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Jorge Pozuelo
Jorge Pozuelo

Jorge Pozuelo

Country: Spain
Birth: 1977

Born in León in 1977, he began his photographic career in the 90s. He quit his job as a telecommunications technician to devote himself to photography where he did an MA in photography from the University of Canterbury. He always wanted to find the human side in all his photographs, playing with visual aggression and silence of space. In 2009 he took an year off and traveled the world and published “Picture Easy”, a book for all rules of photography, affordable for anyone to start in the world of photography. He worked for an year as a digital photographic technician, where he met all professional teams and medium format digital market issues resolved color management studies like Ricky Dávila and Isabel Muñoz. He has done work for companies like Unidental photographic, Silken Hotels, Tinkle, Adecco, AD, Truhko Make Up, FX Magazine, Life Smile or artistic bodies festival in Spain. In October 2011 he traveled to Doha for several editorials for the magazine “Qultura” for the government of Qatar. He has done several photo exhibitions, “BodyArt”, “TattooArt” or “walls of silence”, joint exhibition of great impact in the press and on TV Carabanchel prison. He has made a joint project with the photojournalist Ervin Sarkisov titled “Back to Life” where they follow up drug abusers. His presentation was in the 2011 grenade Alandaluz Photofestival double pass and very well received. In the course of months he has now approached to teaching, he runs a photography school in Madrid and tries to instill his passion for photography. He has given seminars on photographic lighting as both white and black, making the latter a small obsession in Madrid, Cordoba and Barcelona for different associations, municipalities and companies like Elincrom and Fotocasión.
Source Artphotofeature.com

Website

www.jorgepozuelo.com

 

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More Great Photographers To Discover

