalis, triggered by stress and malaria medication. A year later, he embarked on a two-year trek across Tibet, capturing the journey with a small camera. Upon his return, his images were published by English National Geographic. Subsequently, Nelson ventured into photojournalism, documenting war zones and later commissioned by Shell Oil for Literary Portraits of China. Transitioning to commercial advertising in 1997, he continued to document remote cultures.

In 2010, Nelson embarked on his second book, Before they Pass Away, a three-year endeavor photographing over 35 indigenous tribes worldwide. Using a 50-year-old 4x5in camera, Nelson drew inspiration from Edward S. Curtis, aiming to romantically portray his subjects. He emphasized that the project was not about factual accuracy but rather his artistic interpretation of diversity and beauty. Tribes photographed included the Huli and Kalam tribes of New Guinea, the Tsaatan of Mongolia, and the Mursi people of Ethiopia's Omo River valley. Financing came from Dutch billionaire Marcel Boekhoorn, resulting in a published book with photographs, texts, and limited editions.

In September 2018, Nelson released his third book, Homage to Humanity, featuring over 400 photographs showcasing 30 indigenous cultures. The book includes interviews with tribal members, infographics about the depicted locations and cultures, and an application incorporating 360° film material linked to the images, along with behind-the-scenes videos and travel background information. Nelson collaborated with assistant Stephanie van der Wiel, whom he met at Leiden's National Museum of Ethnology. "Homage to Humanity" aims to be more inclusive than Nelson's previous work, addressing criticisms of his earlier book, "Before they Pass Away." Papuan chief Mundiya Kepanga emphasizes in the foreword the importance of preserving cultural values and identity for future generations.
 

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Robert Rutöd
Robert Rutöd was born 1959 in Vienna, Austria. Early pursuit of painting; from 1978 on photography. Works from these years later appeared with some of his absurd texts in the book grayscales. early b&w photographs 1978-1988. Between 1979 and 1993, Robert Rutöd wrote screenplays and directed short films. In the mid-90s, he increasingly devoted himself to the design of books and applications for digital media. In 2004 he returned to photography; since 2009, he presents these images to a wider audience. In his projects, Robert Rutöd investigates the paradox Human with its sometimes tragicomic aspects. In 2009 the photo book Less Is More resulted from that and three years later, the series Right Time Right Place has been finished. For this he received several awards including the New York Photo Award 2012, the Special Prize of the Czech Center of Photography, and most recently Artist of the Year at Dong Gang International Photo Festival in South Korea. In 2017 he completed his series Fair(y) Tales, retelling an almost ten-year expedition through the burlesque realm of trade fairs and exhibition areas. Rutöd’s photographs have been shown worldwide at numerous photography festivals and exhibitions; his work has been widely published in magazines and on blogs. Robert Rutöd lives and works in Vienna. (Source: Robert Rutöd Website) Right Time Right PlaceBeing at the right place at the right time is usually associated with happiness and success. But what happens when we are at the right place at the wrong time? Do we even know that this is the right place? And what if it turns out that it is the wrong place after all? But the right time! “Right Time Right Place” is a collection of photographs I made in the last five years on my travels through Europe. The images revolve around the question of whether it is possible for a person to be in the right place at the right time. Is the ideal state of space and time something we are awarded or is it a state we have long been living in without being aware of our good fortune? I hope I have not succeeded in answering this question. Nothing fails more pathetically than an artist’s attempt to explain the world and its relationships. Rather, my work leads to the conclusion that the world cannot be explained. Once an exhibition visitor in New York told me that, when viewing my photos, she felt that the protagonists seemed to be kind of disobedient. I really liked that interpretation. "What Robert Rutöd brings to the contemporary photographic dialogue is that intangible ability to see the world with a skewed lens - a lens that is compassionate and at the same time, unkind. It is a lens that is the stuff of operas and nightmares, comedies and slapstick. Robert finds that split second of humor or truth telling and that instant of social documentation or absurdity that makes us not only laugh at ourselves, but also laugh and feel embarrassed all at the same time. Or should I say, at The Right Time." (Aline Smithson, from the foreword to the book „Right Time Right Place“) “Right Time Right Place” was