All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Maroesjka Lavigne
Maroesjka Lavigne
Maroesjka Lavigne

Maroesjka Lavigne

Country: Belgium
Birth: 1989

Maroesjka Lavigne (b.1989, Belgium) gained her Masters in Photography at Ghent University in the summer of 2012. Her work has been shown internationally at the Foam Talent exhibition in Amsterdam, The Robert Mann Gallery in New York, Galerie Hug in Paris and Museum Saint Guislain in Gent, Belgium, among others. She self-published a book called ‘ísland’ in 2012 that sold out. In 2014 she published a postcard version of this book. In 2015 she made a commissioned work ‘Not seeing is a Flower’ in collaboration with the Flanders centre in Osaka. This was published in the catalog called Facing Japan. Her latest project 'Land of Nothingness' is made in Namibia and exhibited in the Robert Mann Gallery in New York.

She was selected for the Talent Call at Fotomuseum Amsterdam (FOAM) Netherlands 2012 and was the winner of the Emerging Talent competition of Lensculture in 2014 with the series ‘You are More than beautiful‘. In 2015 she won the Harry Penningsprijs in Eindhoven,Netherlands and in 2016 she won 1st place in the Landscape Category at the Sony World Photography Awards. She is currently living and working in Ghent, Belgium.

Source: www.maroesjkalavigne.be



Island: "Travelling through Iceland for four months, a country I was unfamiliar with: The light was bright, colours were vivid, and by the end of my trip the sun kept on shining all night long. Snow still held the country in its veil, creating a big white void. This has a way of cleaning up the landscape, the scenery gets more graphic. Wondering how this scene would look like in wintertime, I decided to go back for another month in January. The country turns blue at dusk in wintertime. All colours fade. Cities look like scale models seeking shelter from the weather in the shadow of the mountains.It was my intention to express the dazzling moment, that sometimes, time seems to stop."
 

