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Beckett Hornik
Beckett Hornik
Beckett Hornik

Beckett Hornik

Country: United States
Birth: 2002

Beckett was born and lives in the San Francisco Bay Area. He began photographing in sixth grade when he decided to pick up a film SLR camera as an alternative way to capture moments throughout his early teen years. His interest in photography grew during his middle school period. He explored the photos of many masters of photography and found inspiration in the California and Bay Area art scene. He also became interested in fashion and art magazines at this time. Beckett’s photography is strongly rooted in the work he has seen and admired, as well as by the environment and people around him. In the summer of 2016, he attended an Eric Kim street photography workshop. Through this, he expanded his photography beyond the bounds of his family and friends to the less comfortable settings of streets and cities he visited. Beckett continues to shoot photos as often as possible. He is expanding his interests, always searching for the next focus of his teenage years and possibly one that will continue into his adult life.

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More Great Photographers To Discover

Nicolas Tikhomiroff
Nicolas Tikhomiroff
France
1927 | † 2016
Nicolas Tikhomiroff (March 22, 1927 – April 17, 2016) was a French photographer, of Russian origin. He started working for Magnum Photos in 1959. Tikhomiroff was born in Paris to Russian parents. He received his education at a boarding school away from home with children of a similar background. He was trilingual with Russian as his primary language with French, and English as a secondary language. When he reached the age of seventeen, just following the Liberation of Paris, he joined the French army. After finishing his duties he found a job working for a fashion photographer processing prints. In 1956, Tikhomiroff was inspired by French journalist Michel Chevalier and struck out on his own as a freelance photographer. For the next few years, he spent his time traveling with Chevalier to the Middle East, Africa, among other places. In 1959 Tikhomiroff joined Magnum. Most of his work was on wars such as in Cambodia, Laos, and Vietnam. Famous for his work on World Cinema, he also had a large portfolio of war photography. He was married to Shirley Lou Ritchie, by whom he had a daughter, Tamara Joan Tikhomiroff. He retired in 1987 and lived in Provence, France.Source: Wikipedia Nicolas Tikhomiroff was born in Paris to Russian ‘émigrés’ parents. He spent his school years in a special boarding school for children of a similar background: those with Russian as a first language, followed by French. He joined the army at the age of 17 following the Liberation of Paris, then spent several months in Germany, followed by three years in Indochina. After finishing his military service, Tikhomiroff found work in the darkroom of a fashion photographer. Using a Rolleiflex, he began to take photographs for many magazines, including Marie France. In 1956, a decisive encounter with French journalist Michel Chevalier led him to accompany Chevalier as a freelance photographer. This relationship resulted in long trips to the Soviet Union, Africa, and the Middle East. Tikhomiroff joined Magnum in 1959 and completed numerous photo stories on subjects such as the Algerian War, Vietnam, Cambodia, and Laos. He also contributed to an important Magnum project on World Cinema, meeting Orson Welles, Fellini, Visconti, and many others. He developed a close friendship with Welles while photographing the filming of The Trial and Falstaff. Nicolas Tikhomiroff also undertook advertising and fashion assignments. Although he was never a full member of Magnum Photos, his earlier work is still distributed by the agency. Tikhomiroff retired from professional activities in 1987. He lived in Provence in the south of France, where he spent much of his time working on personal projects and essays.Source: Magnum Photos Magnum member Bruno Barbey says of Nicolas: “As well as a very important portraitist of the celebrities of the 60s (Brigitte Bardot, Jeanne Moreau or Edith Piaf, to name a few), Nicolas was also a concerned photographer, covering USSR in 1957 or De Gaulle’s historic visit to Algeria in 1960." “In a certain way, Nicolas epitomized Magnum’s long-standing tradition, producing both a significant personal work on film set photography and covering world news for the agency. To me, his name will always be linked to his iconic photographs of Orson Wells, notably in Spain on the set of Chimes at Midnight.”Source: British Journal of Photography
Georges Rousse
Georges Rousse
France
1947
Georges Rousse (born July 28, 1947) is a French photographer, painter, and installation artist. He has been taking photos since receiving his first camera at the age of nine, but he never formally attended art school to pursue photography. Instead, he attended medical school in Nice, but studied photography and printing on the side. He currently lives in Paris.Source: Wikipedia When he was 9 years old, Georges Rousse received the legendary Kodak Brownie camera as a Christmas gift. Since then, the camera has never left his side. While attending medical school in Nice, he decided to study professional photography and printing techniques, then opened his own studio dedicated to architectural photography. Soon, his passion for the medium led him to devote himself entirely to photography, following in the footsteps of such great American masters as Edward Steichen, Alfred Stieglitz and Ansel Adams. After he discovered Land Art and Malevich's Black Square against a white field, Georges Rousse altered his relationship