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Sheila Metzner
Sheila Metzner

Sheila Metzner

Country: United States
Birth: 1939

Sheila Metzner (born 1939) is an American photographer. She was the first female photographer to collaborate with the Vogue magazine on an ongoing basis. Metzner lives in Brooklyn, New York.

Metzner graduated from the Higher School of Art and Design and the Faculty of Visual Communications of the Pratt Institute. After that, she was engaged in promotional activities. In the 1960s, she became the first woman to be promoted to art director by Doyle Dane Bernbach, an advertising agency. Thanks to this, she successfully collaborated with well-known photographers, including Richard Avedon, Melvin Sokolsky, Bob Richardson and Diane Arbus.

Inspired by the work of 19th-century English photographer Julia Margaret Cameron, who painted pictures of her family, Metzner photographed her husband, artist Jeffrey Metzner, and her children. In the first 10 years, she shot only her family without publishing photos. Her first show in New York was called Friends & Family. She decided to show part of the images to the director of the Museum of Modern Art in New York, John Sarkovsky. In 1978, he bought one and included in MoMA exhibition Mirrors and Windows: American Photography Since 1960.

A second exhibition – Photography (Spring 1981): Couches, Diamonds and Pie – took place there. After that, The New York Times and The Sunday Times published a photograph of Sheila's husband. In 2008 the School of Visual Arts presented the exhibition Time Line: Shelia Metzner at the Visual Arts Museum, New York.

Sheila Metzner lives in New York. She was married to the artist Jeffrey Metzner, with whom she had seven children.

Source: Wikipedia


Sheila Metzner's unique photographic style has positioned her as a contemporary master in the worlds of fine art, fashion, portraiture, still life and landscape photography. Born in Brooklyn, she attended Pratt Institute, where she majored in Visual Communications, and was then hired by Doyle Dane Bernbach advertising agency as its first female art director. She took pictures all the while, amassing them slowly over the next thirteen years, while raising five children. One of these photographs was included in a famous and controversial exhibition at the Museum of Modern Art - Mirrors and Windows: American Photography since 1960 - and became the dark horse hit of the exhibition. Gallery shows and commercial clients soon followed. Her first commercial client was Valentino, followed by Elizabeth Arden, Perry Ellis, Shiseido, Fendi, Saks Fifth Avenue, Paloma Picasso, Victoria's Secret, Revlon, and in recent years Levi's, Ralph Lauren, Club Monaco, Bergdorf Goodman and Neiman Marcus.

Sheila's fine art photographs are featured in the collections of The Metropolitan Museum of Art, The Museum of Modern Art, The J. Paul Getty Museum, The International Center of Photography, The Brooklyn Museum, The Museum of Fine Arts, Houston, The Chrysler Museum, The Art Institute of Chicago, Agfa and Polaroid Corporations, Saks Fifth Avenue, as well as many personal collections. She has published five monographs: Objects of Desire, which won the American Society of Magazine Photographers Ansel Adams Award for Book Photography; Sheila Metzner's Color; Inherit the Earth, a collection of landscapes shot during her travels, Form and Fashion, a collection of images culled from twenty years of her work in fine-art and fashion, and Sheila Metzner: From Life in 2017.

Source: sheilametzner.com


 

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More Great Photographers To Discover