Selected Books

Inspiring Portfolios

Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Edouard Elias
I chose photography naturally. It is surely the result of a double education: separated between Egypt and France, I learned to consider images both as memories and objects that allowed me to transpose myself into places where I could only remain for a moment, but also as historical documents, more in accordance with my classical instruction. In addition, many cartoons have certainly trained me in a straight, frontal and clear frame, so I was very early aware of geopolitical events as well as of the problems of population movement linked to war or suffering. At the age of 18, after a A level, ignoring which way to choose, and to comply with family expectations, I went to a business school. It was not for me, no compatibility possible. I then attempted a reconversion in the school of photography in Nancy. It was a revelation, I was fitting in the right place. Different encounters, for example with the reporter Luca Catalano Gonzaga in Rome, with the books of the agency Magnum, with some documentaries on photography report, made me eager to watch History in progress, to live it through my camera and especially not to forget it. So, instead of completing my internship at the end of the year in an identity photo shop, I went to Turkey in the Syrian refugee camps and then to Syria, producing my first photoreport. My childhood allowed me to acquire the faculty of movement, not limiting myself to the borders of my village or the cities of my region. So I naturally started on the road of reporting. The conditions and the encounters engendered satisfy the need I have to answer personal questions. All the means necessary to photograph a human being in a difficult situation (pain, loss, war, poverty, suffering) result from a deep desire and a work on personal adaptability. Nevertheless, the essence of our work must be focused first and foremost on the subject. The results today of the image on the international scene leave me skeptical, but I think that these photographs, although they unfortunately are taking the risk of not changing the situation, will allow us to remember. I keep on practicing photo reportage. The Foreign Legion committed to the Central African Republic and then to its surroundings in France, punctuated my work for a year. Lebanon, Jordan on the Syrian refugee crisis with the organization Première Urgence Internationale, the Congo DRC on rape as a weapon of war and its doctor Denis Mukwege or the closed educational centers of the Judicial Police of Youth are, as well as the rescues of migrants in the Mediterranean, part of my subjects. Visa for the image allowed me to sell my first photographs of Aleppo in Syria, to meet professionals who will become dear friends. I have, besides my personal projects orders and projects to realize in France and I dedicate all of my activity to photography. My pictures have been published in: Paris Match, Der Spiegel, Sunday Times magazine, Time Lightbox, VSD, Le Monde, Figaro Magazine, Le Parisien Magazine, Polka, Le Point, Libération, LFI Leica international, Gala..."Source: edouardelias.net
Chris Steele-Perkins
United Kingdom
1947 | † 2025
At the age of two, Chris Steele-Perkins moved to England from Burma with his father. He went to school at Christ's Hospital. At the University of Newcastle-upon-Tyne, he studied psychology and worked for the student newspaper; he graduated with honors in 1970 and started to work as a freelance photographer, moving to London in 1971. Apart from a trip to Bangladesh in 1973, he worked mainly in Britain in areas concerned with urban poverty and subcultures. In 1975 he worked with EXIT, a collective dealing with social problems in British cities. This involvement culminated in the book Survival Programmes in 1982. He joined the Paris-based Viva agency in 1976. In 1979 he published his first solo book, The Teds; he also edited the Arts Council of Great Britain's book, About 70 Photographs. Steele-Perkins joined Magnum Photos in 1979 and soon began working extensively in the developing world, in particular in Africa, Central America and Lebanon, as well as continuing to take photographs in Britain: The Pleasure Principle explores Britain in the 1980s. In 1992 he published Afghanistan, the result of four trips over four years. After marrying his second wife, Miyako Yamada, he embarked on a long-term photographic exploration of Japan, publishing Fuji in 2000. A highly personal diary of 2001, Echoes, was published in 2003, and the second of his Japanese books, Tokyo Love Hello, in March 2007. He continues to work in Britain, documenting rural life in County Durham, which was published as Northern Exposures in 2007. In 2009 he published a collection of work from 40 years of photographing England - England, My England. A new book, on British centenarians, Fading Light will be published at the end of July. Steele-Perkins has two sons, Cedric, born 16th November 1990, and Cameron, born 18th June 1992. With his marriage to Miyako Yamada he has a stepson, Daisuke and a grand-daughter, Momoe. Source Magnum Photos
Ellen Cantor
United States
Margaret Watkins
Canada
1884 | † 1969
Margaret Watkins (1884-1969) was born in Canada. Best known for art and advertising photography executed in New York in the 1920s, Watkins was active in the Clarence White school of photography and a participant in the shift from pictorialism to modernism. Her working life spanned a Victorian upbringing in Hamilton, Ontario, and the witnessing of the first Soviet Five-Year Plan. Watkins' modernism, which involved experimentation and a radical focus on form, transgressed boundaries of conventional, high-art subject matter. Her focus was daily life and her photographs, whether an exploration of the objects in her New York kitchen or the public and industrial spaces of Glasgow, Paris, Cologne, Moscow, and Leningrad in the 1930s, strike a balance between abstraction and an evocation of the everyday, offering a unique gendered perspective on modernism and modernity. Watkins established a studio in Greenwich Village and in 1920 she accepted the position of editor of the annual publication Pictorial Photography in America. Clarence White asked Watkins to join the faculty of his school, where Watkins met other notable photographers, including Alfred Stieglitz and Paul Strand. She worked for Macy's department stores and for the J. Walter Thompson advertising agency, capturing simple domestic objects with a clarity of modernist vision rare in commercial photography at the time. Her landscapes, portraits, nudes, still lifes, and abstractions received praise and attracted controversy. Exhibitions were held in the United States and in Europe. In 1928, Watkins decided to visit her four elderly aunts in Glasgow, Scotland. She traveled throughout Europe, photographing extensively and producing a body of work documenting post-revolution Russia. Her aunts began to take ill, and Watkins remained in Glasgow to help care for them. She drifted from the spotlight of public recognition, and few photographs or negatives exist from this time. Watkins lived in Scotland in seclusion until her death in 1969.
Franco Fontana
Italy
1933 | † 2023
