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Beckett Hornik
Beckett Hornik
Beckett Hornik

Beckett Hornik

Country: United States
Birth: 2002

Beckett was born and lives in the San Francisco Bay Area. He began photographing in sixth grade when he decided to pick up a film SLR camera as an alternative way to capture moments throughout his early teen years. His interest in photography grew during his middle school period. He explored the photos of many masters of photography and found inspiration in the California and Bay Area art scene. He also became interested in fashion and art magazines at this time. Beckett’s photography is strongly rooted in the work he has seen and admired, as well as by the environment and people around him. In the summer of 2016, he attended an Eric Kim street photography workshop. Through this, he expanded his photography beyond the bounds of his family and friends to the less comfortable settings of streets and cities he visited. Beckett continues to shoot photos as often as possible. He is expanding his interests, always searching for the next focus of his teenage years and possibly one that will continue into his adult life.

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More Great Photographers To Discover

Isabel Mombaerts
Isabel Mombaerts
Belgium
1980
Isabel Mombaerts is a Belgian photographer and dedicated school educator, whose lifelong commitment to the arts is woven through almost every aspect of her life. From her earliest studies to her current work, art has remained her compass, honing her unique photographic voice and securing several awards along the way. These accolades underscore her deep passion for capturing the world’s beauty and complexity with honesty and insight. In the classroom, Isabel instills this vision in her students, encouraging them to approach the world with curiosity and an open mind. Her photography reveals life’s raw spontaneity, whether through the dynamic energy of street scenes, the layered narratives of documentary work, or the intimacy of portraiture. By stepping back as a silent observer, she allows her subjects to express their truest selves, creating images that resonate with the profound and timeless connections among people. Through each portrait, she bridges herself to her subjects, crafting powerful, soulful snapshots that capture the intricate, quiet moments that define what it means to be human. Statement The most thrilling aspect of photographing humans is the unpredictability. It’s about capturing the gift that emerges when you’re truly observing
Arlene Gottfried
Arlene Gottfried
United States
1950 | † 2017
Arlene Harriet Gottfried was a New York City street photographer who was known for recording the candid scenes of ordinary daily life in some of the city's less well-to-do neighborhoods; her work was not widely known until she was in her 50s. Born in Coney Island, she was the daughter of Lillian (Zimmerman), a homemaker, and Max Gottfried, who ran a hardware store with his own father, above which the family lived. Gottfried was the older sister of comedian and actor Gilbert Gottfried (1955–2022). When she was 9, Arlene moved to Crown Heights, where she became heavily influenced by the nearby, fast-growing Puerto Rican community. Later in the 70s, she moved with her Jewish immigrant family to the neighborhoods of Alphabet City and the Lower East Side. When Gottfried was a teenager, her father gave her an old 35 mm camera, which she eventually took to Woodstock, even though she said, "I had no clue what I was doing". She credited her upbringing for giving her the ability to get intimate photographs of strangers: "We lived in Coney Island, and that was always an exposure to all kinds of people, so I never had trouble walking up to people and asking them to take their picture." Gottfried graduated from the Fashion Institute of Technology taking photography courses. She worked as a photographer for an advertising agency before freelancing for publications such as The New York Times Magazine, Fortune, Life, the Village Voice, and The Independent (London). She was a habitué of Nuyorican Poets Café, a friend of Miguel Piñero, and on the Lower East Side sang gospel with the Eternal Light Community Singers. In 1991 while on assignment Gottfried photographed the Eternal Light Community Singers, eventually singing with them, as well. Gottfried also sang gospel with the Jerriese Johnson East Village Gospel Choir. In her later years, she published five books of her work: The Eternal Light (Dewi Lewis Publishing, 1999), Midnight (powerHouse 2003), Sometimes Overwhelming (2008), Bacalaitos and Fireworks (powerHouse 2011), and Mommie: Three Generations of Women (powerHouse 2015). Her photographs and archives have been exhibited at the Leica Gallery in New York and Tokyo, the Smithsonian Institution in Washington, D.C., the European House of Photography (MEP), the Brooklyn Museum of Art, and the New York Public Library. Gottfried died on August 8, 2017, from complications of breast cancer at her home in Manhattan at the age of 66 surrounded by friends and family.