Gregori Maiofis
Russia
1970
Gregori Maiofis was born in 1970 in Leningrad, Soviet Union, now St Petersburg, Russia. His grandparents, Solomon Maiofis (1911-1968) and Olga Ugriomova (1913-2009) were architects, father, Mikhail Maiofis (b. 1939) is a famous book illustrator. In 1987-1989 studied at the Academy of Arts (the Institute of Painting, Sculpture and Architecture n.a. Y. Repin) in St Petersburg at the graphic arts department. In 1991 his family moved to Los Angeles, California where he lived until 1995. Currently lives and works in St Petersburg, Russia. Gregori Maiofis has had solo exhibitions across Russia, Europe, and the U.S. since 1993. His work is in many museum collections including the following: Museum of Fine Arts, Houston, Los Angeles County Museum of Art, Santa Barbara Museum of Art, Multimedia Art Museum, Moscow, The State Pushkin Museum of Fine Arts, Moscow, Museum of modern Art, Moscow, Novy Museum, St Petersburg, Russia, National Gallery of Slovakia, Bratislava, Museum of Modern Art, Rio de Janeiro.Source: gregorimaiofis.com Gregori Maiofis (Russia, b. 1970) comes from a family lineage of artists and architects including his father, the renowned graphic artist, Mikhail Maiofis, who nurtured artistry early in his son's life. Maiofis is a classically trained printmaker and graphic artist who began his first photographic projects in 2000. Printmaking is still an integral part of the artist's oeuvre, which following experimentation with gelatin silver prints and several alternative processes, led to his now prominent use of bromoil and bromoil transfer printing. Common among the Pictorialist masters of the early 20th Century, the bromoil process allows the artist unique aesthetic abilities to manually control the color, tone and texture of the final picture on various surfaces. In the series Proverbs (Monograph available, Nazraeli Press, 2014) the artist uses proverb texts of various origins and visually interprets and conceptualizes them in whimsical staged compositions. Often working with trained animals including elephants, monkeys and predominantly a bear named Funt, Maiofis creates a new reality of interplay between human and animal. Several of the prints on view depict a dialogue of ballet between a Russian ballerina and the bear who appears thoroughly enthused by the performance before him.Source: The Eye of Photography In his work, Maiofis seems to follow the well-worn formulas of how to make “real art, art not for pleasure” but one does get certain pleasure all the same. That pleasure comes from vibrancy of the works’ surface, be it painting or photography. Maiofis has enriched his photography with his painting experience of how to “saturate the surface” of his works so that the “depth” of space in his photos is produced by an illusion of sombre depth like in Baroque painting rather than by multiplanarity of composition. In the photo series Fables he turned to the fables written by Ivan Krylov dubbed Russian La Fontaine in the latter half of the 18th and the earlier half of the 19th centuries. In conformity with the Soviet tradition those fables were for a long time interpreted as a reading matter for children. The artist refutes this view and creates a photographic semblance of space which, in complexity, is commensurable with the fables’ rich associative and semantic content. Here, he uses various forms of photography, combining collage, montage, and painting on photography, and using prints to build the scene for a new still. In his subsequent works, Gregori Maiofis mocks at artistic erudition itself by looking at “simple truths” crammed into a freshman’s head in the history-of-art class. As a rule, people don’t stop to think about the hidden meaning of objects habitually used in art. Maiofis subjects such cliches to ridicule, which brings about sudden recognition of how complex the habitual is. He provokes this recognition not unlike a practicing painter who would recognize that classical photography is the most expressive pictorial means known to him. He thus creates photography involving text that cannot be fully narrated elsewhere.Source: De Santos Gallery
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United States
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Norm Diamond spent thirty years as an interventional radiologist in Dallas, Texas. Treating severely ill and injured patients on a daily basis had a profound effect on him, which he came to fully understand when he retired and began his second career as a fine art photographer. Mentored by Cig Harvey since 2013, he began making work focused on themes of memory, loss, and isolation. In his first major project, What Is Left Behind - Stories from Estate Sales, he visited several hundred estate sales searching for and photographing objects left by one generation for the next. Daylight Books published this work as a monograph in 2017. In his next series, Doug's Gym, he chronicled the last six months of a dilapidated, yet beautiful old gym in downtown Dallas. It was owned by 87-year-old Doug Eidd, who had run the gym since 1962. Both he and the gym came from a bygone era never to be seen again. Kehrer Verlag published Doug's Gym in 2020. Diamond has now returned to an old project, Dark Planet. It reflects his worldview drawn from his experiences as a physician, his family background, and current events. The images reflect the same themes he has photographed for his two previous projects, but they are not tethered to specific locations or settings. Diamond was named a finalist in the Photolucida Critical Mass competitions of 2015, 2016, 2018, 2019, and 2020. The Afterimage Gallery in Dallas and the Cumberland Gallery in Nashville have hosted solo shows of his work. His prints are in the hands of private collectors and have also been shown in multiple galleries and museums including Ogden Museum of Southern Art, Griffin Museum of Photography, Masur Museum of Art, Houston Center for Photography, Center for Fine Art Photography, and Center for Photographic Art. Doug's Gym: The Last of Its Kind By Norm Diamond Doug's Gym: The Last of Its Kind Norm Diamond What Is Left Behind: Stories From Estate Sales
Golnaz Abdoli
Iran/United States
1956
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