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Anna Försterling
Anna Försterling
Anna Försterling

Anna Försterling

Country: Germany
Birth: 1995

Anna Försterling is a German photographer specializing in artistic nude and portrait photography. She was born in 1995 and grew up in Saxony, near Dresden. She successfully completed her training as a photographer from 2014 to 2017 and has been working as an independent photographer in Freiberg (Saxony) since January 2021.

Her work is all about minimalism and body shapes. Skin plays an important role for her, as skin is one of the most important and exciting means of expression of character and soul.
She also wants to show emotion and soul in her portraits and usually reduces to a presentation in black and white.
Anna photographs her work exclusively analog and mostly on black and white film and develops her films herself.
 

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Bruno Barbey
France
1941 | † 2020
Bruno Barbey is a Moroccan-born French photographer. Throughout his four-decade career he has traveled across five continents, photographing many wars. Barbey was born in Morocco and in 1959-1960 he studied photography and graphic arts at the Ecole des Arts et Métiers in Vevey, Switzerland. During the 1960s he was commissioned to photograph European and African countries by Editions Rencontre in Lausanne. In 1964 Barbey began a relationship with Magnum Photos, becoming an Associate member in 1966, and a full member in 1968, at which time he was photographing student riots in Paris. He eventually served as Magnum vice president for Europe in 1978 and 1979 and from 1992-1995 as President of Magnum International. He spent 1979 to 1981 photographing Poland, resulting in his book Portrait of Poland. He rejects the label of 'war photographer', although he has covered civil wars in Nigeria, Vietnam, the Middle East, Bangladesh, Cambodia, Northern Ireland, Iraq, and Kuwait. From 2005 Barbey has, among other work, been pursuing a project on Istanbul. Source: Wikipedia Bruno Barbey was born on Feb. 13, 1941, in Berrechid, Morocco, just south of Casablanca, and grew up in various parts of the country: Rabat, Salé, Marrakesh and Tangiers. His father, Marc, was a diplomat; his mother was Marie Clement-Grandcourt. From a young age he knew he wanted to travel the world like Antoine de Saint-Exupéry, the French writer and aviator. Bruno’s parents sent him to Paris for high school, where he was a “dunce and a thwarted lefthander,” he wrote in his retrospective photographic book, Passages (2015). He and his friends skipped classes to see movies by Italian neorealist filmmakers like Roberto Rossellini and Vittorio De Sica. Mr. Barbey entered Ecole Des Arts et Métiers in Vevey, Switzerland, in 1959 to study photography and graphic arts, but left after a year, because his courses had focused on advertising and industrial photography. He craved the freedom to pursue a single subject for an extended period as the Swiss documentary photographer Robert Frank did in his groundbreaking book The Americans, which was published in France in 1958. Following Frank’s example, Mr. Barbey drove through Italy in a used Volkswagen in the early 1960s, photographing its people in black-and-white in a neorealist style. “My goal,” he wrote in Passages, “was to capture the spirit of the place.” He caught dozens of moments in the life of a nation: a family racing along on a scooter, each person ebullient save for the pregnant mother; a group of girls whose joyful expressions contrast with that of a doleful beggar holding out his hand behind them; little boys playing with realistic-looking weapons; and a host of other characters like prostitutes, priests, old men and Mafiosi. The photographs - which would later be published as The Italians in 2002 - brought him to the attention of Magnum, where he worked for more than 50 years. In addition to the Paris demonstrations, he covered conflicts in the Middle East, Nigeria, Vietnam and Cambodia and recorded life in China, Brazil, India, Japan and Spain. He spent much of 1981 in Poland during the rise of the Solidarity trade union, capturing Poles in a period of turmoil and torment. He collected the pictures in Portrait of Poland (1982). “He brought genteel attention to the human experience — with a lot of kindness,” Gilles Peress, another Magnum photographer, said in a phone interview. Mr. Barbey, whose photographs have been widely exhibited, received the French National Order of Merit and was elected a member of the French Academy of Fine Arts, Institut de France, in 2016. He served as a Magnum executive at two different times. In addition to his wife, he is survived by a daughter, Aurélie Barbey; a son, Igor; two sisters, Loïse Barbey-Caussé and Adelaïde Barbey-Guissinger; two brothers, Dominique and Guy; and four grandchildren. Although he left Morocco at age 12, Mr. Barbey kept returning there, lured by its rich colors, light and architecture. Many of his photographs were of quiet moments: a bride showing off her hands decorated with a henna design; a golden-hued interior with a distant figure in a black-and-white striped robe blending into the floor’s design; red hides drying in the sun; and a person in black walking down a lane bracketed by pink walls. “Its very difficult to photograph there,” Mr. Barbey was quoted as saying on Magnum’s website, “because in Islam photography is supposed to bring the evil eye.” He added: “You have to be cunning as a fox, well-organized and respect some customs. The photographer must learn to merge into walls. Photos must either be taken swiftly, with all the attendant risks, or only after long periods of infinite patience.”Source: New York Times