Stephen Hoffman
Stephen Hoffman
United States
I am a documentary photographer who has who spent the last dozen years working with and photographing the people that live the housing projects in Coney Island . I mainly like to record people in their homes and places of worship. I give each person a copy of their picture. When I started this project I worked with film and would come on Saturday morning with a group of pictures and people would line at the basketball court on 24th street to see if I had their photo. Many times a mother or a sister would say that's my brother or my grandma and I would give them the picture. The projects are like one enormous family. Everyone knows everyone else. Even though I now work with digital I still make photos to give out . My greatest thrill is to go to someone's apartment and see my photos hanging on the wall.
Sean Du
Sean Du
United States
1987
Sean Du is a landscape photographer whose work aims to reconnect us with nature. Born and raised in Taiwan, he developed a fondness for nature at an early age thanks to his family upbringing. He later relocated to the United States and earned a BFA in photography at ArtCenter College of Design. Sean combines his artistic practice and a passion for the wilderness to create many award-winning imageries. His works have been exhibited across the United States, in Canada, and overseas. Statement: Above the Treeline is an ongoing study that seeks to capture, by way of hiking and climbing, seldom-seen views of North America's mountain wildernesses. Where trees give way to tundra, snow, ice and rock, the power of the Earth-shaping forces becomes evident – as seen in the tilt and fold of the rocks and the remnants of valley-carving glaciers. The physical contact with million-year-old rocks puts the briefness of humans' existence into perspective, but at the same time, establishes an intimate connection between the climber and the Earth. From here, it becomes apparent why the mountains are often referred to as the “beginning places” when one sees trickles of water gaining volume downstream to support complex ecosystems below. What the mountains have returned to me is a renewed capacity for wonder, but more importantly, I hope my passion for the mountains will inspire a greater sense of connection to the land, for it is key to the protection of the places and things we depend on. AAP Magazine AAP Magazine 54 Nature
Robert Heinecken
Robert Heinecken
United States
1931 | † 2006
Robert Heinecken was an American artist who referred to himself as a "paraphotographer" because he so often made photographic images without a camera. Born in Denver in 1931, Heinecken grew up in Riverside, California, the son of a Lutheran minister. He joined the Navy in 1954 and served as a fighter pilot (though too short, he passed a height test by padding his socks with paper). Heinecken later served as an officer in the Marines, discharged as a captain in 1957. Heinecken completed his bachelor's and master's degrees in art at UCLA, where he studied printmaking as well as photography. Heinecken was known for appropriating and re-processing images from magazines, product packaging or television. In Are You Rea series from 1964 to 1968, for instance, he created a portfolio of images filled with unexpected and sometimes surreal juxtapositions by placing a single magazine page on a light table, so that the resulting contact print picks up imagery from both sides of the page. In the late 1960s, he also began cutting up popular magazines such as Time and Vogue and inserting sexual or pornographic images into them. He would place his collage-publications back on newsstands in Los Angeles to be sold to unsuspecting buyers. In 1962, he founded the photography program at UCLA. He taught there until 1991. In 1964 he helped found the Society for Photographic Education, an organization of college-level teachers. He also taught at the School of the Art Institute of Chicago, where his second wife, Joyce Neimanas, was on faculty. They split their time between the two cities for several years before they moved to New Mexico in 2004. As a professor at UCLA, Heinecken was a prime mover in the Los Angeles art photography scene. His influence was felt by many students and associates. Among them were John Divola, Eileen Cowin, Graham Howe, Jo Ann Callis and Ray McSavaney. Many of them, in turn, became influences on succeeding generations of art photographers. From 1971 on he started to expose food directly on light-sensitive materials. He realized these "documentary photograms" first on black and white paper and later in color in the series Various Lunches on positive Ilfochrome paper. In 1983/84 he created such Foodograms even on large polaroid sheets (20x24 inches) in collaboration with John Reuter in San Diego and Boston. In the 1980s, he created several series on American news television that involved photographing images on the television or exposing the light of a television set directly to paper to create what he called "videograms." During his life he was mainly shown in traditional photography galleries, but two contemporary art galleries in L.A. began staging exhibitions of his work after his death: Marc Selwyn Fine Art and Cherry and Martin. Curators like Eva Respini at the Museum of Modern Art now place his work in a conceptual art lineage, associating him with Pictures Generations artists such as Cindy Sherman, John Baldessari and Richard Prince.
