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Win a Solo Exhibition in July 2026 + An Exclusive Interview!
Win a Solo Exhibition in July 2026 + An Exclusive Interview!
Jorge Pozuelo
Jorge Pozuelo

Jorge Pozuelo

Country: Spain
Birth: 1977

Born in León in 1977, he began his photographic career in the 90s. He quit his job as a telecommunications technician to devote himself to photography where he did an MA in photography from the University of Canterbury. He always wanted to find the human side in all his photographs, playing with visual aggression and silence of space. In 2009 he took an year off and traveled the world and published “Picture Easy”, a book for all rules of photography, affordable for anyone to start in the world of photography. He worked for an year as a digital photographic technician, where he met all professional teams and medium format digital market issues resolved color management studies like Ricky Dávila and Isabel Muñoz. He has done work for companies like Unidental photographic, Silken Hotels, Tinkle, Adecco, AD, Truhko Make Up, FX Magazine, Life Smile or artistic bodies festival in Spain. In October 2011 he traveled to Doha for several editorials for the magazine “Qultura” for the government of Qatar. He has done several photo exhibitions, “BodyArt”, “TattooArt” or “walls of silence”, joint exhibition of great impact in the press and on TV Carabanchel prison. He has made a joint project with the photojournalist Ervin Sarkisov titled “Back to Life” where they follow up drug abusers. His presentation was in the 2011 grenade Alandaluz Photofestival double pass and very well received. In the course of months he has now approached to teaching, he runs a photography school in Madrid and tries to instill his passion for photography. He has given seminars on photographic lighting as both white and black, making the latter a small obsession in Madrid, Cordoba and Barcelona for different associations, municipalities and companies like Elincrom and Fotocasión.
Source Artphotofeature.com
 

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More Great Photographers To Discover