to photography, inventing a unique approach that shifted the relationship of painting to space. He began making installations in the types of abandoned or derelict buildings that have long held an attraction for him--creating ephemeral, one-of-a-kind artworks by transforming these sites into pictorial spaces that are visible only in his photographs. From the early 1980s on, Georges Rousse has chosen to show his photographs on a large scale, so that his viewers participate in the work and experience the sense of space in a compelling way. Collapsing the usual restrictions between artistic mediums, his unique body of work quickly made its mark on the contemporary art world. Since his first exhibition in Paris, at the Galerie de France in 1981, Georges Rousse has continued creating his installations and showing his photographs around the world, in Europe, in Asia (Japan, Korea, China, Nepal.), in the United States, in Quebec and in Latin America. He is represented by several European galleries and his works are included in many major collections the world over. Georges Rousse was born in 1947 in Paris, where he currently lives andworks.Source: www.georgesrousse.com French artist and photographer Georges Rousse, converts abandoned or soon-to-be-demolished buildings into surprising visions of color and shape. Rousse translates his intuitive, instinctual readings of space into masterful images of several “realities”: that of the actual space, wherein the installation is created; the artist’s imagined mise-en-scène, realized from a single perspective; and the final photograph, or the reality flattened. Since his first exhibition in 1981 at the Galerie de France in Paris, Rousse has continued creating his one-of-a-kind installations and photographs around the globe. His work has exhibited in the Grand Palais (Paris), Hirshhorn Museum (Washington, D.C.), Haggerty Museum (WI), House of Culture (La Paz, Honduras), Sivori Museum (Buenos Aires), and National Art Museum of China, among hundreds of others. In 1988, he received the International Center of Photography Award. In 2008, Georges Rousse succeeded Sol LeWitt as an associate member of the Belgian Royal Academy.Source: Sous Les Etoiles Gallery
Noell Oszvald
Noell Oszvald
Hungary
1990
Noell Oszvald was born in Hungary in 1990. While preferring to be labeled as a visual artist, Noell Oszvald uses the photographic medium as the raw material through which she channels her emotions. Favoring black and white in order to avoid any distraction that may be created by colors, she strips her images to their bare essence. Her compositions rely on pure straight lines into which the subject fuses, hence rubbing off all hierarchy within the components. The resulting sobriety, reinforced by the choice of a square format, acts as a breeding ground to a complex melange of subtle feelings derived from her melancholy and loneliness. Indeed, while all facial features are deliberately kept hidden, Oszvald’s work could easily fall within the self-portrait category; “they’re reflections of who I am,” says the artist about her images. However, the spectral presence of the character merging with its surroundings, the full-fledged role played by the environment and the powerful sensitivity that exudes through, are closer to the conceptual photography of the similarly precocious Francesca Woodman. Yet, more than her self, Oszvald conveys an apparent yet suspicious sense of calmness, well guarded by a perfectly controlled composition. In addition to the lines dividing space, the impeccable geometric interactions and the sharp contrast between the various shades of black are brought into opposition with the muffled silence of her quiescent emotions. It triggers a delicate duality, which underlies a rich and complex inner world. The reassuring perfection of these images acts like a robust armor to the highly sensitive Oszvald, who despite her young age, proves herself to be an accomplished artist. “My aim is to set up concepts using the human body as a base, while not making it the main focus of the picture. The result is a still image that is built around a person, but all parts of the whole are of equal importance. I reduce my pictures to content, composition, and form because this minimalist approach allows me to put equal emphasis on the idea behind the artwork and the entirety of the image. Portraying a sense of calmness with images that are built up based on geometric shapes is a recurring theme of my work.”Source: Artpil Noell Oszvald only shoots in black and white because she finds colors to be distracting. “I feel the same way about clothes and other matters of appearance, which why I like to reduce my images to forms, composition and content.” When asked what the story is behind one of her photo, Prejudice, Noell Oszald shared this, “I had the idea of Prejudice in my mind for a long time before I finally made it. I was very unsure about it, because I wanted the picture to look absolutely the way it does now, but to achieve this composition I had to paint the bird in, in not exactly the right position. I feared people would pick on me and call me ignorant, because the image is not precise. I was afraid of being judged while working on a picture about prejudice. How ironic.” As you look through Oszvald's beautiful and sometimes haunting images, you can't help but feel a mix of emotions. They all fall in the conceptual photography field, meaning, they illustrate an idea but one that Oszald believes should be personal to the viewer. “I don't want to tell people what to see in my images,” explains Oszland, “this is the reason why I never really write any descriptions other than titles. It shows what I wish to express but everyone is free to figure out what the picture says to them. It's very interesting to read so many different thoughts about the same piece of work.”Source: My Modern Met