Anna Hayat and Slava Pirsky
Anna Hayat and Slava Pirsky
Israel
We are Anna Hayat (born 1974) and Slava Pirsky (born 1965), originally from the Soviet Union. Each of us decided to start a new life in Israel in the early 90s, in search of new horizons. Fate brought us to Jerusalem through different paths, where we lived for over 20 years and now find joy in a small town nearby. We met in 1999 and instantly felt a special connection, as if our shared passion for photography brought us closer. In 2000, we became proud parents of an exquisite daughter whom we started photographing from her very birth. Since then, we have become an inseparable team and partners in the world of photography and art. For over 20 years, we have actively collaborated on joint photography projects. Our creative process revolves around analog photography, primarily using old Polaroid large-format black and white negative plates. Despite the discontinuation of production of these films in 2008, we use expired films to create unique and emotive works of art. We capture images using both a large studio camera and small field Polaroid cameras. The slow shooting process is of utmost importance to us, as it imparts a special depth to our works. In a way, the negative itself becomes another partner in our process. We appreciate the unpredictability of old negatives, which gives our photographs a distinct character, a touch of poetry, and a timeless feeling that is crucial to our work. Our latest project reflects our emotions and pain caused by Russia's treacherous aggression. For this series, we ventured into a mixed technique for the first time, tearing and cutting our works, stitching them anew, adding patches and seams. The project was showcased at the Ramlah Museum and immediately after at the KyotoGraphie International Photography Festival in Japan.
Christian Tagliavini
Christian Tagliavini
Switzerland/Italy
1971
Christian Tagliavini was born in 1971 in Switzerland, where he currently lives and works as a fine art photographer and craftsman. His work is heavily shaped by a childhood spent in Parma, where he grew up immersed in the rich artistic culture of the Plain of the Po, Italy’s longest river. Tagliavini’s evocative images represent just the final stage in his artistic process. His photographs capture the creative vision in his mind’s eye, which he brings to life with handcrafted props, made-to-measure costumes and unconventional models. This behind-the-scenes work establishes him as an artisan- photographer. Choosing unexplored concepts as themes, Tagliavini’s work narrates open-ended stories, inviting the viewer to actively experience unique ideas, sensations and feelings, and ultimately decide the ending for themselves. A self-taught photographer, Tagliavini originally trained in architecture and worked as a graphic designer. His interest in photography was sparked in 2000, at a photographic exhibition in Milan. Fascinated by the technical aspects of photography, he tried his hand at several photographic disciplines before discovering that the mise-en-scène technique was the most effective way to capture the stories that lived in his imagination. Embracing the art of slow photography, Tagliavini’s creative approach involves meticulous planning and careful design. Each project begins with initial historical and iconographic research, feasibility assessments, sketches, storyboarding, colour experimentation, and composition before he sets about making his vision a reality. Tagliavini uses various techniques to handcraft each and every detail, including the props and backdrops. Each costume is fashioned to Christian’s detailed designs, including the fabric and colour choices, and is made-to-measure for each model. Where possible, Tagliavini prefers to work with non-professional models, drawing inspiration from their spontaneity and curiosity. A champion of unconventional beauty, he has always favoured personality over a classical aesthetic. His models represent the only detail of his work that he cannot control: their expressiveness is instinctive and they often inspire him to take his stories in completely new directions. This unscripted detail casts him in the role of observer rather than director. Christian Tagliavini won the Hasselblad Masters Fine Art Category in 2012 and the IPA Fine Art: Portrait prize in 2013. His work has been exhibited in many art galleries and museums worldwide.