Anders Petersen
Sweden
1944
Anders Petersen was born 1944 in Stockholm, Sweden. 14 years old his family moved to Karlstad in Värmland, where he met the artists ?Karin Bodland and Lars Sjögren.In 1961 he stayed for some time in Hamburg in order to learn German and trying to write and paint. He didn’t take any pictures. Five years later he met Christer Strömholm and became a student at his School of Photography in Stockholm. Strömholm was not just his teacher but also a close friend. Their friendship influenced him for life. In 1967 he starts photographing a bar called Café Lehmitz in Hamburg, close to Zeughausmarkt. He was photographing there for a period of almost three years and in 1970 he had his first soloexhibition over the bar in Café Lehmitz with 350 photographs nailed to the wall. In 1973 he published his first book ”Gröna Lund”, about people in an amusementpark in Stockholm. In 1974 he graduated from the Swedish Filmschool,Dramatiska Institutet, in Stockholm. In 1978 he published ”Café Lehmitz ” in Germany. In 1984 the first book in a trilogy about locked instituations was published. The three books were about people in a prison, a nursing house, and a mental hospital. After photographing the mental hospital for three years he oriented himself towards a more free approach in a kind of diarylike photography. During 2003 and 2004 Anders Petersen was appointed Professor of Photography in the School of Photography and Film at the University of Göteborg, Sweden. He regularly has workshops and exhibitions throughout Europe, Asia and in the USA. He has received numerous grants and rewards since the seventies. In 2003 Anders Petersen was elected the ”Photographer of the Year” by the International Photofestival in Arles.In 2006 he was shortlisted as one of four for the ”Deutsche Börse Photography Prize”. In 2007 he received the ”Special Prize of the Jury” for his exhibition ”Exaltation of Humanity” by the third International Photofestival in Lianzhou, China. In 2008 he received the ”Dr. Erich Salomon Award” by Deutsche Gesellschaft für Photographie, Germany. ”The Arles Contemporary Book Award for 2009? went to JH Engström and ?Anders Petersen’s collaborative book ”From Back Home” by Max Ström.?The book was nominated to ”The Best Photographic Book in Sweden, ?year 2009? and also Winner of Design Bronze Lion in Cannes. In 2010, he was in the jury for the BMW Prize at Paris Photo. In 2012, nominated to the Swedish Photo Book Prize in Stockholm for ”SOHO”, and PhotoBook of the Year award for "City Diary" Paris Photo and the Aperture Foundation. Anders Petersen has his darkroom in Stockholm, Sweden. Source: www.anderspetersen.se Anders Petersen, one of Sweden’s most influential auteur photographers, sensitively blurs the boundaries between madness and normality in his artwork “Mental Hospital”. Petersen, who won international renown with his Hamburg Café Lehmitz series (1967-1970), spent several years photographing patients at a psychiatric hospital just south of Stockholm. His gaze is one of raw tenderness, conveying naked emotions with insightful poetry. Carried by a deep integrity, he takes the viewer to the limits of normality. "It is the naked encounter, the raw, piercing confrontation with the Other and therefore with myself," Petersen said, describing his intention. "I photograph people with whom I can identify and I feel attracted by people who live outside society. In all my photographs, I try, essentially, to create self-portraits." He is neither sentimental nor sensational. Instead, his images show a great respect for that which is enigmatic in people, for that which is hidden under the surface. Petersen’s works have marked the history of photography. In 2003, he won the award “Photographer of the Year” at the festival "Rencontres de la Photographie" in Arles, and he was honored with the German Photography Society’s Dr.-Erich-Salomon prize in 2008 for his life’s work. Source: Grundemark Nilsson Gallery
Joel Meyerowitz
United States
1938