Yuan Su
Yuan Su
United States
1957
My name is Yuan Su, I am a retired biologist with a passion for photography. In my photographic work, I particularly enjoy capturing landscapes, wildlife, and cultural subjects. Whether it’s the magnificent beauty of nature or vibrant moments of human life, I strive to document any subject that resonates with me. Through my lens, I hope to share my love for nature and life.
Bunny Yeager
Bunny Yeager
United States
1929 | † 2014
Linnea Eleanor "Bunny" Yeager was an American photographer and pin-up model. She was born in the Pittsburgh suburb of Wilkinsburg, Pennsylvania, to Raymond Conrad and Linnea (née Sherlin) Yeager on March 13, 1929. Her family moved to Florida when she was 17. She adopted the nickname "Bunny" from Lana Turner's character Bunny Smith in the 1945 movie Week-End at the Waldorf. The nickname has also been attributed to her portrayal of the Easter Bunny in a high school play. Bunny Yeager graduated from Miami Edison High School and afterward enrolled at the Coronet Modeling School and Agency. She won numerous local beauty pageants including in rapid succession Queen of Miami, Florida Orchid Queen, Miss Trailercoach of Dade County, Miss Army & Air Force, Miss Personality of Miami Beach, Queen of the Sports Carnival and Cheesecake Queen of 1951. Yeager became one of the most photographed models in Miami. Photos of Yeager appeared in over 300 newspapers and magazines. She also designed and sewed many of the outfits she and her models wore, at one time boasting that she never wore the same outfit twice while modeling. She designed and produced hundreds of bikinis when the two-piece swimsuit was a new fashion item and is credited with its popularity in America. Bruno Banani, the German fashion company, has developed a line of swimwear based on Yeager's designs from the 1950s. Yeager entered photography to save money by copying her modeling photographs, enrolling in a night class at a vocational school in 1953. Her career as a professional photographer began when a picture of Maria Stinger, taken for her first school assignment, was sold to Eye magazine for the cover of the March 1954 issue. She became a technically skilled photographer noted for, among other things, her early use of the fill flash technique to lighten dark shadows when shooting in bright sun. Yeager was one of the first photographers to photograph her models outdoors with natural light. Matt Schudel wrote in the Washington Post that her images were vivid and dynamic, going on to say, "She favored active poses and a direct gaze at the camera lens, in what could be interpreted alternately as playful innocence or pure lust." She met Bettie Page in 1954, and took most of the photographs of her that year. During their brief collaboration, she took over 1,000 pictures of Page. Along with photographer Irving Klaw, Yeager played a role in helping to make Page famous, particularly with her photos in Playboy magazine. American Photo magazine described Yeager's work with Page as "a body of imagery that remains some of the most memorable — and endearing — erotica on record" in a 1993 article. The most famous images of Page by Yeager include the January 1955 Playboy centerfold in which she kneels wearing only a Santa hat while hanging a silver ornament on a Christmas tree and a series of photographs with a pair of live cheetahs. Yeager was a very prolific and successful pinup photographer in the 1950s and 1960s, so much so, that her work was described as ubiquitous in that era. She continued to work extensively with Playboy shooting eight centerfolds in addition to covers and pictorial spreads. She discovered Lisa Winters, the first Playmate of the Year. Yeager also appeared in the magazine as a model five times. One appearance with the headline, "Queen of the Playboy Centerfolds", was photographed by Hugh Hefner. Her work was also published in mainstream magazines including Cosmopolitan, Esquire, Pageant, Redbook and Women's Wear Daily. The famous still images she took of Ursula Andress emerging from the water on the beach in Jamaica for the 1962 James Bond film Dr. No are probably her best-known bikini photographs. She discovered many notable models. In the 1970s as men's magazines became more anatomically graphic Yeager largely stopped photographing for them, saying they were somewhat "smutty" and that, "They had girls showing more than they should." In 1998 she stated, "The kind of photographs they wanted was something I wasn't prepared to do." An exhibition titled Beach Babes Bash in the early 1990s at the Center for Visual Communication (at that time located in Coral Gables, Florida) featured photographs by Yeager of models from Miami on the beach from the 1950s. Another exhibit at the same gallery featuring Yeager's work was titled Sex Sirens of the Sixties. In 1992 Playboy published a retrospective of her work titled The Bettie Boom. Since 2002, Yeager's work has been exhibited in contemporary art galleries. In early 2010, The Andy Warhol Museum held the first major museum exhibition of Yeager's work. The exhibit, The Legendary Queen of the Pin Up, featured her self-portraits, some from her book How I Photograph Myself published by A.S. Barnes & Co. in 1964. The Fabulous Bunny Yeager an exhibit in 2011 at the Harold Golen Gallery in Miami also featuring self-portraits by Yeager was of photographs that had not been exhibited previously. Also in 2011 Helmut Schuster curated an exhibition for Art Basel at the Dezer Schauhalle in Miami titled Bunny Yeager: Retrospective to the Future featuring over 200 of Yeager's photos. Included were some images that had not been shown before of models including Bettie Page. In 2012 Bunny Yeager had two exhibitions in Germany, Funland at Gallery Schuster Potsdam and Femme Fatale in December 2012 at Gallery Schuster Berlin. The Museum of Art Fort Lauderdale held a 2013 exhibit, Bunny Yeager: Both Sides of the Camera featuring her photographs of herself, Page, and model Paz de la Huerta. The exhibit also included some of Yeager's first new pictures in twenty years. Yeager had a show at the Sofia Vault in Sofia, Bulgaria in October 2013. The Gavlak Gallery in Palm Beach, Florida put on an exhibit, Bunny Yeager: Selections from How I Photograph Myself in 2014. The Sin City Gallery in Las Vegas held a posthumous exhibit, Bunny's Bombshells, from June 5 to July 20 2014. She had her own studio in the Wynwood Art District of Miami, part of the Center for Visual Communication. There is a "Bunny Yeager Lounge" in Berlin which is open to the public and shows photos, memorabilia and movies. Yeager was also founding editor and publisher of a trade magazine for entertainment professionals, Florida Stage & Screen. As of 1998 her 24 books had sold over 1 million copies. Bunny Yeager was married twice, first to Arthur Irwin who died in 1977 and then to Harry Schaefer who died in 2000.[5] She had two daughters, Lisa and Cherilu. Yeager died on May 25, 2014 of congestive heart failure at age 85 in North Miami, Florida.Source: Wikipedia
