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Soumya Sankar Bose
Soumya Sankar Bose
Soumya Sankar Bose

Soumya Sankar Bose

Country: India
Birth: 1990

I am a documentary photographer based in India. I did my Post graduate diploma in photography from Pathshala South Asian Media Institute.
Born in 1990 Midnapore - Lives and works in Kolkata

Awards and Fellowships:
The Toto-Tasveer Emerging Photographer of the Year.
India foundation for the Arts grant for the Project "Let's Sing an Old Song".
Magnum Foundation's Photography and Social Justice Fellowship for the Project "Full Moon in a Dark night"

Publications:
The Telegraph, The Indian Express , Better Photography, Kindle Magazine, Mint Lounge, The Caravan, Wired, A’int-Bad Magazine, Platform, Harmony . As well as online portals such as Scroll.in, The Huffington Post, BBC Online, Gallery Carte Blanche, F-Stop Magazine, Galli Magazine, Fltr , Medium and etc.

AAP: Do you have a mentor or role model?
Yes, Shahidul Alam who is the principal of Pathshala .And Morten Krogvold was one of my mentor during Chobimela VII .

AAP: Do you remember your first shot? What was it?
I don't remember my first shot exactly but when I was 7-8 years old, I got a Kodak KB10 from my mother and then I started to capture each and everything around me.

AAP: What or who inspires you?
My Parents ,Friends, Barnali But mostly my Grand father whose photographs inspire me to become a photographer in my childhood.

AAP: How could you describe your style?
Once one of my mentor Hasib Zakaria told me that my work is about hyper real. "Hyper reality is seen as a condition in which what is real and what is fiction are seamlessly blended together so that there is no clear distinction between where one ends and the other begins."

AAP: What kind of gear do you use? Camera, lens, digital, film?
I like to shoot only on 35mm Prime lens in Film and Digital both.

AAP: Do you spend a lot of time editing your images? For what purpose?
I don't spend lot of time in editing my pictures but what I keep in mind during my editing is that I should not off-tracked.

AAP: Favorite(s) photographer(s)?
Alec Soth, Stfan bladh, Graciela Iturbide, Diane Arbus, Dayanita Singh and so on.

AAP: What advice would you give a young photographer?
I am also a young Photographer.

AAP: What are your projects?
My project documents retired Jatra artists (Jatra is four hundred years old Bengali folk theater which is disappearing day by day) or who have been working in Jatra for more than 25-30 years.

AAP: Your favorite photo book?
Calcutta Ladies by Dayanita Singh, Fauna and Flora by Dietmar Busse and so on.

Website

www.soumyasankarbose.com

 

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United States
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The images captured the moment and the subjects very precisely – although this was over twenty years ago, they still have an immediacy that thrills me.AAP: Your worst souvenir as a photographer?A little while ago I was shooting some portraits on a very sunny day, and forgot to flag the lens. The negatives l ended up with were completely fogged and unusable.AAP: If you could have taken the photographs of someone else who would it be?Either Robert Adams What We Bought, or Collier Schorr’s Jens F. Both books have a real hold on me – I’m completely consumed every time I open one up. And after years of looking at them, they still surprise and fascinate me.
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Mary Anne Mitchell
Mary Anne Mitchell
United States
Mary Anne Mitchell is a fine art photographer working primarily with analog processes. Her most recent series Meet me In my Dreams is shot using wet plate collodion. The images depict situations, often mysterious, which evoke her southern roots. She recently was a finalist in the 8th Edition of the Julia Margaret Cameron Awards and has been invited to exhibit some of this series in the 4th Biennial of Photography to be held in Berlin. Her work has been exhibited in solo and group exhibitions across the country and can be found in private and corporate collections across the US, Dubai, Taiwan, and Canada. She lives in Atlanta, GA. Source: www.maryannemitchellphotography.com About Meet Me in My Dreams, 2018 "This series is inspired by my poem Meet Me in My Dreams. The setting for many of the images is a fairytale landscape. My use of the young people celebrates the universal feeling of limitless potential that most people experience in their youth. The ghostlike figures are reflections of the later years when beauty and youth begin to fade. They suggest the feeling that one is becoming invisible and yet still present and powerful. The work speaks to family, memory, and the ethereal passage of time. The images are created using wet plate collodion. I scan and enlarge them to enhance the organic qualities of the medium. These are the elements of my dreams." -- Mary Anne Mitchell Meet Me in My Dreams Walking through the forest of my dreams I see a varied cast of characters. Some are known And some are strangers. Some are real, Some imagined. I catch a glimpse of something yet I look again and nothing is there, perhaps scattered by the wind. My eyes are tricked by the play of light on each and every tree. I sometimes sense I am not alone and someone watches me. The stories told are mine alone. Imagination fuels my memories and my vision is revealed. I invite you to come and meet me in my dreams. Interview with Mary Anne Mitchell All About Photo:I am a Georgia native and have exhibited my work in solo and group exhibitions throughout the United States. My photographs have been featured in online publications such as Burn and Plates to Pixels and can be found in private and corporate collections around the country. AAP: When did you realize you wanted to be a photographer?As a freshman in college, I bought a 35mm camera and took a class to learn how to use it and fell in love! AAP: Where did you study photography?Received a BFA from UGA in Athens, GA AAP: What or who inspires you?I always loved Edward Weston and Cartier Bresson as far as the masters of photography. My kids are currently my muses. AAP: How could you describe your style?Much of my work captures authentic moments in atmospheric b/w. AAP: What kind of gear do you use?I shoot film and use mostly 35mm Nikon cameras or Holga or Blackbird Fly plastic cameras. AAP: Do you spend a lot of time editing your images?In darkroom some dodging and burning. AAP: Favorite(s) photographer(s)?I always loved Edward Weston and Cartier Bresson as far as the masters of photography. There are so many contemporary photographers doing amazing work...hard to pick... really love Vivian Maier and her whole backstory is so fascinating. AAP: What advice would you give a young photographer?Shoot constantly but selectively. AAP: Your best memory has a photographer?Strolling anywhere in Europe, camera in hand! AAP: Your worst souvenir has a photographer?A soaking wet Nikon and lens after being knocked over in a canoe while trying to get an incredible shot!
Diane Pierce
Diane Pierce
United States
For over twenty-five years Diane Pierce has used the medium of photography as her most primary, expressive tool. The majority of her work is created on a small tabletop. Themes for her work have included collected letters, an idea about marriage, observations when straying from home, still life, collage and most recently thoughts on drawing. She studied both Painting & Drawing and Photography as an undergraduate student at San Francisco State University and did graduate studies at Mills College, Oakland, CA, specifically in photography. She has a thorough background in traditional and digital photographic skills as well as alternative photographic processes and has often crossed the territories of a variety of mediums, but always including photography. Her work is in the collections of The San Francisco MOMA, The MFA, Houston, The Bibliothèque Nationale, Paris and others. She has quietly exhibited over her career.
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