Joel Meyerowitz is an award-winning photographer whose work has appeared in over 350 exhibitions in museums and galleries around the world. He was born in New York in 1938. He began photographing in 1962. He is a “street photographer” in the tradition of Henri Cartier-Bresson and Robert Frank, although he works exclusively in color. As an early advocate of color photography (mid-60s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance. His first book, Cape Light, is considered a classic work of color photography and has sold more than 100,000 copies during its 30-year life. He is the author of 17 other books, including the newly released book by Aperture, Legacy: The Preservation of Wilderness in New York City Parks. In 1998 he produced and directed his first film, POP, an intimate diary of a three-week road trip he made with his son, Sasha, and his father, Hy. This odyssey has as its central character an unpredictable, street-wise and witty 87-year-old with a failing memory. It is both an open-eyed look at aging and a meditation on the significance of memory. Within a few days of the 9/11 attacks on the World Trade Center in New York, Meyerowitz began to create an archive of the destruction and recovery at Ground Zero and the immediate neighborhood. The World Trade Center Archive consists of over 8,000 images, and was created with the sponsorship of the Museum of the City of New York, to whom a set of digital files was donated for their archives and for exhibition. The Archive is an historic, photographic record of the immediate aftermath of the tragedy and the neighborhood as it evolved. The U.S. Department of State mounted 35 exhibitions of this work and they were shown around the globe from their inauguration by Colin Powell in Spring 2002 until 2005. Over 4 million people have seen these shows from Jerusalem to Islamabad, Rome, Paris, London, Kuwait, Moscow, Istanbul, and 200 other cities. Meyerowitz’s photographs from the World Trade Center Archives were also on view when he represented the United States at the 8th Venice Biennale for Architecture in 2002. Meyerowitz created a traveling exhibition of 117 vintage and modern prints entitled Out of the Ordinary 1970-1980, which premiered at the Jeu de paume in Paris, France. It has been exhibited at the Museum der Modern in Salzburg, Austria, and the Nederlands Fotomuseum in Rotterdam, the Netherlands, the Musee de la Photographie in Charleroi, Belgium and the Thessaloniki Museum of Photography in Thessaloniki, Greece Meyerowitz completed the ambitious project of documenting and creating an archive of New York City’s 29,000 acres of parkland. It is the first long-term visual documentation of NYC parks since the 1930’s when they were photographed as part of Franklin Roosevelt’s WPA program. Adrian Benepe, Commissioner of Parks and Recreation, has invited Meyerowitz to produce a comprehensive database for future use by the Parks department and to share these images of the parks with communities in all 5 boroughs. Legacy: The Preservation of Wilderness in New York City Parks was published by Aperture in the fall of 2009, accompanied by a large-scale exhibition of the same name at the Museum of the City of New York. Meyerowitz is a two-time Guggenheim fellow, a recipient of both the NEA and NEH awards, as well as a recipient of the Deutscher Fotobuchpreis. His work is in the collection of the Museum of Modern Art, the Boston Museum of Fine Arts and many others. Source: Wikipedia
Steve Toole
United States
1957
"I have enjoyed photography and art since I was young. I was fortunate to have traveled with my family throughout the United States as I was growing up. Taking pictures during those trips was an exciting and rewarding experience. Being semi-retired from teaching, I now have more time to rekindle my artistic pursuits. Much of my work depicts life outdoors, because that is where I spend a significant amount of my time. Capturing moments through photography, whether magnificent or understated, is more fulfilling now than ever. My wife Kim and I live in Ashton, Illinois where we foster rescued dogs, volunteer, teach part time, and enjoy small town life." About Back Roads: "There is a sense of timelessness when I travel the back roads of America. Two-lane blacktops and meandering gravel roads are the capillaries that carry me to those places that modernity has mostly ignored. For me, in these places, the sky is bigger, the earth is closer, and the air smells fresher. A feeling of tranquility exists there. Whether a bucolic scene, a sylvan setting or an alpine view, I am transported to a time and place that previous generations might have experienced. Black and white images contribute to that feeling of timelessness, whether depicting a leafless tree, a grazing horse, or an abandoned pick-up truck in a pasture. I hope my photos transport the viewer, even for a few moments, to these out-of-the-way places – sometimes beautiful, sometimes gritty, sometimes simple, sometimes unique, but always real." Awarded Photographer of the Week - Week 14
Jeff Schewe
United States