awarded the Special Prize of the Czech Center of Photography at the Photo Annual Awards 2012. A photo from the series won the New York Photo Award 2012 in the category Fine Art. Exclusive Interview with Robert Rutöd:AAP: When did you realize you wanted to be a photographer?At a certain point I can't remember. I guess, at the moment when I was pleased with my photographs.AAP: Where did you study photography?I'm self-taught...AAP: How long have you been a photographer?In total, maybe twenty years, with shorter and a long breaks and also a hiatus for more than ten years.AAP: Do you remember your first shot? What was it?Tough question, my very first photographs were still largely staged. That reminds me of the corpse of a young man, with countless clothespins on the upper body, or a self-portrait in which I am seen with a pair of shoes on my shoulders.AAP: How could you describe your style?Style is not something that you choose; it happens, to a certain extent, over time. In photography, a signature style is often more difficult to discover, sort of like in painting. A graphologist might interpret my works thusly: "Easy to read, no scrawling, he's going on rapidly and purposefully in problem-solving and asks the right questions at the right moment." I could then add: "Regarding the content, rather puzzling over long distances."AAP: What kind of gear do you use? Camera, lens, digital, film?One digital camera, one good lens.AAP: What or who inspires you?Since my work is not staged, I'm only inspired when the photographic event unfolds before my eyes, a reverse brainstorming so to speak.AAP: Do you spend a lot of time editing your images?Yes, to edit my own photographs is sometimes a lengthy process. The pictures have to go through some tests to be integrated into an ongoing project. This decision-making is sometimes damn hard to reach; it helps to let a few weeks or even months pass.AAP: What advice would you give a young photographer?Not to listen to any advice...AAP: What mistake should a young photographer avoid?None! Because there is no such thing as error, in fact, and consequently no recipe for success.AAP: Your best memory as a photographer?A fair for undertakers and the fashion show taking place there, including a coffin on the stage.AAP: Your worst souvenir as a photographer?The cluelessness of so many "experts."AAP: If you could have taken the photographs of someone else who would it be?I am satisfied so far with my work, as I want to get into the skin of others. Of course there's truly great work that I would like to see in my portfolio, "Royal Harare Golf Club" by Martin Parr for example, one or two pictures by Helen Levitt.AAP: An idea, a sentence, a project you would like to share?First the bad news: The publication date of my book "Milky Way" has been moved to next year. Now the good: I'm very happy about the positive echo that my series "Right Time Right Place" caused since its release about a year ago, including my participation in festivals in Los Angeles, Copenhagen, Delhi, or recently at the Miami Street Photography Festival. In January 2014, my project will be a solo exhibition to be seen. “eigensinnig“ (stubborn) is the name of the new gallery in Vienna, whose founder Toni Tramezzini, is aiming to show something that is rarely seen in this city: something that's not serial, not conceptual, not staged photography.
Quentin Shih
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Quentin Shih (a.k.a. Shi Xiaofan), born in Tianjin, China in 1975, lives and works as a camera artist, and filmmaker between New York and Beijing. A self-taught photographer, he began to shoot photos in college for local underground musicians and artists. After graduation, he came to Beijing to develop his career as a professional photographer/artist. From 2000 to 2002, he participated in exhibitions in China and America with his fine art photographic works and his works have been collected by American museums, such as the Danforth Museum of Art and the Worcester Art Museum. During the last few years, he has been producing work for top commercial clients and international publications such as Adidas, Microsoft, Sony, Siemens, Vogue, Harper's Bazaar and Esquire. His advertising campaigns work have won numerous prestigious international advertising and photography awards. In 2007, Quentin was named 'Photographer of the Year' by Esquire Magazine (China). In the following years, he joined lots group exhibitions and solo exhibitions in China, Europe, Southeast Asia and United States. As one of the leading Chinese photographers, Quentin Shih is well recognized for his individual artistic style which utilizes vast sets and dramatic lighting to engage in emotional narratives. Now, he is returning to his roots in fine art photography and challenging its techniques and concepts into his commercial and fashion photography in order to achieve a unique symbiosis. At the same time, he is also working on his film projects, A Parisian Movie (2011) was his first short movie shot in Paris, France.