Ian van Coller
Ian van Coller
South Africa
1970
Ian van Coller was born in 1970, in Johannesburg, South Africa, and grew up in the country during a time of great political turmoil. These formative years became integral to the subject matter van Coller has pursued throughout his artistic career. His work has addressed complex cultural issues of both the apartheid and post-apartheid eras, especially with regards to cultural identity in the face of globalization, and the economic realities of every day life. Van Coller received a National Diploma in Photography from Technikon Natal in Durban, and in 1992 he moved to the United States to pursue his studies where he received a BFA from Arizona State University, and an MFA from The University of New Mexico. He currently lives in Bozeman, Montana with his wife, children, and three dogs, and is a Professor of Photography at Montana State University. His work has been widely exhibited nationally and internationally and is held in many significant museum collections, including The Philadelphia Museum of Art, The Getty Research Institute, The Metropolitan Museum of Art, The Library of Congress, and The South African National Gallery. Van Coller's first monograph, Interior Relations, was published by Charles Lane Press (New York) in 2011. He is a 2018 Guggenheim Fellow and a member of the Piece of Cake collective. Van Coller's most recent work focuses on environmental issues related to climate change and deep time. These projects have centered on the production of large scale artist books, as well as direct collaborations with paleo-climatologists. About Naturalists of the Long Now Climate change has compressed and conflated human and geologic time scales, making it essential to find ways to conceptualize “deep time.” My project, Naturalists of the Long Now, seeks to make notions of deep time comprehensible through visual exploration of glacier ice, as well as other earthly archives. Initially inspired by the 10,000 Year Clock Project of the Long Now Foundation, I have begun collaborating with scientists to make art that challenges viewers to think about the vast scales of geologic time-both past and future-that are recorded not only in the earth’s ice bodies, but in trees, sediments, corals and fossils. Photography is a unique and powerful visual language. However, what that language sometimes lacks is the information needed to bring about understanding of what is represented in the photograph itself. In 2015, I was able to accompany a team of geoscientists who specialize in climate science related to Quelccaya Glacier in Peru. I was astonished at the endurance of these men and women. Every day they would climb to the summit of the glacier at 18,600ft, and then work over 10 hours straight, drilling ice cores, digging snow pits, and collecting data. It would be exhausting work at sea level, let alone at altitude. I realized I really had a lack of understanding of what the scientists were trying to do. Where the symbolic conversations in my ice portraits ended, the deep knowledge of ice possessed by the scientists would sustain and expand it. When I was a young person, I was fascinated by the annotated drawings and paintings of Victorian era naturalists, botanists and ornithologists. These brought together the two things I loved most in the world-art and nature. Since that expedition to Peru, I have started intimate collaborations with scientists by having them annotate directly onto my photographic prints-a contemporary taxonomy of ice and climate-thus re-inventing a genre of naturalist imagery. Naturalists of the Long Now breaks down barriers between art and science, and creates a dialogue between text and image, landscape and viewer, expert and novice, past, present and future. My intention is that Naturalists of the Long Now is to encourage people to think in terms of longer spans of time, and consider what humanity will look like in 100 or even 10,000 years-instead of just considering our personal and immediate desires. Article Photography and Climate Change Awareness
Barbara Crane
Barbara Crane
United States
1928 | † 2019
Barbara Crane (March 19, 1928 – August 7, 2019) was an American artist photographer born in Chicago, IL. Crane worked with a variety of materials including Polaroid, gelatin silver, and platinum prints among others. She was known for her experimental and innovative work that challenges the straight photograph by incorporating sequencing, layered negatives, and repeated frames. Naomi Rosenblum notes that Crane "pioneered the use of repetition to convey the mechanical character of much of contemporary life, even in its recreational aspects." Crane began her studies in art history at Mills College in Oakland, California in 1945. She transferred to New York University in 1948. In 1950, she received her BA in art history from New York University. After recommencing her career in photography, Barbara Crane showed a portfolio of her work to Aaron Siskind in 1964 and was admitted to the Graduate Program in Photography at the Institute of Design at the Illinois Institute of Technology. Crane then studied under Siskind at the Institute of Design, Illinois Institute of Technology, and received her MS from the Institute in 1966. Crane’s master’s degree thesis focused on “sculptural patterns through abstractions of the human body.” The images for this series depict bodies against white or black backgrounds – the overexposed, overdeveloped nature of the film turns these bodies into abstract outlines. John Rohrbach states, “each body almost dissolves, becoming a sinuous