Kirill Akishkin
Kirill Akishkin
Russia
1985
I came to photography from film directing. In 2013, I graduated from a prestigious film school in Moscow and continued to master visual arts independently. While shooting various commercial works and honing my technique, like any artist, I wanted to go beyond the ordinary. Over the years of work, inspired by directors such as Wong Kar-Wai and David Lynch, I developed my own unique style. Now you can see my works in various publications worldwide. I enjoy sharing my feelings through visual creations because it’s an expression that everyone can interpret in their own unique way. For different viewers, a photograph can be both a question and an answer at the same time. This is its uniqueness, its power, which is why I love it. Awarded Photographer of the Week - Week 10
Trine Søndergaard
Trine Søndergaard
Denmark
1972
Trine Søndergaard (b. 1972) is a Danish photography-based visual artist. Søndergaard lives and works in Copenhagen, Denmark. Trine Søndergaard's work is marked by a precision and a sensibility that co-exist with an investigation of the medium of photography, its boundaries and what constitutes an image. Layered with meaning and quiet emotion, her works are highly acclaimed for their visual intensification of our perception of reality. In 2000 she was awarded The Albert Renger-Patzsch Prize and has since received numerous grants and fellowships, including a three-year working grant from the Danish Arts Foundation. Trine Søndergaard's work has been featured in solo and group exhibitions around the world, and is represented in major public museum collections. Trine Søndergaard is represented by Martin Asbæk Gallery in Copenhagen.
Anthony Goicolea
Anthony Goicolea
United States/Cuba
1971
Anthony Goicolea is a New York-based fine art photographer. Goicolea's photographs frequently deal with issues of androgyny, homosexuality, and child sexuality. Goicolea, Cuban-American and gay, was educated at the University of Georgia and studied painting, photography, and sculpture at that institution. He holds an MFA in fine arts from the Pratt Institute. He made his debut in 1999, and now shows work with Postmasters gallery in New York and Aurel Scheibler in Berlin, Germany. In 2005, he received the BMW-Award for Photography. Some of his work features photographs of "pre- to barely pubescent boys" (Art in America, Dec, 2001) in elaborately staged tableau settings, commonly showing multiple boys wearing traditional private school uniforms either engaged in school-life or recreation after school — but with often transgressive and erotic twists in their activities. Of great interest in these compositions is the fact that Goicolea himself portrays all of the boys in his photographs through the astute use of costumes, wigs, make-up, and post-production editing via the software Adobe Photoshop; "always looking uncannily like a boy on the edge of puberty" (The Advocate, August 14, 2001). Therefore, despite having numerous figures in them, Goicolea's photographs are actually very complex large-scale self-portraits, and are always done in a flawlessly realist manner. The pioneering fine-art photographer Cindy Sherman is an apparent influence on Goicolea's work, given her own extensive use of self-portraits and emphasis on sexually-charged narrative topics. Sherman and Goicolea have also had several joint exhibitions. His work can be strongly compared to similar manipulated and/or staged art photography featuring children and adolescents, such as that of Bernard Faucon, Loretta Lux, and Justine Kurland. Recently, Goicolea has also been producing and exhibiting his drawings, which follow much of the same subject matter as his photographs. He has also published several books. Goicolea is also represented by Gow Langsford Gallery based in Auckland, New Zealand.Source Wikipedia
John Armstrong
John Armstrong
United States
John Armstrong is a Seattle-based photographer who shoots a broad range of subjects with both "normal" and toy cameras. While he photographs just about anything, a sense of irony, mystery and the bizarre are common in much of his work. He has won numerous photographic awards and his work is held in many public and private collections. John has been an active member of the Photographic Center Northwest in Seattle for many years, as both a student and as a volunteer. His photographs are available through the Seattle Art Museum's Rental/Sales Gallery. In addition, he has published several books of photographs through Blurb.com.
Daniel Beltrá
Daniel Beltrá
Spain/United States
1964
Born in Madrid, Spain, Daniel Beltrá is a photographer based in Seattle, Washington. His passion for conservation is evident in images of our environment that are evocatively poignant. The most striking large-scale photographs by Beltrá are images shot from the air. This perspective gives the viewer a wider context to the beauty and destruction he witnesses, as well as revealing a delicate sense of scale. After two months of photographing the Deepwater Horizon Gulf Oil Spill, he produced many visually arresting images of the man-made disaster. Over the past two decades, Beltrá's work has taken him to all seven continents, including several expeditions to the Brazilian Amazon, the Arctic, the Southern Oceans and the Patagonian ice fields. For his work on the Gulf Oil Spill, in 2011 he received the Wildlife Photographer of the Year Award and the Lucie Award for the International Photographer of the Year - Deeper Perspective,. His SPILL photos toured the world independently and as part of the