Sergey Zubov

Celebrated American artist Imogen Cunningham (1883–1976) enjoyed a long career as a photographer, creating a large and diverse body of work that underscored her unique vision, versatility, and commitment to the medium. An early feminist and inspiration to future generations, Cunningham intensely engaged with Pictorialism and Modernism; genres of portraiture, landscape, the nude, still life, and street photography; and themes such as flora, dancers and music, hands, and the elderly.
Organized chronologically, this volume explores the full range of the artist’s life and career. It contains nearly two hundred color images of Cunningham’s elegant, poignant, and groundbreaking photographs, both renowned and lesser known, including several that have not been published previously. Essays by Paul Martineau and Susan Ehrens draw from extensive primary source material such as letters, family albums, and other intimate materials to enrich readers’ understanding of Cunningham’s motivations and work.

The US American photographer Jamie Johnson has been traveling around the world for twenty years and is best known for her touching portraits of children. When she came to Ireland for the first time in 2014, she immediately felt connected to the cosmos of the Irish Travellers and would visit and photograph them time and again for five years. The encounter with the children of this extremely poor and socially discriminated population group fascinated her and even changed her views as a mother. Fascinated by the resilience and optimism of the children, who are proud of the culture and traditions of the Irish Travellers, Johnson’s portraits aim to promote the perception and respect of children as such, far removed from the common prejudices of society.

Swahili is Gilles Nicolet first book, a personal, melancholic, sometimes contemplative vision of a world which is dear to him but disappearing.

I need a kiss before they leave is an emotional family portrait, filled with immense joy, but also with a disturbing realization of a wonderfulness that cannot be stored. It reflects upon a human desire to freeze time, to forever savoring those moments which are destined to live on only as distant memories. Photography is of course the artistic technique to actually freeze time and to store a split second forever. In this book, Norwegian photographer Mathilde Helene Pettersen captures an entire parenthood, with all its bright and dark moments.
I need a kiss before they leave reflects on becoming and being a mother, on building a family, on the immediate and unpredictable, on strengths and fragilities in life, and sometimes on the overshadowing fear of death and the irreversible.