Roger Grasas (Barcelona, 1970) begins his professional career as a
photographer in 1998 documenting cooperation projects for national and
international foundations and NGOs as well as for UNESCO. Since then,
traveling becomes the core of his artistic work, translating his experiences
and reflections into visual arts.
Between 2005 and 2009 he is the director of the BisouFoto
communication studio and co-founder of the phototroupe Studio agency. In
both projects he is in charge of the commissions related to travel
photography, editorial portrait and social report. Regular contributor to
several Spanish and international publications.
In 2009 he moves to Riyadh (Saudi Arabia) where he leads the
foundation of the photography department at Imagine Communication, a
high end quality agency for social photography and events. During his stay
in Saudi Arabia and later on until 2016 he develops the project 'Inshallah',
a personal project about the extreme transformation of Middle eastern
societies through the urban contemporary landscape in countries such as
Saudi Arabia, Bahrain, Qatar, Emirates, Oman etc.
His body of work approaches the role and importance that
technology reveals within the post-modern digital society, the state of
strangeness and confusion that human being suffers in the contemporary
landscape and the increasingly connections between art and science.
Sociopolitical issues such as globalization and philosophical concepts such
as the 'difference', 'hyperreality' and 'alienation' generated by the postcapitalist
society and the accelerated implementation of new technologies
are also common places of their work.
Since 1997 he has combined his professional activity with teaching in
photography. Between 1997 and 2004 he teaches Photography and
Landscape Production courses at the UPC's Image and Multimedia
Technology Center. He also works as an academic at the Groc School of
Plastic Arts (Barcelona), at the Communication Faculty of the National
Autonomous University of Mexico and at the Mamori Art Lab Foundation in
Brazil. He has also given various workshops and seminars related to travel
anthropology and contemporary society such as "The Art of Travel:
Photography and Travel" and "Why Travel? Ethics and Aesthetics of Leisure
and Tourism".
His His works have been exhibited on galleries of Spain, France,
Netherlands, Germany, U.S.A., El Salvador, Saudi Arabia and Mexico.
About 'Min Turab'
In the space of a few decades, the landscapes of the Arab Gulf region have undergone a wholesale
mutation driven by increased income from the oil, globalization and mass tourism. These countries have
seen so a huge transformation, moving from the nomadic lifestyle of the bedouin tribes to a hi-tech urban
society. The work takes the title from an arabic expression meaning “from the land”, and is an
observation of this process oscillation between these two poles: an austere, traditional civilization on one
extreme, and a postmodern culture under the powerful influence of capitalism and consumerism on the
other.
Founded on the idea of travel as an artistic method, these photographs hold up a mirror to the dyad of
nature and technology in a place where the old and the new come together and the lines between them
blur. This tension is evident both in the vast desert landscapes and in the images of cities, where the past
and the future are compressed into the close quarters of the present. These representations of the
landscapes of Saudi Arabia, Oman, Bahrain, Kuwait, United Arab Emirates and Qatar throw into sharp
relief the binary opposition of the natural and the constructed. This sense of dislocation feeds into this
idea of travel as an artistic dérive, drifting with no particular destination in mind, in search of new situations
and experiences.
In these dreamlike images, the author reflects on the concepts of the real and the unreal, with viewers left
uncertain as to what is really going on. Almost completely lacking in human presence, these photographs
show the mark left upon the landscape by consumer society at the same time as they seek out the beauty
in strangeness. With a dry wit, the artist focuses his gaze on the idea of the simulacrum. The visual and
conceptual glimpses of this world documents the colonization of contemporary landscapes by technology
and the alienation of human beings in the digital societies of the Arabian Gulf countries. These images of
silent architecture do not offer viewers any conclusions, but rather invite them to reflect and leave the way
clear for a multiplicity of interpretations that connect with viewers' own imaginary.
Jacopo Maria Della Valle is an Italian travel photographer who fell in love with photography at young age thanks to the influence of his father. Since then he has travelled to Europe, the USA, Cuba, Morocco and all over Asia. He is the winner of AAP Magazine 12 B&W with his project Bull Jumping. We asked him a few questions about his life and work.
Giedo van der Zwan is a street photographer, writer and publisher from the Netherlands. He started working on a long-term project 'Pier to Pier' in 2017 and published his book in June 2018. He is the winner of AAP Magazine 8 Street. We asked him a few questions about his life and work.
Eli Klein Gallery has an international reputation as one of the foremost galleries specializing in contemporary Chinese art and continues to advance the careers of its represented artists and hundreds of other Chinese artists with whom it has collaborated. The Gallery has been instrumental in the loan of artworks by Chinese artists to over 100 museum exhibitions throughout the world. It has published 40 books/catalogues and organized more than 75 exhibitions of Chinese contemporary art at our prestigious venues in New York City.
Cayetano González is a talented Spanish photographer and cinematographer who found his calling when his grandfather lend him his Leica. Since then he has directed commercials and shot several covers of major magazines. His work is influenced by the painters he admires like Sorolla, Velázquez, Rembrandt and Delacroix.
Mauro De Bettio is an Italian photographer who lives in Spain. His pictures are a visual story able to highlight unseen or ignored realities. A vital tool that can help bring about social changes. He is the winner of AAP Magazine 11 Travels. We asked him a few questions about his life and work.
Stéphane Lavoué, is a French portrait photographer born in Mulhouse in 1976. He lives and works between Brittany and Paris. He is the winner of the Niépce Prize 2018. We asked him a few questions about his life and work.
Harvey Stein is a professional photographer, teacher, lecturer, author and curator based in New York City. He currently teaches at the International Center of Photography. Stein is a frequent lecturer on photography both in the United States and abroad. He was the Director of Photography at Umbrella Arts Gallery, located in the East Village of Manhattan from 2009 until 2019 when it lost its lease and closed. Stein's photographs have been widely exhibited in the United States and Europe, 86 one-person and over 165 group shows to date and has published eight books. We asked him a few questions about his life and work
Lisa Tichané is an advertising photographer whose work is entirely focused on babies and young kids. Based in France but travelling internationally for her clients, she is well known for her unique ability to connect with her tiny models and get irresistible images even from the most unpredictable, unwilling subjects. We asked her a dew questions about her life and work:
Monica Denevan is the Photographer of the Year, winner of All About Photo Awards 2020 - The Mind's Eye. My co-jurors Elizabeth Avedon, Laurent Baheux, Alex Cammarano, Julia Dean, Ann Jastrab, Juli Lowe and myself were impressed by her work Across the River, Burma that won first place out of thousands of submissions. She also won 1st place for AAP Magazine 4: Shapes. Her ongoing series, "Songs of the River: Portraits from Burma," began in 2000. Since then, she has returned to many of the same small villages in Burma/Myanmar, making intimate photographs of fishermen and their families in the spare and graphic setting of the Irrawaddy River. She travels with a medium format film camera, one lens, and bags of film, working with natural light and making composed images. Once home, she makes photographic prints in her traditional darkroom.
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