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David Vasilev
David Vasilev
David Vasilev

David Vasilev

Country: Bulgary

David Vasilev was born in Stara Zagora, Bulgaria in 1981, where he spent his early years. Ever since he was a little kid, he was always surrounded by photojournalists, his dad being one of them. This had a great impact on his perception of the world, thus photography become a necessary tool for self-expression. After he moved to the United States he begun his extensive journey to find inspiration in the cultural contrasts of North America.

To observe is to spend more time looking through the lens than photographing. That is how I catch elusive moments of reality in a single frame.

Growing up in a culturally mixed neighborhood in Stara Zagora, Bulgaria, defined me as a person and as a photographer. I’ve captured the raw human spirit in people distanced from society—the joy and sadness they feel just by surviving, alongside the simplicity we lack.

I follow my instincts without looking back, which has led me to fascinating places. I’ve visited forgotten parts of the United States, time capsules filled with pure instinct and the most archaic traces of human nature still intact.

In one excursion I visited the Hutterites—a German-speaking colony located in the prairies of the Dakotas. I felt their sincere hospitality instantly, even when they couldn't understand why I was there to begin with or what photography even was. They maintained a humble existence that I wanted to preserve on film. With time, they got used to me being there, and my presence was gradually ignored. Only then did I witness and photograph their essence: the realness of their daily lives, creating a visual memory of this time and place.

I will never forget the children. One day a girl with curious eyes approached me quietly and asked, "Have you seen the ocean?"

David Vasilev

Website

davidvasilev.com

 

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Filip Gierlinski
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Alan Henriksen
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Dorothea Lange
Dorothea Lange
United States
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Vanessa Winship
Vanessa Winship
United Kingdom
1960
Born in the United Kingdom. Vanessa Winship lives in London. After studying cinema and photography at Westminster University (Polytechnic of Central London), Vanessa shares her time between photography and teaching. She then fully devotes herself to photography and lives for about 10 years in the Balkans and Turkey. She joins Agence VU in 2005,and the Gallery VU in 2009. Laureate of numerous prizes, including the World Press Photo (Amsterdam) twice, the National Portrait Gallery Prize (London), PhotoEspana Descubrimientos (Madrid). Exhibited her works in numerous museums and festivals such as the Rencontres d'Arles, the Kunstall Museum of Contemporary Art in Rotterdam or the Horst Gallery and Photographers Gallery in London. Prize-winner of the HCB Award 2011 for her project "Out there: an American Odyssey." Source: Agence VU Winship grew up in Barton-upon-Humber, rural Lincolnshire. She studied at Baysgarth School; Hull Art College (which included a photography module); photography at Filton Technical College, Bristol; and photography, film, and video at the Polytechnic of Central London from 1984 to 1987, graduating with a BA (Hons). She met her husband, the photographer George Georgiou, on the degree course. From 1999 she spent a decade living and working in the Balkans and surrounding territories of Turkey and the Black Sea. First she lived in Belgrade, for a short while in Athens, and five years in Istanbul. Her work is about the concepts of borders, land, desire, identity, belonging, memory and history, how those histories are told and how identities are expressed. Her books have been widely acclaimed. Sean O'Hagan, writing in The Guardian, said "She is perhaps best known for Sweet Nothings, one of my favourite photography books of recent years". She Dances on Jackson was considered by Simon Bainbridge (editor of the BJP), Sean O'Hagan, Rob Hornstra and other reviewers to be shortlisted amongst the best photography books released in 2013. Phil Coomes, Picture editor at BBC News said "This is pure photography, and in my view, when viewed as a whole, is about as good as it gets." Winship and George Georgiou travel together, alternating between one working and the other either supporting them or experimenting with their own photography. She uses black-and-white photographic film in natural light. For her work in a reportage – or street – style she has used a 35 mm hand-held camera, for her landscape work she has at times used a medium format camera and for her portraiture work she has at times used a 5×4 inch large format camera. She says of the difference between using 35 mm and large format that "Each methodology makes for a different relationship with my subjects [and] both have their own beauty for me." Source: Wikipedia
Hilary Duffy
Hilary Duffy
United States
Hilary began her photography career in news and travel for The Tico Times while she lived in Costa Rica in the 1990's. Over the course of seven years, she immersed herself in the culture of Costa Rica as an educator and honed her photography skills. In 2000, Hilary graduated from the International Center of Photography's Documentary/PJ Program and later assisted the Maine Photo Workshops in Havana, Cuba. Compelled to share photography with local youth, she developed a photo library and directed the Havana Youth Photo course in 2003—sharing her passion for photography and educating a younger generation. As a recipient of the ICP/Johnson & Johnson Fellowship in 2002 and 2004, Hilary completed assignments for Johnson & Johnson's corporate social responsibility at the U.S.-Mexico border, then India and Vietnam. This led to subsequent assignments for NGOs in the U.S., Asia, Latin America, the Caribbean and tsunami-affected regions. Hilary's international work and experience provided the opportunity to document the plight and rehabilitation of street children for Covenant House/Latin America. Her project Young Lives at Risk on the Streets was featured on Media Voices for Children, PhotoPhilanthropy and socialdocumentary.net. These collaborations have allowed Hilary to strengthen her passion as a socially concerned photographer and led to a permanent exhibit at Covenant House Headquarters in New York City. In addition, Hilary has exhibited in Costa Rica, Cuba, Guatemala and the U.S. And her stock photography has been represented in Aurora, Corbis and the National Geographic Image Collection. Hilary's curiosity, honesty, compassion and cultural sensitivity are reflected in her imagery.
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