Josef Sudek
Czech Republic
1896 | † 1976
Josef Sudek was a Czech photographer, best known for his photographs of Prague. Sudek was originally a bookbinder. During The First World War he was drafted into the Austro-Hungarian Army in 1915 and served on the Italian Front until he was wounded in the right arm in 1916. Although he had no experience with photography and was one-handed due to his amputation, he was given a camera. After the war he studied photography for two years in Prague under Jaromir Funke. His Army disability pension gave him leeway to make art, and he worked during the 1920s in the romantic Pictorialist style. Always pushing at the boundaries, a local camera club expelled him for arguing about the need to move forwards from 'painterly' photography. Sudek then founded the progressive Czech Photographic Society in 1924. Despite only having one arm, he used large, bulky cameras with the aid of assistants. Sudek's photography is sometimes said to be modernist. But this is only true of a couple of years in the 1930s, during which he undertook commercial photography and thus worked "in the style of the times". Primarily, his personal photography is neo-romantic. Sudek's restored atelier in Prague – Újezd His early work included many series of light falling in the interior of St. Vitus cathederal. During and after World War II Sudek created haunting night-scapes and panoramas of Prague, photographed the wooded landscape of Bohemia, and the window-glass that led to his garden (the famous The Window of My Atelier series). He went on to photograph the crowded interior of his studio (the Labyrinths series). His first Western show was at George Eastman House in 1974 and he published 16 books during his life. Known as the "Poet of Prague", Sudek never married, and was a shy, retiring person. He never appeared at his exhibit openings and few people appear in his photographs. Despite the privations of the war and Communism, he kept a renowned record collection of classical music. (Source: en.wikipedia.org)
Annick Donkers
Annick Donkers is a documentary photographer from Antwerp, Belgium. After obtaining a Master’s degree in Psychology, she decided to specialize in photography. She has received a grant from the Mexican Ministry of Foreign Affairs and was selected to participate in the Seminar on Contemporary Photography at the Centro de la Imagen in Mexico City (2008). Her work has been exhibited and published internationally. She was one of the winners at the Survival International Competition (2015), won an award at the San José Photo Festival in Uruguay (2016), the Sony Awards in UK (2016), the MIFA awards in Russia (2016), the IPA awards in USA (2016), the TIFA awards in Tokyo (2016), received an honorable mention at the Px3 Prix de la Photo in Paris(2016), was selected at Latin American Photography vol.5 (2016), on the cover of Dodho magazine (2016), shortlisted for the Kolga Tbilisi Awards and Athens Photo Festival (2017). She currently lives and works as a freelance photographer in Mexico City.About Lucha Libre Extrema The Lucha Libre Extrema series emerged from a growing interest I had in Mexican professional wrestling. I was soon drawn towards sub-genres of the sport such as Lucha Libre Exótica and Lucha Extrema. This semi-clandestine hardcore genre is currently prohibited in Mexico City because of how dangerous it is, but events still take place outside the capital, notably at a car wash-turned-arena in Tulancingo, the village where El Santo, Mexico’s most famous pro wrestler, was born. The participants receive professional training and are paid a little bit more because of the risks they take. They perform with a variety of weapons: chairs, thumbtacks, wire, and fluorescent lights, turning the ring into a war zone. Yet the community of luchadores “extremos” is closely knit and few outsiders have gained access. Mexico has been a very violent place in recent years. As such, I found it fascinating that people were drawn to the dangerous world of Lucha Libre Extrema and turned my camera to the audience in an attempt to understand their reasons. About Afromexican HealersAt the end of last year my attention was drawn to the coastal region of Guerrero known as Costa Chica, located to the south of Acapulco. This region is home to Mexicans descended from African slaves that identify themselves as being “black”. But outside this region they are little-known and they are currently fighting to be officially recognized by the Mexican State. The Costa Chica is also a place rooted in traditional beliefs that include appearances of trolls, the devil and spirit animals. The legend tells that when a baby is born, a member of the family brings the child to a crossroads up in the mountains where lots of wild animals pass by. The first creature to approach the child will be the child's spirit animal, or tono in Spanish, since there is now a dependency created between child and animal. This means that when the animal is hurt, wounded or dies, the person is too. In the Afromexican communities there are healers that will cure these "animal"-related illnesses, since conventional medicine will not work in these cases. The person is cured with herbs selected by the healers and also according to the needs of the animal. They call these healers curanderos del tono and there are only a small number of them left. I went to the Costa Chica region in an attempt to capture what remains of this Afromexican tradition.