Jeff Schewe is a renowned, award-winning photographer based in Chicago, Illinois, with nearly 50 years of experience in commercial and fine art photography. Originally trained as a painter, Schewe transitioned to photography, bringing a painterly sensibility to his images and making significant contributions to digital imaging and fine art printing. A pioneer in the use and development of Adobe Photoshop and Lightroom, Schewe has influenced the field through both technical innovation and artistic vision, serving as a longtime alpha and beta tester and earning multiple credits in Photoshop. He has been recognized as an Epson Stylus Pro, an Apple Master of the Medium, and was inducted into the Photoshop Hall of Fame in 2006. Schewe is the author of two seminal books, The Digital Negative and The Digital Print (Peachpit Press). Though retired from commercial work, he continues to share his expertise through writing, workshops, and exhibitions, with recent acclaim for his Black and White in Antarctica series, featured in Communication Arts Photography Annual, Rfotofolio Selections, and as a Critical Mass finalist. Schewe holds degrees from Rochester Institute of Technology, including a B.S. with Highest Honors in Professional Photography. Statement I am a photographer with a painter’s eye, creating images that transform fleeting moments into lasting visual experiences. My work is about revealing the extraordinary in the ordinary, capturing overlooked details and quiet gestures that often go unnoticed. Through careful attention to light, and composition, I strive to see the unseen—moments made visible—and invite viewers to pause, reflect, and connect with the world around them. Whether in familiar spaces or distant places, my practice balances authenticity and artistic vision, translating real-life encounters into photographs that illuminate the hidden beauty within everyday life. AAP Magazine 50 Shapes
Vee Speers
Australia
or over two decades, Australian Paris-based artist Vee Speers has established herself in the art world with her unforgettable portraits. Her carefully choreographed images are painterly and ethereal, with a visual and metaphorical ambiguity which challenges established narratives. In her iconic series The Birthday Party, she eternalises the innocence of childhood with timeless portraits that are at once hauntingly beautiful and provocative. She dresses, styles and sometimes masks her characters, creating enigmatic stories to blur the line between reality and fiction and highlighting our need to escape into fantasy. Speers succeeds in choreographing characters that offer allegorical glimpses into life, triggering memories and emotions from our own childhood. From the legend of the Phoenix, Speers draws inspiration for her most recent work Phoenix, an evocative story about passion, love and loss and an homage to the anonymous women. In this series Phoenix, the battles are over and the flames and ashes disappear. Emerging is the emboldening force of liberation as these women of all ages are on the threshold of new beginnings. At once powerful and vulnerable, Speers' portraits are timeless symbols of transformation between life and loss and the renaissance of a new identity. Speers' work has been exhibited in museums, galleries, art fairs and festivals around the world, and published in features and on covers of more than 60 international magazines, with 3 sold-out monographs of her work. Her photographs have been acquired by Sir Elton John Collection, Michael Wilson Collection, Hoffman Collection U.S. , Carter Potash Collection, Morten Viskum Collection, Alan Siegel, Lawrence Schiller, DZ Bank, Museum of Fine Arts Houston, Museum 21C, Kentucky, George Eastman House, Beth Rudin Dewoody, Hudson Bay Company Art Fund, CB Collection, Tokyo. More about Vee Speers: AAP: When did you realize you wanted to be a photographer? Vee Speers: I’ve always thought photography was magical as my father had his own darkroom. When I went to art school, I realized that the instant way of capturing an image suited my impatient personality. Where did you study photography?QCA, Brisbane, Australia Do you have a mentor or role model?Not really. I don’t like to follow. What or who inspires you?The cinema is a constant source of inspiration. A story is told, and the way it is filmed can transport you to another time or place. Still images can be the same. How could you describe your style?Playful, beautiful, strange, melancholic, obvious and unexpected. Do you have a favorite photograph or series?The Birthday Party and Bulletproof This is two series photographed 6 years apart using the same children. What kind of gear do you use?Polaroid film and medium format cameras. Do you spend a lot of time editing your images? For what purpose?No, I know right away when I’ve taken a good shot. Or if I haven’t. What advice would you give a young photographer?Know what you want and don’t be distracted from your goal. Don’t listen to what anybody else says. What mistake should a young photographer avoid?Accepting to shoot anything that will compromise his or her personal journey. An idea, a sentence, a project you would like to share?Don’t be afraid.What are your projects?Portraits, portraits and more portraits. Your best memory as a photographer?There are so many. Every time I take a great image, I feel so excited, like everything has lined up perfectly. These are the best memories. The compliment that touched you most?A woman once told me that my work had changed her life. If you were someone else who would it be?Diane Arbus, with all those wonderful and strange people to photograph. Your favorite photo book?Lord of the Flies by William Golding.
