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Win a Solo Exhibition in July 2026 + An Exclusive Interview!
Win a Solo Exhibition in July 2026 + An Exclusive Interview!
Soumya Sankar Bose
Soumya Sankar Bose
Soumya Sankar Bose

Soumya Sankar Bose

Country: India
Birth: 1990

I am a documentary photographer based in India. I did my Post graduate diploma in photography from Pathshala South Asian Media Institute.
Born in 1990 Midnapore - Lives and works in Kolkata

Awards and Fellowships:
The Toto-Tasveer Emerging Photographer of the Year.
India foundation for the Arts grant for the Project "Let's Sing an Old Song".
Magnum Foundation's Photography and Social Justice Fellowship for the Project "Full Moon in a Dark night"

Publications:
The Telegraph, The Indian Express , Better Photography, Kindle Magazine, Mint Lounge, The Caravan, Wired, A’int-Bad Magazine, Platform, Harmony . As well as online portals such as Scroll.in, The Huffington Post, BBC Online, Gallery Carte Blanche, F-Stop Magazine, Galli Magazine, Fltr , Medium and etc.

AAP: Do you have a mentor or role model?
Yes, Shahidul Alam who is the principal of Pathshala .And Morten Krogvold was one of my mentor during Chobimela VII .

AAP: Do you remember your first shot? What was it?
I don't remember my first shot exactly but when I was 7-8 years old, I got a Kodak KB10 from my mother and then I started to capture each and everything around me.

AAP: What or who inspires you?
My Parents ,Friends, Barnali But mostly my Grand father whose photographs inspire me to become a photographer in my childhood.

AAP: How could you describe your style?
Once one of my mentor Hasib Zakaria told me that my work is about hyper real. "Hyper reality is seen as a condition in which what is real and what is fiction are seamlessly blended together so that there is no clear distinction between where one ends and the other begins."

AAP: What kind of gear do you use? Camera, lens, digital, film?
I like to shoot only on 35mm Prime lens in Film and Digital both.

AAP: Do you spend a lot of time editing your images? For what purpose?
I don't spend lot of time in editing my pictures but what I keep in mind during my editing is that I should not off-tracked.

AAP: Favorite(s) photographer(s)?
Alec Soth, Stfan bladh, Graciela Iturbide, Diane Arbus, Dayanita Singh and so on.

AAP: What advice would you give a young photographer?
I am also a young Photographer.

AAP: What are your projects?
My project documents retired Jatra artists (Jatra is four hundred years old Bengali folk theater which is disappearing day by day) or who have been working in Jatra for more than 25-30 years.

AAP: Your favorite photo book?
Calcutta Ladies by Dayanita Singh, Fauna and Flora by Dietmar Busse and so on.
 

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More Great Photographers To Discover

Michael Ernest Sweet
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Joseph Podlesnik
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Joseph Podlesnik holds a BFA in drawing and painting from the University of Wisconsin-Milwaukee and an MFA in drawing and painting from Cornell University. He currently serves as Adjunct Faculty (online) for the Stockton University Visual Arts Program and Facilitator Lead for the Digital Photography Cornell Certificate Program. Podlesnik exhibits his photographs singly and in group shows, nationally and internationally. He resides in Phoenix, AZ. For Podlesnik, the camera lens depicts perspective too easily, which is why he captures and makes photographs which often frustrate readable perspectival space. For him, the photographic image is not only a window through which to see the visible world, but also a maker of flat surfaces which stunt or block logical space. He sees photography and pictures not only as documentation, but as commenting on or reenacting perception itself. The Pain, Boredom and Euphoria of Looking For the “The Pain, Boredom and Euphoria of Looking” exhibition, my intent is to select color and black and white photographs which involve some personal physical discomfort (while capturing the photographs), degrees of boredom (tolerating, organizing, and capturing a world full of redundant visual information) and the thrill and euphoria I experience while capturing photographs and exploring their effects in post- processing. The intent is to arrive at formal order, unity, mood, complexity, ambiguity, and in many cases engage the viewer in frame edge-to-frame edge visual activity.
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Pablo Trilles Farrington
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