John Rankin
United Kingdom
1966
Synonymous with compelling portraiture, Rankin's lens captures, creates and unveils icons. Rankin made his name in publishing, founding the seminal monthly magazine Dazed & Confused with Jefferson Hack in 1992. It provided a platform for innovation for emerging stylists, designers, photographers and writers. The magazine went on to forge a distinctive mark in the arts and publishing spheres, and developed a cult status by forming and moulding trends, and bringing some of the brightest lights in fashion to the foreground. Rankin has created landmark editorial and advertising campaigns. His body of work features some of the most celebrated publications, biggest brands and pioneering charities, including Nike, Swatch, Dove, Pantene, Diageo, Women's Aid, and Breakthrough Breast Cancer. He has shot covers for Elle, German Vogue, Harper's Bazaar, Esquire, GQ, Rolling Stone and Wonderland. His work has always endeavoured to question social norms and ideas of beauty and, in late 2000, Rankin published the heteroclite quarterly Rank, an experimental anti-fashion magazine celebrating the unconventional. In 2001, Jefferson and Rankin launched AnOther Magazine. With a focus on fashion, originality, and distinction. In response to the expanding menswear market, in 2005 AnOther Man was introduced, combining intelligent editorial with groundbreaking design and style. More recently, the Dazed Group has established itself as an online authority, via AnOthermag.com, Dazeddigital.com and Dazedtv.com. Rankin celebrated Dazed & Confused's 20th anniversary, shooting 20 front covers of Dazed favourites and 20 inside covers of the next generation of talent, for the December 2011 issue. Tapping into the consciousness of the 90s and 00s with his intimate approach and playful sense of humour, Rankin became known for his portraiture of bands, artists, supermodels and politicians. Having photographed everyone from the Queen of England to the Queen of Pop, Rankin is often seen as a celebrity photographer. However, his plethora of campaigns and projects featuring 'real women' marked him out as a genuinely passionate portrait photographer, no matter who the subject. Always pursuing personal projects which push his limits, high impact charity projects, and groundbreaking commercial campaigns, Rankin has stood out for his creative fearlessness. His first major worldwide and award-winning campaign - Dove's 'Real Women' - epitomised his approach: to reveal the honesty of the connection and collaborative process between photographer and subject. Personal or commercial, Rankin's images have become part of contemporary iconography, evidence of his frankness and passion for all aspects of modern culture, and its representation in the photographed image. Rankin has published over 30 books, is regularly exhibited in galleries around the world, as well as his own London gallery. His museum-scale exhibition Show Off opened at NRW Dusseldorf in September 2012, pulling in over 30,000 visitors in 3 months. In the last few years, he has frequently turned his hand to studies of photography through TV presenting. Working with the BBC, he has featured in a number of seminal documentaries - The Seven Photographs that Changed Fashion, South Africa in Pictures, Shooting the Stars, The Life Magazine Photographers and most recently, an in-depth documentary into the modern approach to death in, Alive: In the Face of Death. His affiliation with charities has seen Rankin travel the world, creating powerful campaigns both as a photographer and a director. With Oxfam, he visited the Democratic Republic of the Congo and Kenya, and in 2011 hosted an Oxglam exhibition, featuring work from some of the world's most talented emerging young photographers, and raising money for the charity. 2013 sees a planned trip to Jordan and Lebanon with Oxfam. In 2009, Rankin undertook the biggest project of his career - Rankin Live, a mammoth, interactive spectacle and exhibition. Always interested in the democratisation of the image, and also a keen advocate of the amazing digital advances of the photographic industry, Rankin Live was the culmination of the accessibility and speed of modern photography. Rankin proved that everyone can look like a magazine cover star as, for 7 straight weeks, he photographed people off the street, one every 15 minutes - retouching, printing and hanging the image within half an hour of the shutter being fired. Rankin photographed over 1600 Londoners, before then taking Rankin Live on tour in Mexico and New York. In 2011, Rankin Film Productions was born. Rankin developed a taste for film directing music videos, commercials, and short films with co-director Chris Cottam between 2002 and 2009, including their debut feature film, The Lives of Saints. Written by Toni Grisoni (Fear and Loathing in Las Vegas), it won the grand jury prize at the Salento International Film Festival. Since 2009, Rankin has continued to direct independently on both commercial and personal projects. Taking on the new role of Executive Producer, Rankin recently founded Collabor8te, in association with The Bureau and Dazed TV. Collabor8te calls on scriptwriters and directors to submit their ideas for narrative film, promising to turn a selection of these dreams into a reality, producing them, featuring them on Dazed TV, and running them on the international film festival circuit. In November 2011, Rankin returned to magazine publishing with a fresh offering - The Hunger. A biannual fashion, culture and lifestyle magazine, The Hunger and its associated Hunger TV website - a video-based digital platform featuring in-depth interviews, fashion films, blogs, updates, and previews - marked Rankin's return to the fashion world with an understanding that the future is not only printed but digital too. Rankin lives in London with his wife, Tuuli, and son, Lyle. Articles Back in the Dazed: Rankin 1991-2001 Photographer Rankin leads a campaign with Aquafresh to address the confidence crisis in British children. British fashion photographer Rankin partners on charity campaign to end global acid violence Rankin Live An Exploding World Rankin from Portraiture to Fashion