river flowing across a snowy landscape. This unnerving disconnect between what is seen and what is known would become a central theme of her career.” In 1971, Crane visited Ansel Adams at his home to show him a selection of her work. Adams told an assistant “See I told you photographers could still do something different” upon viewing her Repeats series. After this encounter, Adams hired Crane to teach workshops at Yosemite between 1977-1980. During Crane’s Guggenheim Fellowship (1979), she collaborated with the Center for Creative Photography in Tucson, Arizona to create a career retrospective of her work. During her time in Boston, she formed a relationship with the Polaroid Corporation and through the Polaroid Artist Support Program she experimented with Polaroid black & white and color photographic materials in numerous series. In 1995, Crane became Professor Emeritus at the School of the Art Institute of Chicago. Barbara Crane's work is represented in numerous public collections including the International Center of Photography, New York City; the George Eastman Museum, Rochester, NY; the Art Institute of Chicago; The J. Paul Getty Museum, Los Angeles; the National Museum of Modern Art, Kyoto; the Museum of Contemporary Art, Chicago; the Museum of Fine Arts, Houston; and the WestLicht Museum of Photography, Vienna, Austria. Crane's archive resides at the Center for Creative Photography at the University of Arizona in Tucson, AZ.Source: Wikipedia
Fabien Dendiével
Fabien Dendiével
France
Fabien Dendiével was born in Paris : as a lonely child, he kept himself busy with drawing futuristic urban panoramas and joined the Louvre art school. At the same time, his father introduced him to film photography and Fabien trained as an autodidact. His practice intensifies when he switches to medium format cameras, mastering the light and the frame of his subject as closely as possible. Empty spaces and stripped-down compositions are his favorite exercise, as a method to enhance showing the invisible. Whether it's the great outdoors of the American West or modern architecture, he treats the composition of his shot like a scene in a movie, waiting for the light to reveal the best of the scenery. Fabien's work remains confidential for some time until he finally decides to produce and sell large format prints in 2019. All about Photo Competitions AAP Magazine 34 Shapes AAP Magazine 35 Colors All About Photo Awards 2024 AAP Magazine 39 Shadows AAP Magazine 42 Shapes AAP Magazine 43 Colors AAP Magazine 47 Shadows AAP Magazine 50 Shapes AAP Magazine 51 Colors
Alicia Savage
Alicia Savage
United States
Alicia Savage is a self-portrait photographer based in Boston, Massachusetts. Her fine art photography is very much a documentation of her life and mind as a 29-year-old woman exploring life; inspired by her surroundings and recent travels. "Photography has opened my mind and heart to understand myself and the world beyond what is assumed; to always be inspired by my curiosity and imagination of what is and could be."
Praveen Emmanuel
Praveen Emmanuel
India
1982
Praveen Emmanuel is an award winning documentary photographer working closely with various people-groups and international NGOs. He graduated with a masters in journalism & communication and his body of work spans over two decades. His photographs are globally recognised and have been featured in renowned publications and exhibitions around the world. Praveen currently lives in Chennai with his wife and three children.
Delphine Quême
Delphine Quême
France
1969
Born in 1969, lives and works in Paris, France. Self taught photographer. Fine art photographer (shooting mainly places) and commissioned interior photographer for the past 7 years.Part of Hans Lucas collective since 2018 EXHIBITIONS : 2019 : group exhibition “20 ans de la SAIF”, Espace Niemeyer, Paris, FRANCE 2018 : group exhibition "Interiors", curateur Elizabeth Avedon, galerie A Smith, Johnson City, TX, USA 2015 : solo exhibition : "Delphine Quême, Peoplelessness", galerie Art'inn Concept Store, Paris, FRANCE 2014 : solo exhibition : "Delphine Quême, Théâtres", Théâtre de l'Etoile du Nord, Paris, FRANCE REWARDS: 2018 : Juror prize "Interiors" competition, curator Elizabeth Avedon, galerie A Smith, Johnson City, TX, USA 2019 : Merit Award AAP Magazine #8 'Street', competition, curator Sandrine Hermand-Grisel, CA, USA
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Exclusive Interview with Anastasia Samoylova
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Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
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Exclusive Interview with Marijn Fidder
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Exclusive Interview with Josh S. Rose
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Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Interview with Maureen Ruddy Burkhart
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Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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Exclusive Interview with Peter Ydeen
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Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
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Exclusive Interview with Julie Wang
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Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
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Exclusive Interview with Ghawam Kouchaki
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Exclusive Interview with Robert Mack
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Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
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