Don Jacobson
United States
The world of photography and the world of the natural wonders of the Sierra Nevada opened to Don Jacobson simultaneously. The photographs he took with his little Kodak Brownie were woefully inadequate to express the grandeur of the Range of Light. Within a week of his first backpack trip into the high country, he bought his first SLR, a Pentax Spotmatic and began to take photography classes. His degree is in electrical engineering and he worked in that field for three years. Working for the defense industry became more of a contradiction with his political views initiating a search for a desperately needed a creative outlet. For the next twenty-eight years he worked as a glassblower. His work was shown in galleries across the United States, and the Corning Museum included a piece of his in their 1986 collection of 200 international glassblowers. Although glassblowing was his "day job*," he continued to practice the art of photography, studying photography with Edmund Teske at UCLA for a year. The two different mediums, are connected by light. The magic of glass is in its ability to transmit and reflect light while photography is the capturing of light. During the years he lived in the San Francisco Bay Area, 1973 through 1976, he amassed 135 images of owner decorated vehicles. He is currently a member of the Portland Photographers Forum and the Interim Group, a critique group originally formed by the influential photographer Minor White. Statement I see the world differently now. The camera, which narrows the field of vision, has actually expanded my vision. When I realized I was viewing reality as if it were a series of photographs, I initially questioned that perspective. Now, I know my perception is enhanced and enriched from my pursuit of photography. An already dynamic and interesting world has become more so. I am delighted by quality of light, vibrancy of color, unexpected and often unnoticed detail. The stunning structure of an orchid, the intricate ornamentation on an older building, or dishes stacked in a dish drainer are fascinating to me. Abstractions and patterns are richer and invite investigation. My subject matter is limitless. Anything that appeals to my eye is fair game for my camera.
Don Hong-Oai
China
1929 | † 2004
Don Hong-Oai was born in Canton, China in 1929 as the youngest son to a business family, and was raised and educated in Saigon, Vietnam. At age thirteen, he began an apprenticeship at a Chinese photo and portrait shop. In 1979, he immigrated to the United States and settled in San Francisco's Chinatown. Don began making a living by selling his landscape photographs in front of Macy’s and began to receive recognition for his craftsmanship. His style was heavily influenced by the legendary photographer Long Chin-San’s technique of layering negatives. By taking three negatives, foreground, middle ground, and background, and selecting a subject from each negative, thus forming one composite image of a serene landscape. All the various scenes in an image existed in reality, but each uniquely handcrafted photograph is a concoction of the artist's imagination. Each photograph was assembled only by the artist himself, never having an assistant or master printer aid him. His work has won scores of international awards and has been collected worldwide. Source: www.peterfetterman.com Don Hong-Oai (1929-2004) was born in Canton, China, and spent most of his life in Vietnam. At the age of 13, he began an apprenticeship at a photo and portrait shop. When he was not at the studio, he traveled and took photographs of the landscape. He stayed in Vietnam through the war, but fled by boat to California in 1979. He lived in San Francisco’s Chinatown where he had a small darkroom to create his photographs. While living in the US, he returned to China every few years to make new negatives. Hong-Oai’s style was heavily influenced by the legendary photographer Long Chin-San’s technique of layering negatives. By taking three negatives, foreground, middle ground, and far ground, and selecting a subject from each negative, Don would construct a serene landscape. Each of his uniquely handcrafted photographs in its entirety is a concoction of the artist's imagination. He assembled and printed the photographs by himself, never having an assistant or master printer aid him. Don’s work has won scores of international awards and has been collected worldwide. Source: www.gallery71.com
Martin Stranka
Martin Stranka was born on Friday April 13, 1984 in Most, Czech Republic, where he lived with his parents and older sister until the age of three. For the next twenty years, family then moves to Litoměřice, where he attends elementary school and the Josef Jungmann Gymnasium. He went on to study economics in Prague, where he has lived and worked ever since. He never studied art, but after the loss of a close friend in 2007 he turned to photography as therapy to regain his balance in life. After completing his university studies, he worked as a human resources manager while continuing in his pursuit of photography which later became his passion. In December 2010 his passion became his profession when he accepted commissions from New York publishing houses Sterling Publishing and HarperCollins. In his seventeen-year career, Stranka won more than 90 international awards, and honorary mentions in photography, of which the most significant include Special Photographer of the Year from the International photography Awards in New York in 2022, and 1st place in the Sony World Photography Awards that he won in 2018 and 2019 in London. His works were exhibited and auctioned at Christie’s in London in early 2023. Martin Stranka exhibited his work in New York, Miami, London, Paris, Prague, and Shanghai, in galleries including Christie’s London, Saatchi Gallery, SNAP! Orlando, Somerset House in London, or the exhibition hall of Prague’s Mánes. His works already attract the attention of art collectors and can be seen on the covers of books published by HarperCollins, Sterling Publishing, and Penguin Random House. Martin has also created several photographic visuals for the National Theater, the National Theater Ballet, and the National Theater Opera. He has published four monographic books the last of which was published the retrospective book for the exhibition at the Danubiana Meulensteen Art Museum. Statement Martin wrote about his work: ''I’m always searching for beauty, but to me, the sort of beauty that is obvious seems uninteresting and empty. To the contrary, a flaw in something that is seemingly perfect adds vital meaning to the captured scene and catches my