Brian Ulrich
United States
1971
Brian Ulrich is an American photographer known for his exploration of consumer culture. Ulrich's work is held many collections including the Art Institute of Chicago and the Cleveland Museum of Art. Photo District News named Ulrich as one of 30 Emerging Photographers (2007). He was awarded a Guggenheim Fellowship (2009). His work has been featured in the New York Times Magazine; Time Magazine; Mother Jones; Artforum; and Harper’s. Aperture and the Cleveland Museum of Art published his first major monograph, Is This Place Great or What (2011). The Anderson Gallery published the catalog Closeout: Retail, Relics and Ephemera (2013).Source: Rhode Island School of Design Ulrich was born in Northport, New York, and lives in Providence, Rhode Island. He received a BFA in photography from University of Akron in Akron, Ohio (1996) and an MFA in photography from Columbia College Chicago (2004). He has taught photography at Columbia College Chicago and Gallery 37, both in Chicago; and at the University of Akron. He is an Associate Professor of Photography at the Rhode Island School of Design. In 2001 in response to a national call for citizens to bolster the American economy through shopping, Ulrich began a project to document consumer culture. This project, Copia, is a series of large-scale photographs of shoppers, retail spaces, and displays of goods. Initially focused on big-box retail establishments and shoppers, the series expanded to include thrift stores, back rooms of retail businesses, art fairs, and most recently empty retail stores and dead malls. Ulrich works with a combination of 4×5 large format and medium format cameras, and also incorporates found objects as sculpture, juxtaposed with his photographs on gallery walls.Source: Wikipedia
Thomas Hoepker
Germany
1936
Thomas Hoepker is a German photographer and member of Magnum Photos. He is known for stylish color photo features. He also documented the 9/11 World Trade Center destruction. Hoepker originally made a name for himself in the 1960s as a photojournalist with a desire to photograph human conditions. Hoepker was born in Munich, Germany. He first began taking pictures when he was 16 and received an old 9x12 glass plate camera from his grandfather. He developed his prints in his family's kitchen and bathroom, and began to earn a little money by selling pictures to friends and classmates. Hoepker studied art history and archaeology from 1956 to 1959 at Göttingen, in Munich, Germany, where he was taught about understanding images and composition. While in school he continued to photograph and sell images to help finance his education. From 1960 to 1963 he worked as a photographer for Münchner Illustrierte and Kristall, reporting from around the world. Then in 1964 he began working as a photojournalist for Stern. In the 1970s he also worked as a cameraman for German TV, making documentary films. In 1976 he and his wife, journalist Eva Windmoeller, relocated to New York City as correspondents for Stern. From 1978 to 1981 he was director of photography for American Geo. From 1987 to 1989 Hoepker was based in Hamburg, working as art director for Stern. Magnum Photos first began distributing Hoepker's photographs in 1964. He became a full member in 1989. He served as Magnum President from 2003 to 2006. For much of his career Hoepker used Leica cameras. In the 1970s he began to also use single-lens reflex cameras alongside his Leica, using Leicas for wide angle shots and Nikon or Canon cameras with zoom lenses. In 2002 he began using digital SLRs. Today, Hoepker lives in New York City with his second wife Christine Kruchen, with whom he produces TV documentaries.Source: Wikipedia
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