Dmitry Ageev
Dmitry Ageev
Russia
1983
Born in Russia in 1983, Dmitry Ageev is one of the biggest names in the international photographic portrait, winning awards such as Hasselblad masters in 2014. His work shows a profound knowledge of light, and is mostly recognizable by the natural look of his portraits. Dmitry Ageev lives and works in Krasnodar. He states at his website that photography its not just about a work but also a way of living. Ageev is professionally dedicated to photography and his private photography school.
Miguel Rio Branco
Miguel Rio Branco
Brazil
1946
Miguel Rio Branco (born 11 December 1946) is a Brazilian photographer, painter, and filmmaker (director and cinematographer). His work has focused on Brazil and included photojournalism, and social and political criticism. Rio Branco is an Associate Member of Magnum Photos. His photographs are included in the collections of the Museum of Modern Art and Metropolitan Museum of Art in New York. Rio Branco was born in Las Palmas, Gran Canaria, in the Canary Islands. His parents were diplomats and he spent his childhood in Portugal, Switzerland, Brazil and the United States. In 1976 he moved to New York City, where he earned a BA, and took a one-month vocational course at the New York Institute of Photography. In 1978, he moved to Rio de Janeiro and studied at the Industrial Design College. He has been an Associate Member of Magnum Photos since 1980. He lives and works in Rio de Janeiro. Rio Branco's Silent Book (1997) is included in Parr and Badger's The Photobook: A History, Volume II.Source: Wikipedia Miguel Rio Branco (born in Las Palmas in 1946) is a Brazilian artist (photographer, painter, filmmaker and creator of multimedia installations) living and working in Rio de Janeiro. In 1966 he studied at the New York Institute of Photography and in 1968 he left to study at the School of Industrial Design in Rio de Janeiro. Between 1970 and 1972, he worked in New York as a director and cinematographer, and in the following years directed several experimental feature and short films. At the same time, he began exhibiting his photographs in 1972. From 1980 he became a correspondent for Magnum Photos and his photographic work was published in numerous magazines (Aperture, Stern, Photo Magazine). Considering the book as an essential medium of expression, he conceived many books including Sudor Dulce Amargo (Fondo de Cultura Económica, Mexico City, 1985), Natka (Fundação Cultural de Curitib, 1996), Silent Book (Cosac & Naify, 1997), Miguel Rio Branco (Aperture, 1998) and Maldicidade (Taschen, 2019). His work has been the subject of numerous solo exhibitions, including Beauty, the Beast at the Art Institute of Boston in 2003; Plaisir de la douleur at the Maison Européenne de la Photographie in Paris in 2005; Solo at Kulturhuset Stockholm in 2011; Miguel Rio Branco: Nada Levarei quando morrer at the Museu de Arte de São Paulo in 2017 and Miguel Rio Branco at the Moreira Salles Institute in São Paulo in 2020. His works can be found in many European and American public and private collections, including: Museu de Arte Moderna do Rio de Janeiro; Museu de Arte de São Paulo; Centre Georges Pompidou, Paris; San Francisco Museum of Modern Art; Stedelijk Museum, Amsterdam; Museum of Photographic Arts, San Diego; MoMA, New York.Source: LE BAL
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Exclusive Interview with Trevor Cole: Pastoral Peoples and Practices
For this interview, we wanted to focus specifically on The Face of the Mundari and the wider Pastoral Peoples and Practices series. We spoke with Trevor about his long-term work among the Mundari, what continues to draw him back to their cattle camps, and the experience of documenting a culture whose identity remains deeply connected to livestock, tradition, and the natural environment.
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Exclusive Interview with Carolyn Moore
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