Alena Grom
Ukraine
1976
Ukrainian artist and documentary photographer Alena Grom was born in Donetsk. In April 2014 she was forced to leave her hometown due to military events in Eastern Ukraine. Since 2017 she has lived in Bucha, a town outside of Kyiv. As a result of the full-scale invasion of Russia in February 2022, Grom and her family became refugees for the second time, but returned after the de-occupation of Bucha. These events largely affected her artistic practice. Photography became a salvation for Alena and a way to deal with the traumatic reality of war. Since 2016 Alena Grom’s work focuses on places affected by military aggression. Her lens captures victims of the war, migrants and refugees, and war-torn Ukraine in large. However, her photographs are not illustrations of pity or grief. Life in spite of everything is one of the main themes of the artist.Alena Grom’s projects were exhibited extensively in Ukraine and internationally; and recognised by a number of international photography awards Statement: I work at the intersection of conceptual photography and social reporting. Artists and war – these words’ combination evokes pictures sketched by the masters of a battle painting. The protagonist of such a genre is a soldier, a creator of victory. As a rule, society learns about a war from the perspective of a male about how to heroically fight, die and triumph. I narrate the war through subjective experience related to cultural memory, through the creative re-evaluation of my own life and as documented evidence for the events. The idea of my work prevails over the form. The aesthetics in my work is secondary: though being not completely eliminated, it does not constitute the major to me. The aesthetics in the name of a pure form converts things into being useless, and the reality into a dead one. I take a variety of approaches: from reportage to associations play, video, collages, using other people’s photography and archives. All these help me to express the idea and the feelings more deeply. I sincerely believe that art is a power that can encourage people to participate in public dialogue. I create my projects partly in protest against the indifference. I feel responsible to myself and to those who fell victim to the war. An artist holds a responsibility. Together we are constructing a new political reality and an idea for the future. Art always sounds in tune with what is happening around.
Damian Lemański
Damian Lemański aka Damian Wolf Wagabunda Polish freelance photojournalist documenting the life around him. He is mainly interested in people and their place in today's world - especially those left aside, on the margins of society. In 2008 he graduated from the European Academy of Photography in Warsaw - Dr Izabela Jaroszewska's school. He took part in workshops led by Kadir van Lohuizen, Pep Bonet, Tanya Habjouga, Espen Rasmussen, Stefano De Luigi, Tomasz Tomaszewski, Michael Ackerman, Lorenzo Castore. Vagabond and dreamer. At the turn of 2011 and 2012 he wandered for 181 days through South America. From this solitary expedition he edited the film 181. And in 2015 he set off on his bike from Korsze in Masuria (Poland) to Africa, to reach Dakar in Senegal after 171 days. During this expedition, together with the foundation Hear Africa, he raised money for the education of a deaf girl, Makane Dieng. From this expedition, Damian created the film Restaurant, which premiered in February 2018. In early 2019, he flew to the Greek island of Lesbos, where Europe's largest refugee camp is located, because he wanted to get to know the people that so many are afraid of without knowing them at all. For a few weeks, walking between tents in the so-called jungle next to the Moria camp (which he was not allowed into) and in other places on the island, he met hundreds of people who willingly invited him to join them around the campfire for warm tea or a meal in the tent that is currently their home, shared bread they had just baked in an oven dug into the ground, and shared heartbreaking stories. He met people who live in inhumane conditions and try to maintain their dignity, people who, having little, get offended if you don't eat enough, when they offer what they have. He also met there a wonderful Greek couple, Katerina and Nikos, who 6 days a week host the residents of the Moria and Kara Tepe camps for dinner in their restaurant and take the meals to the place. They are assisted by many volunteers, including from Poland. In October 2019, he visited Senegal again - this time to document the work of the Polish Medical Mission. At that time, he met Huleje (Little Princess) and her parents. Since 2017, every now and then he visits Lunik IX, a Roma settlement in Kosice, Slovakia, where he left his heart among the children living there. On a daily basis, he tries to love.
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