often-distracted attention. At least a small wobble of emotion to contrast the calmness of mind in a piece of art makes sense to me. As an artist, I need to strip both myself and the viewer of certainty in order to create space for the necessary multitude of questions. I look for form and content that harmonizes with people and provides them with a quiet visual refuge. At first glance, the images I capture are calm, yet under the surface, they rage and roar. I plant a sense of dismay into the same artwork, be it only with the slightest hint of something sinister lurking beneath the surface. And it never ceases to amaze me that such seemingly incompatible contrasts can be combined into one image. I constantly return to the narrative of the relationship between mankind and nature, as well as the exploration of human existence itself. Loneliness and isolation – such relevant topics today – seem to me like an endless line of poetry that I stitch through every photograph, even if only marginally. I can’t let go of the feeling that it is in isolation that I find a much-needed dialogue. A dialogue with myself, within myself, into myself. The visible silence in a photograph is contrasted by hectic thoughts that I’m unable to resist. And after all, I don’t want to defy them, I just need to accept everything as an observer. Observation and voyeurism become the best ways to learn. I repeatedly try to discover the connection between visual beauty and dramatic reality. What connects the state of oversaturation of human relationships and the state of one’s own loneliness? I need to know the answer. In my work, I continue to experiment with the portrayal of personally experienced intimacy contrasted against the more ephemeral feelings of closeness between strangers. I try to give meaning to situations and objects beyond how they are perceived. I’m driven to tear down traditional contexts, to give states and objects different meanings, and thus place ordinary experiences in extraordinary contexts. Although this process may seem complicated, to me it comes completely spontaneously every step of the way. The medium of photography allows me to materialize all these external happenings and flickering events onto paper.''
Brad Walls
Australia
1992
Brad Walls is an Australian aerial photography based in Sydney. Best known for his use of close up top downs, Brad specialises in aerial portraiture and a minimalistic approach to aerial photography. Utilising one of the first consumer drones, Brad Walls stumbled across his passion for aerial content through stitching small video clips together taken during his extensive travels. 18 months on, Brad has refined his skillset, with a vision to strive and see the world from a different angle creating the perfect metaphor for his work. Pools From Above Pools From Above is an ode to the beauty found in the shapes, colours and textures of swimming pools. This unique and never-before-seen perspective uses Walls' clean, minimal aesthetic to visually showcase interesting pools from around the world. Inspired by his travels throughout Southeast Asia and within his own home country of Australia, Walls' journey initially began by capturing the bodies of water simply to document holiday memories. It wasn't until picking up the bestselling Annie Kelly coffee table book Splash: The Art of the Swimming Pool, however, that Walls would start investing time and passion into curating a series, stating that "As I turned each page of Kelly's book, a wave of childhood nostalgia washed over me, spending hours in the pool over summer." Paying powerful homage to Kelly, Walls' series chooses to keenly focus on pools' elements of composition from a bird's eye view. "I fell in love with the lines, curves and negative space of the pools, which - without alternate perspective from a drone - would have been lost." Pools From Above is also an integral part of a much larger project which is aimed at a book release in the not-too-distant future, as Walls says "The response from viewers has been positive, asking for the series to be amongst their coffee table books." Looking ahead, once the world finally re-opens, Walls has no plans of slowing down. He plans to capture even more world-renowned swimming pools across an array of idyllic locations, including Palm Springs, Mexico and the Mediterranean. Since bursting onto the photography scene in early 2019, Walls has gone on to produce award-winning photographs and garner worldwide media attention, with a primary focus on capturing aerial portraits of sportspeople like synchronized swimmers, gymnasts and ice skaters from unique perspectives and angles that audiences are normally unable to see.
Aljohara Jeje
European
1962
Aljohara Jeje can be described as a distinguished and versatile artist with a rich background in product design, art photography, and medieval artistry techniques. She demonstrates a dedication to lifelong learning through her diverse educational pursuits, including courses in Art History, Comparative Religions, and Ethics. Aljohara's passion for the arts is evident in her continuous exploration and mastery of various artistic disciplines. Aljohara’s practice delves into the exploration of societal and cultural dynamics, drawing inspiration from historical contexts and contemporary shifts. Her work is deeply rooted in storytelling, using visual narratives to convey intricate layers of meaning, engaging deeply with history, culture, and contemporary challenges, inviting viewers to reflect on the complexities of the human experience. Her artistic voice is unique, stemming from her keen observations of her surroundings. She has the ability to translate these observations into art, making her a versatile artist. With sensitivity and a critical eye, her art practice is a multidimensional exploration of societal issues, using a variety of visual techniques and mediums to convey her messages. Aljohara’s name and award-winning works are increasingly well-known and commissioned in and outside the region due to her wide range of expertly crafted fine art. Notable accolades such as recognition from the Saudi Arabian Ministry of Culture, her 'Allard Photography Prize for International Integrity' and shortlisting by prestigious institutions like The Bill & Melinda Gates Foundation, are fine examples. Beyond her artistic achievements, Aljohara is actively engaged in enriching cultural discourse, through workshops, talks, publications, and participating in international forums, demonstrating her steadfast dedication to fostering communication through the arts. AAP Magazine AAP Magazine 38 Women
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