Franco Fontana is an Italian photographer, born in Modena, Italy. He is best known for his abstract colour landscapes. He started taking photographs in the 1950s when he was working as a decorator in a furniture showroom. In 1961 he joined a local amateur club in Modena. The experience would be a turning point in his career, and Fontana went on to have his first solo exhibition in 1965 at the Società Fotografica Subalpina, Turin and at the Galleria della Sala di Cultura in Modena in 1968. Since then he has participated in more than 400 group and solo exhibitions. Fontana has photographed for advertising campaigns for brands such as Fiat, Volkswagen, Ferrovie dello Stato Italiane, Snam, Sony, Volvo, Versace, Canon, Kodak, Robe di Kappa, Swissair, and has been a magazine photographer for publications including Time Magazine, Life, Vogue (USA and France), Venerdì di Repubblica, Panorama, and with the Frankfurter Allgemeine Zeitung and the New York Times. Fontana's first book, Skyline, was published in 1978 in France by Contrejour and in Italy by Punto e Virgola with a text by Helmut Gernsheim. Fontana is the art director of the Toscana Fotofestival. He has received numerous awards, such as the 1989 Tokyo Photographer Society of Japan - The 150 Years of Photography - Photographer Award. Fontana is especially interested in the interplay of colours. His early innovations in colour photography in the 1960s were stylistically disruptive. According to art critic Giuliana Scimé, Fontana "destroyed all the structures, practices, and technical choices within the Italian tradition." Fontana uses 35mm cameras, and as noted by Iwan Zahar, deploys distant viewpoints with telephoto lenses to flatten contours in a landscape of crops and fields into bands of intense, saturated colour. This is an effect that Franco Lefèvre has described as dialectical landscapism. Of his use of colour in his 2019 retrospective exhibition Sintesi ('Synthesis') at Fondazione Modena Arti Visive, curator Diana Baldon has observed “His bold geometric compositions are characterised by shimmering colours, level perspectives and a geometric-formalist and minimal language...By adopting this approach during the 1960s, Fontana injected a new vitality into the field of creative colour photography for then multicolour was not in fashion in art photography...The way Fontana shoots, dematerialises the objects photographed, which loose three-dimensionality and realism to become part of an abstract drawing”. Aside from the rural landscape Fontana has applied his graphic sensibility to other subjects: city architecture, portraiture, fashion, still-life and the nude. Fontana's photographs have also been used as album cover art for records produced by the ECM Records jazz label.Source: Wikipedia Fontana's style was shaped in the late 1960s under the influence of Abstract Expressionism and Minimalism. In that his teachers were his older contemporaries, Mark Rothko, Barnett Newman and Ed Reinhardt. Fontana's work with its focus on form and color was quite different from the classical black-and-white art photography that was predominant at that time. His work is in more than 50 museums in the world, including Tokyo Metropolitan Museum of Photography, George Eastman House International Museum of Photography and Film (Rochester), Ludwig Museum (Cologne), San Francisco Museum of Modern Art, the Museum of Fine Arts (Boston), Museum of Modern Art (Paris), The Pushkin Museum of Fine Arts (Moscow), National Gallery of Victoria (Melbourne), Victoria and Albert Museum (London), Galleria d’Arte Moderna - Torino, Museum of Fine Arts, Houston-Texas - USA, Deutch Bank, Banca Unicredit, Italia, UBS Unione Banche Svizzere, Museo Nacional de Bellas Artes- Buenos Aires, Muscadelle Museum of Art - Williamsburg, USA, Mus e WWestlicht, Vienna, IVAM, Museo Internazionale d’Arte Moderna, Valencia, Mus e de l’Elys e, Losanna, Maxxi, Roma, Macro, Roma.Source: francofontanaphotographer.com
MD Tanveer Rohan
Bangladesh
1982
Md. Tanveer Hassan Rohan was born and brought up in Dhaka, the capital city of Bangladesh. He has an utter passion for photography and photography has been his passion for a very long time. Growing up in Dhaka, he has realized that beauty manifests in many forms. This city is a manifestation of the contrast of nature and urbanization. As a photographer, his essential aim is to capture the moments of life and give them significance by making them static in time. He loves to travel and be in different places, meet new people, and enjoy the experience that photography offers, which is to capture Earth's beautiful and awe-inspiring moments. He also loves to experiment with his photography. He has finished his Basic Photography course From Prism . He has taken part in many National and International Photography contest and till now he has won many national and more than 200 international photography awards, including IPA 2015 (2nd Place in General News Category and 7 Honorable mentions in different categories), MIFA 2015 (1st Place In General News Category and 3 Honorable mentions in different categories), Grand Winner in "Photo for Tolerance +" International Youth Photography Contest 2015. 1st prize in Sony World Photography Awards 2016, National Award ,2nd Prize in Photojournalism category from Xposure International Photography Competition 2016, 9 (3 Gold, 1 Silver, 1 Bronze , 3 Honorable mentions and also 2nd Place in People category) awards from Tokyo International Photography awards 2016. 2 Awards (1st Place in Reportage and 2nd Place in People category) from VIAP 2016, Bulgaria. He has been selected as a best Authors three times in FIAP patronage Photography Contest in France, Czech Republic and Bangladesh. His photographs exhibited in more than 45 countries.He has been awarded AFIAP distinction from Fédération Internationale de l'Art Photographique (FIAP) in early 2016, and BEPSS Distinction From The Photographic Society of Singapore (PSS) in November 2016 and PPSA Distinction FromPhotographic Society Of America in December 2016. It is with utmost diligent and inspiration that he is willing to carry on this passion throughout his life.
Advertisement
AAP Magazine #54 Nature
Win a Solo Exhibition this January
AAP Magazine #54 Nature

Latest Interviews

Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Exclusive Interview with Guillaume Bonn
With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
Exclusive Interview with Sander Vos
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
Exclusive Interview with Tomasz Trzebiatowski Editor-in-chief FRAMES Magazine
Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age. In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
Exclusive Interview with Manuel Besse
French photographer Manuel Besse is known for his compelling black-and-white imagery, which blends portraiture, documentary, and poetic narrative into a singular visual voice. With a career spanning several decades and continents—from the gold mines of Serra Pelada to the Arctic Circle—his work reflects a deep commitment to authenticity, human connection, and the preservation of cultural and natural landscapes. His series Macadam, winner of AAP Magazine #41 B&W, offers a contemplative look at fleeting urban encounters, rendered in his signature monochrome style. We asked him a few questions about his life and work.
Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes