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Luca Bernardini
Luca Bernardini
Luca Bernardini

Luca Bernardini

Country: Italy
Birth: 1990

I am an amateur photographer born in Pesaro in 1990. I have always loved photography but, not sure why, I never thought of making it my own until about 3 years ago. I work as an engineer in a refrigeration company, here a colleague lent me my first equipment and incited me to try, giving me some tips.
After a few days, During Covid's first pandemic lockdown, I bought my personal camera, a handful of books, and began to immerse myself in what is now my greatest passion. The goal is always to improve and to look for the right instant to get trough the lens, but the days spent walking around discovering and shooting are the greatest joy I could ever wish for. I am a very introverted person and thanks to this passion I am managing to get closer to the other people, I also hope, with time, to be able to tell more about myself and my thinking.

Winner AAP Magazine #30 Shadows

Website

@luca__bernardini__

 

Inspiring Portfolios

Klavdij Sluban
© Klavdij Sluban
Vincenzo Barone
© Vincenzo Barone
Michael Ackerman
© Michael Ackerman
 
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More Great Photographers To Discover

Richard Le Manz
Richard Le Manz
Spain
1971
For this engineer and self-taught photographer born in Spain in 1971, photography is equally essential both, to communicate the beauty and to reflect on the complex socio-environmental issues, which threaten our planet. He started in photography making landscape photography, but depicting nature is not enough. Pictures of great landscapes may not be the best way to move consciences and change our values and morals. His photography becomes what some journalist called "Philography", photography to philosophize, photography to make people think, to reflect. Photography used as a mean for expressing ideas, transmission of messages, and provoking reactions. Photography as a means to let out the images generated in his mind, imagination and creativity. For this purpose, the artist uses both the object and various photographic techniques like expression way, to delve into the plot of reflection, ideas and dreams. Photography to transmit a clear message, sometimes critical. His landscape photographs begin to turn to black and white and later they go unstructuring seeking to convey a clearer message. One of the first projects in which the search for new forms of expression begins is the "Unstructured Sunset" project that can be seen in this brief presentation. After receiving numerous national and international awards, he present in 2018 his first major project "Habitat, beyond photography", moving from local exhibitions to being invited to international festivals. In 2019 I present this project, together with the most recent "In Our Hands" at the Xposure International Photography festival in Sharjah (United Arab Emirates); different projects but both focuses on the future of our planet. The work "Habitat, beyond photography" explores the relationship between development and nature, between development and the environment and especially between the world of automotive and the environment. It focuses on the serious problem of the mobility habits of today's society, traffic and pollution. It uses internal elements of the explosion engine, (intake valves, exhaust valves, spark plugs, camshafts, injectors, timing chain, and so on) transforming and stamping these objects with a new meaning, creating visual metaphors where nothing is as it seems. In "In Our Hands" he uses multiple exposure in camera without digital manipulation to create images that show a stubborn reality, we are nature and his future is in our hands.
Bob Krist
Bob Krist
United States
Bob Krist is a freelance photographer who worked regularly on assignment for magazines such as National Geographic Traveler, Smithsonian, and Islands. These assignments have taken him to all seven continents and have won awards in the Pictures of the Year, Communication Arts, and World Press Photo competitions. He won the title of "Travel Photographer of the Year" from the Society of American Travel Writers in 1994, 2007, and again in 2008. Bob is a Sony Artisan of Imagery and has become an avid filmmaker, shooting and producing short travel films for a variety of clients, including National Geographic. His movie about Iceland, "A Thousand Autumns," won awards at the Johns Hopkins Film Festival, the Reykjavik International Film Festival, and the Trento Italy International Film Festival. For the last three years, one of his self-produced, one-man-band travel documentaries has placed either first or second in the prestigious Lowell Thomas Awards for Video Broadcast, sharing those top honors with films produced by much bigger and better-financed crews, like those from PBS prime time, CBS's Sunday Morning, and the New York Times. He is currently working on his next book, called, "Old Souls-Enduring Places," which is a collection of his black and white portraiture and landscape from around the world. "It's my 'anti-Gram' project," Krist says about the book.
Kimiko Yoshida
Kimiko Yoshida
Japan
1963
Kimiko Yoshida is a Japanese visual artist who was born in 1963 and lives in Europe since 1995. Subtle, fictional, paradoxical, Kimiko Yoshida’s Bachelor Brides form an ensemble of quasi-monochromatic self-portraits, fragments of an intimate web, elaborating on a singular story: the feminine condition in Japan. Her images are large format, luminous squares, underlining her fantasy-bio epic. While still very young, Kimiko Yoshida was struck by the story of her own mother, who met her husband for the first time on her wedding day. Kimiko Yoshida’s own story is compelling. Born in Japan, she left to France in 1995, where she adopted a new language, a new way to live, to create. She studied photography at the Ecole Nationale at Arles, later she went to Le Fresnoy Studio at Tourcoing, France. Kimiko Yoshida has been concentrating on this series of intangible self-portraits which can be read as a quest for the hybridization of cultures, for the transformation of the being, and perhaps even as a deletion of identities. The metamorphosis of her own identity into a multiplicity of identifications expresses the fading of uniqueness, the "deconstruction" of the self. Source: Gallery 51 Kimiko Yoshida was born in Tokyo, Japan in 1963. Feeling oppressed as a woman, she left Japan in 1995 and moved to France to pursue her artistic ambitions. She studied at the École Nationale Supérieure de la Photographie in Arles and the Studio National des Arts Contemporains in "Le Fresnoy". Since gaining her artistic freedom, Yoshida has been working prolifically. Her work revolves around feminine identity and the transformative power of art. In her most recent project, Painting. Self-Portrait she wears elaborate costumes and paints her skin in a monochrome color that matches the background. The monochromatic elements accentuate the fashion of Yoshida’s costumes. For the artist, the costume is "the field of diversion, detournement, and deflection." The visual elements, coupled with the titles’ reference to artists and paintings of the past (Ophelia by Delacroix, The Torero Bride with a Black Suit of Lights, Remembering Picasso), are meant to come together to challenge conventional notions and traditions of art and cultural identity. "I want an image that tries to rethink its own meanings and references." For her self-portraits, Yoshida received the International Photography Award in 2005. She continues to exhibit worldwide, and her work is found in the permanent collections of the Museum of Fine Arts of Houston, the Israel Museum, the Kawasaki City Museum, and the Maison Européenne de la Photographie in Paris. Source: Holden Luntz Photo Gallery
Stefano Fristachi
Stefano Fristachi
Italian
Italian photographer and photojournalist, lives in Barcelona. He currently works as a freelance with international magazines and works with production agencies. The interest in all social characteristics opens his vision to Anthropological Photography and Reportage, which allow him to better express the feelings of empathy and understanding of the world, and to deepen his interests in all issues of geopolitics and current affairs. Humanidade The warm humanity, the charm of the popular world of Bahia, of the island of Boipeba, and its characters that animate the colorful landscape with their daily struggles and hopes. Their original humor, the wealth that sweats through the adventures of their stories. They live, immersed in their smells, in their instincts, in contradictions and pains, immersed in the shade of palm trees, protected by the coral reef, among a thousand types of mango, fragrant, sweet to the point of redeeming at least in part the echo of the ancient colonialism. The human race beyond all, that work of God conceived in a week, the human race always alive as a burning wound, a beauty, a rot. An eternal fire, death and resurrection, the human race like a diamond, a drop; the human race is the mine of loneliness, the human race is a scratch, a doodle, the face of desire. A great divine synthesis. A subtropical tradition veiled by a flavor of realism with vivid tones, strong accents, a magical realism, a sort of intrinsic narrative power. Rapid images, sometimes suffocating, due to the temperatures, emotional images of poor morality but animated by a turgid variety, the same that populates the lush Bahia. Nobility of mind, baseness of every order and rank, hunger, thirst, disease, and sex, so much sex, that climbs wet everywhere.
Gregori Maiofis
Gregori Maiofis
Russia
1970
Gregori Maiofis was born in 1970 in Leningrad, Soviet Union, now St Petersburg, Russia. His grandparents, Solomon Maiofis (1911-1968) and Olga Ugriomova (1913-2009) were architects, father, Mikhail Maiofis (b. 1939) is a famous book illustrator. In 1987-1989 studied at the Academy of Arts (the Institute of Painting, Sculpture and Architecture n.a. Y. Repin) in St Petersburg at the graphic arts department. In 1991 his family moved to Los Angeles, California where he lived until 1995. Currently lives and works in St Petersburg, Russia. Gregori Maiofis has had solo exhibitions across Russia, Europe, and the U.S. since 1993. His work is in many museum collections including the following: Museum of Fine Arts, Houston, Los Angeles County Museum of Art, Santa Barbara Museum of Art, Multimedia Art Museum, Moscow, The State Pushkin Museum of Fine Arts, Moscow, Museum of modern Art, Moscow, Novy Museum, St Petersburg, Russia, National Gallery of Slovakia, Bratislava, Museum of Modern Art, Rio de Janeiro.Source: gregorimaiofis.com Gregori Maiofis (Russia, b. 1970) comes from a family lineage of artists and architects including his father, the renowned graphic artist, Mikhail Maiofis, who nurtured artistry early in his son's life. Maiofis is a classically trained printmaker and graphic artist who began his first photographic projects in 2000. Printmaking is still an integral part of the artist's oeuvre, which following experimentation with gelatin silver prints and several alternative processes, led to his now prominent use of bromoil and bromoil transfer printing. Common among the Pictorialist masters of the early 20th Century, the bromoil process allows the artist unique aesthetic abilities to manually control the color, tone and texture of the final picture on various surfaces. In the series Proverbs (Monograph available, Nazraeli Press, 2014) the artist uses proverb texts of various origins and visually interprets and conceptualizes them in whimsical staged compositions. Often working with trained animals including elephants, monkeys and predominantly a bear named Funt, Maiofis creates a new reality of interplay between human and animal. Several of the prints on view depict a dialogue of ballet between a Russian ballerina and the bear who appears thoroughly enthused by the performance before him.Source: The Eye of Photography In his work, Maiofis seems to follow the well-worn formulas of how to make “real art, art not for pleasure” but one does get certain pleasure all the same. That pleasure comes from vibrancy of the works’ surface, be it painting or photography. Maiofis has enriched his photography with his painting experience of how to “saturate the surface” of his works so that the “depth” of space in his photos is produced by an illusion of sombre depth like in Baroque painting rather than by multiplanarity of composition. In the photo series Fables he turned to the fables written by Ivan Krylov dubbed Russian La Fontaine in the latter half of the 18th and the earlier half of the 19th centuries. In conformity with the Soviet tradition those fables were for a long time interpreted as a reading matter for children. The artist refutes this view and creates a photographic semblance of space which, in complexity, is commensurable with the fables’ rich associative and semantic content. Here, he uses various forms of photography, combining collage, montage, and painting on photography, and using prints to build the scene for a new still. In his subsequent works, Gregori Maiofis mocks at artistic erudition itself by looking at “simple truths” crammed into a freshman’s head in the history-of-art class. As a rule, people don’t stop to think about the hidden meaning of objects habitually used in art. Maiofis subjects such cliches to ridicule, which brings about sudden recognition of how complex the habitual is. He provokes this recognition not unlike a practicing painter who would recognize that classical photography is the most expressive pictorial means known to him. He thus creates photography involving text that cannot be fully narrated elsewhere.Source: De Santos Gallery
Bill Gekas
Bill Gekas
Australia
Australia-based photographer Bill Gekas has a real knack for portraiture, particularly the kind that results in an homage to many Old Masters of classic paintings, including artists like Vemeer and Rembrandt. Using his five-year-old daughter as the model, Gekas recreates many mid-18th century settings that are inspired by portraits of adults from famous paintings. He styles the environment and his daughter to fit the time period, and uses strobe lights to maintain the appearance of soft, natural lighting. The self-taught photographer learned on 35mm and has since turned to digital techniques. He uses post-processing to put the final touches on each of his photographs. Through hard work, experimentation, and a grand vision, the talented artist has successfully produced an extensive collection—a tribute to both the well-known artists as well as to his young daughter. As Gekas has evolved as a photographer, so has his unique style. He says "Don’t be scared of taking certain elements from different works and molding them into something to call your own. You might like the lighting from a photo you saw somewhere, a prop from another photo, colors from another. The key is not to limit yourself with the excuse, ‘It’s all been done before.’ Yes, many things have been done before, but with some careful thought you can adjust a concept to give it your signature. Experiment!”From www.billgekas.comMy name is Bill Gekas and I was born and live in Melbourne, Australia. A self taught photographer that learnt the technicals of photography using a 35mm film slr camera from the mid 90's and switched to digital in 2005, practicing the art of photography and constantly refining my style. Source: My Modern Met