Prix Pictet exhibitions. In 2009, Beltrá received the prestigious Prince's Rainforest Project award granted by Prince Charles. Other highlights include the BBVA Foundation award in 2013 and the inaugural "Global Vision Award" from the Pictures of the Year International in 2008. In 2006, 2007 and 2018 he received awards for his work in the Amazon from World Press Photo. Daniel's work has been published by the most prominent international publications including The New Yorker, Time, Newsweek, The New York Times, Le Monde, and El Pais, amongst many others. Daniel Beltrá is a fellow of the prestigious International League of Conservation Photographers. Source: danielbeltra.photoshelter.com Born in Madrid, Spain, Daniel Beltrá is a photographer based in Seattle, Washington. His passion for conservation is evident in images of our environment that are evocatively poignant. The most striking large-scale photographs by Beltrá are images shot from the air. This perspective gives the viewer a wider context to the beauty and destruction he witnesses, as well as revealing a delicate sense of scale. After two months of photographing the Deepwater Horizon Gulf Oil Spill, he produced many visually arresting images of the man-made disaster. His SPILL exhibit premiered in August 2010, toured around the globe in 2011 and will continue into 2012. Over the past two decades, Beltrá’s work has taken him to all seven continents, including several expeditions to the Brazilian Amazon, the Arctic, the Southern Oceans and the Patagonian ice fields. For his work on the Gulf Oil Spill, in 2011 he received the Wildlife Photographer of the Year Award, the Lucie Award for the International Photographer of the Year - Deeper Perspective, and was chosen as one of the six finalists for Critical Mass for Photolucida. In 2009, Beltrá received the prestigious Prince’s Rainforest Project award granted by Prince Charles. Other highlights include the inaugural “Global Vision Award” from the Pictures of the Year International in 2008. In 2007 and 2006 he received awards for his work in the Amazon from World Press Photo. Daniel’s work has been published by the most prominent international publications including The New Yorker, Time, Newsweek, The New York Times, Le Monde, and El Pais, amongst many others. Daniel Beltrá is a fellow of the prestigious International League of Conservation Photographers. Source: edelmangallery.com
Iris Brito Stevens
Iris Brito Stevens
United States
I was born and raised in Salinas, California (U.S.), a farming community known for its lettuce. As a daughter of Mexican immigrants, I became aware of, and sensitive to, the differences between the immigrant and non-immigrant communities and their perspectives, which at times felt narrow and somewhat limiting. Growing up surrounded by family grounded me deeply, yet an insatiable curiosity and passion for learning about the world beyond me, called out. I spread my wings and traveled to destinations that were completely foreign, often under the auspices of humanitarian and educational endeavors. The lens through which I saw the world opened-up and expanded my perspective, just like a camera. Through first-hand experience, I became aware of the lives and conditions of marginalized and oppressed peoples globally. This new dimensionality helped me to confront certain realities, to grow, and to self-reflect on what it means to be human. It also led me toward activism and social documentary photography, which enabled me to blend visual narrative with the stories of other people through projects or partnerships in Uganda, the Occupied Palestinian Territories, Spain, San Francisco and more. My photographic work is my passion, and it serves to create awareness and a more intimate human connection, by encouraging a path that looks beyond our limited and inherent perceptions and conditioning. Statement In America, we place so much value on individuality and independence, that we forget how truly interdependent we are on one another, both on a local and global scale. We have become hyper-focused on the self and are losing our ability to empathize and see the intense vulnerability around us—though considering recent events, this appears to be shifting. As a social documentary photographer, I am drawn towards people and the conditions that are relevant in their lives, as individuals and as members of a family, community, or society. Our perception of the world can be limited to our own multi-faceted forms of conditioning; I utilize the impact of visual narrative to bring awareness of the human condition worldwide. There is so much beauty in diversity. I want to validate that diversity through photography, to help others grow in that appreciation, to demonstrate that we are all a part of something collectively - that life's experience doesn't begin and end with us, as individuals. Dominance consciousness is so pervasive in society; it's like a box with thick walls and nothing to see, nowhere to go, devoid of any inspiration. It kills curiosity and ideas. I want us all to be inspired and curious by the diversity we see and experience in everyday life. Diversity is beautiful.
Brandon Thibodeaux
Brandon Thibodeaux
United States
1981
Brandon Thibodeaux (b. 1981) is a photographer based in Dallas, Texas, who creates portraits in the documentary tradition. In addition to his assignment work and creative commissions, he explores life in the American south. He is a member of the photography collective MJR, based in New York City.Clients and Publications ABC Disney, AARP Bulletin, Forbes, FT Weekend Magazine, The Guardian Weekend Magazine, Gatorade, Goodyear, The Los Angeles Times, Luminant Power, MSNBC.com, Newsweek, The New York Times, Pennzoil, US News & World Report, The Wall Street JournalAwards and AccoladesPhotoNOLA: Review Prize, 2nd Place, 2012; Center Awards: Review Santa Fe, 2012; Magenta Foundation: Flash Forward, US Winner, 2012; Oxford American: 100 Under 100,New Superstars of Southern Art 2012; FotoWeek DC: 1st Place, Portrait, 2011; Michael P. Smith Fund for Documentary Photography: Finalist, 2011; LOOKbetween Featured Artist: Charlottesville, VA, 2010; Getty Reportage Emerging Talent: 2009-10; Eddie Adams Workshop XIX: Jeffersonville, NY, Alumnus, 2006
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