Mario Giacomelli
Mario Giacomelli
Italy
1926 | † 2000
Giacomelli was a self-taught photographer. At 13, he left high school, began working as a typesetter and spent his weekends painting. After the horrors of World War II, he turned to the more immediate medium of photography. He wandered the streets and fields of post-war Italy, inspired by the gritty Neo-Realist films of Vittorio De Sica and Roberto Rossellini, and influenced by the renewed Italian photographer Giuseppe Cavalli, and developed a style characterized by bold, stylized compositions and stark contrasts. Source: Wikipedia With the death of Mario Giacomelli (1925-2000) Europe lost one of its most talented photographers. Trained initially as a typographer, his early interest in graphic effect became a key part of his later photographic work. Winner of numerous medals and prizes, he acheived international status through numerous exhibitions throughout Europe, America and Japan. His highly personal, artistically atmospheric visual style demonstrates a life-long preoccupation with landscapes that emphasize linear, abstact patterns, rural townscapes, streetscenes and portraits of everyday Italian life. His work displays a profound understanding of the country and its people and a mastery of form and effect that make his photographs imaginatve works in their own right. Source: Peter Fetterman Gallery
Jacopo Maria Della Valle
Jacopo Maria Della Valle
Italy
1979
I was born in Rome in 1979. When I was 6 years old I received my first camera and I fell in love with it at once. The camera has always been the means to get in touch with everything around me, savor it, store it and make it mine. As a child my dream was to become a director, I studied scenography at the Academy of Fine Arts in Rome and I worked as a Digital Artist at Cinecittà, but it's through photography that I found the best way to express myself. I'm not a great lover of technique and rules, for me it's fundamental to train the eye and the heart (as Cartier-Bresson quoted) to capture moments, looks and gestures that contain stories, experiences, sensations and can communicate some emotion. The real keystone was when I put together my two great passions: photography and traveling. Traveling with the aim to photograph and photographing with the aim to travel, made me snap like a spring, every trip became an outlet to get out of the monotony of everyday life and makes me feel alive. I started traveling around Europe, in the United States, Africa and Cuba. I traveled around Asia accompanied by Terzani's reading and I was fascinated by the different Asian cultures. My main interest is the knowledge and the discovery of the authenticity of different populations which still live in respect of their particular cultural traditions. I undertake long journeys to reach the populations that still survive globalization and I always try to get in close contact with local people and live their own customs and traditions. I use the camera to connect with the other and with my shot I try to represent who I am in front of, with all his cultural and emotional baggage. This is why I prefer to take portraits, to reproduce the essence of who I meet. I hope with my photos to convey the same emotions that these meetings arouse in me.
James Tye
James Tye
United Kingdom
1971
Having been a keen snapper from an early age, James has had the good fortune to work for clients in the UK and abroad, shooting magazine articles, travel guides and corporate work. Recent assignments have taken him to Asia and the US from where these submissions were shot. This career has provided him with an opportunity to indulge his creative passion, explore the world and amass a large collection of fridge magnets. Statement A camera is a great ice-breaker. It gives me an opportunity to approach and interact with people of other cultures and languages with whom I would otherwise merely observe from a distance. I’m keen to involve the subject in the process, creating a more intimate dynamic and making it a happy encounter for all. The images I’ve chosen to share are observations and chance encounters over several years, across four continents, often whilst riding a rental scooter at dawn and dusk.
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